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Symbolism of the story of an hour
Symbolism of the story of an hour
Evaluation of the story of an hour
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In Kate Chopin's short story "The Story of an Hour," there is much irony. The first irony detected is in the way that Louise reacts to the news of the death of her husband, Brently Mallard. Before Louise's reaction is revealed, Chopin alludes to how the widow feels by describing the world according to her perception of it after the "horrible" news. Louise is said to "not hear the story as many women have heard the same." Rather, she accepts it and goes to her room to be alone. Now the reader starts to see the world through Louise's eyes, a world full of new and pure life. In her room, Louise sinks into a comfortable chair and looks out her window. Immediately the image of comfort seems to strike a odd note. One reading this story should question the use of this word " comfortable" and why Louise is not beating the furniture instead. Next, the newly widowed women is looking out of the window and sees spring and all the new life it brings. The descriptions used now are as far away from death as possible. "The delicios breath of rain...the notes of a distant song...countless sparrows were twittering...patches of blue sky...." All these are beautiful images of life , the reader is quite confused by this most unusual foreshadowing until Louise's reaction is explained. The widow whispers "Free, free, free!" Louise realizes that her husband had loved her, but she goes on to explain that as men and women often inhibit eachother, even if it is done with the best of intentions, they exert their own wills upon eachother. She realized that although at times she had loved him, she has regained her freedom, a state of beeing that all of G-d's creatures strive for. Although this reaction is completely unexpected, the reader quickly accepts it because of Louise's adequate explanation. She grows excited and begins to fantasize about living her life for herself. With this realization, she wishes that "life might be long," and she feels like a "goddess of Victory" as she walks down the stairs. This is an eerie forshadowing for an even more unexpected ending. The reader has just accepted Louise's reaction to her husband's death, when the most unexpected happens; her husband is actually alive and he enters the room shocking everyone, and Louise especially, as she is shocked to death.
Ego is the fall of many. In critical analysis, “Fatal Self-Assertion in Kate Chopin’s ‘Story of an Hour’”, Lawrence L. Berkove displays his view of Louise. It is evident in his article that he pays close attention to Chopin’s details of emotion. The article describes how the story forecasts the fatal ending with suspension and clues. He believes that the key to the story is “recognizing this deeper ironic level” (Berkove). Kate Chopin leaves the story up for interpretation concerning theme and the true reason for her death. Berkove, in his article, states that the theme of the story is extreme self-assertion and that feminism shines through the story.
“When the Negro Was in Vogue from The Big Sea” by Langston Hughes was mainly about an ironic situation in which white, despite repressing the black community, “set up shop” in the majority black Harlem neighborhood. Also because the wealthy and influential were embracing the black culture, while outside of the Harlem neighborhood they oppressed them. One could conclude that the audience of this would be anyone unaware of the 1920’s and how some of the African Americans were treated. One could also conclude from the passage that the purpose of this was to give Langston’s perspective of how hypocritical America was at the time about racism. Whites felt that blacks were beneath them but wanted to go their clubs.
Even though Massachusetts was the “most populous, influential, and powerful of the New England colonies” and New England as a whole was considered a healthier environment than the Chesapeake colonies, disease was still a major issue (Taylor, pg. 166). Due to the fact of the new environment, weather, location change, lack of access to food and fresh water, and close proximity, disease and death were inevitable during the colonial era. Massachusetts was no exception. According to Pond, the people were “subject to disease,” and had “died of the scurvy and of the burning fever two hundred and odd” (Pond, pg. 94). Ultimately, if a colonist did not die from the extremely high fever, they were immobilized inside their own bodies and unable to walk.
Both Nora and Louise's lives have been shaped and molded to conform to their husbands' wishes. At the time these stories took place, it was basically unheard of for women to assert their beliefs or to act upon their ideas. As a result, Louise was forced to succumb to the role of an obedient wife, in order to abide by the norms of society. This is apparent because of the way she reacts when she learns of a false rumor regarding her husband's sudden death. While in deep thought, and staring out the window by herself, she has a sudden realization of complete happiness and total freedom. As she tries hard to repress these fresh, new feelings, she speaks the words, "free, free, free" (23)! These words help the audience to understand the repression she has been forced to withstand for many years. She feels sudden exhilaration as she reflects on what her new life will bring her. She speaks of the treatmen...
In the beginning of “Story of an Hour” the readers are introduced to Louise Mallard who found out that her husband has died in an accident. Louise reacts to the news like we would expect any wife would. At first she is obviously upset so she excuses herself and rushes off to her bedroom to have some space. While in her room she realizes that she in some sense she was happy. Now she had her freedom. “When she abandoned herself a little whispered word escaped her slightly parted lips. She said it over and over under the breath: “free, free, free!” The vacant stare and the look of terror that had followed it went from her eyes. They stayed keen and bright. Her pulses beat fast, and the coursing blood warmed and r...
