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Susan sontag photography essay
Susan sontag photography essay
Susan sontag photography essay
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Sontag Essay-Qualify
Susan Sontag’s essay on how photography has limited people’s understanding of the world contains many interesting points that can be agreeable while at the same time having few that I tend to disagree with. Photography can be good and bad; it can open our minds up to new cultures and experiences through its imagery. However, at the same time it can limit our understanding of the world around us and of the world around the image it is portraying.
Sontag makes the statement that the camera’s rendering of reality must always hide more that it discloses. This may be true in some situations but does not necessarily apply to them all. Sontag is correct in making this statement when you apply it the way she did through her example of the photography of Krupp Works and how it shows us only a factory. When we look at this photograph, it explains to us nothing about Krupp Works. With no additional knowledge of the factory and no time effects applied to the photograph we are unable to comprehend what goes on inside Krupp Works in its entirety. The photograph only...
The poem “Extended Development” by Sarah Kay explores the ways in which the art of photography has changed throughout time, yet still remains a highly important and influential hobby. More specifically, how photography is an important aspect in each member of the speaker’s family. By using allusions, characterization, and imagery, Kay explores how the art of photography has changed throughout time.
Having such an image before our eyes, often we fail to recognize the message it is trying to display from a certain point of view. Through Clark’s statement, it is evident that a photograph holds a graphic message, which mirrors the representation of our way of thinking with the world sights, which therefore engages other
As the camera’s popularity grew, the use of it shifted from an art form into a social rite, a statement of authority and security. The act of taking photographs, and the photos produced, act as mementos or proof of the past. Photographs summarize an event all within itself, creating an immortal piece, allowing the people to grasp onto the ownership of area in which they feel insecure. On the other hand, Sontag states that the deed of taking photographs occupies the same need for “cosmopolitans […] as it does for lower-middle-class [citizens]”(177). With that being said, how can there be any power at all in photography, but a fake sensation we created from the act of photography to fill our insecurities. By tapping into the insecurities of the readers, Sontag forces them to connect with the words and consider their actions relating to photography more
Photography allows us to maintain memories and relish them whenever we desire. Although some advocates might argue that people are no longer enjoying experiences instead taking more pictures, in the essay, “Why We Take Pictures”, by Susan Sontag, she conflates that photography can be used as a defense against anxiety and a tool of empowerment. I agree with Sontag on the significance of photographs and how it allows us to store a part of our extended relatives so we are able to hold on the memories of family. Therefore, we must appreciate how photography allows us to manage anxiety, express feelings and remember our loved ones.
In the essay “Why We Take Pictures” by Susan Sontag, she argues that taking photos can be a tool of power and sometimes even a defense against anxiety(353). Taking pictures can be a great source of power, according to Sontag. The photographer has the power to show what they want and people can choose whether or not to be in the photo. Sontag uses the example of a family photo; as some family photos portray the family being happy, many people cannot see that the family might not actually be as happy as they look. Sontag also uses examples like nuclear families and traveling in order to enforce her claims about picture taking. In a nuclear family, Sontag believes that taking a picture of that family can help relieve some anxiety because people
Photography is defined at the art or practice of taking and processing photographs. To understand photography is having insight or good judgment to know how to take the picture, but also edit it if need be. Does photography limit our understanding of the world? What some people haven’t realized is that photography is all around us, whether it is in the person’s mind to see it or not. While we see photography throughout our daily routine, people dismiss the small types of photography and focus on the bigger sceneries like other countries beautiful cities and landscapes. It’s true that in this day and age, most photographs we see have been altered in some way. When photographers use Photoshop to edit our photos, we use many different ways to make that image appealing to the eye. Although, photographers unless told to do so will not change an image into something totally absurd that takes away from being astatically pleasing. Images are a gateway to the insight of the rest of the world’s cultures landscapes, and architecture, and photography is the key aspect to it. Photography is a one way to see the world, but it is better if you go and travel around the world to see it. In order to see if photography actually limits our understanding, we have to first look at the positive side of photography.
In “The Fish” by Elizabeth Bishop, the narrator attempts to understand the relationship between humans and nature and finds herself concluding that they are intertwined due to humans’ underlying need to take away from nature, whether through the act of poetic imagination or through the exploitation and contamination of nature. Bishop’s view of nature changes from one where it is an unknown, mysterious, and fearful presence that is antagonistic, to one that characterizes nature as being resilient when faced against harm and often victimized by people. Mary Oliver’s poem also titled “The Fish” offers a response to Bishop’s idea that people are harming nature, by providing another reason as to why people are harming nature, which is due to how people are unable to view nature as something that exists and goes beyond the purpose of serving human needs and offers a different interpretation of the relationship between man and nature. Oliver believes that nature serves as subsidence for humans, both physically and spiritually. Unlike Bishop who finds peace through understanding her role in nature’s plight and acceptance at the merging between the natural and human worlds, Oliver finds that through the literal act of consuming nature can she obtain a form of empowerment that allows her to become one with nature.
