Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Women expectation in the late 19th century
Women expectation in the late 19th century
Women's roles in the Enlightenment era
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Women expectation in the late 19th century
In Kate Chopin’s The Awakening women in the 19th century completely lack any role in society besides wives, mothers, and women actively searching men to marry and procreate with. Societal expectations dictate that women must marry a man and obey his every whim, bear children and shelter and protect them. If not married and or mothers, they must seek a man and remain chaste and pure until they do so. While at first Edna Pontellier complies with society’s standards, her enlightenment allows her to challenge and in a feministic finale, free herself from the overpowering patriarchal influence that controls her society. Edna completely contravenes the societal expectations forced upon her. She disregards her husband and their marriage, neglects her children, and in the end, refuses to accept society’s standards and commits suicide. Edna’s tragic end highlights the female struggle that accompanies an enlightened perspective on gender issues. In 19th century society, …show more content…
women must primarily focus on marrying a man, catering to his every whim, and obeying his word. Edna completely disregards her expectations as a wife and drifts away from her husband. Completely immoral for modern times, even more so in this era, Edna begins to have an affair. “Alcee Arobin was absolutely nothing to her. Yet his presence, his manners, the warmth of his glances, and above all the touch of his lips upon her hand had acted like a narcotic upon her.” (pg 82). Despite the chastity expected from women, Edna continuously meets with Alcee. She does not develop romantic feelings for him, but purely uses him for the sensual physical pleasures. Not only has Edna awakened intellectually regarding the treatment and place of women in this society, she has awakened sensually. The usually oppressed sexual behavior of women flows freely through Edna. The quote specifically refers to the ‘touch’, for Edna, Alcee only serves for her physical pleasure. She takes her sexuality into her own hands and uses Alcee, similarly to how men often use women only for pleasure. Interestingly, regarding her affair, Edna says “What would he think?” Closely followed by the narrator’s clarification “She did not mean her Husband; she was thinking of Robert Lebrun.” (pg 82). Edna disregards her husband completely. She’s defied the traditional wife role that society places upon her. After the wife role, society demands a women to also follow the role of a mother.
A woman must sacrifice their entire begins to care for her children and husband. While the children spend time at a grandparent’s house, the narrator comments “Their absence was a sort of relief, though she did not admit this, even to herself. It seemed to free her of a responsibility which she had blindly assumed and for which Fate had not fitted her.” (pg 23) The specific diction of ‘blindly assumed’ enforces the idea that society forces women into certain cookie-cutter roles, even though not all women fit the mold. The contempt Edna feels towards her children persists throughout the entire novel. In her last moments she claims that her children tried to “ drag her into the soul’s slavery for the rest of her days.” (pg 120). Edna acknowledges that women’s societal expectations often force them to conform as wives and mothers. Unlike Adele Ratignolle, Edna fails to give up herself to care for her
children. Edna, once awakened, enjoys her new found freedom as she explores herself sensually and intellectually. She ignores her duties as a mother and a wife. Instead of taking care of her children and entertaining guests, she paints, instead of being intimate with her husband, she is intimate with other men. Edna’s new understanding of the world frees her from certain societal expectations, but fails to free her from the society itself. Her realization that the society around her does not support hr and will continue to force her into the mold of wife and mother leads to her suicide. The only escape from her world was is death. Edna’s will to go against her society's beliefs were so strong, she ended up completely leaving the society she lived in.
In the first direction, the reader witnesses the era when women only existed to make the male happy. The main character Edna finds that she has nothing to do other than stay in the house bored, since even her children are raised and cared for by servants. Day after day, all Edna is permitted to do is care for her husband and be there whenever he needs help or entertainment. Woman at that time could not vote, could not go out without a male escort, were not allowed to smoke in public, and were not allowed in the work place. These ideals set by the male driven society caused Edna to face her second trend of free will, conflicting with her other direction of oppression.
