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Gender roles in literature examples
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The Southern Scapegoat: How Minority Classes are Treated Masculine dominance has been a lengthy affair within our society, from the period of women’s suffrage, to today, where unequal pay is a fundamental societal issue. Those who suffer from these unfair and unjust issues are the minority classes, including gays, lesbians, and women. Consequently, within the life and works of Tennessee Williams, a Pulitzer Prize renowned playwright and author, depicted hardships of the minority class through his plays, A Streetcar Named Desire, and The Glass Menagerie. In the attempt to depict parts of his own life and the struggles of the outvoted class, Williams portrays the Southern Belle, an anguished and vulnerable Southern woman, as the inferior class …show more content…
In A Streetcar Named Desire, Blanche Dubois, a caring and helpful figure to her sister, is the cause of Stanley’s problems. She is the considered as an unnecessary complication within his marriage with Stella. Even though Blanche is trying to support her sister in pursuing a happy lifestyle, in Stanley’s mind, Blanche is portrayed as the leech who is stealing resources and happiness from the once “perfect” couple, even though her only intention is to care for her sister. Due to Blanche’s caring nature, Stanley diverts his frustration by verbally and physically abusing both sisters. The article, “Tennessee Williams and the Two StreetCars,”states that “Stanley raped Blanche, not to mention having apparently betrayed his wife on quite a lot of occasions. Stella refused to listen when Blanche tried to tell her about the rape and then contacted the mental hospital to have her sister committed.” (Thomieres 8). Blanche, in this case is the victim of the frustration and anger Stanley has been accumulating. His method of extermination was to use his masculine figure and dominate those who don’t favor his ideas, and in the end, Stanley got what he wanted …show more content…
In A Streetcar Named Desire, Blanche is continuously punished for committing crimes of sleeping with multiple men while Stanley was a young hustler himself. From the start, she is insulted by Mitch, who breaks her vulnerable heart, her name as a prostitute imprinted within all of society, and is thrown out by her own sister. All these unjust and unfair issues were all caused by Stanley who himself, had slept with multiple women and commits acts of physical abuse on his pregnant wife. Even though they both had caused actions which were looked down upon, Blanche was persecuted by society and shunned away while Stanley, the cause of all this ruckus is living his life freely, without any societal judgement. Consequently, in “Tennessee Williams and the Two Streetcars” states, “Desire and death pursue the characters one generation after the other. Blanche has inherited a legacy from her ancestors whose main activities appear to have been their "epic fornications”. Even though Blanche was indulging in a pleasure all men and women act upon, she is extensively and unfairly blamed to the point that her ancestors were noted as prostitutes themselves. Furthermore, within A Cat on a Hot Tin Roof, Maggie is stripped from the affection husband gives to wife. She is blamed for sleeping with Stanley even though Stanley was the one to blame, wanting to pleasure from his best friends wife. Even
He wants her to be truthful and "lay her cards on the table" but simultaneously would "get ideas" about Blanche if she wasn't Stella's sister (Williams, Street 40-41). Their relationship overflows with sexual tension as they battle for Stella. Stanley, the new south, defeated Blanche, the old south. After destroying her chance for security, his sexual assault erases her last traces of sanity. Similarly opposites are found in "Cat on a Hot Tin Roof."
In this paper it will be shown that the functionalists are correct. Functionalists argue that Blanche's self-concept, which she believes is a traditional upper class woman, eventually leads to her mental and emotional breakdown. Feminists argue Blanche is sent off to a mental hospital to hush up Stanley's crime of rape, not because of any illness. Although there is some value to the feminist interpretation, it contains several weaknesses. The following review of some aspects of the plot will reveal some of those weaknesses.
Tennessee Williams A Streetcar Named Desire is a overly dramatic play that concludes in a remarkable manner. The play takes off by introducing Stanley and Stella, a married couple whom live in New Orleans. They have a two-sided relationship, very loving but abusive. Then suddenly Blanche shows up, Stella’s sister, and informs Stella that their home in Belle Reve was lost. A few days later, Blanche meets and becomes attracted to Mitch, a friend of Stanley. Blanche sees Stanley as an abusive husband and contrasts him to Mitch. Blanche immediately begins to develop deep emotions for Mitch because he is very romantic and a gentleman. Blanche begins to talk to Stella because she does not want her sister to be abused.
This essay will describe whether or not Blanches’ unfortunate eventual mental collapse was due to her being a victim of the society she went to seek comfort in, or if she was solely or at least partly responsible. The factors and issues that will be discussed include, Blanches’ deceitful behaviour and romantic delusions which may have lead to her eventual downfall, the role Stanley ended up playing with his relentless investigations of her past and the continuous revelations of it, the part society and ‘new America’ played in stifling her desires and throwing her into a world she could not relate to or abide by.
Blanche’s developmental history or character development points to her diagnosis. Blanche comes to New Orleans to stay with her sister Stella after being fired from her job as a schoolteacher due to having an inappropriate affair with a teenage student. When she arrives to see her sister, she is consumed with insecurities regarding her appearance and is condescending to her sister’s humble lifestyle. Stella’s husband Stanley immediately has distrust and dislike for Blanche and treats her
Blanche, in particular, is much more of an anachronism than Stella, who has, for the most part, adapted to the environment of Stanley Kowalski. Finally, both Stella and Blanche are or have been married. It is in their respective marriages that we can begin to trace the profound differences between these two sisters. Where Blanche's marriage, to a man whom she dearly loved (Miller 43), proved catastrophic to her, Stella's marriage seems to be fulfilling her as a woman. Blanche's marriage to a young homosexual, and the subsequent tragedy that resulted from her discovery of her husband's degeneracy and her inability to help him, has been responsible for much of the perversity in her life.
