Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Essay on literary fairy tales and the different developments
Annotated bibliography fairy tales
Introduction about fairy tales
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Rationale
The purpose of this study is to consider the current materials adult ESL students’ use and incorporate authentic material (through the use of fairy tales) as a way of helping adult learners achieve proficiency in second language through a mock prospectus.
This study investigates the sociolinguistic, sociocultural and psychological features found in fairy tales, including Grimm’s tales, and the potential of using modern fairy tales as practice material for ESL learners. It explores various dimensions of fairy tales and demonstrates how they can be used as content to instruct and provide language practice to ESL learners.
Fairy tales are predominantly taught to native English primary school students. They are a ‘semi-logical’ language that is inherent to the English language. Teachers can use similar texts so that adult ESL students can benefit becoming familiar with certain grammatical structures and vocabulary. It is essential to discover whether adult ESL students can comprehend the language used in fairy tales. Therefore, the following hypotheses can be made;
Are the linguistic features in a modern fairy tales similar to standard/basic everyday texts?
Do these texts have the potential to be authentic enough for standard language use?
Can these texts allow students to be more active and confident in their English proficiency and self-development?
What problems can occur if the mock prospectus is implicated?
The main theory used in this study will be Krashen’s Input Hypothesis; the ‘i’ as the students’ familiarity with the stories and the +1 as the target language acquired. Teachers must provide students with opportunities to use meaningful language and, allow for immediate corrective feedback.
Storytell...
... middle of paper ...
... Little Pigs’ New York: Viking.
Tomlinson, P., and Philpot, T. (2007) ‘A Childs Journey to Recovery’ Jessica Kingsley Publishers
Tomlinson, P., Dockrell, J., Smith, L. (2003) ‘Piaget, Vygotsky and Beyond; Central Issues in Developmental Psychology and Education’ Routledge
Tomlinson, B. (1986) Openings London: Lingual House
Zinn, L. (1990) ‘Identifying Your Philosophical Orientation,’ Adult Learning Methods :39-77.
Zipes, J. (2007) ‘Why Fairy Tales Stick: The Evolution and Relevance of a Genre’ Routledge: New Ed.
Zipes, J. (2002) ‘Breaking the Magic Spell: Radical Theories of Folk and Fairy Tales’ Social Sciences 5(6) University Press of Kentucky.
Zipes, J. (2002) ‘The Brothers Grimm: From Enchanted Forests to the Modern World’ (2nd ed) Palgrave McMillan
Zipes, J. (1994) ‘Fairy Tale As Myth Myth As Fairy Tale’ in Clarke Lecture. University Press of Kentucky,
Ownership is a symbol of control. As human beings, we tend to put labels on things, believing that everything must belong to someone or something. This issue of ownership does not exclude the world of fairy tales. Fairy tales, much like birds, follow no rules and are free, but can be over ruled by potential superiors. In Donald Haase’s essay entitled, “Yours, Mine, or Ours?” and Lawrence R. Sipe’s case study, “Talking back and taking over: Young children’s expressive engagement during storybook read-alouds”, both scholars claim that children holds the baton of ownership over fairy tales. Although Haase and Sipe lay out an appealing theory and practice for children’s literacy, a story like “The Juniper Tree” by the Grimms brothers suggest skepticism
...n” is a great example of an old myth or tale reconstructed and adapted for a modern audience in a new medium. It is a progression on one hand in its use of modern language, setting, and style but it is also the product of the old myths in that it is essentially the same on the thematic level. In addition, the level of self-awareness on the part of the narrator and, by extension, the author marks it out as an illustration of the very notion of evolutionary changes of myths and fairy tales. Adaptation is the solution to the fairy tale, and fairy tales have been endlessly changing themselves throughout history and, by some strange transforming or enchanting power endlessly staying the same.”
Zipes, Jack. Fairy Tale as Myth/myth as Fairy Tale. Lexington: University of Kentucky, 1994. Print.
The simplicity of fairy tales and non-specific details renders them ideal for manipulation allowing writers to add their own comments often reflecting social convention and ideology. Theref...
Hansjorg, Hohr, (2000). Dynamic Aspects of Fairy Tales: social and emotional competence through fairy tales. Scandinavian Journal of Educational Research, Vol 44, No 1, Department of Education, Norwegian University of Science and Technology
During the 19th century, Grimm’s fairytales were strongly disapproved of due to harsh, gruesome details and plots. One American educator from 1885 stated, “The folktales mirror all too loyally the entire medieval worldview and culture with all its stark prejudice, its crudeness and barbarities.” As childre...
Zipes, Jack. "The Meaning Of Fairy Tale Within The Evolution Of Culture." Marvels & Tales 25.2 (2011): 221-243. Academic Search Complete. Web. 5 Apr. 2014.
and Memetics.” The Irresistible fairy tale: The Cultural and Social History of a Genre. Ed.
..., Maria. “An Introduction to Fairy Tales.” Writing and Reading Across the Curriculum. Ed. Laurence Behrens, Leonard J. Rosen. Toronto: Longman, 2013. 230-235. Print.
...im, Bruno, The Use of Enchantment: The Meaning and Importance of Fairy Tales (London: Penguin, 1975).
Bettelheim, Bruno. The Uses of Enchantment: the Meaning and Importance of Fairy Tales. London: Thames and Hudson, 1976. Print.
Fairy Tale Text & Motif. Prod. Distribution Access. Distribution Access, 2001.Discovery Education. Web. 1 December 2001. .
I grew up on fairy tales. I was told stories, poems, shown movies and sung lullabies. Fairy tales have been a big part of my life so far, and I hope that they will continue in this way. Fairy tales come in different forms. Some are nursery rhymes, others are ballads, and still others are scary stories that make children – and some adults for that matter – quiver in fear. As a child I was brought up on the good kind of fairy tales, the ones that despite having a villain, the hero always won. The fairy tales that had musicals and happy, picturesque scenes of animation. I was brought up on Disney movies. As I grew, though, the movies became books and words, and some of them belonged to me. Writing a fairy tale is so much harder than simply watching as the plot played out on the screen. The movies changed to Shakespearean plays such as A Midsummer Night’s Dream or The Winter’s Tale. Those fairy tales worked their way into my dreams and into my stories.
Zipes, Jack. Why Fairy Tales Stick: The Evolution and Relevance of a Genre. New York: Routledge, 2006. Print.
In this chapter, I will examine the messages that are given to young children through fairytales and how theses fairy tales teach children the moral way to live. “If you want your children to be intelligent, read them fairy tales. If you want them to be more intelligent, read them more fairy tales.” (Albert Einstein)