Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Classical hollywood cinema and new hollywood cinema
Classical hollywood cinema and new hollywood cinema
Classical hollywood cinema and new hollywood cinema
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Classical hollywood cinema and new hollywood cinema
Like a patchwork quilt, the films and literature found in American culture incorporate, to some extent, elements from other movies, books, and even mythological and historical figures and events. For instance, George Lucas’s Star Wars films are a pastiche of various other films, and they also serve as a cache of inspiration for future filmmakers. When the first Star Wars film, Star Wars: Episode IV- A New Hope, was released in 1977, the film industry had little direction because of the influence of big businesses and Wall Street along with the disintegration of the Motion Picture Production Code. In fact, Star Wars was one of the films that marked the beginning of a new era in film: the postmodern period. Even today, about forty years after …show more content…
During the modern film era, agents, lawyers, and businessmen ran the film division of the conglomerates. However, Lucas wanted to revive the studio system on his own terms because he cared about putting on a show and believed that people were ruining the film industry by mixing in business to such a vast extent. Lucas’s way of thinking is present in current films where the purpose of entertainment comes before the business practices, and the filmmakers are involved in the production and business side of filmmaking. This allows for the power of film creation to lie with the artists who create the films. For example, original movie music compositions became more widely utilized after John Williams composed original music for the Star Wars soundtrack. Likewise, John Ottman and Tyler Bates composed original music for X-Men: Apocalypse and Guardians of the Galaxy, respectively. One of the other major influences that Lucas had on business in the film industry is merchandising. When creating movies, Lucas had merchandising in mind, which many directors so today. For example, Guardians of the Galaxy has many memorable characters, like Groot, and lines, such as “I am Groot”, which are easily put on merchandise. In fact, the setting and characters in the film inspired the concept for a new theme park ride, Guardians of the Galaxy: Mission Breakout, which is opening at Disney’s California Adventure this summer. The tactic of considering merchandising when creating a film also applies to X-Men: Apocalypse which has many memorable characters, like Mystique, Magneto, and Charles Xavier. The X-Men films are the cornerstone of the overall franchise, which includes T-shirts, video games, toys, and other
With the loss of its centralized structure, the film industry produced filmmakers with radical new ideas. The unique nature of these films was a product of the loss of unified identity.
In this paper I will offer a structural analysis of the films of Simpson and Bruckheimer. In addition to their spectacle and typically well-crafted action sequences, Simpson/Bruckheimer pictures seem to possess an unconscious understanding of the zeitgeist and other cultural trends. It is this almost innate ability to select scripts that tap into some traditional American values (patriotism, individualism, and the obsession with the “new”) that helps to make their movies blockbusters.
Motion Pictures have always had a strong influence in today’s culture, but maybe none as prevalent as Star Wars. Originating with Episode 4 A New Hope, the series boomed from 1977 to 2005 with yet another addition coming in 2015. The strongest of the series was the original trilogy episodes 4, 5, and 6, all generally released in the 1980s. As one of the strongest film francaises still today, it’s impact within the 1980s was only the tip of the iceberg. Children and adults alike still anticipate the new edition of this seemingly endless journey. If any singular film series still holds prevalence in its future decades it is Star Wars: Original Trilogy.
George Lucas is a proclaimed god in the film industry. His experience spans decades and his movies span generations. He is one of the most known celebrities in the world. With a flashy net worth of over $4.2 billion, one wonders how a mere writer could acquire such wealth. To understand this, one must delve deep into Lucas’ past and analyze his first success and his early failures.
originality. On the other side there are the film score gurus, who insist that the composers
In Hollywood today, most films can be categorized according to the genre system. There are action films, horror flicks, Westerns, comedies and the likes. On a broader scope, films are often separated into two categories: Hollywood films, and independent or foreign ‘art house’ films. Yet, this outlook, albeit superficial, was how many viewed films. Celebrity-packed blockbusters filled with action and drama, with the use of seamless top-of-the-line digital editing and special effects were considered ‘Hollywood films’. Films where unconventional themes like existentialism or paranoia, often with excessive violence or sex or a combination of both, with obvious attempts to displace its audiences from the film were often attributed with the generic label of ‘foreign’ or ‘art house’ cinema.
