How are the themes of freedom and oppression presented in, ‘The Story of an Hour’ and ‘Still I Rise?’ In this essay, I will be looking at the themes of freedom and oppression in, ‘The Story of an hour’ by Kate Chopin and, ‘Still I Rise’ by Maya Angelou through different devices, language and techniques. ‘The Story of an Hour’ centers around a married woman called Louise Mallard who we are told has a heart condition. However, when news of a tragic accident involving her husband is broken to her, whilst on the surface she appears to act with ‘normal’ emotions of grief, “Wild abandonment, in her sisters arms.” there is an immediate acceptance that doesn’t normally happen. Later we learn that she feels a strange, overwhelming sense of freedom. …show more content…
One of the most obvious cases of this is when Mrs. Mallard comprehends that her husband has just passed away and goes into her room with no one to follow her. Chopin uses the physical description of the armchair with adjectives “comfortable” and “roomy” to show that at a time when one might expect her to feel instability and apprehension, her realization of freedom has brought her a sense of calm and ease at discovering her new self. She no longer feels trapped and oppressed by her marriage and her wifely …show more content…
Mallard gains her own independence after her husbands proclaimed death. The story refers to the protagonist as Mrs. Mallard. However, after, ‘Mrs. Mallard’ has acknowledged that her husbands death has brought her freedom, she is then referred to by her first name, Louise. ‘Louise, open the door! I beg; open the door—you will make yourself ill.’ Cleverly, Angelou portrays a similar idea by repetitively exaggerating how she possesses objects and attitudes. ‘Weakened by my soulful cries? Does my haughtiness offend you… Cause I laugh like I’ve got gold mines. Diggin’ in my own backyard…Does my sexiness offend you…I dance like I’ve got diamonds At the meeting of my thighs.’ Despite Angelou’s use of similes, it is obvious that she takes advantage of the words my/mine. This shows the readers how in Angelous’s history they were unable to posses objects or attitudes. Hence now she has the opportunity, she will take full advantage of
In Kate Chopin’s “The Story of an Hour,” female heroine Louise Mallard’s judgment is questioned after her inability to show emotion following her husband’s death. Instead of feeling desperate and hopeless, Louise feels a sense of freedom and liberation. This depiction of an independent woman prevails in The Awakening as Chopin discusses a woman who battles to fulfill traditional Victorian female ethics in the midst of undergoing a physical and emotional awakening. Edna and Louise are similar because neither woman is happy with accepting conventional gender roles. In The Awakening, Chopin discusses the different female roles that Edna Pontellier, Adele Ratignolle, and Mademoiselle Reiz’s represent to emphasize the different ideas that women
Chopin shows that some social pressures and responsibilities can in fact hold one back from their own potential as was Mrs. Mallard. Marriage was introduced as one of these social expectations, and Mrs. Mallard’s internal conflict shows the reader that sometimes it is hard to question these normalities. By creating such an internal visual of Mrs. Mallard, Chopin provides a tale of the true importance of seeing past socialistic deception, and choosing to find happiness beyond
Mrs. Mallard’s sullen, yearning physical description depicts her prior lack of freedom, as it contrasts with the unfamiliar, alluring scenery and images that she experiences after her husband’s supposed death. Mrs. Mallard, although young, is depicted as a woman “whose lines bespoke repression” (Chopin). It is
In The Story of an Hour Kate Chopin gives a very inside look at her feelings about marriage, female independence, and the human will. The first description that Chopin gives of Louise (the main character of the story) is her heart trouble. The way that it is suggested, gives the reader reason to believe that the ailment may not only be physical but also mental. Louise's sister, Josephine and Richards treat Louise with great care as though she is fragile. They are afraid that breaking the news of her husband's death to her may be harmful to her condition. When Louise hears the news of her husband's death, Chopin tells us that she "wept with wild abandonment." This apparently was not the expected response. This is known, because Chopin tells the reader that many women would have received the message and been so paralyzed by it that they would not have been able to show emotion. Therefore, it is assumed that Louise is a rather passionate person.
In Kate Chopin's short story "The Story of an Hour," there is much irony. The first irony detected is in the way that Louise reacts to the news of the death of her husband, Brently Mallard. Before Louise's reaction is revealed, Chopin alludes to how the widow feels by describing the world according to her perception of it after the "horrible" news.
Throughout the story, we see the lack of individuality and identity for women in marriages. For the entirety of the story the protagonists is known as Mrs. Mallard. Her identity is tied to her husband until she found her own identity while she was alone in her room. Her sister cried out to her by addressing her by her first name-Louise. It was in that moment where Louise placed her identity in herself not in her
Mallard realizes that her husband has died, she realizes that she is free, something which was unusual for women in the mid 1800’s. She said it over and over under her breath: “`free, free, free! `” (151). Her husband’s death represents a new life for Mrs. Mallard. Mark, Cunningham notes, “Mary E. Papke has noted that the reader learns Louise’s first name only after Louise accepts her `new consciousness` of freedom; before that Louise is Mrs. Mallard” (1).