The essential conflict of the story is between Blanche, and her brother in-law Stanley. Stanley investigates Blanche’s life to find the truth of her promiscuity, ruining her relationships with Stella, and her possible future husband Mitch, which successfully obtain his goal of getting Blanche out of his house. Blanche attempts to convince Stella that she should leave Stanley because she witnessed a fight between the two. Despite these instances, there is an essence of sexual tension between the two, leading to a suspected rape scene in which one of their arguments ends with Stanley leading Blanche to the bed. Branching from that, Stella has an inner conflict because she does not know whether to side with her husband or her sister in each situation. Blanche and Mitch ha...
Blanche could not accept her past and overcome it. She was passionately in love with Alan; but after discovering that he was gay, she could not stomach the news. When she revealed how disgusted she was, it prompted Alan to commit suicide. She could never quite overcome the guilt and put it behind her. Blanche often encountered flashbacks about him. She could hear the gun shot and polka music in her head. After Alan’s death, she was plagued by the deaths of her relatives. Stella moved away and did not have to deal with the agony Blanche faced each day. Blanche was the one who stuck it out with her family at Belle Reve where she had to watch as each of her remaining family members passed away. “I took the blows in my face and my body! All of those deaths! The long parade to the graveyard! Father, Mother! Margaret, that dreadful way! You just came home in time for the funerals, Stella. And funerals are pretty compared to deaths. Funerals are quiet, but deaths—not always” (Scene 1, page 1546). Blanche lost Belle Reve because of all the funeral expenses. Belle Reve had been in her family for generations, and it slipped through her fingers while she watched helplessly. Blanche’s anguish caused her loneliness. The loneliness fueled her abundance of sexual encounters. Her rendezvous just added to her problems and dirtied her rep...
In A Streetcar Named Desire, Tennessee Williams uses Blanche and Stanley to point out the different features of both periods, old and new. At the end of the play when Stella chooses to be believe Stanley over her sister Blanche. It basically means that New South wins in the end. Blanche who represents the Old South’s rich, beautiful, southern belle is sort of cast out of society. Stella on the other hand was able to adapt to the social evolution of the south and mix with Stanley to create a new life.
One cant imagine how it must feel to lose the ones they love and hold dear, but to stay afterwards and mourn the loss of the many is unbearable. Blanche has had a streak of horrible luck. Her husband killing himself after she exposed her knowledge about his homosexuality, her advances on young men that led to her exile and finally her alcoholism that drew her life to pieces contemplated this sorrow that we could not help but feel for Blanche throughout the drama. Blanche’s desire to escape from this situation is fulfilled when she is taken away to the insane asylum. There she will have peace when in the real world she only faces pain.
This gradual fall and loss of her sense of reality is truly tragic. Blanche is a person largely driven by the part of her that wants to be liked and be accepted. She cares greatly about how she is viewed and how she looks which is seen throughout the play. Even at the end when she’s living almost completely in the imaginations of her mind she asks Stella and Eunice how she looks before being taken away to an insane asylum. Tennessee Williams, the author of the play, uses all the conflict between Blanche and others, specifically Stanley, to show that fantasy is unable to overcome reality. Stanley and Blanche are both the epitomes of fantasy and reality. Stanley is a man focused on sexual drive, work, and fighting. He is exhibited as animalistic and strongly driven by his desires which is shown when he says, “Be comfortable. That's my motto up where I come from.” Stanley loves and searches after reality which is why he is so set on breaking down the facade he sees in Blanche. Blanche on the other hand is running from her reality and her past. Her fantasy of being high class and chaste is the exact opposite of her reality which is why she wants a life like that so badly. She wants marriage and stability, two things she was jealous of Stella having after arriving in New Orleans. Her fantasy she was building in her new life is shattered when Stanley is able to learn of her past and bring reality crashing down on her. Williams
The competition between Blanche and Stanley is maintained to the penultimate scene of the play, in which Blanche’s past and how she views it comes is combated directly by Stanley’s view of her past. Depending on the path that the reader has taken throughout the play, Blanche can be seen as a woman who has reached out in many means to fill her empty heart and satisfy the loneliness that she feels in the arms of likewise lonely men. She is a sympathetic character in her own eyes, emotionally broken by the suicide of her homosexual husband and haunted by the numerous family deaths. Stanley, however, sees no sympathy to be had for her late husband or the tragedy that struck Belle Reve and has only taken away the context of her promiscuity to expose
In order to place the idea of leaving Stanley, Blanche tries to compose a picture, depicting Stanley as an abusive and vulgar man, nevertheless this action of Blanche makes Stella realize that she actually feels more attracted to her husband when he becomes more aggressive. The two sisters disagreeing with each other and Blanche’s disapproval of Stanley show the tense atmosphere through the passage. At the beginning of the passage, glance compares Stanley to an ape, which is a wild animal, and the reason she compares Stanley to an ape is the fact that Stanley acts just as wild as a n ape and also uncultured. One of the themes of this passage might be “cruelty” since cruelty is considered to be the only unforgivable thing according to Blanche. In the beginning of the book, the first conversation of Stanley and Blanche shows the reader that there is a huge cultural difference between them and their living style so the
After the foreclosure of Belle Reve (her forefathers paid for their fornication with land), Blanche lived in a run down hotel known as the Flamingo. She was notorious for bringing random men into her room and having impersonal relations with them, until she was forced to leave. She was no longer welcome in Laurel because her reputation was tarnished; she was a prostitute. Even though these actions alone should be reason enough to mark Blanche as a terrible human being, there are parts of her life story that helps the reader sympathize with her
In Tennessee Williams play "A Streetcar Named Desire" two of the main characters Stanley and Blanche persistently oppose each other, their differences eventually spiral into Stanley's rape of Stella.