In the process of looking for a stolen vehicle, Officer Ryan pulls over an SUV owned by a wealthy Black couple, Cameron and Christine. Though he is aware that their automobile is not the one he is looking for, he confronts them because he says he witnessed Christine having sex with Cameron while he was driving. Afraid of the consequences of facing a racist police officer, Cameron chooses not to speak during the awkward discussion and does not defend his wife. Because she is unable to stop Officer Ryan, Christine is impacted by his inappropriate behavior as well. At first, Officer Tom Hansen, Ryan's coworker, strikes me as being less prejudiced and more refined. Nevertheless, it becomes evident as the movie goes on that Hansen is actually worse …show more content…
Their heated argument transforms their home into a battleground. Christine is furious and won't let up, despite Cameron's best efforts to justify his inaction during the event. The next day, the persistent conflict causes their relationship to become strained and unresolved. Cameron reacts defensively to his internal turmoil and the harsh reality of racial tensions in Los Angeles. The movie does a masterful job of portraying the complexities of interpersonal relationships and human emotions in the face of adversity. Following an automobile accident, Christine Thayer was found by Officer Ryan in a flipped vehicle. He knows her, even if their previous exchange was tense. At first, Christine won't accept his help since she doesn't want him to touch her. But Ryan can rescue her from the automobile just in time to prevent it from catching fire. This instance demonstrates the intricacy of their bond and the friction that exists between them because of their previous meeting. The movie features a multicultural cast that includes people of color, Latinos, Koreans, Iranians, Whites, and Blacks, among …show more content…
Their choices are influenced by conventional gender stereotypes. In the movie, characters of both sexes navigate social expectations. For example, the female characters deal with issues of empowerment and vulnerability. Race, class, and gender all cross to form a complicated web of relationships. A snowfall occurs in Los Angeles during the last scene. Snow frequently stands for holiness, rebirth, and purification. The city's imperfections and scars are concealed as it covers them. A metaphor for hope and the potential for change, the snowfall appears throughout the movie. The snow falling implies that reformation and atonement are still possible despite the conflicts and prejudices that are portrayed throughout the film. The possibility for understanding and healing, as well as the interdependence of all people, are encouraged to be considered. 1. What is the difference between a. and a. In the end, the movie makes the case that empathy and understanding can end the vicious cycle of bigotry and rage and foster real connections. Gender, ethnicity, and class are expertly combined in this movie to explore the subtleties of interpersonal relationships and challenge viewers' own biases and
Discriminating gender roles throughout the movie leaves one to believe if they are supposed to act a certain way. This film gives women and men roles that don’t exist anymore, during the 60s women were known to care for the family and take care of the house, basically working at home. However, a male was supposed to fight for his family, doing all the hard work so his wife didn’t have too. In today’s world, everyone does what makes them happy. You can’t tell a woman to stay at home, that makes them feel useless. Furthermore, males still play the roles of hard workers, they are powerful compared to a woman. However, in today’s world a male knows it isn’t right to boss a woman around, where in the 60s, it happened, today women have rights to do what they want not what they are
Officer Ryan is a white bigoted police officer who has a clear hatred of African Americans. The scene depicts Office Ryan pulling over a vehicle, because it looks like one that was reported stolen. However, after running the plates, he knows the vehicle is not stolen, but using his Legitimate Power, he pulls the vehicle over anyway. Like most power, legitimate power is based upon perception and reality, and the ability to influence others based on their status, and the right to comply. However, once the stop is initiated, he then engages in Coercive Power, and sexually assaults the female passenger, Christine Thayer, as her husband, Cameron Thayer, watches helplessly. Ryan hatred of blacks is so intense that he does even care that he has just committed a crime in front of his partner, a partner who knows that he has just crossed the line. Officer Ryan has no respect for blacks, and used racial profiling as a means of pulling over and harassing the couple. When a person with authority uses their position to force someone to comply with what they want, by using acts of threats and intimation is coercive power.
The most important events of this film all revolve around the female characters. While there are some male charac...
One of them was racist and would use his authority to exploit minorities. During a traffic stop, the movie director and his wife were pulled over for allegedly performing felatio on her husband. During this stop, the racist cop thought they were drunk, so they were taken out of the car. During the pat down of the wife, the racist cop sexually assaults his wife reaching his hand up her cocktail dress. The director did not say anything when the officer felt up his wife because he was worried about his social role. Social role is a set of expectations for a certain group or type of person. In this case, he was a director and worried that his social role may be tarnished if he were to argue with this police officer. We saw that later in the scene he and his wife began to argue because of
These movies allowed female characters to embody all the contradictions that could make them a woman. They were portrayed as the “femme fatale” and also “mother,” the “seductress” and at the same time the “saint,” (Newsom, 2011). Female characters were multi-faceted during this time and had much more complexity and interesting qualities than in the movies we watch today. Today, only 16% of protagonists in movies are female, and the portrayal of these women is one of sexualization and dependence rather than complexity (Newsom, 2011).
