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Human rights violations throughout history
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Boccaccio retells the same tale of a women getting tricked after having an affair with another man for money in three distinct environments to show the economic differences between village, city, and international commerce. In the second story of the eight day, Boccaccio not a priest depicts Monna Belcolore, a married women, having sex with her local priest. However, this is not easily done, as she asks him to "lend me(her) five pounds" (Boccaccio, 557), as a return for her adultery. Although this may seem like a very rational thought, it is more important to see that she needs the five pounds to "get my spinning wheel mended" (Boccaccio, 557). Normally, Belcolore would never have sex with anyone outside of marriage, especially not a priest, …show more content…
Gulfardo, a mercenary man from Germany, is deeply in love with the wife of Guasparruolo, a wealthy merchant man. It is interesting that Boccaccio choose the character as German mercenary, as not only did Italians hate Germans in this time period, but mercenaries were "extremely (un)loyal to those in whose service" they "enrolled" (Boccaccio, 557). Despite these realistic stereotypes, Gulfardo was still able to borrow this money from a wealthy Italian merchant at a low interest rate. In both day one and day two, there is a common theme that northern economies of Italy are very honest and more straight forward. (can connect later to southern economy which prey off of lying). Even though both days seem to be based in honest economic system, the women of the stories are both deceived, in no small part because of the high amount of decency within them. Once again, in order to sleep with Madonna, she requires him to pay him "two hundred gold florins"(Boccaccio, 553). The introduction of currency in this story shows a stark contrast between day one and day two in the view that Milan uses an economic standard, while Varlungo uses a barter system. Upon giving her the money he instructed her to "give it to your husband when he returns" (Boccaccio, 553), which allows Gulfardo to immediately repaying his debt. He tells Guasparrullo that the loan was "not needed after …show more content…
All three of the women had sex for money, not love. In the eyes of Boccaccio, his is reprehensible, as the women eventually get tricked. Moreover, the women of the first and second stories still remain in wedlock, and still love their husbands. Therefore, their punishment is significantly less harsh. Madonna and Belcolore have made a mistake, and will be penalized for this, but they are fairly pure still. On the other hand, Jancofiore, has made a livelihood off fortification. These sexual acts, because they are not in the name of affection, are treated with unrelenting repercussions for the rest of her
...atters of their relationship. While her husband was away, she took on an authoritative role within her husbands business affairs while he was absent. Having access to male clients, helped her in deciding what needed to be done and delivered. It started to play out as a partnership, in which they each had their own individual roles in terms of livelihood. They began to overlap within their affairs, where they would have not been successful in their trade without each other in order to attain a successful business and home. Magdalena was trusted with all that was included within their business matters.
Giovanni then refused to marry her in a public wedding because his social status would be greatly hurt to marry some one in the working class of Florence. This is another example of why today¹s society is so much different from how it was when they lived. Another strange thing about their society is the open humiliation that people were subjected to. It was said that Lusanna first husband was called a ³cuckold ³ to his face. People who were said to earn money in a dirty fashion often had blood or paint thrown on their steps.
“I’ll be out of here and away from all you knaves for one time anyway, as not a month will pass before you’ll see whether I’m nobody or a somebody.” The story of Bianco Alfani reflected the nature of 14th century Florentine society where, as Alfani remarked, the election to public office could make or destroy a person. In late 14th century and early 15th century Florence, decreased population and expanding commerce provided a favorable environment for ambitious individuals. The real life examples of Buonaccorso Pitti and Gregorio Dati demonstrated the positive role of ambition in Florence. Pitti, a nobleman had an extremely successful career, partaking in military campaigns, holding public office in Florence and being an ambassador to foreign courts. Gregorio Dati, the grandson of purse venders, engaged in commerce, rising in social standing which culminated with his election to public office. Holding office was a definitive sign of success and recognition in Florence. In contrast was the tale Bianco Alfani, a deemed man unworthy of office. As told by Piero Veneziano, Alfani was the chief jailor in Florence who was duped into believing he had been named captain of the town of Norcia. Alfani publicly made a fool of himself, spending all his money and creating a great fanfare over his supposed appointment. Comparing the lives of Pitti and Dati to the story of Bianco Alfani illustrates how economic and social change in 14th century Florence produced a culture centered on reputation and commerce. For men like Pitti and Dati, who flourished within the constraints of Florentine society, their reward was election to office, a public mark of acceptance and social standing. Those who were ambitious but failed to abide by the values o...
“The Don’s'; second downfall is his sexual habits. Any person who shares his/her bed with different partners, including the occasional married one, each night of the week, walks with a black cloud over his/her head. At one point in the story “The Don'; tells Figaro that “Some men should have two lovers, some three; it depends on the man…I am selfish, Figaro, because I have a larger capacity for pleasure than other people do…this to me is the beauty of the male existence.';
Ginsborg P (1990). ‘A History of Contemporary Italy: Society and Politics: 1943-1980’ Published by Penguin; Reprint edition (27 Sep 1990).
