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Stereotype in hollywood
Globalisation in the film industry
Stereotype and films
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The movie industry has mostly been considered as vain and superficial. To some extent, it is shallow and egoistic. News of Matt Damon buying a new house in Beverly Hills or George Clooney getting off his helicopter near his house in Lake Como may show how extravagant movie stars can live. The opulence of movie stars’ lifestyles stereotypes the movie business as if it is all about out the money. This is not a wrong claim; in Hollywood every penny counts and the producers are usually out to get more finances. There is, however, a much more profound side of movie making. Not every screening is aimed to make more profit. With globalization on full throttle, the movies can be distributed on a wider scale much easier with various causes other than …show more content…
As a Bosnian film and theatre director, he had the responsibility to revitalize the city’s cosmopolitan style of living. Thankfully, he had external assistance to guide him along the way and make this festival a success. Renowned German film director, Wim Wenders supplied most of his films to the film festival. His movie, Until the End of the World was the opening movie for the festival and gave the film festival its theme “Beyond the End of the World”. In addition to sending his cinematic masterpiece, he requested many other directors to do the same. These directors included Kryzystof Kieslowski and the famous director Francis Ford Coppola. For the promotion of the festival Susan Sontag, an American writer and filmmaker, exported hundreds of copies of the promotion poster which were printed in New York City into surrounded Sarajevo. (Redzic, 2014) Even though she was misusing the United Nations airlift, the usage of globalization saved the film festival’s fate.Without the supply of international film director’s movie contribution to the Sarajevo Film Festival and publicity that came from New York, the festival would not be able to accommodate 20,000 people from all over the country that took place in three theaters. (Kirka,1994) This was a big event towards using global distribution techniques to promote humanity in a country that has lost all utilities and goodness. Pasovic strived to keep the artistic veins of the Balkans; he wanted the world to know Balkans are not bloody and barbaric but teeming with beauty of different cultures it
A new edition to the course lineup, this week's film classic, Sunset Boulevard. This film will focus on the culture and environment of the Hollywood studio system that produces the kind of motion pictures that the whole world recognizes as "Hollywood movies." There have been many movies from the silent era to the present that either glamorize or vilify the culture of Hollywood, typically focusing on the celebrities (both in front of and behind the camera) who populate the "dream factories" of Hollywood. But we cannot completely understand the culture of Hollywood unless we recognize that motion pictures are big business as well as entertainment, and that Hollywood necessarily includes both creative and commercial
Grainge, P., Jancovich, M., & Monteith, S. (2012). Film Histories; An introduction and reader. Edinburgh: Edinburgh University Press.
Many people might say that stars are merely a product of the Hollywood system needing to make a profit; Hollywood manufactures a product and creates the demand for it. A star's image is processed through advertisements and promotions and has little to do with what the audience wants and needs from entertainment. There is a widespread mentality that any Average Joe can become a star with enough resources backing him up. Richard Dyer points out, however, that even movies full of stars fail, and stars can and do fall out of fashion (12). A star's economic worth is not invulnerable to audiences' opinions. The audience isn't so easily controlled.
In today’s culturally diverse, politically correct society, it is hard to believe that at one time racism was not only accepted as the norm, but enjoyed for its entertainment value. Individuals of African descent in North America today take the large, diverse pool of opportunities offered by the film industry for granted. Much like Canadian theatre however, there was a time when a black man in any role, be it servant or slave, was virtually unheard of. It took the blaxpliotation films of the early nineteen seventies to change the stereotypical depiction of Black people in American Cinema, as it took The Farm Story, performed by a small troop of Canadian actors, to create a Canadian theatre industry. To be more specific, it took the release of Melvin Van Peebles, Sweet Sweetback’s Baadasssss Song, in 1971, to change the tradition view of Black people in American film.
The Ugly Truth, a film which was released in 2009, displays many particular stereotypes and gender issues which we find within American society. Gender is made up of socially constructed ideas which are reinforced by society in regards to what it means to be masculine or feminine. We first learn gender from our parents; however they too had to first learn it from their families and society. Within the American society, the media takes on a large role in creating gender norms. The media is made up of films, magazines, television programs, and news papers. The Ugly Truth, although a funny film, perpetuates these stereotypes and ideas of gender provided by our society.