Believe it or not, gender scripts shape our everyday lives. The way we think, act, or even the way we interact with one another is undeniably influenced by gender roles. References toward gender are placed subliminally around us in ads, billboards, and on the television. These messages subconsciously tell us as a society what is acceptable behavior and what is not. As learned in class, gender scripts are socially constructed behaviors that society sets for all of us to follow. If someone behaves differently from the already established norms, that person is looked as weird or as an outcast from the rest of the group. The iconic film Love and Basketball allows us as viewers to see gender scripts being defied and role reversal emerged.
One of the most memorable and dramatic scenes of the film, Crash, occurs when Ryan, a personally racist police officer, happens upon an car accident in which a woman is trapped in her overturned vehicle. The lasting impression that this scene leaves is probably the reason that I chose it to reflect on in this paper. Ryan, when taking his daily patrol, notices a line of stopped traffic, and stops to see why they are at a stand still. Up ahead, he sees smoke coming out of the engine of one car, and another flipped upside-down. He quickly runs to the car to see if anyone is trapped inside, without a thought. He sees an African-American women caught in her seatbelt and dives through the broken window and asks if she is alright. When she responds that she cannot breathe, he slides in further to try to help her unbuckle and get out; Around them, gasoline is dripping from the tank. The woman, Christine, recognizes him from earlier as the officer her sexually assaulted her in front of her husband, and screams at him to get away from her--having been scarred by their earlier encounter. He also recalls her from earlier, and realizes in this moment, that his racist and sexist actions towards Christine earlier could cost her her life. He informs her that he is the only person th...
Consequently, they must then take on parties, dates, auctions, beach days, and fashion shows, all while concealing their true male identities. While doing this, the movie portrays extreme stereotypes of gender roles and expectations. Although the portrayal of female expectations and characteristics is exaggerated for comedic effect, the underlying points and issues still remain. The way the brothers dress, speak, act, and understand their new social life as females, all contributes to the obvious contrast in gender specific qualities. The consistent sexualization of women and over pompous attitudes of men throughout the film provides exceptional evidence that society has established acceptable norms for both genders. These established roles of femininity and masculinity conflict within the undercover agents as they struggle to act poise, arrogant, non-confrontational, and sexy like their fellow female friends are, yet this is completely out of the norm for them as they are truly males. However, when they slip-up and allow their defensive masculine traits to show through it allows for not only a comedic break, but an exceptional
In the first scene when Cameron is introduced, two white cops get a call about a stolen car. The openly racist cop, Officer Ryan, pulls over Cameron and Christine’s Lincoln Navigator, although it is obvious that their Navigator is not the stolen vehicle. The cop thinks he sees the couple participating in a sexual act while driving. When he approaches the car to ask for registration and license, Cameron and Christine laugh and find the whole situation humorous. Officer Ryan then asks Cameron to step out, and although Cameron obeys, he acts confused. He is obviously not drunk or wanting trouble (in the movie it even states that he is a Buddhist), and he declares that he lives only a block away. When his wife comes out of the car protesting the absurdity of the stop, the officer tells both of them to put their hands on the car so he can check for weapons. The cop then humiliates Christine by feeling her up between her thighs while Cameron is forced to stand by and watch. In this scene, Cameron does not protest but unbelievingly stares at what is happening to his wife. He is in a vulnerable situation because if he objects, he and his wife could be arrested and his reputation ruined. When the police ask Cameron what he should do with what they did in the car he slowly says, “Look, we’re sorry and we’d appreciate it if you’d let us go with a warning, please.
We crash constantly. We crash into the cultures and lives of those that surround us in our society. We judge because we do not know or unwilling to understand the differences that surround us. The director wants the audience to make an unfair judgment on Officer Ryan because of he inappropriately searches Christine, however, as the movie progresses our judgments crashes as we begin to identify with Officer Ryan. When Graham states ?We are always behind metal and glass,? it is not the metal and glass we are behind, but the fear of understanding and trusting someone that is different from us. This fear is where our preconceived notions and racist habits come from. It is the fear of trusting that in which can cause us to crash.
...the female and male gender across cultures. This role can cause problems when mistaking a male for a female much like Gallimard did in the play. Everyone from children, to the media, creates stereotypes. Stereotypes corrupt members of society, compelling them to view cultures and gender unfairly. Societies must eliminate the amount of stereotypes that are being distributed to various cultural around the world. Stereotypes are powerful, limiting, and discriminatory, and they prevent people from understanding other cultures fully. Without the demolition of stereotypical ideas, cultures that stereotype others will not see the differences between the stereotypical ideas and the real ideas of a culture.
Also, the film revealed women empowerment and how superior they can be compared to men. While demonstrating sexual objectification, empowerment, there was also sexual exploitation of the women, shown through the film. Throughout this essay, gender based issues that were associated with the film character will be demonstrated while connecting to the real world and popular culture.
...ereotypes and patriarchal norms (Annie baking, Helen being a rich step-mom, the wedding itself), it also undermines patriarchy at the same time. At one point or another throughout the film all of the female characters go against the common conception and portrayal of women being proper and passive. They can be raunchy, drink, use vulgar language, and show they aren’t that different from men.
...gender norms are perceived by others. With more time, and more careful analysis of the movie, I believe my results could have been more accurate through better operationalization methods of the variables. However, the patterns I found did a good job in answering the question I was interested in.
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