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Wicked Social Practices Depicted in Frankenstein Whether people like it or not, society always summarizes a person's characteristics by his or her physical appearance. Society has set an unbreakable code individuals must follow to be accepted. Those who don't follow the "standard" are hated by the crowd and banned for the reason of being different. When the monster ventured into a town"...[monster] had hardly placed [his] foot within the door ...children shrieked, and ...women fainted" (101). From that moment on he realized that people did not like his appearance and hated him because of it. If villagers didn't run away at the sight of him, then they might have even enjoyed his personality. The monster tried to accomplish this when he encountered the De Lacey family. The monster hoped to gain friendship from the old man and eventually his children. He knew that it could have been possible because the old man was blind, he could not see the monster's repulsive characteristics. But fate was against him and the "wretched" had barely conversed with the old man before his children returned from their journey and saw a monstrous creature at the foot of their father attempting to do harm to the helpless elder. "Felix darted forward, and with supernatural force tore [the creature] from his father..." (129). Felix's action caused great inner pain to the monster. He knew that his dream of living with them "happily ever after" would not happen. After that bitter moment the monster believed that "...the human senses are insurmountable barriers to our union [with the monster]" (138) and with the De Lacey encounter still fresh in his mind along with his first encounter of humans, he declared war on the human race. The wicked being's source of hatred toward humans originates from his first experiences with humans. In a way the monster started out with a child-like innocence that was eventually shattered by being constantly rejected by society time after time. His first encounter with humans was when he opened his yellow eyes for the first time and witnessed Victor Frankenstein, his creator, "...rush out of the [laboratory]..." (56). This wouldnt have happened if society did not consider physical appearance to be important. If physical appearance were not important then the creature would have had a chance of being accepted into the community with love and care. But society does believe that physical appearance is important and it does influence the way people act towards each other. Frankenstein should have made him less offending if even he, the creator, could not stand his disgusting appearance. There was a moment however when Frankenstein "...was moved..." (139) by the creature. He "...felt what the duties of a creator..." (97) were and decided that he had to make another creature, a companion for the original. But haunting images of his creation (from the monster's first moment of life) gave him an instinctive feeling that the monster would do menacing acts with his companion, wreaking twice the havoc! Reoccurring images of painful events originating from a first encounter could fill a person with hate and destruction. We as a society are the ones responsible for the transformation of the once child-like creature into the monster we all know.
Victor Frankenstein may be the leading character in Mary Shelley's Frankenstein, but a hero he is not. He is self-centered and loveless, and there is nothing heroic about him. There is a scene in Chapter twenty-four where Captain Walton is confronted by his crew to turn southwards and return home should the ice break apart and allow them the way. Frankenstein rouses himself and finds the strength to argue to the Captain that they should continue northwards, or suffer returning home "with the stigma of disgrace marked on your brows." He quite obviously has alterior motives and if he were not the eloquent, manipulative creature he so egotistically accuses his creature of being, he might not have moved the Captain and the men so much that they are blind to the true source of his passion. Unfortunately for Frankenstein, the crew, (however "moved") stand firm in their position. Yet the things he says in his motivational speech are prime examples of the extent to which Frankenstein is blind to his own faults and yet will jump at the chance to harangue others. He is so self-centered that his lack of interaction and love for others after his experiment has been completed, would barely qualify him as a person, if the difference between being human and being a person lies in the ability to have relationships with others.
A monster can be characterized by an extreme deviation from the normal standards of society including an internal or external wickedness. In the case of Mary Shelley’s Creature, his appearance overwhelms those who lay eyes upon him. A mere glance can send a villager running for the hills. It was not until the Creature caught a glance of his own reflection that he understood why villagers were so afraid of him. The realization of his ghastly appearance began the monster’s journey into hopelessness. In Peter Brooks’ article he writes, “Self recognition as the ‘filthy type’ completes the mirror stage of the Monsters development.” (Brooks 377). Seeing oneself as ugly and slovenly can cast shadows on even the most compassionate of hearts.
Eliminating federal funding for NASA is short sighted and risky. The benefits derived from NASA’s work over the last five decades have been tremendous. Future generations will continue to benefit from the many discoveries led by NASA and their space research. The risks of reducing funding for NASA and to cease its existance are great, as it is unknown what the next discovery will be and its impact on the USA and the world. The true potential of space research can only realized by continuing to fund NASA.