John Williams once states, “So much of what we do is ephemeral and quickly forgotten, even by ourselves, so it’s gratifying to have something you have done linger in people’s memories.” John Williams is an incredibly talented composer, scoring the music for over hundred famous films. Some films he has composed the music for include: E.T.: The Extra-Terrestrial, Jaws, Indiana Jones and the Temple of Doom, Home Alone, several Harry Potter movies, and many, many more. Williams has left a legacy for himself that will not soon be forgotten. John Williams has lead a very interesting life. While many will argue, some of Williams best work is in the movies, Close Encounters of the Third Kind, Jurassic Park, and Star Wars.
Many people have commented on the ingenious use of top rock-n-roll hits that Lucas incorporated into the fabric of the film. But did you know that the reason this was done was because the budget on the film was so small that the filmmakers literally could not afford an original score?
THX 1138, American Graffiti, Star Wars, The Empire Strikes Back…the list goes on and on. Although many have not heard of each of these films, everyone certainly has to know the man behind them. George Lucas has, in many cases, written, produced, and directed, not to mention edit, his own films. His vision was the driving force that imagined and created these movies. All have made back the cost of the film and most have received millions of dollars in profit.
Star Wars (1977) is one of the world’s most successful films of all time. It has made a terrific impact on popular culture since its release. Furthermore, Star Wars changed the narrative and aesthetic style of future Hollywood films. Star Wars Episode IV: A New Hope, illustrates how cinema has evolved since Fred Ott’s Sneeze (1894). Ultimately, this essay will explain the set up of Star Wars and how it connects to cinema history, in the point of views of the: narrative and cinematic style, genre, auteur theory and the global film industry.
Technology is a central issue surrounding film making from the times of Charlie Chaplin's silent films to today's modern and computer-animated films such as George Lucas's Star Wars. In addition there have been a system of changes in computer, phone and video enhancement which has propelled vast amounts of information knowledge to the public at a rapid rate.
Star Wars episode four also known as the “A New Hope”, was written and directed by George Lucas and released in 1977. I have seen this film multiple times and every single time that I screen it, I find myself discovering an aspect of the film that I did not see the pervious time and I find that I enjoy the film more and more each time I see it. Not only did I screen Star Wars, “A New Hope”, I also read the one of the many books that were written about the film. The text was called, “BFI Classics: Star Wars” which was written by Will Brooker.
The release of Gordon Hollingshead and Alan Crosland’s The Jazz Singer in 1927 marked the new age of synchronised sound in cinema. The feature film was a huge success at the box office and it ushered in the era David Bordwell describes as ‘Classical Hollywood Cinema’; Bordwell and two other film theorists (Janet Staiger and Kristin Thompson) conducted a formalist analysis of 100 randomly selected Hollywood films from the years 1917 to 1960 in order to fully define this movement. Their results yielded that most Hollywood made films during that era were centred on, or followed, specific blueprints that formed the finished product. Through this analysis of Hollywood films the theorists were able to establish stylised conventions and modes of production under which a classic Hollywood film was fashioned (Foster, 2008), the film Lord of the Rings: The Fellowship of the Ring (2001) directed by Peter Jackson will be used as a case study to demonstrate these specific conventions.
Many people don’t think about it so much, but movies (or just film in general) have become such a big part of our lives that we don’t think much of it because it just feels like a usual part of living. But have you ever wondered why this is, and how far back film started? Movies and film have been around for a long time, have developed in big ways throughout time, and has advanced in such a big and new way to this day.
The film industry has always been somewhat of a dichotomy. Grounded firmly in both the worlds of art and business the balance of artistic expression and commercialization has been an issue throughout the history of filmmaking. The distinction of these two differing goals and the fact that neither has truly won out over the other in the span of the industry's existence, demonstrates a lot of information about the nature of capitalism.