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Blues music analysis
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Blue Bossa is a jazz piece by Kenny Dorham. This song has many different types such as, vocal, instrumental, blues, rock, funk, latin, and more. Blue Bossa is in the key of C minor, but is commonly thought to be E flat Major, it major counterpart. It is comprised mainly of 2-5-1 progressions in either a minor or a major key. It is written in 4/4 time and usually has no, or little, swing. It also has small use of dynamics, mezzo piano for the backing in the solos, mezzo forte and forte to emphasise, decrescendos to transition from sections. The main 4 bar phrase used throughout the piece and is a great example of the piece’s relaxed feel. Combined with the substantial use of syncopation in the song, some staccatos, accents, and legatos are
used to make rhythmic variation and keep up the same feel. The form could be described as ABCB as the 2nd four measures and the 4th four measures are the same. The harmonic texture in this
Good morning Mrs Dover and 8D. I have chosen to analyse the film clip “black fella, white fella” by the Warumpi band, and have determined that the song and associated images is partially successful in communicating aboriginal values, such as culture, land and family. The lyrics include the language features repetition, alliteration and rhetorical questions to deliver a message of reconciliation and equality. These features are also supported by visual imagery that is intended to support the ideas within the song.
The song “Ants Marching” by Dave Matthews Band has several connections to Fahrenheit 451. For example, the line “cut, cut on the fence not offend” (Dave Matthews Band) directly ties into the book. People in the Fahrenheit 451 society are so fastidious as to not offend people that they lose the power to change lives through knowledge. These citizens have cut off their ability to truly understand others and the world around them the minute they tossed the first book into the crackling orange-and-red blaze, sparking a nationwide holocaust of valuable lessons and ideas. Another example of this song’s correlation to Fahrenheit 451 would be none other than this quote in part one: “You ask why to a lot of things and you wind up very unhappy indeed,
Louis Armstrong’s rendition of the Hot Chocolates “Black and Blue” is efficient in of displaying the unique characteristics of the music that makes jazz such a special genre and sound. The Hot Chocolates first preformed the song at the end of the 1920s, right when the blues started to become more intertwined with jazz music and performers like Mammie Smith started to become relevant. Louis Armstrong also derived a lot of inspiration from blues which is why his version of the song incorporated blues scales. The Hot Chocolates version of the song relies more heavily on the vocals than Armstrong’s version. In the original, you hear Edith Wilson’s voice come in well before the song’s half way point; in Louis version his trumpet takes
An estimation of about 2.6 million men served in the Vietnam war, but only a several hundred thousand of them came home. While some soldiers who returned were successful with the transition of returning back to the civilian life, many others did not. In John Prine’s anti war song, “Sam Stone”, he sings about the life of a man who goes home to his family and gets addicted to drugs.
The interpretations of what comes after death may vary greatly across literature, but one component remains constant: there will always be movement. In her collection Native Guard, Natasha Trethewey discusses the significance, permanence and meaning of death often. The topic is intimate and personal in her life, and inescapable in the general human experience. Part I of Native Guard hosts many of the most personal poems in the collection, and those very closely related to the death of Trethewey’s mother, and the exit of her mother’s presence from her life. In “Graveyard Blues”, Trethewey examines the definition of “home” as a place of lament, in contrast to the comforting meaning in the epitaph beginning Part I, and the significance
“Over There” is a song written by George M. Cohan in 1917. Nora Bayes, Enrico Caruso, Billy Murray, Arthur Fields, and Charles King were among many who recorded the song. It was written as a propaganda piece encouraging young American men to join the army to fight in World War I. The song was incredibly popular, selling over two million copies of sheet music and one million copies of recordings by the end of the war. Cohan, the writer, was eventually even awarded a Congressional Medal of Honor for his work on this song.