Mary Shelley’s Frankenstein originated as a ghost story told among her close friends. "It was a dreary night of November that I beheld the accomplishment of my toils" (Shelley 34) is the first line Shelley conceived when she began composing her famous novel. In this sentence, the "accomplishment" to which Victor Frankenstein refers is the creation, which receives animation on this "dreary night." By calling the creation his "accomplishment," Victor unintentionally names the creation. However, by the end of this "dreary night," Victor names the creation no less than six times, each time getting progressively more derogatory, and more insulting. This evolution of Victor’s attitude about the creation occurs during the time immediately following the creation. In these few hours, Victor’s imagination creates an increasingly grotesque image of the creation. This developed condemnation that Victor imposes onto the creation is similar to all of the creation’s other encounters with human beings. This repeated rejection causes the creation to realize that "All men hate the wretched; how then must I be hated, who am miserable beyond all living things" (Shelley 65). Eventually, therefore, the creation accepts its role as a monster based solely on the reactions it receives from other human beings. However, these spiteful reactions are inspired by irrational fears that result from the human nature of the characters to form preconceptions about the creation based on their prior experiences.
The creature’s physical features led to the destruction of his character. Physical appearance has an enormous amount to do with a person’s place in society. Frankenstein was written in 1816, but it still deals with some of the issues that are at the forefront of society. It is hard to get rid of the images that are imprinted in our mind of what is considered beautiful or acceptable. Because the creature is not beautiful, the environment, which he is surrounded by, rejects him. The creature became evil because his genetics did not fit with the type of environment he is exposed to. I feel that genetics have a lot to do with the way environment responds to an individual. It is apparent in everyday life that looks are important to judge the placement of individuals in society.
Given her centrality in the play, it is striking how little we know about Gertrude; even the extent of her involvement in the murder of her first husband is left unclear....The ghost accuses her at least indirectly of adultery and incest...but he never accuses her of nor exonerates her from the murder. For the ghost, as for Hamlet, her chief crime is her uncontrolled sexuality; that is the object of their moral revulsion, a revulsion as intense as anything directed toward the murderer Claudius. But the Gertrude we see is not quite the Gertrude they see. And when we see her in herself, apart from their characterizations of her, we tend to see a woman more muddled than actively wicked; even her famous sensuality is less apparent than her conflicted solicitude both for her new husband and for her son....Even her death is not quite her own to define. Is it a suicide designed to keep Hamlet from danger by dying in his place?...Muddled, fallible, fully human, she seems ultimately to make the choice that Hamlet would have her make. But even here she does not speak clearly; her character remains relatively closed to us (Adelman 15-16).
The monster portrays more humanistic qualities than his creator as he portrays his compassion, intelligence and feelings throughout the novel. Instead of wreaking havoc on his neighbors, ambushing them for food and shelter, the monster decides to live in secrecy in the De Laceys’ shadow to observe their ways. The monster demonstrates compassion as he refrains from stealing the De Lacey’s food when he realizes that the family suffers from poverty. In this sense, he sacrifices an easy dinner to scavenge for himself. He also expresses intellectual thought in his strategy to advance his knowledge of the English language by observing Felix’s lessons to his Arabian lover, Safie. The monster recalls to Dr. Frankenstein that, “… I found, by the frequent recurrence of some sound which the stranger repeated after them, th...
This was demonstrated by the creature’s appearence filling those he met with fear, causing them to treat him unfairly. As the novel continues, we see the monster embrace the judgement that was put on him and turn into a malicious monster; "Abhorred monster! Fiend that thou art! The tortures of hell are too mild a vengeance for thy crimes. Wretched devil!” (Shelley Ch.10 ) If there hadn’t been such strong prejudice against the creature, he may have not turned into such an evil monster. What can be learned from this tale is to not judge a book by its cover. When someone is judged by their appearance, an assumption is created that may or may not be true. If an induvidual is repeatedly labled by thier appearence, they may embrace that assumption and become what society has labeled them as. This is an issue we continue to deal with in our nation today. If even just one person had listened to the monster and accepted him for who he was, he may have not ended up being a malicious monster and would continue being a sensitive creature. In the same way, if just one person accepts someone for who they are, regardless what they look like, it can really make a positive impact on someone. Learn from Frankenstein and don’t use prejudice as a reaction to
Mary Shelley expresses various ethical issues by creating a mythical monster called Frankenstein. There is some controversy on how Mary Shelley defines human nature in the novel, there are many features of the way humans react in situations. Shelley uses a relationship between morality and science, she brings the two subjects together when writing Frankenstein, and she shows the amount of controversy with the advancement of science. There are said to be some limits to the scientific inquiry that could have restrained the quantity of scientific implications that Mary Shelley was able to make, along with the types of scientific restraints. Mary Shelley wrote this classic novel in such a way that it depicted some amounts foreshadowing of the world today. This paper will concentrate on the definition of human nature, the controversy of morality and science, the limits to scientific inquiry and how this novel ties in with today’s world.
