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Is Kate Chopin a feminist? the story of an hour
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Recommended: Is Kate Chopin a feminist? the story of an hour
During the late nineteenth century, the time of protagonist Edna Pontellier, a woman's place in society was confined to worshipping her children and submitting to her husband. Kate Chopin's novel, The Awakening, encompasses the frustrations and the triumphs in a woman's life as she attempts to cope with these strict cultural demands. Defying the stereotype of a "mother-woman," Edna battles the pressures of 1899 that command her to be a subdued and devoted housewife. Although Edna's ultimate suicide is a waste of her struggles against an oppressive society, The Awakening supports and encourages feminism as a way for women to obtain sexual freedom, financial independence, and individual identity.
Feminism is commonly thought of as a tool for educating society on the rights of women. It teaches that a woman is equal to a man in every civil and societal accord. Realizing this is not always the case, Charlotte Bunch, a noted lesbian feminist of the 1970s also defined feminism as "a way of looking at the world - a questioning of power [and] domination issues" (WIE). Many feminists attempt to bulrush the ideals of stereotypical women and push them away from those who believe in these standards. "Feminist scholars also seek to question and transform androcentric [sic] systems of thought which position the male as the norm," says Barbara McManus. They strive to find, examine, and eliminate biases in a world encumbered with intolerant men who see women as thoughtless objects and most certainly not equals. Other women announce their impressive intellect, economic well-being, and individual personalities to the people who oppose them. "A woman should always present herself and explain her forthcoming jaunts into Feminists, like Edna, howe...
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...Barbara F. "Characteristics of a Feminist Approach." December 8, 2001. http://www.cnr.edu/home/bmcmanus/femcharacteristics.html.
Showalter, Elaine. The Female Malady: Women, Madness, and English Culture, 1830-1980. New York, NY: Pantheon Books, November 1985.
Ward, Jennifer A. "Deconstruction or Feminist Critique?" December 9, 2001. http://www.geocities.com/athens/acropolis.6998/chopin2.html.
Wear, Delese and Nixon, Lois LaCivita. Literary Anatomies: Women's Bodies and Health in Literature. Albany, NY: State University of New York Press, 1994.
Women's Information Exchange. "Feminism Defined." December 7, 2001. http://electrapages.com/FEMINIST.htm
Wood, Ann Douglas. "'The Fashionable Diseases': Women's Complaints and Their Treatment in Nineteenth-Century America." Women and Health in America. Madison, WI: University of Wisconsin Press, Ltd., 1984.
The Salem, Massachusetts Witch Trials have generated extensive evaluation and interpretation. To explain the events in Salem, psychological, political, environmental, physical, and sociological analysis have all been examined. The authors Linnda Caporael, Elaine Breslaw, Anne Zeller, and Richard Latner all present differing perspectives to speculate about the events of the Salem Witch Trials. This changing interpretation and perspective has resulted in an extensive historiography to explain the
Haney-Peritz, Janice. "Monumental feminism and literature's ancestral house: Another look at The Yellow Wallpaper". Women's Studies. 12:2 (1986): 113-128.
John M. Murrin’s essay Coming to Terms with the Salem Witch Trials helps detail the events of these trials and explains why they might have occurred. The witch trials happened during a “particularly turbulent time in the history of colonial Massachusetts and the early modern atlantic world” (Murrin, 339). Salem came to be in 1629 and less than seventy years later found itself in a mess of witch craft.
Kent, Deborah. Witchcraft Trials: Fear, Betrayal, and Death in Salem. Library ed. Berkeley Heights, NJ: Enslow, 2009. Print.
Kate Chopin's novella, The Awakening. In Kate Chopin's novella, The Awakening, the reader is introduced into. a society that is strictly male-dominated where women fill in the stereotypical role of watching the children, cooking, cleaning and keeping up with appearances. Writers often highlight the values of a certain society by introducing a character who is alienated from their culture by a trait such as gender, race, or creed.
