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The conditions of women in victorian age intro eassay
Women's role in Victorian society in private and public life
Women in Victorian society
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Thomas Hardy closely witnessed the social institutions and problems of his society in the nineteenth century, and his novels frankly deal with various social institutions and honestly address social problems within the confines of his art. In Victorian England religious and social institutions such as church, family and marriage were deeply rooted in patriarchy. True to its nature patriarchy automatically limited women and privileges men. Victorian society, dominated as it was by patriarchal ideology, restricted women physically and mentally, and severely limited their economic opportunities as well. Therefore, women suffered from severe economic and social debilities. He reveals the injustice of the social codes of nineteenth-century Britain …show more content…
Hardy portrays Bathsheba and Fanny in a sharp contrast to each other in patriarchal society. Bathsheba is represented as an independent and unconventional Victorian woman in comparison to Fanny who conforms to the stereotypical ideology of Victorian women. Hardy’s intention is to show his rejection of society’s attempts at fitting women into limited roles since he thought that women should be given a chance to break free from the traditional gender categories and forge identities of their own.
It is certainly not an exaggeration to say that Hardy owes his reputation as a novelist to the publication of Far from the Madding Crowd in 1874. The novel was the first of his Wessex novels. As he says in the Preface of this novel, the fictional country of Wessex is partly real and partly dream country. In this novel Hardy paints a colourful picture of English rural life in the nineteenth century with all its joys, suffering and injustice. Lois Bethe Schoenfeld neatly sums up by pointing out how Hardy has dealt with the realities of his day. His fiction can, in fact, be read as History. “Hardy’s fiction is a
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A few fortunate middle-class women might be supported by a father, brother, or other relative, but for most middle-class as well as working-class women marriage was an economic necessity. Legal rules, social practices, and economic structures all worked together to induce a woman to marry, and then insured that once married she would be dependent upon and obedient to her husband. Such was the condition of women as Hardy witnessed in his society. As Shanley explains marriage was, in fact, a social trap by means of which a woman became dependent on her husband. As a realist he wanted to expose the various limitations placed on women by the patriarchal society to keep them in confinement. Hardy wrote his novels on the basis of his own opinion of women.He therefore allows them to act in non-traditional ways, so they are not considered ideal Victorian women. While in his time most women had to make do without autonomy of any kind, the women in his novels attempt to obtain true social equality and reject the longstanding belief that women are weak and need to depend on men to survive in this world. In Far from the Madding Crowd Hardy rejects the traditional concept of marriage. He closely witnessed the gender bias inherent in the Victorian society and culture. He was aware of the restrictions that limited women’s opportunities. In this novel therefore he attempts to explore the restricted and
During the Victorian Era, society had idealized expectations that all members of their culture were supposedly striving to accomplish. These conditions were partially a result of the development of middle class practices during the “industrial revolution… [which moved] men outside the home… [into] the harsh business and industrial world, [while] women were left in the relatively unvarying and sheltered environments of their homes” (Brannon 161). This division of genders created the ‘Doctrine of Two Spheres’ where men were active in the public Sphere of Influence, and women were limited to the domestic private Sphere of Influence. Both genders endured considerable pressure to conform to the idealized status of becoming either a masculine ‘English Gentleman’ or a feminine ‘True Woman’. The characteristics required women to be “passive, dependent, pure, refined, and delicate; [while] men were active, independent, coarse …strong [and intelligent]” (Brannon 162). Many children's novels utilized these gendere...
... ideals. She boasts about the fact that she has had many sexual partners and proudly tells her fellow pilgrims about her manipulative, competitive approach to marriage. In these ways she turns misogynist male determinations, such as that of Jerome regarding the image of a wife as a pinching shoe, into female statements of power. She has no problem with directly comparing men and women and makes no secret of the fact that her primary goal in life is to gain mastery over men. She seems a character who is proud to rebel against the ideals expected of her, and who is fighting against the notion that the stereotypes generally pinned on her sex are in some way morally wrong. It is precisely this battling which renders the Wife of Bath a feminist icon and has led many critics to view her as a groundbreaking character in terms of changing the way females were viewed.