James Baldwin is a writer from the twentieth century. He wrote “Sonny’s Blues,” a short story with the image in Harlem, as many of his stories were, was published in 1957. “Sonny’s Blues” is about the narrator, who remained nameless, and how his life changed after he discovers his brother’s drug addiction. “Sonny’s Blues” highlights the theme of light and darkness throughout the story’s good and bad event, the struggles of brotherly love, and the dilemmas that the narrator and Sonny face as siblings by being raised the same but taking totally different routes in their lives.
Marvin Gaye has used many techniques and strategies in order to create effect and to keep the listener interested. Inner City Blues is of funk styling as is evident with the drum beat and all the other instruments interlocking. The time signature is 4/4 with very noticeable accents on the 2nd and the 4th beats. The use of musical space is very apparent in this piece. The drum beat is constantly playing in the background but by having the other instruments, such as the guitar and brass, playing either long notes or staccato notes with a rest, the listener has a lot more time to take everything in. This technique is very effective in this piece as Gaye is trying to gets a strong message across so it is useful to have rests after the lyrics in or to comprehend what he is saying. There is quite a large range in this piece because of the variety of instruments used. With saying that the song is mostly low in pitch but in some places like the chorus and for occasional screams, Gaye sings with a high tenor voice and some of the notes played by the brass instrument are also high in pitch in order to cut through the thick of the other instruments.
8. V. Bogdanov, C. Woodstra, S. T. Erlewine. 2003. All Music Guide to the Blues: The Definitive
...d of Blue,” “an album now considered to be without equal in jazz history (Merod 67).” He spoke to Davis’ genius in how he leads. He is able to orchestrate elements of his projects to get them to have the feel he is looking for. He noted that “Most of “Kind of Blue” is the product of first takes (Merod 67),” which was due to the fact booking studio time cost money so it was usually a get it right the first time deal.
"Fun" is an American indie pop band formed by Nate Ruess in 2008. Since then they have released two albums, Aim and Ignite in 2009 and Some Nights in 2012. Both of these albums were both financially successful because of their deep and meaningful lyrics that Nate himself wrote. Their song, “Some Nights”, was released on June 4, 2012 as part of the album with the same name.
I decided to expand on my Week 5 Post All About That Bass. Our assignment for that week was to analyze Meghan Trainor’s song All About That Bass and to give our opinion on what message we believe the song lyrics and video provided the public with. The second part of our assignment also involved watching “It’s Not About the Nail” and the Dave Barry article that addressed stereotypes about gender and what affect they might have on individuals.
Typical elements of the blue include rhythmic, lyrical, instrumental, and structural aspects. Within the blues, drums are not solely used to keep the beat, but also to help maintain a feeling of tension throughout the song by placing a certain emphasis on the off-beat. This is commonly seen in a blues rhythm called the shuffle beat, which works by using the “pre” beat be...
The film “Sita Sings the Blues” and “Ramayana the Epic” are two versions of the Ramayana but were portrayed in different ways. “Sita Sings the Blues” was presented by Nina Paley based on Valmiki 's version of the Ramayana and she showed the side that many people don 't know and fail to accept about the Ramayana, Sitas side of the story. She doesn 't portray Rama to be the ideal husband although he goes through the trouble of saving Sita. In the film “Sita Sings the Blues” Nina Paley did not show Lakshmana throughout the whole journey of Rama leaving Ayodhya and trying to finding Sita. Also, Rama himself ends up killing Ravana which was different in the film “Ramayana the Epic.” In the film “Ramayana the Epic,” Rama was portrayed as the ideal
The song that I choose to do this assignment on is Fight the Power by Public Enemy. Fight the Power was written in 1989 and quickly became a street anthem for millions of youths. It reflects with issues dealing with both the Civil Rights Movement and to remind everyone that they too have Constitutional Rights. This particular song is about empowerment but also fighting the abuse of power that is given to the law enforcement agencies. It gave citizens of the U.S a more modern outlook on the many struggles that not only the African American community is up against but the other minority groups as well. The song’s message was eventually supposed to bring people together and make the world a better place, even though some teens saw it as a way