Perpetuating Fake News and The Consequences of It: A Textual Analysis of Stephanie Busari’s “How Fake News Does Real Harm” In April of 2014, over 200 girls of the town of Chibok were kidnapped from their homes in Nigeria by a terrorist group known as Boko Haram. During this time, the Nigerian government was under pressure regarding many issues, including questions regarding a possible negotiation with Boko Haram in attempts to bring the girls back. During this time, many influential names such as Michelle Obama raised their voices to show their support and to spread awareness. With the story gaining ground internationally, many journalists became involved including Stephanie Busari, who became a large advocate in the return of these girls. …show more content…
Busari appeals to her audience emotionally through varied sources and in doing so paints a vivid picture that demonstrations superbly the quality of media in today’s society. This appeal to emotion shows how quickly an audience can be swayed and overall speaks to how consumers today must inspect media more thoroughly to understand the validity of stories. Busari blends personal information with factual information, which brings the audience in and makes them trust her story that much more.
Through the use of sympathy, she grants herself the power to sway her audience in a much more profound way, showing the ease of persuasion through the use of emotion. By emotionally investing her audience, Busari exemplifies how quickly the reader can be swayed and their judgment skewed in the first glance at a story. Busari gives a personality to the narrative by telling the story of Hadiza, “Hadiza is 20. She's shy, but she has a beautiful smile that lights up her face. But she's in constant pain. And she will likely be on medication for the rest of her life” (Busari 00:09). By giving this account, Busari immediately appeals to the emotions of the audience and engages them in a way that shows her expertise in not only the subject matter she is discussing, but also in leading opinion. As she goes on, the level of emotional taxation is increased through the use of visual aids which show pictures of the distraught families of the kidnapped girls. She also tells of a mother who said, “that if she could have reached into the laptop and pulled [out] her child from the laptop, she would have done so” (Busari 02:27). This, along with Busari stating that she is a mother as well, appeals to a more specific group in the audience and evokes a stronger reaction from them as a result. Towards the end of the presentation, Busari explains “I must confess …show more content…
that I have not been a dispassionate observer covering this story. I am furious when I think about the wasted opportunities to rescue these girls” (Busari 03:51), speaking more to the general audience again and eliciting a new emotional state from the audience which is anger. By speaking not only to the sad nature of this story, but also the absurdity of it as well, Busari covers a larger portion of the audience and in doing so, gives herself even more influence. Throughout the entirety of the speech Busari continually appeals to the audience’s emotion and persuades them accordingly. As we become more involved in media, we begin to see a decline in user awareness.
While media is an important and vital way to obtain information, there is a clear disconnect between what we are told versus what we actually see. Busari is addressing the fallacy of blindly accepting stories and posing that users today must take the time to check their sources and ask tough questions as a way to avoid calamitous effects. Busari explains that there were Nigerians in power that “told us that the story of the Chibok girls was a hoax” and allowed this narrative to pass through the people and as a result halted the search for these girls entirely for two years (Busari 01:41). In allowing this hoax narrative to persist, Busari sees the “deadly danger of fake news” and the harm of spreading stories that haven’t been checked or proven (Busari 04:26). If the story had been checked, or the people took the time to check the facts of the story then maybe the girls would have been saved much earlier. Busari makes claims on society through the statement of mothers who told her “If these were the daughters of the rich and the powerful, they would have been found much earlier”, as this is usually the way society deals in media regarding things of this nature. Busari’s passionate fury is an appropriate retort to the harmful nature of what the media portrays in addition to what society portrays. Busari says “I think everybody here [has] a role to play…We are the ones who share the content…We're
all publishers, and we have responsibility” (Busari 04:26), posing to the audience that their decisions matter and depending on what they decide, the world they live in can become a very different place and it is the job of the consumer to make the change they want to see. In Busari’s final paragraph, she says, “…Some of us don't even read beyond headlines before we share stories… But what if we stopped taking information that we discover at face value?” (Busari 05:29) Asking this question could make the reader begin to question how they have assessed information and could begin to make them wonder how they will in the future. Media is an amazing tool that allows society to understand many things, but leaves room for incorrect or blatantly false stories. It is then the job of the society in which these false stories propagate to address and check the legitimacy of the stories. The story of the Chibok girls is one that has been debated multiple times across nations, being called a hoax by many people. Through the work of people like Stephanie Busari, however, the hoax narrative was challenged and disproven by checking the facts and looking beyond what is spread in the everyday media.