Sometimes trying to conform to society’s expectations becomes extremely overwhelming, especially if you’re a woman. Not until recent years have woman become much more independent and to some extent equalized to men. However going back to the 19th century, women were much more restrained. From the beginning we perceive the narrator as an imaginative woman, in tune with her surroundings. The narrator is undoubtedly a very intellectual woman. Conversely, she lives in a society which views women who demonstrate intellectual potential as eccentric, strange, or as in this situation, ill. She is made to believe by her husband and physician that she has “temporary nervous depression --a slight hysterical tendency” and should restrain herself from any intellectual exercises in order to get well (Gilman 487). The narrator was not allowed to write or in any way freely...
Haney-Peritz, Janice. "Monumental Feminism and Literature 's Ancestral House: Another Look At 'The Yellow Wallpaper '." Women 's Studies 12.2 (1986): 113. Academic Search Complete. Web. 24 Nov. 2014.
Gilbert, Sandra, and Susan Gubar. The Madwoman in the Attic: The Woman Writer and The Nineteenth-Centurv Literary Imagination. New Haven: Yale University Press, 1979.
In the past, the word Salem has always been somewhat synonymous with the infamous witch trials. Thanks to works such as Arthur Miller’s “The Crucible”, many people find it hard not to envision a community torn apart by chaos, even though Miller’s play was not so much about the witch trials but instead a commentary on the rampant McCarthyism going on at the time he wrote it. Paul Boyer and Stephen Nissenbaum, however, see a very different picture when the Salem witch trials are mentioned. Rather than overlook the “ordinary” people living in the towns in which they write about (in the case of Salem Possessed, the town of Salem, Massachusetts), they instead take the instance of the witch trials of 1692 and springboard from them into a detailed inquisition into the entire history of the small village of Salem; or, in their own words, Boyer and Nissenbaum have “exploited the focal events of 1692 somewhat as a stranger might make use of a lightning flash in the night: better to observe the contours of the landscape which it chances to illuminate” (xii). That is to say, the authors strive to show how the witch trials were not simply a completely spontaneous event, but rather a long, horrible process by which individuals were singled out, tried, and executed in order to vent emotions of hostility towards change. The way in which the authors go about this, however, is in a somewhat difficult to comprehend style that goes back and forth between the years, forcing one to rethink all the facts thus far each time a new chapter is introduced. In addition, the authors tend to focus mostly on the social and economic aspects of witchcraft, with little to nothing as far as further explanation of the actions of the women accused.
...in time. The pain brought upon the witch trials doubtlessly opened some eyes for the inhabitants and ended several superstitions for them. Our government today is no longer controlled by ridiculous fables of mythology; our country now has legitimate justice because of the innocent victims of the witch trials. My research paper not only proved the Salem Witch Trials significance to our justice system but its positive effect on our people’s lack of empathy. The witch trials ruined lives but saved people today from future agony; the event culturally influenced people of Pagan ancestry to become open with their religion and gave several writers inspiration to write stories based off the Salem Witch Trials. Most Christian based churches today no longer follow the old belief of witchcraft, because of the Salem witch trials no similar tragedies can transpire ever again.
Gilbert, Sandra M. and Susan Gubar. The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination. New Haven: Yale University Press, 1979. Print.
In 2015 only 59 shark attacks have occurred around the world compared to the millions of sharks killed by humans every year. Due to these accidental shark attacks people tend to think that sharks, especially Great Whites are evil creatures with malice intentions when attacks do occur; but, on the contrary that is wrong. Sharks are not the only beautiful and unique creatures in the ocean, they also play a vital role in our ecosystem; however, due to human interference they might not be around much longer, through awareness sharks can be protected from endangerment.
Haney-Peritz, Janice. "Monumental Feminism and Literature's Ancestral House: Another Look at 'The Yellow Wallpaper'" Women's Studies. 12 (1986): 113-128.
Haney-Peritz, Janice. "Monumental Feminism and Literature's Ancestral House: Another Look at 'The Yellow Wallpaper.'" Women's Studies 12:2 (1986): 113-128.
Gilbert, Sandra M., and Susan Gubar. The Madwoman in the Attic: the Woman Writer and the Nineteenth-century Literary Imagination. New Haven: Yale UP, 2000. Print.