If Eve Kosofsky Sedgwick is akin to a bel canto diva, moving her voice in ornate, wispy, origami shapes with very little forcefulness--without, in keeping with the classic test of bel canto mastery, "bending the flame" (which could account for the "thinness" my professor once complained of as we discussed Sedgwick's buoyantly clever and even hallucinatory "Jane Austen and the Masturbating Girl," a psychotic triumph that proves you can read your own erotomania between the lines of a text and "get off," as it were, or "get by")--then Sontag is akin to a Broadway belter in the Ethel Merman or Patti LuPone tradition: all forcefulness, her every phrase canon-packed and released at a hair-whipping, face-flattening full blast (Stark 105). If you read her in the afternoon, you must cancel your evening plans to get the knots out of your hair.
Images of medieval torture devices immediately spring into the mind with a mention of the words “cruel and unusual punishment”; however, this colorful, romanticized representation is a stereotype. One of the very first mentions of “cruel and unusual punishment” in Canada was in the Miller et al v. The Queen case of 1977. In this case reference to sections 1 and 2 of the pre-Charter Bill of Rights was applied (passive voice) in deciding that the death sentence for murder was indeed constitutional. A lasting influence of this case on section 12 of the Canadian Charter of Rights and Freedoms can be found in the decision that “‘cruel and unusual’ in s. 2(6) are to be read conjunctively
Death is a photography." And she also said that :" “We no longer study the art of dying, a regular discipline and hygiene in older cultures; but all eyes, at rest, contain that knowledge. The body knows. And the camera shows, inexorably.” Sontag’s examines how photography mediates the relationship between life and death, and has only swelled with significance and cultural relevance in the decades since, as we have shuttered and pixelated our way into this life-as-commemoration-of-itself age of ours. She writes: "Photographs turn the present into past, make contingency into destiny. Whatever their degree of “realism,” all photographs embody a “romantic” relation to
I believe that in able to see the world we should photograph life at a certain moment in time so we can capture reality, and able to look back at it. Susan Sontag expresses, “Although there is a sense which the camera does indeed capture reality, not just interpret it, photographs are as much an interpretation of the world as paintings and drawings are” (Sontag 6). Interpreting this quote can go a different way such as, that the photographer is capturing the world by the lenses, not the eyes. I believe that if we’re experiencing the world through the lenses, or rather
Fifty years on from Susan Sontag’s innovative Essay “The Imagination of Disaster”, which incorporates the use of disaster films as analogies to argue that “from a psychological point of view, the imagination of disaster does not greatly differ from one period in history to another”, but on the contrary “from a political and moral point of view, it does”, Jean Baudrillard exchanges a similar set of concerns in his more recent essay ‘The mirror of terrorism’. He forms his essay on the ideas that the Western media is becoming the basis to advance how we are entering “the era of simulation and hyperreality” with “reality TV”. John C. Gilmour’s ‘Fire on the earth’, also relevant to Sontang and Stockhausen’s bald claims, contends that Anselm Kiefer, a german sculpture and painter, seeks to
To begin with, photography appeared to me as something entertaining a simple step in which one took a camera and simply shot a photograph of oneself or a friend. When I was handed my schedule for Mrs. Jones’s class, I felt as if this class had in store a special reward for me. As the days went by, Instead of being anxious of getting out of class I had a craving for additional time in the class. The class kept my eyes glued to the screen ...
Infamous: Second Son is an open world, action-adventure video game. Developed by Sucker Punch Productions and published by Sony Computer Entertainment for the PlayStation 4. The story follows the protagonist Delsin Rowe; Delsin is your average day hooligan who is a burden to his older brother who happens to be a police officer. Over the course of the game, Delsin acquires various different superpowers which will eventually allow him save the people from his village and get revenge for them.
In Sontag’s On Photography, she claims photography limits our understanding of the world. Though Sontag acknowledges “photographs fill in blanks in our mental pictures”, she believes “the camera’s rendering of reality must always hide more than it discloses.” She argues photographs offer merely “a semblance of knowledge” on the real world.