Not all African Americans are thugs and people that do not work. A lot of them have successful careers and have put in the time and effort to have good work ethic and be good people. African Americans have had a difficult history in the American film industry. During the early 20th century of filmmaking, blacks were stereotyped as not worthy of being in films, and they were only certain types of characters such as servants, mammies, and butlers. From several decades of filmmaking, African Americans have been sought out to be trouble makers, incapables, intellectually limited, and also lazy. Although blacks have won Academy Awards for acting, screenwriting, and music production they still find trouble in getting quality roles within the film industry. (Common Black Stereotypes)
While watching movies, have you ever noticed that the villains in almost every single Hollywood film are of Middle Eastern or European descent? In a reoccurring theme of Hollywood, the villains in these films are almost always foreigners or people of color. This is a stereotype. On the other side of the spectrum, we often see that the heroes of these films are most often than not white males. This is another stereotype. Within the last few years, we’ve seen actors such as Will Smith, Morgan Freeman, and Zoe Saldana take the lead roles, so it can’t be said that there are no non-white heroes, but there certainly isn’t many. Hollywood action movies, moreover than other genres, are typically loaded with an abundance of stereotypes. The way these movies are composed and structured can tell us a great deal about the views held within the American psyche and who holds the social power. The harsh reality is that the media ultimately sets the tone for societal standards, moralities, and images of our culture. Many consumers of media have never encountered some of the minorities or people of color shown on screen, so they subsequently depend on the media and wholeheartedly believe that the degrading stereotypes represented on the big screen are based on fact and not fiction. Mary Beltran said it best when she stated in her “Fast and Bilingual: Fast & Furious and the Latinization of Racelessness” article, “ultimately, Fast & Furious mobilizes notions of race in contradictory ways. It reinforces Hollywood traditions of white centrism, reinforcing notions of white male master while also dramatizing the figurative borders crossed daily by culturally competent global youth – both Latino and non-Latino” (77). This paper will specifically look...
I produced this movie with my hard earning as a parent of two children and Call Centre Agent. This is the sacrifice I made. I wil tell you that XXXX Film festival is an event That I was watching behind a small TV in In Africa with no Clue or Idea that someday I will n make something I will submit to It. Am typing this message with tears of joy. My cast and crew Joined and volunteered in this project because they believe this story need to be told.
Stereotypes In the Media Stereotypes play an important role in today's society and particularly in propaganda. According to the Webster's Dictionary, stereotyping is defined as a fixed conventional notion or conception of an individual or group of people, held by a number of people. Stereotypes can be basic or complex generalizations which people apply to individuals or groups based on their appearance, behaviour and beliefs. Stereotypes are found everywhere in the world. Though our world seems to be improving in many ways, it seems almost impossible to liberate it from stereotypes.
(4) Conventional is easy. Whenever an idea is generally perceived by society as standard or traditional it becomes very easy to display to the public without the raise of an eyebrow. This is the basis on which stereotypes appear in films. You’d think in the 21st century where what once were radical notions like same sex marriage and recreational drug use are being legalized that something uncalled for like the constant portrayal of character stereotyping would come to an end. Alas, stereotypical characters continue to emerge in film and unfortunately have become a staple of Hollywood because they’re simple and straightforward, requiring little effort on the part of the writers or thinking from the audience.
Each January, you can catch cutting-edge short films from across the world at the pavilion at Bondi Beach. It’s all part of Flickerfest, Australia's only Academy Award-accredited short film festival. In February, picnicking crowds pack out the Domain for Tropfest. It’s the world's largest short film festival and getting bigger each year, with live satellite broadcast to venues in Melbourne, Canberra, Brisbane, Hobart, Adelaide and Perth. You’ll need to pore over your program for the Sydney Film Festival, which screens an enormous array of Australian, international and alternative films over two weeks in June.
Iordanova, Dina. “Conceptualizing the Balkans in Film.” Slavic Review. 55.4 (Winter 1996): 882-190. Web. December 2013.
Movie stars. They are celebrated. They are perfect. They are larger than life. The ideas that we have formed in our minds centered on the stars that we idolize make these people seem inhuman. We know everything about them and we know nothing about them; it is this conflicting concept that leaves audiences thirsty for a drink of insight into the lifestyles of the icons that dominate movie theater screens across the nation. This fascination and desire for connection with celebrities whom we have never met stems from a concept elaborated on by Richard Dyer. He speculates about stardom in terms of appearances; those that are representations of reality, and those that are manufactured constructs. Stardom is a result of these appearances—we actually know nothing about them beyond what we see and hear from the information presented to us. The media’s construction of stars encourages us to question these appearances in terms of “really”—what is that actor really like (Dyer, 2)? This enduring query is what keeps audiences coming back for more, in an attempt to decipher which construction of a star is “real”. Is it the character he played in his most recent film? Is it the version of him that graced the latest tabloid cover? Is it a hidden self that we do not know about? Each of these varied and fluctuating presentations of stars that we are forced to analyze create different meanings and effects that frame audience’s opinions about a star and ignite cultural conversations.
7.Dirks, Time. 1996. Timeline of Influential Milestones and Important Turning Points in Film History [online]. [cited 23 November 2005]. Available from World Wide Web:(http://www.filmsite.org/milestonespre1900s.html)
The most famous ones, such as the Venice Film Festival and the Cannes Film Festival, began their history in the 30's and despite critiques and negative reviews, they continue to be held every year. As a consequence, film festivals have become an object of study and several scholars have written articles and books about their functions and characteristics; but very little has been said about their utility, the relevance they have in the society and the impact they have on cinema.