Being a part of a family forces one to have responsibilities and duties that are needed to be fulfilled. In Sophocles’ Greek tragedy, Antigone, Antigone has the responsibility of being loyal to her brother, Polynices. Her intuition and strong will discourages her from listening to the power of the state and to disobey some of her family to respect another part of her family. Her devotion leads to the destruction of Creon and herself, but her role as a part of her family does not stand in her determination to do what she believes to be right. It is for this reason that she is willing to destroy herself and Creon to fulfill her duty to both her immediate family and the Gods above.
Antigone’s desire to bury her brother proves her devotion to her family. She is a young girl who wants to respect her elders. In Ancient Greece, many girls were married off at a young age, and Antigone is not married. She is also not like a typical girl because she tells Ismene “From mine own He has no right to stay me.” (Sophocles 3), which refers to Creon. Going against the wishes and desires of her own uncle to value her immediate family is a trait she possesses. Antigone’s life is not all about her and would risk her own to make sure they are respected. She would rather respect the people she cares deeply for, whether they are dead or alive, than to live a life filled with guilt. This makes her independent because she will do what is necessary, despite who is or is not behind her, to complete her goal. Being focused helps her to find what she wants and creates her determination against Creon and Ismene for Polynices’ burial.
Ismene’s disapproval against Antigone builds the desire to bury Polynices. Antigone is willing to do it alone and tells Ismene, “I shall not prove disloyal” because “From mine own [Creon] has no right to stay me.” (Sophocles 2-3). Antigone’s inhibitions grow stronger and she risks losing her only other family member, and never being able to see her again. Despite Antigone’s love for her sister, her love for her brother is stronger because she is respectful towards the dead and believes they expect special treatment, despite the fact they are dead. If this weren’t true, Antigone would have given up after she had seen the guards and Creon had warned her of the consequence.
Antigone is a powerful character, strong-willed, determined and at times self-righteous. She is contrasted by her sister Ismene, who is weak and powerless. Though Antigone is a powerful character, she has no real political power and is dominated by one man, Creon. Creon is both the ruler of the state as well as the patriarch of her family. Antigone was raised by Creon’s house after her own father went in to exile. Antigone is betrothed to Creon’s son, Haemon, further cementing Creon’s power over her. There is one aspect of life that Antigone does have legitimate power in and that is her family, especially her blood line. In ancient-Greek culture the women’s place was in the home, she was responsible for household things and often wasn’t even allowed to leave the house. It is because of this responsibility that Antigone needed to bury her brother Polynices even though it went against the decree of Creon. Antigone also had the gods on her side. It was an unwritten rule of ancient Greek society that the dead must be buried, otherwise bad things may happen. This rule, because it was unwritten and therefore innate, was protected by the gods, specifically Hades, the god of the underworld and family.
In the play Antigone, both Antigone and Kreon could be considered tragic heros. A tragic hero, defined by A Dictionary of Literary, Dramatic and Cinematic Terms, is someone who suffers due to a tragic flaw, or hamartia. This Greek word is variously translated as "tragic flaw" or "error" or "weakness". Kreon's hamartia, like in many plays, is hybris - Greek for overweening pride, arrogance, or excessive confidence. Kreon's hybris causes him to attempt to violate the laws of order or human rights, another main part of a tragic hero. Also, like all tragic heroes, Kreon suffers because of his hamartia and then realizes his flaw.
In complete disregard to Creon’s threatening laws, Antigone knowingly risks capital punishment and seals her fate by choosing to bury Polynices out of respect for Theban tradition. Antigone declares her independence by stating that “[she] will bury him [herself]. And even if [she] die[s] in the act, that death will be a glory,” (85–86). She takes full responsibility for her own actions, and recognizes that her inevitable death may come sooner than planned due to this deed. Antigone’s self-governing demeanor and ability to make her own decisions allows her to establish the course of her future. She self-determines her destiny by not sitting idle and working hard to honor her family. Antigone’s bluntness towards Ismene while trying to convince
After her mother committed suicide, her father died and her brothers fought until they killed each other, Antigone projects her strong character with interesting ways of showing it. As the main character with strong values and a stubborn way, she follows the laws of god, without minding the consequences. Antigone is a strong willed woman who wins the respect of the audience by the inner strength and resistance of manipulation she has, showing the potential of human kind. She becomes a heroine with noble qualities of mind, heart and soul because she is willing to sacrifice her life, doing what she believes it is right. With a sense of family ties, she is an ideal for humanity, the issue is that she must burry her brother Polynices with an appropriate ceremony since she believes it is the last right for every human being.
