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There are many things that we take for granted in our daily lives. Who would have thought that I would be intrigued about the origin of theatre? The one thing that I enjoyed the most was learning some of the theories about of the origin of theatre, more specifically the theory titled “Spontaneous Inspiration.” I like this one the most because it allowed me to contemplate the possibility of early humans participating in a play to recreate an event or perhaps to celebrate something of importance within their families. The event or celebration would have been something of great impact in their lives, something that perhaps placed a mark on their evolution timeline. We can only theorized that this happened as part of their evolution and brain
activity, which possibly led them to bigger and better things. Perhaps to the creation of more efficient tools, weapons, and ways to better procure food. Maybe it funneled them to question the meaning and origin of life, which possible shaped the first religions and faith behaviors.
Including the idea of putting on a play. One of history’s greatest writes, Homer, thought up
Lazarus, Joan. "On the Verge of Change: New Directions in Secondary Theatre Education." Applied Theatre Research 3.2 (July 2015): 149-161. EBSCOhost, doi:10.1386/atr.3.2.149_1.
The theatre productions we are all so familiar with actually got their start in 550 B.C., in Ancient Greece. In Athens, during the Festival of Dionysia live performances involving dancing and reenactments of popular myths were performed to pay respect to the God of Wine, Ecstasy, and Ritual Madness, Dionysus. These festivities usually lasted about a week, after which the best performers would be named and given some sort of prize. As well as the festivities went, the Festiva...
I have a habit of noticing redundancies in other people. Their personalities and their thoughts just seem so similar: daughters trying to be like mothers, or sons trying to be like fathers, or friends trying to be like each other. In my mind the sense of "self" that we as human beings have is more of a delusion than a reality, where we are nothing but the products of a multitude of influences throughout our lives. Did I ever have an original thought in my life? Or is it always someone else's idea that I am only repeating? What does it mean to be a human being without original thought and creativity? I talk like my friends do. I learned body language from my parents, stories from movies and books, perspectives on life from parents or philosophers or friends or teachers. Despite the myriad of thoughts that make up my personality, I feel as if I only absorbed my surroundings with no real personal creation. My parents keep asking me: "Who have you been hanging out with? Why do you act like this?" as if they already know that the comments I make, or the movies I enjoy or any of my other sudden preferences and mannerisms are not my own. When we are young, the adults tell us that "everyone is `special,' but how could I believe in this idea of personal creativity and uniqueness when there are so many influences that I copy in my life?
Throughout the history of the theatre its technology has helped to convey the story, amaze the audience, and to, at times, make the theatrical performance possible. Over the ages we have seen the growth of theatre shown in its technology, namely its staging, costumes, scenery, and lighting. We will trace the development and growth of these technologies from Ancient Greece through the end of the eighteenth-century.
The concept of originality provokes the mind. Is one being original or is one mimicking the thoughts, ideas and feelings of the past? For example, I am writing this with words with previously created meanings, put together with letters, which were made in the past. Therefore, am I being original or am I just creating something built on the memory of the past. The concept of originality has been long debated argument especially within the context of theatre. Although many scholars disagree on the concept of originality, some would argue that plays and theatre itself are ghosted by previous elements or experiences. This in fact is what is argued in the Haunted Stage, by Marvin Carlson. In it he argues that plays and theatre are shaped by memory, and are a reflection of the cultural and historical process itself. He uses examples of historical moments that mimic the
"Theatre." Chambers Dictionary of World History. London: Chambers Harrap, 2005. Credo Reference. Web. 18 November 2011.
Stanton, Sarah, and Martin Banham. Cambridge paperback guide to theatre. Cambridge [etc. : Cambridge university press, 1996. Print.
The survival of theatre lies in the very nature of humankind: its inner voyeuristic drive. The desire to watch other people dealing with their conflicts and fates challenges as well as reinforces values and the morality of society. The theatre provides an exciting opportunity to watch stories and situations as if they were real life, showing us the truth of our nature.
Creativity, it’s a broad topic of just new things and ideas among people. The definition of creativity is the use of the imagination or original ideas, especially in the production of an artistic work. PBS describes creativity as, “The new ideas and new connections between ideas, and ways to solve problems in any field or realm of our lives. The concept of creativity is often hard to grasp because creativity isn 't a tangible thing its just and idea. Also, because it’s hard to differ between a truly original idea and an idea that is just shaped from others. With all this being said, it can be hard to figure out where creativity comes from.
Theatre as we know it now was born more than two thousand years ago and has gone through many streams until it reached the current modernity. Among these streams is the avant-garde theatre. This theatre achieved a break in the traditional theatre and became the forefront of a new experimental theatre. Therefore it is necessary to ask how this theatre started, what impact it had on society and if this type of theatre is still common in our modern era.
For thousands of years, people have been arguing that theatre is a dying art form. Many people think theatre is all just cheesy singing and dancing or just boring old Shakespeare, but there is much more to theatre than those two extremes. Theatre is important to our society because it teaches us more about real life than recorded media. Theatre has been around for thousands of years and began as a religious ceremony that evolved into an art form that teaches about the true essence of life. Theatre can incorporate profound, and provocative, observations of the human condition that can transcend time; lessons found in Greek plays can still be relevant to the modern world. People argue that the very essence of theatre is being snuffed out by modern
Since we are born we have imagination and as we grow up this imagination may increase or decrease. Creativity strongly relies in our imagination. Depending on different circumstances people learn to express their creativity openly while other people close themselves and believe they do not have creativity. Creativity is a natural talent that every single human has. Creativity can be used to solve a complex problem in a different manner or just to find innovative ways to have fun. Creativity is thinking out of the box. Even though creativity cannot be taught from scratch there should be a class that is specific for creativity.
Theatre first came about from all different cultures acting out part of their bible, or performing rituals to the Gods. It was not until the middle ages when dramatists wrote about all aspects of life. Theatre has therefore changed continuously to suit the demands of each new age for fantasy, spectacle, or serious drama.