The text I'm going to analyse represents a short-story, entitled "THE LUNCHEON", written by a prominent, English novelist, short-story writer, playwright and essayist Somerset Maugham.
First of all I'd like to say some words about the title of the text "The Luncheon". The title of the text is rather ironical. If we consult a dictionary, we can find out that the word "luncheon" means a "light snack", but as we can see hereinafter a light snack turns to be an abundant and expensive meal.
The text represents the first person narration. The use of pronouns "I", "my", "myself" is predominant. E.g. "Did I remember?", "My heart sank", "as for myself, I chose the cheapest dish".
The plot of the text is the following: the narrator, a book writer, recognizes a woman with whom he had lunch years ago. He starts remembering the unforgettable evening. He was young, lived in Paris and could barely make ends meet.
As the writer gave freedom to her son, he tore a binder paper from the notebook, and he started writing about any story he wanted. Moreover, she was startled when she saw his story about The Boy In The Red Sox Shirt and Baggy Jeans. It was about a fourteen-year old girl, who
...g “you” like second person. That leaves third person. I know it’s not third person omniscient, because the narrator doesn’t know, or can’t reveal the thoughts of more than one character.
“Naked Lunch” is a play written by Michael Hollinger in 2003. This play is one of the groups of written sixteen plays by several playwrights for Trepidation Nation: A Phobic Anthology, that was produced at the Humana Festival by the Actor Theatre of Louisville in 2002 to 2003. This is a one-act play that is around ten-minute long. It consists of only two actors: one man and one woman with a setting on a small dining area.
“It was a large, beautiful room, rich and picturesque in the soft, dim light which the maid had turned low. She went and stood at an open window and looked out upon the deep tangle of the garden below. All the mystery and witchery of the night seemed to have gathered there amid the perfumes and the dusky and tortuous outlines of flowers and foliage. She was seeking herself and finding herself in just such sweet half-darkness which met her moods. But the voices were not soothing that came to her from the darkness and the sky above and the stars. They jeered and sounded mourning notes without promise, devoid even of hope. She turned back into the room and began to walk to and fro, down its whole length, without stopping, without resting. She carried in her hands a thin handkerchief, which she tore into ribbons, rolled into a ball, and flung from her. Once she stopped, and taking off her wedding ring, flung it upon the carpet. When she saw it lying there she stamped her heel upon it, striving to crush it. But her small boot heel did not make an indenture, not a mark upon the glittering circlet.
Maupassant, Guy De. “An Adventure in Paris”. The Norton Anthology of Short Fiction. Cassill, RV. New York: Norton & Company, Inc. 2000. 511-516 Print.
In the story, the narrator is forced to tell her story through a secret correspondence with the reader since her husband forbids her to write and would “meet [her] with heavy opposition” should he find her doing so (390). The woman’s secret correspondence with the reader is yet another example of the limited viewpoint, for no one else is ever around to comment or give their thoughts on what is occurring. The limited perspective the reader sees through her narration plays an essential role in helping the reader understand the theme by showing the woman’s place in the world. At ...
Like in many tragically true stories, it would seem Mrs. Mallard 's freedom came too late. Kate Chopin’s, “The Story of an Hour” begins by introducing Mrs. Mallard as a person afflicted with heart trouble. The story builds on this by having Mrs. Mallard’s sister Josephine and her husband Richard explain the situation in a very sensitive manner. Their efforts would prove to be in vain however as Mrs. Mallard then proceeds to emotionally break down. The news shocks Mrs. Mallard to her very core and has her at odds with how she should feel now that all was said and done. After coming to terms with her situation, fate delivers its final blow in a cruel and deceitful ploy towards Mrs. Mallards. And with that, Mrs. Mallard 's dies. In her hour of change Mrs. Mallard 's was delicate, thoughtful and excitable.