In the entire novel Hardy has highlighted his sympathy for lower class people of England society, particularly for rural women there is a considerable amount of controversy about the life of a women who was being exploited by the society and her purity and chastity is questioned upon throughout the novel. He became famous for his empathetic and often controversial portrayal of a younger women who became the victim by the superior rigidity of English society and his most famous depiction of such a young woman is in the novel. In the nineteenth-century society, there were two types of women: Bad women and good women. Good women were seen as pure and clean until they get married and their bodies were seen as pure as that of a goddess in a temple that could not be used for pleasure. Their role was to have children and take care of the house. Any woman who did not fulfill these expectations was dergraded by the society. While the Victorian society regarded Tess as a woman who has lost her innocence, Hardy seems to be representing her as a pure woman who being a young girl became a
There are numerous numbers of novels and books that offer different portrayals of the female gender and femininity in the early nineteenth century, each novel shedding a different light on women, their gender role, and the definition of femininity during this time period. The first thought that pops into most people’s minds is Mary Wollstonecraft’s A Vindication of the Rights of Woman or any Jane Austen novel. People do not typically think of Mary Shelley’s Frankenstein. Nonetheless Frankenstein offers us the reader an extremely well portrayal of the female gender in the early nineteenth century while also providing us with the cautionary tell on why no man should ever attempt to play God for the reason that only God can play God. In this essay I will be discussing how Mary Shelley used the description of femininity her mother, Mary Wollstonecraft created in her book A Vindication of the Rights of Woman. For that to be done I will analyzing three female characters from the novel and discuss how these characters are leading examples of the early nineteenth century woman. I will be using examples from both A Vindication of the Rights of Woman and Frankenstein to support my arguments. Lastly I will discuss what the characteristics of the female characters in the novel say about Mary Shelley’s thoughts on women and femininity during the early nineteenth century.
The Age of Innocence, written by Edith Wharton, is about the upper-class society of New York City in the 1870’s. The novel follows the life of an upper-class lawyer named Newland Archer. He is going to wed May Welland, who comes from another upper-class family. As the novel progresses Newland starts to become intrigued with May’s cousin, the poor Ellen Olenska. Ellen is called “poor” because she is shameful in the eyes of the society that surrounds her. Ellen left her husband and moved back to New York City to be with her family. Divorce is not acceptable in the 1870’s high society like it is today. Newland tries at first to protect Ellen from the bad reputation that she will perceive if she divorces her husband. In the end he just wants her to be free and desires to be with her for the woman she became. There are still different levels of society in the world, but the lives of distinction are perhaps not as evident.
Elizabeth and Edna’s attributes; rather, the differences that result from their juxtaposition with the protagonists also advances the issues that women faced in the 19th century. In Pride and Prejudice, Charlotte’s desire to marry anyone regardless of her feelings, as opposed to Elizabeth’s uncompromising pursuit of true love, points out women’s dependence on marriage for their wellbeing. Charlotte’s predicament is but a representation of how women at the time were effectively bound by the only option they had. In the same manner, Adele’s blind obedience to social dictates, as opposed to Edna’s rejection of gender roles, emphasizes the limitations imposed by women. These two novels depict two different aspects of the same overarching issue: women’s dependence and submission to the power of men.
The Wife of Bath’s insecurity and cynicism are just two of the ways in which she fulfils negative stereotypes of women. She tries to separate herself from other women of her time by taking control of her life by means of sex, but if she were truly progressive, she would have found a way to elevate herself without using her body. Alisoun is exactly what men fear and dislike about women; she is promiscuously sneaky, and she takes advantage of men. This is why while trying to present herself as strong and independent, her actions ultimately confirm misogynistic stereotypes of women; in the end, she is even more digressive to the cause feminism than a normal woman would be.
The Victorian era, spurred a momentary sequence of both women and men in search of a prosperous relationship regulated by the demanding etiquettes of the Victorian Society. If these desired qualities were not in possession, a man or woman could be labeled as ‘unsuitable’ in the positions of a husband or a wife. Women suffered mostly throughout the Victorian Era as rights were ceased and the rules and guidelines of society were placed. The Victorian Era caused the rights of women to escalate when the Vision of the “Ideal Woman” was introduced amongst society; producing segregation between men and women to last for years to come.
Charlotte Brontë composed her novel Jane Eyre during the Victorian era; a period of history where Patriarchy set the expectations of men and women. The effect of this social system resulted in women suffering discrimination simply because of their gender. Sigmund Freud, in his essay entitled, “The Relation of the Poet to Day-Dreaming,” articulated that women were only capable of having erotic wishes dominate their “phantasies,” and even their ambitious “phantasies” were rooted in erotic wishes (177). The predominating thought concerning women during this era was that, due to their nature, longed to marry—tending to the needs of her household. Those who were not fortunate enough to marry (due to appearance or social status) were to become governesses. Ms. Brontë, through her protagonist Jane Eyre, clearly depicts the struggles of an indigent young woman who is forced into near slavery. This tale is articulated well by Adrienne Rich in her essay entitled, “Jane Eyre: The Temptations of a Motherless Woman,” when she states that Jane wants to “choose her life with dignity, integrity, and pride” (471). Even though Charlotte Brontë depicts a woman who will not be bound by the mores of her society, she is not so exuberant as to have her protagonist proclaim “I am woman, hear me roar.” The toning down of Jane’s demeanor can be attributed to satisfaction of the critics, but Brontë also expresses that the societal expectations, or the patriarchal rights of men, produced a similar negative effect on men. From John Reed and his self-righteous attitude, to Rochester’s internal battle in regards to the treatment of women, Charlotte Brontë demonstrates that sexism—inherent in a patriarchal society—has an adverse affect on both men and women.
