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Shakespeare’s sonnets 12 analysis
Literary analysis of shakespeare
Shakespeare’s sonnets 12 analysis
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Sonnets
Sonnets are as the dictionary confirms poems with set rhythmic
patterns and Shakespeare's' were no exception. NEARLY ALL
SHAKESPEARE'S SONNETS ARE WRITTEN IN THE SAME FORM AND HAVE THE SAME
RHYME SCHEME
All his sonnets were 14 lines long and these 14 lines were then broken
down to three quatrains (four line verse) and one Couplet (two line
verse). Within each verse there was a set rhythm and the rhythm that
Shakespeare used was known as an iambic pentameter. EACH LINE is HAS
10 syllables. EACH line and divided into 5 'feet' EACH ONE OF TWO
SYLLABLES. Each foot is known as an 'iamb'. I have chosen to look at
Shakespeare's sonnets Nos. 18 and 130.
In the first quatrain in sonnet 18 Shakespeare compares his love to a
summer's day. He is saying that the one he loves is "more lovely and
more temperate…". Shakespeare goes on to say that beauty sometimes
declines due to chance or "nature's course untrimmed" and that
beautiful things do lose beauty. However in the third quatrain he
claims that his love will never lose the beauty by saying "But thy
eternal summer shall not fade…". The poem is concluded by "…So long
lives this, and this gives life to thee" which means that as long as
the poem is read people will know how beautiful his love was and this
keeps the beauty from fading or being less beautiful.
In sonnet 130, in the first quatrain Shakespeare talks about her eyes
being "nothing like the sun" and coral being "far more red" than her
lips. He continues in the same vain throughout quatrains two and
three, claiming that the breath form his mistress "reeks" and that he
doesn't see roses in her cheeks. The last verse, the couplet, takes a
turn however and Shakespeare explains his love that she doesn't need
false comparisons she is beautiful to him "…As any she belied with
false compare."
In both sonnets Shakespeare makes references to beauty, whether
comparing to a summer's day or talking about appearances of her cheeks
Sonnet 130 openly mocks the traditional love sonnets of the time. This is, perhaps, made most apparent through the use of subversive comparisons and exaggerated similes. The intention of a subversive comparison is to mimic a traditional comparison yet highlight the opposite purpose. Whereas his contemporaries would compare their love’s beauty to alabaster or pearls, Shakespeare notes, “If snow be white, why then her breasts are dun” (3), therefore intentionally downplaying the beauty of his mistress. Later he states, “...in some perfumes there is more delight / than in the breath that from my mistress reeks” (7-8). Both of these exemplify that Shakespeare ridicules the traditional love sonnet by employing the same imagery to convey opposite intentions.
As far as structure goes, Shakespeare’s sonnet and my own are very similar. My 14-line sonnet is written in Iambic Pentameter and follows the abab-cdcd-efef-gg rhyme scheme within three quatrains and a couplet, as does that of Shakespeare. For this reason, my poem follows a meter very close to Sonnet 87. This is also due to the fact that both sonnets contain 10 syllables per line, as well as an eleventh in most lines that derives from weak, or "feminine" verb endings such as "keeping" in the first line of my poem, and "possessing" in that of Shakespeare. Thus, the finality residing in the 10 syllable lines that use masculine endings is accounted for. In addition, my sonnet mirrors Sonnet 87 by starting with "farewell" and ending with Shakespeare’s couplet modified, and one can see his influence in the third quatrain of my poem, which echoes back the last 4 lines of Sonnet 87’s third quatrain. In this way, I was able to mimic most of Shakespeare’s structure while inserting phrases of my own.
A sonnet is a fixed patterned poem that expresses a single, complete thought or idea. Sonnet comes from the Italian word “sonetto”, which means “little song”. Poem, on the other hand, is English writing that has figurative language, and written in separate lines that usually have a repeated rhyme, but don’t all the time. The main and interesting thing is that these two poems or sonnets admire and compare the beauty of a specific woman, with tone, repetition, imagery, and sense of sound.
Sonnet 18 is considered to be the first of the group of 108 sonnets written about a young man, however one could easily presume that the person being talked about is a woman. Since there is no suggestion in this poem of a particular sex, the anonymous person will be addressed as Shakespeare’s “beloved.” In the first line of the poem, the author is asking or just wondering out loud if he should compared his love to a summer’s day. The second li...
William Shakespeare’s sonnets are considered to be some of the most beautiful poems in English literature. Although little is known about the poet, many seem to put their focus on Shakespeare’s inner life; wondering why he wrote the things he did. William Shakespeare is mostly known for his plays; however, he did accomplish a lot in poetry. William Shakespeare was powerful with his words, and knew how to express things in great depth. Why or who he wrote about is still a mystery. Scholars only know so much about his life, and are still trying to put the unknown pieces together.
Conclusion: Both Sonnet 43 by Elizabeth Barret Browning and Sonnet 116 by William Shakespeare use poetic devices such as: word choice, figurative language, and imagery to delve into the passions of fervent love.