Throughout Kate Chopin’s novel The Awakening, the main protagonist Edna Pontellier, ventures through a journey of self-discovery and reinvention. Mrs.Pontellier is a mother and wife who begins to crave more from life, than her assigned societal roles. She encounters two opposite versions of herself, that leads her to question who she is and who she aims to be. Mrs. Pontellier’s journey depicts the struggle of overcoming the scrutiny women face, when denying the ideals set for them to abide. Most importantly the end of the novel depicts Mrs.Pontellier as committing suicide, as a result of her ongoing internal
Clara Barton, founder of the American Red Cross, was a game changer in both the Civil War and modern war efforts. Not only did Barton introduce new ways of bringing care to wounded soldiers, she also transformed the ways people viewed women working on the battlefield. Clara Barton was the first woman to stand up for the better of both soldiers on the battlefield and women in the working force. Similar to Clara Barton, Kate Chopin’s protagonist Edna Pontellier, in her novel, The Awakening, serves as a turning point in the Victorian Era for women through her feminist ideals and rebellions against the norms of society. For example, Edna pursues herself as an individual rather than conforming to the expectations of the world around her. Edna also pushes the envelope by exploring her sexuality, a scandalous action for a married woman in the
The most prevalent and obvious gender issue present in the novella was that Edna challenged cultural norms and broke societal expectations in an attempt to define herself. Editors agree, “Edna Pontellier flouts social convention on almost every page…Edna consistently disregards her ‘duties’ to her husband, her children, and her ‘station’ in life” (Culley 120). Due to this, she did not uphold what was expected of her because she was trying to be superior, and women were expected to be subordinate to men. During that time, the women were viewed as possessions that men controlled. It was the woman’s job to clean the house, cook the meals, and take care of the children, yet Edna did none of these things. Her lifestyle was much different. She refused to listen to her husband as time progressed and continually pushed the boundaries of her role. For example, during that time period “the wife was bound to live with her husban...
Edna Pontellier could not have what she wanted. There are many arguments about Edna being selfish for ending her life and leaving her children behind. "Edna does indeed dread 'being reduced to her biological function, 'but this is what the Creole culture does to women , as Priscilla Leder suggests" (Simons). She could not offer the love that children deserve from a parent. I do not feel that she was selfish, she did not love her children the way a mother-woman would. A mother-woman is someone who puts her children before anything else in her life. Edna is not one of those "mother-women" who "esteemed it a holy privilege to efface themselves as individuals and grow wings as ministering angels"; she is, rather a twenty-eight-year-old woman who hears 'the voice of the sea,' which seduces 'the soul to wander for a spell in abysses of solitude; to lose itself in inward contemplation'." (Toth)
Edna Pontellier, the protagonist of Kate Chopin’s The Awakening (1899) who would not allow anyone to possess her, is an example of how the cult of domesticity, prevalent in the nineteenth century, oppressed women as passionless mothers who worship their husbands. While Edna isolates herself from her husband, Leonce, she also isolates herself from her children and, thus, from motherhood. However, Chopin utilizes the motherhood metaphor to illustrate Edna’s own rebirth as she awakens throughout the novel. Exploring Chopin’s tale through feminist literary theory and the cult of domesticity, the metaphor of motherhood through Edna’s own maternity as well as her metaphorical rebirth becomes apparent.
Edna’s recognition of herself as an individual as opposed to a submissive housewife is controversial because it’s unorthodox. When she commits suicide, it’s because she cannot satisfy her desire to be an individual while society scorns her for not following the traditional expectations of women. Edna commits suicide because she has no other option. She wouldn’t be fulfilled by continuing to be a wife and a mother and returning to the lifestyle that she led before her self-discovery.
In The Awakening, Kate Chopin tells a story during the upbringing of the feminist movement, the movement was masked by the social attitudes entering into the 1900’s. She tells this story in the form of a novel, in which is told in a third person view, that is very sympathetic for Edna Pontellier, the protagonist. This is a review of the journey Edna takes in her awakening and evaluate the effectiveness this novel takes in introducing, continuing, and ending Edna’s awakening.