Antigone, as a character, is extremely strong-willed and loyal to her faith. Creon is similarly loyal, but rather to his homeland, the city of Thebes, instead of the gods. Both characters are dedicated to a fault, a certain stubbornness that effectively blinds them from the repercussions of their actions. Preceding the story, Antigone has been left to deal with the burden of her parents’ and both her brothers’ deaths. Merely a young child, intense grief is to be expected; however, Antigone’s emotional state is portrayed as frivolous when it leads her to directly disobey Creon’s orders. She buries her brother Polynices because of her obedience to family and to the gods, claiming to follow “the gods’ unfailing, unwritten laws” (Sophocles 456-457). CONTINUE
In the book Antigone, Creon and Antigone can be considered as the tragic heroes of the play. Antigone is considered the tragic hero because of the characteristics she shows such as her ambition to defeat Creon, Creon shows more of the characteristics clearly. Creon is the king of Thebes. He is also Antigone's uncle. Creon became king after a fight between Eteocles and Polyneices. One may see Creon as a harsh and controlling ruler, but he is not good nor bad because he shows signs of both like when he wanted to give Eteocles a proper burial . Creon is the tragic hero of the Antigone, because of his dominance in society, high rank, tragic flaw; and self-pride.
Antigone is determined to bury her brother because of her loyalty to her family and to the gods. She believes that no mortal, such as Creon, has the right to keep her from her own. Even if Antigone must die during the burial, she will not disgrace the laws of the gods. She believes that she has to please the dead much longer than she has to please the living.
Antigone risks her own life to bury her brother, therefore, she goes against Kreon’s edict that Polyneices should be left unburied; she believes Polyneices deserves to reach the afterlife. Antigone tells Ismene, “I will bury him myself. If I die for doing that, good: I will stay with him, my brother; and my crime will be devotion” (Sophocles 23). Antigone is willing to risk her own life by disobeying the king’s authority; She stands up for her religious belief that Polyneices should be buried. Kreon tells Antigone before she takes her own life, “I won’t encourage you. You’ve been condemned” (Sophocles 57). Kreon believes that Antigone’s crime is severe, and righteousness should be used to justify her crime. At this point of the play, Antigone realizes she will be put to death, but she does not regret her act of loyalty. In Antigone’s last speech before she takes her own life, she exclaims, “Land of Thebes, city of my fathers… see what I suffer at my mother’s brother’s hand for an act of loyalty and devotion” (Sophocles 57). Here, Antigone addresses the nation’s leaders and declares that they should notice th...
A Greek drama is a serious of actions within a literary presentation in which the chief character has a disastrous fate. Many Greek dramas fall under theatrical category of a tragedy due to the tragic events and unhappy ending that cause the downfall of the main character. During the famous play “Antigone” the Greek author Sophocles incorporated several features of a tragedy. These features include a morally significant dilemma and the presence of a tragic hero. Grand debate over which character can hold the title of the tragic hero has discussed in the literally world for ages. A tragic hero can be defined as someone with a substantial personality flaw that causes them to endure great suffering with a reversal of character near the end. Antigone possesses certain traits that could potentially render her the tragic hero but Creon truly embodies all characteristics. Creon is the tragic hero in “Antigone” due to several qualities he displays throughout the play; he can’t accept a diminished view of himself, he endures great suffering and he is enlightened in the end.
If you were told not to do something, even if you knew it was the right thing to do, would you go ahead and do it anyway? The Play Antigone was written by the Greek author and playwright, Sophocles. The Story of Antigone takes place in Ancient Greece, about a young woman who has lost her both of her brothers, and is told by her King to not give her brother, Polyneices a proper burial. It is important to follow the laws of government, but sometimes, when you know that something is morally right, just like Antigone did, one must be able to make that decision, even if it goes against the law.
At the beginning of the play, Antigone is upset about a decree Creon, the king, made (190). The decree states that her brother, Polyneices, was not allowed to be buried, because Creon believes that Polyneices was a “traitor who made war on his country” (211). Antigone has a very strong love for her brother and the gods, therefore she believes Polyneices deserves a proper burial according to the laws of the gods (192). Antigone says to Ismene that she [Antigone] will go against Creon’s decree-which states that if anyone buries Polyneices they will be killed (190). Antigone is extremely angry with Creon for creating the decree, to the point where she decides to make a big deal about the burial, instead of lying low and doing it in secret (192). Antigone even tells Ismene to “Tell everyone!” that she [Antigone] buried Polyneices when everyone finds out, and not keep it a secret-although Ismene doesn’t listen (193). Antigone’s decision not to do the bur...