Several symbols in Kate Chopin's "Story of an Hour" create a feeling of comfort, wellness, and wonderfulness within the reader's mind. The first symbol I will speak of is the "comfortable chair" which she sinks into after the news of her husbands' death. Then, I will speak of the open window, which she sits in front of through which she sees many symbols of things that are good. Finally, I will speak of the description of Mrs. Mallard herself and her comfortable situation, which will tie together all the symbols that create the feelings of comfort and wellness in the reader.
In both her short stories The Story of an Hour and Emancipation: A Life Fable, Kate Chopin presents the them that no matter how terrifying freedom can be, it is always superior to confinement. She does this using literary devises such as tone, symbols and irony.
In the third paragraph of the story, Chopin describes Mrs. Mallard as she goes into her room and sits on an armchair. Chopin describes how Mallard ?sank pressed down by a physical exhaustion that haunted the body and seemed to reach into her soul?. In this point of the story Chopin uses symbolism connecting Mrs. Mallard and the chair, the chair representing the death of her husband and her feelings about it. How it was ?a comfortable roomy chair?, she is showing us how Mrs. Mallard was ?comfortable? with her husband?s death and now felt she had room to exist freely. This is supported by the lines ?she would live for herself now. There would be no powerful will bending her in the blind?? This demonstrating to the reader that she felt controlled by her husband, and that she would no longer bet tied down to the ways of the time, which were men control women. This also supported by Jennifer Hicks in her overview of the story which states " Later, when we see Mrs. Mallard "warm and relaxed", we realize that problem with her heart is that her marriage has not allowed her to "live for herself"."
...e could explore her own intuitions and be her own self, and like most women, it was a dream she had longed for since birth.
Xuding Wang writes in her essay, Feminine Self-Assertion in “The Story of an Hour”, a strong defense for Kate Chopin’s classic work, “The Story of an Hour”. Wang provides powerful proof that one of the pioneering feminist writers had a genuine desire to push the issue of feminine inequality. Even decades later, Xuding Wang fights for the same ground as Kate Chopin before her. She focuses on critic Lawrence I. Berkove, who challenges that Louise Mallard is delusional with her personal feelings of freedom once she discovers the news that her husband has passed away. The story opens with the line “Knowing Mrs. Mallard was afflicted with a heart trouble” (Chopin). [1] Chopin uses allegory to describe
Louise Mallard finds personal strength in her husband's death, ready to face the world as a whole person "She breathed a quick prayer that life might be long. It was only yesterday (prior to her husband's death) she had thought with a shudder that life might be long." The strength conveyed in the image of Louise carrying "herself unwittingly like a goddess of Victory" is unmistakable. However, the irony that her husband lives, and therefore, she cannot, conveys the limited options socially acceptable for women. Once Louise Mallard recognizes her desire to "live for herself," and the impossibility of doing so within the bounds of her marriage, her heart will not allow her to turn back.
Kate Chopin's story, "The Story of an Hour", focuses on an 1890's young woman, Louise Mallard. She experienced a profound emotional change after she hears her husband's "death" and her life ends with her tragic discovery that he is actually alive. In this story, the author uses various techniques-settings, symbolism and irony- to demonstrate and develop the theme: Freedom is more important than love.
Not attempting to hide, Mrs. Mallard knows that she will weep at her husbands funeral, however she can’t help this sudden feeling of seeing, “beyond [the] bitter moment [of] procession of years to come that would belong to her absolutely” (Chopin, 16). In an unloving marriage of this time, women were trapped in their roles until they were freed by the death of their husbands. Although Mrs. Mallard claims that her husband was kind and loving, she can’t help the sudden spark of joy of her new freedom. This is her view on the release of her oppression from her roles of being a dutiful wife to her husband. Altogether, Mrs. Mallard claims that, “there would be no powerful will bending hers in that blind persistence with which men and women believe they have a right to impose a private will upon a fellow-creature” (Chopin, 16). This is the most important of Mrs. Mallard’s thoughts, as she never officially states a specific way when her husband oppressed her. However, the audience can clearly suggest that this is a hint towards marriage in general that it suffocates both men and women. Marriage is an equal partnership in which compromise and communication become the dominant ideals to make the marriage better. It is suggested that Mrs. Mallard also oppressed her husband just as much as he did to her when she sinks into the armchair and is, “pressed down by a physical exhaustion