Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
The journey of a hero
Hero's journey narrative personal essay
The journey of a hero
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: The journey of a hero
There were no maps. No one was sure of what lied behind the large stone walls. The quaint forested village had been sustaining its usual pleasantness until the confusions and unknown anomalies of life took place, one night, in the town of Dalvar. A storm brewed fiercely, bearing more rain than he had ever seen. The dark, stygian clouds congregated in menacing fashion. Staying inside seemed safe enough; yet the next day, when going outside to fetch water from the river as usual, someone was yelling from the market. The woman, or at least it sounded like a woman, was complaining about how her house was invaded by a strange man. The only things she could recall about him were his piercing purple eyes and a large golden stick with branches. As he filled the bucket, he overheard the woman wailing on that the man asked her where “it” was, “Where is it? Answer me will you, where is it?” She recalled, also adding she had almost …show more content…
Are you sure she is upon death’s doorstep?” Asmer asked in disbelief. “The only way she could possibly survive is if she had that herb. Unless of course her body somehow, miraculously, decides to weed itself of the illness; which could be possible considering her body is probably stronger from the laborious work she performs in her tomato garden.” Asmer contemplated the probability of such an event taking place, and at the same time he wondered, “Raveen, do you know, or believe if this illness is contagious?” It was almost as if Liet didn’t even hear Asmer, perhaps because he didn’t care if he died or not at this point. Raveen turned an eye around, so only half her face was visible, and replied, “I would take care Asmer. You have touched her the most and if anything were contagious, it would probably infect you as well. Do not take me the wrong way, Asmer. You are strong for your age, but again, you are not quite as strong as even Jala. I would return to your home with no interaction with anyone; even your
Alexandra Bergman’s lack of self awareness allows others to forget that she is a woman and, at times, even human, which continuously builds the wall of isolation that surrounds her. As a result, when she reacts to situations as a woman would, rather than as “she” should, those around her don’t know what to make of it. Because she has been such a steady influence for so many years, those around her do not understand that perhaps she did have another dream besides working the land that she seems to care so deeply about. Her brothers in particular are unable to comprehend that Alexandra is a woman and was forced into the life she has lead by their father’s fantasy rather than by her own free will. Perhaps the only people who truly understand her dilemma are Ivar and Carl. Ivar is a “natural man” and a religious mystic and Carl a man who was unable to make a living from the land– neither is respected by their peers, and yet they have some sort of insight to Alexandra’s heart that even she has failed to acknowledge. Alexandra’s walls are brought down only by love: love of her youngest brother, love of the land, and the return of the childhood love she thought was lost to her– as these loves begin to change her, her outlook on her entire life begins to change and meld into something that only those who actually know who and what she is recognize: a woman.
The next theme used by the author to inspire a feeling of despair in this story is the randomness of persecution. By making the villagers draw these slips of paper once a year would provoke a feeling of hopelessness. Because they know that no matter what they do one day they may be subjected to this brutal death. And it woul...
The narrator's precise observations allow the reader to find insight in small moments of village life. Jewett presents a world seemingly unchanged with a mixture of remoteness and a “childish certainty of being the center of civilization” (1). The narrator's nostalgic recount of village life has about it the mood of a dream, a life remembered and not put down until long afterwards. Jewett's pictorial conventions create a feeling of impermanence akin to nostalgia assembled into long, gracefully rambled sentences authenticating her own regional style.
‘Instantly, in the emptiness of the landscape, a cry arose whose shrillness pierced the still air like a sharp arrow flying strait to the very heart of the land; and, as if by enchantment, streams of naked human beings – with spears in their hands, with bows, with shields, with wild glances and savage movements, were poured into the clearing by the dark – faced and pensive forest.... ... middle of paper ... ... This demonstrates the lack of communication skills between each other, with dire consequences.
The discussion of children and school also gives well meaning of an organized and well-balanced village the people have put together, one the average parent would want their children raised in. “They tended to gather together quietly for a while before they broke into boisterous play, and their talk was still of the classroom and the teacher, of books and reprimands (p.445).” The thought of children playing also illustrates of a positive outlook for the rest of the story, a sense of happiness.
It is also stated that she has never seen him alone. The storm starts to increase outside, reflecting the sexual tension inside. The storm's sinister intention appears when "The rain beat upon the shingled roof that threatened to break an entrance.". It seems that the storm knows what is going on between the two and is threatening to break in and ruin their chances. They move throughout the house and end up in the bedroom "with its white, monumental bed, its closed shutters, looked dim and mysterious.