Brad Moore, a famous athlete once said, “Pride would be a lot easier to swallow if it didn’t taste so bad.” In Sophocles’ well known Greek tragedy, Antigone, the main character undergoes immense character development. Antigone transforms from being stubborn and underestimated to courageous and open-minded. In reality, it is Antigone’s insular persistence that leads to her ultimate decline in the play as well as others around her. After the death of her two brothers, Eteocles and Polynices, Creon becomes the new ruler of Thebes. With this, he grants Eteocles an honorable funeral service for his brave fighting. Claiming that Polynices was a traitor, he shows complete refusal to grant Polynices a respectable and worthy service. Clearly disagreeing with Creon’s inexcusable demands, Antigone declares she will bury Polynices herself so that his soul can be at peace. Entirely aware of the consequences and dangers of this action, which include death, she goes forward vowing her love for her family. Antigone shows strength and determination towards her brother. However, her growing sense of pride leads to her downfall as she sacrifices everything for her family. Antigone develops into an admirable character in which she portrays her defiance and courage, pride and open mindedness, and sense of moral righteousness to show vital character growth as the play progresses.
In Sophocles' Greek tragedy, Antigone, two characters undergo character changes. During the play the audience sees these two characters' attitudes change from close-minded to open-minded. It is their close-minded, stubborn attitudes, which lead to their decline in the play, and ultimately to a series of deaths. In the beginning Antigone is a close minded character who later becomes open minded. After the death of her brothers, Eteocles and Polyneices, Creon becomes the ruler of Thebes. He decides that Eteocles will receive a funeral with military honors because he fought for his country. However, Polyneices, who broke his exile to " spill the blood of his father and sell his own people into slavery", will have no burial. Antigone disagrees with Creon's unjust actions and says, " Creon is not strong enough to stand in my way." She vows to bury her brother so that his soul may gain the peace of the underworld. Antigone is torn between the law placed against burying her brother and her own thoughts of doing what she feels should be done for her family. Her intent is simply to give her brother, Polyneices, a proper burial so that she will follow "the laws of the gods." Antigone knows that she is in danger of being killed for her actions and she says, "I say that this crime is holy: I shall lie down with him in death, and I shall be as dear to him as he to me." Her own laws, or morals, drive her to break Creon's law placed against Polyneices burial. Even after she realizes that she will have to bury Polyneices without the help of her sister, Ismene, she says: Go away, Ismene: I shall be hating you soon, and the dead will too, For your words are hateful. Leave me my foolish plan: I am not afraid of the danger; if it means death, It will not be the worst of deaths-death without honor. Here Ismene is trying to reason with Antigone by saying that she cannot disobey the law because of the consequences. Antigone is close-minded when she immediately tells her to go away and refuses to listen to her. Later in the play, Antigone is sorrowful for her actions and the consequences yet she is not regretful for her crime. She says her crime is just, yet she does regret being forced to commit it.
In the play Creon goes against the Gods by making it illegal to bury Polyneices, Antigone’s brother because he is deemed a traitor. The burying of a dead body is seen as a necessity by all of Greece as it is an unspoken law of the Gods. Antigone goes to bury her brother so his afterlife will be better. She does it in spite of the law that Creon has made. “It is the dead, not the living, who make the longest demands” (192) She tries to explain to her sister, Ismene, that they must bury Polyneices, but even that close relationship has trouble because of the law. Ismene is unwilling to suffer the consequences of the law, to save her brother’s soul “Forgive me but I am helpless: I must yield to those in authority” (192) Even the two sisters who have just lost both of their brothers have different views on the matter. One will not stray from the law and what is deemed right by their king, while the other will accept any punishment, even death just to do what she believes is right.
Later in the conversation the reader learns that Antigone has a plan to bury here brother Polynices and that she wants Ismene to help her. Ismene is scared to do this because the new king, Creon, has issued a decree that says that any person that attempts to bury the body will be sentenced to death. The fact that Antigone is going to attempt to bury the body creates fear in the reader. They are fearful as to what will happen to