The wife of bath strongly argued in favour of female “maistrye.” She argued this in the prologue and used the tale to bring the message home. Her arguments are weakened however by the destructive and careless behaviour of the Wife of Bath. She openly laughs at them (“I laugh whan I thinke”) when she thinks of how she made her husbands toil at night. She doesn’t seem to regret the...
In Hardy's novels, masculine identity is explored, evolving from the solid, monolithic, patriarchal role of the mid-1800s, to less typical, nearly feminine styles of manhood. With the increasing power of women during the Victorian Era, Hardy creates men who are in a state of ambivalence about their sexuality; they either reach for the well-worn stereotype of the "manly" man, or they attempt to explore their own complicated emotions, sensitive to the needs of the emerging New Woman. Though action in Hardy's novels centers predominately around the female, life is often seen through the eyes of the males in his works. The "typical" male is often associated with money, power, and prestige, while the realists and chaste men are almost "unmasculine" in thoughts and action, and frequently fall victim to the New Woman. By depicting a man like Henchard, who goes from being an obsessive power seeker to one who is, in a sense, "unmanned," Hardy shows readers the male identity which he tends to favor.
There have always been class divisions in England’s social groups, but it was not until the nineteenth century that they were labeled. The lower class was often uneducated and overlooked and mostly servants and prostitutes, the middle class generally had steady jobs and members of the higher classes were born to old money and did not have to work. The French Lieutenant’s Woman written by John Fowles is a complex “Victorian novel filled with enchanting mysteries and magically erotic possibilities” (Canby) in which, Fowles describes a Victorian society in 1867 that is still largely separated by class, which creates strong restrictions with respect to sex and marriage. Notably, conflict in the novel involves scandals where these restrictions are disregarded. Fowles shows that sex and marriage were still largely dictated by whether a person belonged to the lower, middle or upper class in order to highlight that there were more restrictions for higher-class men and women.
Hardy originated from a working class family. The son of a master mason, Hardy was slightly above that of his agricultural peers. Hardy’s examination of transition between classes is usually similar to that of D.H. Lawrence, that if you step outside your circle you will die. The ambitious lives of the characters within Hardy’s novels like Jude and Tess usually end fatally; as they attempt to break away from the constraints of their class, thus, depicting Hardy’s view upon the transition between classes. Hardy valued lower class morals and traditions, it is apparent through reading Tess that her struggles are evidently permeated through the social sufferings of the working class. A central theme running throughout Hardy’s novels is the decline of old families. It is said Hardy himself traced the Dorset Hardy’s lineage and found once they were of great i...
Throughout the early 1800s, British women most often were relegated to a subordinate role in society by their institutionalized obligations, laws, and the more powerfully entrenched males. In that time, a young woman’s role was close to a life of servitude and slavery. Women were often controlled by the men in their lives, whether it was a father, brother or the eventual husband. Marriage during this time was often a gamble; one could either be in it for the right reasons, such as love, or for the wrong reasons, such as advancing social status. In 19th century Britain, laws were enacted to further suppress women and reflected the societal belief that women were supposed to do two things: marry and have children. In Pride and Prejudice, Austen portrayed a women’s struggle within a society that stresses the importance of marriage and strict behavioral customs. As evidenced by the Bennett daughters: Elizabeth and Jane, as well as Charlotte Collins, marriage for young women was a pursuit that dominated their lives.
The nineteenth century saw rapid development and reform across the whole of the country; with the Industrial Revolution transforming life in Britain. For working class women life was an endless struggle of passivity and labour; as soon as they were old enough they worked on farms, in factories or as servants to the middle classes (Lambert, 2009). For women in general, life was oppressive; constantly overshadowed by the male gender who were considered dominant leaders. In a Victorian household, the male was head of the family; his wife and children respected him and obeyed him without question. This critical analysis of two nineteenth century novels - Hard Times by Charles Dickens and Wuthering Heights by Emily Brontë, will discuss the representation of the two female protagonists in the context of the Victorian period and question whether they do indeed portray an endless struggle for survival and independence.