The 19th and 20th centuries were a time period of change. The world saw many changes from gender roles to racial treatment. Many books written during these time periods reflect these changes. Some caused mass outrage while others helped to bring about change. In the book The Awakening by Kate Chopin, gender roles can be seen throughout the novel. Some of the characters follow society’s “rules” on what a gender is suppose to do while others challenge it. Feminist Lens can be used to help infer and interpret the gender roles that the characters follow or rebel against. Madame Ratignolle and Leonce Pontellier follow eaches respective gender, while Alcee Arobin follows and rebels the male gender expectations during the time period.
These behaviors serve as the opposite of women/mothers such as Madame Adele Ratignolle. The typical woman of this time, would be more like Adele, caring towards her family and taking on the role of a “good housewife”. She would have followed the “conventions” of the time whereas Edna did not. Many women felt like their sole purpose was to care for their children and husband. The typical women “were women who idolized their children, worshipped their husbands, and esteemed it a holy privilege to efface themselves as individuals and grow wings as ministering angels” (Chopin). Edna was unlike these women because she did not idolize or worship anyone. She was willing to do many things for her children but she plainly stated that she would never give up who she was for her children. She would die for her children but never give up her identity, personality, and beliefs. Edna was also never described as a beautiful woman, “she was rather handsome than beautiful” (Chopin). Edna thrives to be more like Mademoiselle Reisz who is not concerned with beauty and standards, but dedicated herself to music and art. The novel also refers to Edna as her husband’s property, as women usually were at the time. The quote from chapter one; “looking at his wife as one looks at a valuable piece of personal
During the late nineteenth century, the time of protagonist Edna Pontellier, a woman's place in society was confined to worshipping her children and submitting to her husband. Kate Chopin's novel, The Awakening, encompasses the frustrations and the triumphs in a woman's life as she attempts to cope with these strict cultural demands. Defying the stereotype of a "mother-woman," Edna battles the pressures of 1899 that command her to be a subdued and devoted housewife. Although Edna's ultimate suicide is a waste of her struggles against an oppressive society, The Awakening supports and encourages feminism as a way for women to obtain sexual freedom, financial independence, and individual identity.
During the American Industrial Revolution, women began to work in factories, leading to conflicts in 19th century society that would eventually result in the Cult of Domesticity—the belief that women’s only responsibilities existed at home. This aimed to establish the subservient woman and the husband as the master of the house as the social norm. Kate Chopin's bleak but realistic depiction in her work, The Awakening, reveals her reasonable attitude during the Second Great Awakening in American history. Men coveted control and achieved it by undermining women and being their superior. Society followed a mob mentality and accepted gender inequality as a social norm. Subjugation of women lead to panic and mania in men and the oppression made
When Kate Chopin's "The Awakening" was published at the end of the 19th Century, many reviewers took issue with what they perceived to be the author's defiance of Victorian proprieties, but it is this very defiance with which has been responsible for the revival in the interest of the novel today. This factor is borne out by Chopin's own words throughout her Preface -- where she indicates that women were not recipients of equal treatment. (Chopin, Preface ) Edna takes her own life at the book's end, not because of remorse over having committed adultery but because she can no longer struggle against the social conventions which deny her fulfillment as a person and as a woman. Like Kate Chopin herself, Edna is an artist and a woman of sensitivity who believes that her identity as a woman involves more than being a wife and mother. It is this very type of independent thinking which was viewed as heretical in a society which sought to deny women any meaningful participation.
Social expectations of women affected Edna and other individuals in Kate Chopin’s novel The Awakening. The protagonist, Edna Pontellier, struggles throughout the novel in order to become independent and avoid her roles as mother and housewife in American Victorian society in 1899. This was because women during the 19th century were limited by what society demanded of them, to be the ideal housewives who would take care of their families. However, Edna tries to overcome these obstacles by exploring other options, such as having secret relationships with Robert and Arobin. Although Edna seeks to be independent throughout the novel, in the end she has been awakened but has not achieved independence.
“Even as a child she had lived her own small life all within herself. At a very early period she had apprehended instinctively the dual life- that conforms, the inward life which questions” (pg.13). For most of Edna’s life, she has adopted and implemented a tactic of making others perceive that she was conforming with society but inwardly questioning the reasons why she has to conform in a specific way. This quote support the symbolism of Edna to all women who were