Through manipulation and lies, media manages to modify objective news into biased news in order to convince the public of what the media wants them to believe. The article, “How the Media Twist the News”, by Sheila Gribben Liaugminas discusses the major influence that news has on readers based on their choice of stories and words. “How the Media Twists the News” has borrowed from multiple other texts such as the books like Public Opinion and Liberty and News, news magazine writers such as Ruderman, and news networks like CBS through Bias, A CBS Insider Exposes How the Media Distort the News and CNN to make her arguments valid and prove that the news is biased and that it does influence readers significantly because of it.
A Bestselling author and co-host of MSNBC’s “Morning Joe” is a remarkably confident lady and TV-journalist Mika Brzezinski whose on-air protest between entertainment news & “hard news” received a large number of supports and fans’ responses on 26 June 2007 in which she had refused to read the news about a release of Paris Hilton from Jail rather she considered more important Senator Richard Lugar with President Bush on the war of Iraq breaking news. She stands on these issues rippled over the internet quickly and similar incidents continue on-air on July 7, 2010 on a report about Levi Johnston and Lindsay Lohan over hard news stories with the title “News you can’t use.”
According to the text “ there were relatively few stories or images focusing on aging, poverty, isolation, crime and fear, and the ethno racial, or gender distribution of mortality, morbidity, and access to care.” They went to the extreme by looking for more information and pictures with people in body bags to put on their front page. People use the media as their information source to guide them on what is going on in their countries and around the world. What is portrayed in the media is often taken as true even if it actually is not completely accurate. Throughout the text it was clear to see that there is pressure when it comes to the media. News reporter often think about what they are going to present to the public because it has to be brain washing and appealing, but they also want to keep their connections to sources such as public officials. This means what they end up reporting is effected by what public officials will approve of, to make them look
Clare Boothe Luce, an American journalist and politician, delivered a speech in 1960 to the Women’s National Press Club in front of the American press to criticize journalists for the misinformation they publish in order to challenge them to start publishing the truth rather than writing what the public wants to hear. Luce appeals to the audience of journalists using her role as a politician, comparison, and emphasis to persuade journalists to start writing the truth, no matter how dull, in order for American citizens to truly understand what is going on in today’s society. Throughout the speech, Luce speaks to the audience of journalists about how the information they release shouldn’t be falsified for a myriad of buyers or views. Although
The article “When The Media Is The Disaster,” by Rebecca Solnit discusses the accounts that took place with the media and the victims during the Haitian earthquake. People were trapped alive struggling to survive. Many of these victims became so desperate for food and water they began to steal. The mass media interpreted their actions as stealing, characterizing them as “looters”. Solnit does not agree with the media labeling victims as “looters” because victims are being portrayed as something they are not. In paragraph 7 Solnit says “the pictures do convey desperation, but they don't convey crime”. she believes victims should take any alternatives to sustain human life even if that means stealing. As she furthermore discusses that the reason laws in the United States are being broken is due to necessity. Solnit does not agree with the victims being characterized as “looters” because they did this in order to survive.
In his essay, “The Good, The Bad, and The Daily Show,” Jason Zinser explores the vices and virtues of so-called “fake” news programs. “Fake” news, as Zinser explains, are those programs that blend newsworthy events with comedy. By examining The Daily Show, Zinser reveals both positive and negative impacts that “fake” news could have on society. As a result, Zinser concludes that there are benefits as well as potential problems with “fake” news programs but insists that the true challenge is determining the net impact on society. The essay, which first appeared in The Daily Show and Philosophy: Moments of Zen and the Art of Fake News in 2007, challenges experts on both sides of the argument who either claim fake news is for entertainment only or that fake news is an acceptable source for information on current events. On one hand, Zinser uses expert testimonies to support his argument that the end result is a better informed public but on the other, he makes logical arguments enhanced by examples to illustrate the potential impacts “fake” news can have on its viewers and mainstream media.
This belief is also demonstrated in the article “Challenging ‘He Said, She Said’ Journalism,” in which Linda Greenhouse contests the objectivity in the media claiming that “the ‘he said, she said’ format...impedes rather than enhances the goal of informing the reader” and leads to the twisting of words, altering the meaning of what is communicated (Greenhouse 21). Stefan Halper also argued on this topic in his article “Big Ideas, Big Problems” by commenting on how the truth is often overshadowed by flashy slogans and “Big Ideas” which the public is more likely to listen and respond to as opposed to a less extravagant news story filled with details the public should know but may not want to hear. Halper asserts that the media
When the story of a kidnapped boy broke out on May 23, 1924 the mass media immediately began to develop a story about the crime. Journalists were major contributors to the solving of the crime. Two journalists, James Mulroy and Alvin Goldstein, won the Pulitzer Prize for their contributions. The journalists were the bases of public knowledge for the case and therefore had lots of power in influencing the public’s opinion. However because of this, journalist often crossed the line between fact and fiction. They used total coverage of this case—something they had never done before—and created a case with social interpretation and sensationalism. Any information they could get, t...