At first, The Monster is very kind and sympathetic. He has a good heart, as shown when he collected firewood for the family on the brink of poverty. Like every other human creation, he was not born a murderer. All the Monster wanted was to be accepted and loved by Victor Frankenstein and the other humans but instead he was judged by his appearance and considered to be dangerous. The Monster says, “like Adam, I was created apparently united by no link to any other being in existence…many times I considered Satan as the fitter emblem of my condition; for often, like him, when I viewed the bliss of my protectors, the bitter gall of envy rose within me” (page 105). This line is an important part of the novel because the Monster lets it be known how like Adam he was created into this world completely abandoned and like Satan he is angry with those people who have found contentment and satisfaction in their lives. The rejection and unwelcome feeling he is faced with, is the main reason the Monster becomes a killer. Watching another family show love towards each other made the Monster realize how alienated he truly was. He did not know how to deal with his pain and emotions so he murders as
In Frankenstein, Mary Shelley highlights on the experiences her characters undergo through the internal war of passion and responsibility. Victor Frankenstein lets his eagerness of knowledge and creating life get so out of hand that he fails to realize what the outcome of such a creature would affect humankind. Mary Shelley’s novel, Frankenstein, highlights on how Frankenstein’s passion of knowledge is what ultimately causes the decline of his health and the death of him and his loved ones.
Hamlet is one of the most famous plays of all time. In it, there are many complex characters. From the vengeful Hamlet to the evil King Claudius to the fragile Ophelia, many very intriguing people exist in the play. One often overlooked and very interesting character is Queen Gertrude. Gertrude shows to have many different desires that often contradict each other, and that is what ultimately leads to her death. A fascinating part of Gertrude, however, is that she is, at the same time, both a very caring mother and an adulteress.
In the opening scene of the movie, the Queen is hysterically crying at Hamlet (I)’s funeral. As a result, this scene adds an impression of sadness and grief not exhibited in the play. In the play, Shakespeare consistently characterizes women as impulsive, simple minded and under the control of male figures. Moreover, Gertrude is very cold hearted and is insensitive to her husband 's death. When she witnesses a situation that causes her concern, she refuses to hold strong in her opinion of the current matter(kinda Awk). For example, when Polonius accused Hamlet (II) of stalking Ophelia, the audience can see the Queen’s lack of backbone. Gertrude 's response to this accusation is, “I doubt it is no other than the main, his father’s death and o’er-hasty marriage” (Shakespeare Act II, scene ii. 56-57). Similarly, Shakespeare adds to this recurring personality trait when Gertrude weds Claudius, Hamlet (I)’s brother. Both in the movie and the play, Gertrude appears to get over her husband’s death relatively fast and goes back to being her promiscuous
Victor Frankenstein is the creator of a "monster." Because of his thirst for knowledge, he goes too far and creates a huge monster, which he immediately shuns. This rejection plays a major part in the monster's hatred and disgust for humans. When any intelligent life form is born or created, it normally has no feeling of hate, fear, or prejudice. Feelings such as these are instilled throughout life and the experiences one encounters. The monster had an early traumatic experience of seeing his “father” also known as his creator, Dr. Frankenstein, run at the sight of him. "I did not dare return to the apartment which I inhabited, but felt impelled to hurry on, although drenched by the rain which poured from a black and comfortless sky"(44). The feeling this most likely caused was resentment towards humans and society. The feeling of being abandoned and viewed in disgust by the person who created you would be awful. He did not know what he could have done to his creator that would have shocked and petrified him to the point of horror and disgust with his very existence. However, the monster remained benevolent.
Imagine: a catastrophic event similar to the extinction of the dinosaurs has happened. With humanity wiped out, one person says, “We could have prevented this.” In 2017, NASA received $19.3 billion in funds from the US government to operate. Even though that seems expensive, NASA only uses about 0.5% of the Federal Budget. Space exploration should continue because of the advances it has given to society and the future. It has advanced technology, it provides future generations with necessary knowledge, it can help us with foreign relations, the crewed missions are more scientifically beneficial, and it increases availability for jobs.