...n their stories at first, but by the end they both praise them for their ability to act with the virtues that every Roman woman should strive to act with.
Dorabella, like Eve, falls for the deception easily, but Fiordiligi, like Adam, is a bit more resilient but gives in when, Dorabella the Eve says it is harmless to Fiordiligi. Both of the women could not help themselves; the desire overcame the “love”. Deception is continuous in this play. Even Despina the maid is in disguise to help the men for her own desire of money. Don Alfonso was the one that urged, that tempted the two young men’s minds of whose “love” was more pure and faithful. Alfonso was skeptical, and believed that all women are fickle. The bet turns for the worst and how the movie ends is in a crisis. Of course, for the females, although they were tempted, if their love for their fiancés were strong enough, they would not have surrendered to their
At the very beginning of her story, we are given a list of the chores she is responsible for. Her pay of “a hundred francs a year” (1019) seems like a very good bargain for her “unamiable” (1019) mistress. While both women had to put up with less than admirable mistresses, Nelly didn’t seem to work quite as hard as Felicite, and Nelly commanded much more respect around the house. At least Nelly was appreciated, while it doesn’t seem that Mme.
This story focuses on the extra-marital affair a housewife named Calixta has while her husband and son are away due to a storm. Although we learn that Calixta has an affair we also know that she doesn’t completely defy the Cult of Domesticity. From the story we get the idea that she remained pure until she married her husband and as Chopin tells us in page 689 “She had not seen him very often since her marriage, and never alone,” this line suggest that even if she saw her past lover around she would not speak to him because neither of them were ever alone and they both didn’t want to disrespect their marriages. In addition Calixta seems to be a very good housewife and mother. She appears to be always tending her home. In page 689 we learn that “[sitting} at a side window sewing furiously on a sewing machine. [Calixta] was greatly occupied and did not notice the approaching storm.” She is so focused on her chores that she didn’t even notice a storm. For Calixta sewing and doing chores around the house is what is normal. She has assumed a role as a married woman and mother and she is fulfilling it. Before the affair you can say that by societies expectations she was a true woman, she kept her virginity until marriage, she makes sure her house chores are done, and she takes care of her family. Even after the affair she acts as if nothing has
The story is about two sisters Katherine and Bianca. Bianca has a suitor who would like to marry her, Lucentio, but the only way that he will be able to marry her is if her older sister is married first. When Petruccio arrives to Padua he agrees to court and marry Katherine because she will provide a lovely dowry. Rumor has it that Katherine is a cynical, unruly, and extremely unpleasant female. Bianca on the other hand is the typical image of a lovely woman, beautiful, soft-spoken, and very feminine.
During the late 1800's Italy became one of the most overcrowded countries in Europe. Many Italians began to consider the possibility of leaving Italy to escape the new low wages and high taxes. For centuries the entire Italian peninsula was divided into quarreling states, with foreign powers often controlling several states. In this chaotic situation, the feudal system ruled above the economic system, leaving money only in the hands of a select few (Wikepedia.com, 2007).
The aims of Boccaccio in his original 1370 version of 'Lisabetta' are far different from those of Keats who wrote 'Isabella' 500 years later. Keats has carefully analysed the original story, and selected various aspects that he thinks are important to develop into his 63-stanza poem, and has also omitted information that he sees as not important and not relevant to the core plot. The foremost topic that Keats' elaborates is the love affair between Lorenzo and Isabella. He tries to evoke many more emotions from the reader than Boccaccio does, as he believes that this is an important aspect of the story that needs to be developed. In Boccaccios story, the love between the two grows rapidly - almost instantly.
In the play, Claudio has been sentenced to death for getting his fiancee pregnant (his crime was not so much getting her pregnant, but having sex with her at all). Claudio's sister, Isabella, who is in the process of joining a nunnery, feels that Claudio has done wrong, has sinned and committed a crime, but she feels that the sentence--death--is too strict. So, she goes to the ruler of the city, Angelo, to plead for her brother's life. The previously virtuous Angelo falls into lust with Isabella, and he propositions her to save her brother by having sex with him (Angelo). Now, remember that Isabella is in the process of becoming a nun. She, of course, rejects this propos...
Venice is a busy place where all the characters are constantly worried about their income, they give loans and they borrow money to maintain their business. Here we see the first clash of love and money. Bassanio needs to impress a rich heiress from Belmont, but unfortunately, he does not have the money to win a lady from a rich family as a wife, “O my Antonio, had I but the means to hold ...
The people of Florence thought they were blessed by God and didn’t need a military because three different rulers were going to invade at different times. Two died of the three died and the other was unsuccessful. Historically, the governments of Florence were reluctant to arm the entire population because it would include supports of rival factions that could not be trusted (Ritchie, 40). With the renaissance Florence became wealthy and could afford to pay mercenaries or condottieri, from the Italian word condotta, which means contract. Individual fighters would “contract” with Florence to fight on its behalf.