Louise Mallard has not yet heard the news of her husband’s death. As the news is revealed to her she went into a state of unhappiness, and she had a hard time “accepting the significance” (463). She “wept at once” with “wild abandonment” and the “storm of grief” (463), passed over and she went alone to her bedroom with no one to follow her. The author describes in the previous sentence that the storm of grief has passed over her,
Louise felt repressed in her marriage to her husband, in a sense she wanted to be free from him.
She said it over and over under her breath: "free, free, free!" (Chopin). This was the first time that Louise Mallard tasted freedom and the feeling was so overwhelming that she couldn’t contain herself. The thought of being free after years of oppression was too much for to handle. There would be no one to live for during those coming years; she would live for herself. There would be no powerful will bending hers in that blind persistence with which men and women believe they have a right to impose a private will upon a fellow-creature (Chopin). This can give one insight on why she died from heart failure, something she cherished to be take from her at a moments notice was just too much to overcome. The grandmother’s manipulative ways lead her down the wrong path. The first act came when she snuck her cat Pitty Sing along for the ride, knowing her son disliked arriving with the cat. She had her big black valise that looked like the head of a hippopotamus in one corner, and underneath it she was hiding a basket with Pitty Sing, the cat, in it. She didn't intend for the cat to be left alone in the house for three days because he would miss her too much and she was afraid he might brush against one of the gas burners and accidentally asphyxiate himself. Her son, Bailey, didn't like to arrive at a motel with a cat (O’Connor). The irony in this would be that the cat would be the cause of the
Unfortunately, her hope for long years and many beautiful spring days was abruptly ended in an ironic twist. Unbeknownst to herself and her company, Mr. Mallard had survived, and within an hour the promises of a bright future for Mrs. Mallard had both began and came to an end. Her grievous death was misconstrued as joy to the others: "they said she had died of heart disease-of joy that kills" (Chopin 471). This statement embodies the distorted misconception that a woman lives only for her man. The audience, in fact, sees just the opposite. To Louise her life was elongated at the news of her husband's death, not cut short. Throughout the story, one hopes Louise will gain her freedom. Ironically, she is granted freedom, but only in death.
In her story “The Story of an Hour,” Kate Chopin (1894) uses imagery and descriptive detail to contrast the rich possibilities for which Mrs. Mallard yearns, given the drab reality of her everyday life. Chopin utilizes explicit words to provide the reader a background on Mrs. Mallard’s position. Chopin uses “She wept at once,” to describe Mrs. Mallard’s emotional reaction once she was told her husband had been “Killed.” Mrs. Mallard cared for and loved her husband; being married was the only way of life that she knew.
At the beginning of the story, Josephine, Louise’s sister, attempts to break the news of her husband’s death to her “as gently as possible” so as to not cause heart failure (477). The main concern is that Louise will be so devastated over the loss of her husband, that it will cause a premature death, but a factor that many overlook or don’t expect is Louise’s sudden change of heart and her realization of all the freedom she will gain after Brently’s death.
From the beginning of “The Story of an Hour”, Louise seems to be portrayed as quite a frail woman. Though she is young, we find out that she already has “a heart trouble” which could correspond with some sort of problems in her marriage....
Kate Chopin is a master of descriptive prose as the language she uses evokes strong emotion in the reader in “The Story of an Hour.” Chopin’s expressive diction leaves the reader feeling bittersweet – joyful for Louise’s future and pity for the restriction she felt in her marriage. This feeling is best described at the moment when Louise has succumbed to the idea of a new, free life: “Her fancy was running riot along those days ahead of her. Spring days and summer days, and all sorts of days that would be her own. She breathed a quick prayer that life might be long. It was only yesterday she had thought with a shudder that life might be long.” (Kate Chopin 307). Chopin’s powerful, emotive prose pulls the reader into the world of Louise’s complex emotions and ultimately enables the reader to identify with her perception that marriage is repressive and confining, which is contradictory to the social norms of the late 19th century.
The story happens in the house that belongs to Louise Mallard. Most of the time, the author focus on the upstairs of the house- Louise's bed room and the room is closed. We can see Louise is trapped in her house. Her bed room is the only place that belongs to her. So when she heard about the"death" of her husband, she goes to her upstairs bed room, and close the door. "
She is marginalize from society by her partner and she has to live in the shadows of him. She is unbelievably happy when she found out about the death of her husband. She expresses her feelings of freedom in her room where she realize she will live by herself. This illustrates that Louise has been living in an inner-deep life disconnected form the outside world where only on her room away from family and friends she discovers her feelings. It is important to mention that even though Louise has a sister, she does not feel the trust to communicate her sentiments towards her. We discover a marginalization from family members and more surprising from a women, Louise’s sister. The narrator strictly described Louise’s outside world but vividly reveals what is in her mind. At the same time she feels guilty of her emotional state by recognizing that she loved Brently mallard sometimes, her husband. Louise contradict herself but this demonstrates her emotional feelings about her husband disregarding her marriage. The situation of this woman represents the unhappiness and disgraceful life that women had to suffer from their