Julie Pace, in her article, Can Ted Cruz beat Donald Trump?, poses obstacles to Donald Trump’s path to the White House. Through analogous imagery, Pace describes the widespread disagreement with the Republican front-runner’s ability to hold office, and evaluates various methods for halting his progress. By adopting a critical tone, the author wishes to refine the American voter’s opinion of Donald Trump, and ultimately downplays the Republican Party as a whole. Pace partially satirises these plans to bring down Trump, by illustrating the idea that none of these options would be as beneficial for the United States as electing a democratic president. Pace utilizes process analysis to evaluate current political issues concerning the Republican primary, with the ultimate goal of influencing the reader to side with her political philosophies.
The invalid and biased news complication that has advanced through America in recent Months has been analyzed by authors across the country, displaying their take on the condition of the political world today through a multitude of informational and assertive works of expression. While Glenn McCoy and Stephen Marche appealed accordingly to their respective audiences emotions, Marche is more likely than McCoy to succeed in accomplishing the goal of convincing the democratic party to change their minds concerning the issue of the notorious fake news phenomenon in America. Marches essay touches on the heated interviews between political contras and the way the line between irony and reality has blurred, backing up his argument with statistics
Megan Santos Comm103 Taure Shimp 9/20/2017 How Fake News does real Harm Stephanie Busari https://www.ted.com/talks/stephanie_busari_how_fake_news_does_real_harm?utm_campaign=tedspread--a&utm_medium=referral&utm_source=tedcomshare Stephanie Busari's claim that phony news is unsafe to settling true issues is valid and substantial. Busari utilizes an amusing story chocked brimming with emotion an entertaining tale about a young lady named Hadiza who was "caught by the utilization of power" by psychological militants, however later got away. The purpose of raising the tale of Hadiza is to build up that the story had really happened, and wasn't a lie. Not at all like what the Nigerian government needed to say, in regards to, catching somebody by the utilization of powers in Nigeria.
In “12 O’Clock News,” Elizabeth Bishop accentuates the difficulty involved in perceiving the “truth.” She utilizes a technique of constructing an exotic world out of objects that can be found in a newsroom. By defamiliarizing a newsroom, she questions our trust in what we perceive. Is it truly a journey to another world or just another perspective on something we are already familiar with? The intent of this transformation is to create a substitute for reality, analogous to the substitute reality which the media presents to us each day as its product, the “news.” The news media are capable of creating a world beyond what we see everyday, presenting us with what appears to be the truth about cultures we will never encounter firsthand. Bishop’s manipulation of a newsroom parallels the way the media distorts our perception of the world, and by doing so questions our ability to find our way out of this fog which is “reality.”
From the beginning days of the printing press to the always evolving internet of present day, the media has greatly evolved and changed over the years. No one can possibly overstate the influential power of the new media of television on the rest of the industry. Television continues to influence the media, which recently an era of comedic television shows that specialize in providing “fake news” has captivated. The groundbreaking The Daily Show with Jon Stewart and its spin-off The Colbert Report have successfully attracted the youth demographic and have become the new era’s leading political news source. By parodying news companies and satirizing the government, “fake news” has affected the media, the government, and its audience in such a way that Bill Moyers has claimed “you simply can’t understand American politics in the new millennium without The Daily Show,” that started it all (PBS).
In extreme situations, journalists choose the angle they can find, tick the boxes to the news worthiness, but never having a stand. According to Kempf, journalists fulfill certain criteria of newsworthiness and fake empirical evidence, which implements propaganda and in the journalists’ defense “that it did not matter the pictures were faked since they only showed what people already ‘knew’ and since they served the goal of opening the eyes of the public” (Kempf 2002, p. 60). Various examples from the War on Terror, where journalists and reporters would fake evidence just to gain more audiences but examples like this could elevate the issues, and it is as if this responsibility of Journalism of Attachment only adds fuel to the fire and this is done in the name of peace (Kempf 2002).
Fake News is constantly being written, permeating through television broadcasts, internet sites, and magazine articles. It seems that the amount of false news in the world is starting to overtake the amount of genuine information. This is indeed a problem, but not as much as people make it out to be. This is for a few reasons. Fake news is much like bacteria, there are both beneficial and harmful types of fake news. Beneficial fake news is usually