Now, as the family of four travels across the continent, the narrator is able to slough off all the obligations which society has dumped on her. Almost relieved, “we shed our house, the neighborhood, the city, and…our country” (378). On the road, she is no longer forced to hide from the friendly phone calls or household chores. The narrator has been freed on the highway to Ontario, Canada. The Prisoner of War, held under siege in her own home, is liberated to be “hopeful and lighthearted” (378). This trip becomes a break from the life that she’s is currently leading, a life which society thinks should make her content. With this new bit of freedom the narrator is able to form an identity for herself.
Chopin, Kate. “The Story of an Hour.” Backpack Literature: An Introduction to Fiction, Poetry, Drama, and Writing. Eds. X. J. Kennedy and Dana Gioia. 3rd ed. New York: Pearson, 2010. 261-263. Print.
“To love someone deeply gives you strength. Being loved by someone deeply gives you courage.”(Lao Tzu). In Kate Chopin’s, “The Story of an Hour”, it tells of a heart trouble married woman, Louise Mallard, who learns that the man she loved and married, Brently has died. Mrs. Mallard’s behavior and emotions have shocked her entire family as she finds it a joyful and powerful event that may change her life for the hour that she has remaining to live. Mrs. Mallard considers his death as a freedom that she has yet longed for over so many years. As many readers begin to express their judgment towards Mrs. Mallard, the aspects of personal relationship may seem to convince those that maybe she was a bit selfish with her response. In the agony of a bitter marriage, “The Story of an Hour” portrays the reality of being in love, being married and finally having female independence.
In her story “The Story of an Hour,” Kate Chopin (1894) uses imagery and descriptive detail to contrast the rich possibilities for which Mrs. Mallard yearns, given the drab reality of her everyday life. Chopin utilizes explicit words to provide the reader a background on Mrs. Mallard’s position. Chopin uses “She wept at once,” to describe Mrs. Mallard’s emotional reaction once she was told her husband had been “Killed.” Mrs. Mallard cared for and loved her husband; being married was the only way of life that she knew.
The Story of an Hour, by Kate Chopin is written in a past period where women didn't obtain any rights. The main character, Louis Mallard has learned that her husband died in a train crash. Ms.Mallard is initially overwhelmed with sadness but as time passes she realizes that she is now free from her husband’s authority and this brings her great happiness. Ms.Mallard feels a sense of victory with her freedom when suddenly her husband returns, alive. Ms.Mallard dies soon after of a heart attack. Chopin’s writing style is engaging because she uses dramatic irony to force the reader to put together the pieces of Ms.Mallard’s real cause of death. In addition to dramatic irony, symbolism in the weather outside Ms. Mallard’s window is used to convey her views on life. Chopin uses both weather symbolism and dramatic irony to produce her writing style.
“The Story of an Hour” is the story of Mrs. Louise Mallard who suffers of a weak heart. This being the first we know of Mr. Mallard, she is carefully being told that her husband had just passed away in a train accident. As every good wife should, Mrs. Mallard breaks out in grief. At first, the story goes, as it should. Then Mrs. Mallard goes into her room where she begins thinking, and her first thought is that she is free. Mrs. Mallard after years of being in an unhappy marriage is finally free to do what she wants, with no one to hold her back. Yet everything is against her, when she finally accepts that her life will begin now, her husband enters his home, unscathed and well, not having known that everyone thought him dead, a...
When first reading this short story the character of an older woman comes to mind only to find later in an important passage “She was young, with a fair, calm face, whose lines bespoke repression and even a certain strength (Clugston, 2010, sec 2.1). This passage finally gives the reader a detailing idea of the woman in this story and defines her as a younger woman rather than an older one. This may l...
The vision of a dream may be overpowered by a staggering truth, that of forcing a person to accept the exposed reality of destiny. In The Story of An Hour, author Kate Chopin gives the reader the story of Mrs. Louise Mallard. A widow who astonished by her husband’s death is paralyzed by the elusion of the future awaiting. Unwillingly, she is rejoiced as liberation comes into her life. Although Mrs. Mallard loved her husband, she couldn’t defeat the approaching feeling of freedom, the plea for a longer life of empowerment and the reality of a rumbled dream as she realizes her husband’s survival.