Mrs. Mallard’s repressed married life is a secret that she keeps to herself. She is not open and honest with her sister Josephine who has shown nothing but concern. This is clearly evident in the great care that her sister and husband’s friend Richard show to break the news of her husband’s tragic death as gently as they can. They think that she is so much in love with him that hearing the news of his death would aggravate her poor heart condition and lead to death. Little do they know that she did not love him dearly at all and in fact took the news in a very positive way, opening her arms to welcome a new life without her husband. This can be seen in the fact that when she storms into her room and her focus shifts drastically from that of her husband’s death to nature that is symbolic of new life and possibilities awaiting her. Her senses came to life; they come alive to the beauty in the nature. Her eyes could reach the vastness of the sky; she could smell the delicious breath of rain in the air; and ears became attentive to a song f...
...way that the story is being interpreted and how the storm influences the story as a whole. Sometimes people need a wakeup call or a 'storm' to make them aware of how good they have things. In this short story Alcee and Calixta both come to realization of how good they have things with their spouses and how that they already found the ones that they love, which weren't each other. This made me aware of how we as people can take things for granted or believing we know what’s best for us. In reality we don't always know what’s best until something occurs and shows us that what we already have is the best.
When the Free tribe would go asleep at night the Wild tribe would sneak past the watchers and steal the supplies. Each morning Honovi and her tribe woke up with less and less supplies. Chief Black Bear went over to address the Wild tribe and they declared war. Starting trouble with another tribe was very unusual but other tribes insisted on not working together. One day, Honovi had to go and look for berries while her mother stayed and wove baskets for members of the tribe. As Honovi was leaving her father stopped her and said “Don’t get caught in the storm.” Honovi looked up at the sky and there wasn’t cloud in sight so she could only imagine her father was talking about the Wild tribe. She nodded her head and left. Honovi thought to herself that being the Chief’s daughter was like being under constant guard watch all the time but she couldn’t complain. She got to the berry bushes and all she felt was someone taking her arms and pulling her away from the berry
I peered around through the rain, desperately searching for some shelter, I was drowning out here. The trouble was, I wasn’t in the best part of town, and in fact it was more than a little dodgy. I know this is my home turf but even I had to be careful. At least I seemed to be the only one out here on such an awful night. The rain was so powerfully loud I couldn’t hear should anyone try and creep up on me. I also couldn’t see very far with the rain so heavy and of course there were no street lights, they’d been broken long ago. The one place I knew I could safely enter was the church, so I dashed.
Bartee, Johanna. The Storm: More Than Just a Story. Virginia Wesleyan College , n. d. Web. 09 May 2012.
Furthermore, understanding the fact of how the villagers in that village practiced and participated in such a barbaric ritual and archaic event were not accepted by people. In addition, people who read the story commented that the modest people of the Midwest are superstitious and backward. Here, Jackson conveyed successfully with her subtle writing style that something is about to happen. She also used a third person point of view when writing this short story. The third person point of view permitted the author to keep the outcome of the story an exposure. This therefore led to the reader to consider everything is well but actually there is something wrong somewhere. Furthermore, what could be seen from the story is people were different compared to present, there is a huge difference in cultural practices. Therefore the actions of the story go in the opposite direction of people’s opinion in the present in terms of value of life, violence and the development of respect in a family.
Agreeing they would continue to labor within the fields, Lydia respects the ‘white peoples’ requests and admire her daughters’ optimistic desires to overcome the loss of their father. The night following her first day of school, it becomes evident that Sofia was cheerful towards attending school, it inspired her confidence. ‘She sat and stared into the fire. Sofia believed that the day ahead of her would be right. And she was looking forward to it’.
already it’s clear that it is late at night and a man is weak and tired trying to ease his sorrow by reading old books of “forgotten lore” (DiYanni 1173). Then the poem goes on to tell that there is a tapping at his chamber door. When he opens the door he is surprised to find, “Darkness there and nothing more” (1173). He whispered into the darkness “Lenore,” hoping that his lost love had returned, but all that was heard was, “an echo [that] murmured back the word, ‘Lenore!’”(1173). Angered and perplexed, he turns back into his chamber, suddenly there is a loud tapping at the window lattice.
One evening a terrible storm came on; there was thunder and lightning, and the rain poured down in torrents. Suddenly a knocking was heard at the city gate, and the old king went to open it.