When he writes "And yet, by heaven, I think my love as rare as any she, belied with false compare." (lines 13-14) in the final couplet, one responds with an enlightened appreciation, making them understand Shakespeare's message that true love consists of something deeper than physical beauty. Shakespeare expresses his ideas in a wonderful fashion. Not only does he express himself through direct interpretation of his sonnet, but also through the levels at which he styled and produced it. One cannot help but appreciate his message of true love over lust, along with his creative criticism of Petrarchan sonnets.
Due to the great amount of Shakespeare's work and its consistent quality, his particular style became known as 'the Shakespearean sonnet form'. A typical Shakespearean sonnet has fourteen lines, broken down into three quatrains and ending with a rhyming couplet. In each quatrain a different subject will be conversed and described, the subject is then changed at the start of each new quatrain. The quatrain allows the theme of the sonnet to be developed. The ending couplet allows what was discussed in the forerunning quatrains to be resolved.
This poem speaks of a love that is truer than denoting a woman's physical perfection or her "angelic voice." As those traits are all ones that will fade with time, Shakespeare exclaims his true love by revealing her personality traits that caused his love. Shakespeare suggests that the eyes of the woman he loves are not twinkling like the sun: "My mistress' eyes are nothing like the sun" (1). Her hair is compared to a wire: "If hairs be wires, black wires grow on her head" (3). These negative comparisons may sound almost unloving, however, Shakespeare proves that the mistress outdistances any goddess. This shows that the poet appreciates her human beauties unlike a Petrarchan sonnet that stresses a woman's cheek as red a rose or her face white as snow. Straying away from the dazzling rhetoric, this Shakespearean poem projects a humane and friendly impression and elicits laughter while expressing a truer love. A Petrarchan sonnet states that love must never change; this poem offers a more genuine expression of love by describing a natural woman.
Lackluster love is the subject postulated in both sonnets, Petrarch 90 and Shakespeare 130. This is a love that endures even after beauteous love has worn off, or in Petrarch, a love that never was. The Petrarchan sonnet utilizes fantasy to describe love. It depicts love that is exaggerated and unrealistic. Shakespeare’s sonnet, on the other hand, is very sarcastic but it is more realistic as compared to the Petrarch 90. Petrarchan sonnets, also called Italian sonnets were the first sonnets to be written, and they have remained the most common sonnets (Hollander 28). They were named after the Italian poet Petrarch. Its structure takes the form of two stanzas, the first one an octave, in that, it has eight lines, and the next stanza is a sestet, meaning that it has six lines. The rhyme scheme suits the Italian language, which has the feature of being rhyme rich, and it, can take the forms of abbaabba, cdcdcd, or cdecde. These sonnets present an answerable charge in the first stanza, and a turn in the sestet. The sestet is the counter argument of the octave.
The ritual of courtly love had rigid codes of conduct associated with it. Shakespeare took his writing to new levels by subtly defying the codes of conduct and relating courtly love to relationships between both two men and a man and a woman. Shakespeare addresses his first 126 sonnets to the same fair man. Sonnet 18, by far one of the most famous of Shakespeare's sonnets, was written to illustrate his love and adoration for the man. Shall I compare thee to a summer's day?
In “Sonnet 18,” the theme is that what is written in poetry is everlasting; Shakespeare is talking about the beauty of a woman and saying that her beauty will never go away because he is putting it into a poem. He begins the poem by comparing her to a summer day, but then starts talking about how she is much more beautiful. He continues comparing a summer day to his true love and shows how she is much fairer throughout the whole poem. He says, for instance, “But thy eternal summer shall not fade, nor lose possession of that fair thou ow’st.” Shakespeare is saying that his true loves beauty will never go away and that she will remain beautiful forever. However, in “Sonnet 130” the theme is more about appearances and how you can love someone, who might not be as beautiful. Throughout the poem, Shakespeare is trying to say the looks are not everything. The only thing he talks about is the way his lady looks; he does not mention her personality. For example, he says “I love to hear her speak, yet well I know that music hath a far more pleasing sound;
That means, the approaches of poet’s love remain the same. In one place, he portrays beauty as conveying a great responsibility in the sonnets addressed to the young man. The poet has experienced what he thinks of as "the marriage of true minds," also known as true love, that his love remains strong, and that he believes that it’s eternal. Nothing will stop their love, as in the symbols like all the ships, stars and stormy seas that fill the landscape of the poem and so on what can affect to their love. The poet is too much attracted with the young man’s beauty, though this indicates to something really bad behavior. But in another place, Shakespeare makes fun of the dark lady in sonnet 130. He explains that his lover, the dark lady, has wires for hair, bad breath, dull cleavage, a heavy step, pale lips and so on, but to him, real love is, the sonnet implies, begins when we accept our lovers for what they are as well as what they are not. But other critics may not agree with this and to them, beauty may define to something
The fourteen line sonnet is constructed by three quatrains and one couplet. With the organization of the poem, Shakespeare accomplishes to work out a different idea in each of the three quatrains as he writes the sonnet to lend itself naturally. Each of the quatrain contains a pair of images that create one universal idea in the quatrain. The poem is written in a iambic pentameter with a rhyme scheme of ABAB CDCD EFEF GG. Giving the poem a smooth rhyming transition from stanza to