Through the exploration of the concept of dystopia, composers are able to warn audiences of the dire consequences of a major issue by describing, and often exaggerating, its possible future impacts on humanity, in a frightening yet recognisable interpretation of our world. In the film Snowpiercer (Bong, 2013), director Bong Joon Ho constructs an extreme representation of our capitalist society through the segregated social classes of humanity’s remaining survivors who, after a failed counter-measure against global warming, loop the world endlessly on a train and are forced to obey its creator Wilford. Curtis’ active decisions, amidst conflicts of morality and sacrifice, ultimately determine the fate of the tail-enders and eventually the future …show more content…
Though the film is an adaptation of a French graphic novel Le Transperceneige by Jacques Lob and Jean-Marc Rochette, Bong has expressed how he only took the basic idea of the train and used the film to show how it is “capitalism that’s destroying the environment” (Anders, 2014). This idea is embodied by the train itself with the improvement of the carriage conditions, benefits and space as they draw closer to the front, relating to the global inequality of resources and how the top one percent holds half of our entire wealth (Treanor, 2015).
Curtis’ moral decisions between the sacrifice of his people and the continuation of their plans affect the outcome of their revolution. Bong immerses the viewer into the context of the revolution through dark lighting, a colour palette of blacks and browns, and homogenous outfits to bring across the claustrophobic and dehumanised state the tail-enders live in. In contrast to the dark background, he highlights the roles of authority by dressing them in bright, out-of-place costumes,
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There are traces of Herbert Spencer’s theory of Social Darwinism in Wilford’s totalitarian regime, in which he propagates the idea that every passenger exists in their given class in order for there to be balance and order. This idea is corroborated by the repetition of the line “Everyone has their own preordained position” (Snowpiercer, 2013), and succeeds in creating a strong devotion to him, evident in the morbid fight scene between Curtis and the teacher in the children’s classroom, the bloody conflict juxtaposing the innocence of its surroundings. Philosopher John Fiske argued that “in the prolonged affectionate relation between the mother and the infant you get the opportunity for that development of altruistic feeling” (Fiske, 1909). By replacing that maternal role with the religion of the engine and the importance of order, Wilford is able to extinguish the fundamental basics of human nature and morality within humanity, allowing him to predict and influence the actions of his passengers, one of which is Curtis. As the train engine is a uniform component in both their agendas, the combination of being offered control of it and Wilford’s cunning selection of the words “you’ve seen what people do without
Destruction of individuality is an idea both authors explore to expose the broad social wrong of an oppressive society. Both Orwell and Niccol use their protagonists to demonstrate how dictatorial governments that destroy any semblance of individuality are inherently wrong. Orwell uses third person narration, which directly follows his protagonist as he fights to maintain his individuality in a society driven to eliminate the capability of “love, or friendship, or joy of living” by making him “hollow”. By employing the use third person narration Orwell portrays to the reader that even an individual with powerful intent to remain different can be broken down and made to believe that “2+2 = 5”. Similarly, Niccol uses extreme close up shots focusing on Vincent’s cleaning process and the motif of constant DNA checks to reinforce how authoritarian societies can demolish all sense of individuality. Vincent, an “in-valid” must take extreme measures to overcome the prejudices of soc...
It is no easy task to create a work - through writing or film - that has an impact on society. In writing, one must discuss and analyze a relevant topic that will have an impact on the readers. One must also present stunning sensory images through words in order to create a complete understanding for the reader. In filmmaking it is not much different, but there must be striking visual imagery in combination with a fitting musical score in order to give the viewer of the film the full experience. There must also be historical accuracy, both in writing and film. In either case, it can take years to create such a captivating piece of work. David Guterson's novel Snow Falling on Cedars and its cinematic counterpart of the same name combine all of the aspects of good writing and filmmaking to create an emotionally provocative and historically accurate masterpiece.
Inevitably on his metaphoric passage to heroism, Robert has many turning points in relation to Marxism that change his outlook on the world and war around him like the class division, the oppressors and the oppressed and, the mini revolutions that take place in a struggle for power. Findley presents the reader with a story that challenges the conceptions and truths that humans believe of human nature. Through the plot of Robert, Findley begins to convey the message that life goes on and as humans the only truth is that we are becoming. This is similarly seen in Marxism as it believes the cycle is ongoing but slowly and surely society is becoming. In one way Robert's journey itself is a reflection of society and the path that it continues to take.
In conclusion, by using the production elements of both allusion and symbolism; director Tim Burton has created the film in such a manner by making deliberate choices in order to invite a certain response. The film is constructed and given greater depth through the allusion to elements from other genres and ridicules the suburbia’s materialism and lack of imagination, which in turn enhances the invited response.
Kurt Vonnegut’s science fiction, short story, “Harrison Bergeron” satirizes the defective side of an ideal, utopian American society in 2081, where “everyone was finally equal” (Vonnegut 1). When you first begin to read “Harrison Bergeron”, through an objective, nonchalant voice of the narrator, nothing really overly suggests negativity, yet the conclusion and the narrator's subtle description of the events show how comically tragic it really is. Vonnegut’s use of morbid satire elicits a strong response from the readers as it makes you quickly realize that this scenario does not resemble a utopian society at all, but an oppressive, government and technology-controlled society. “A dystopian society is a
The Hunger Games was a critically acclaimed movie when it came out; however, some critics would argue that the movie can be sometimes too violent for its intended audience. In this essay I would dissert Brian Bethune’s essay “Dystopia Now” in order to find its weaknesses and compare the movie Battle Royale with his essay.
Through their use of allusion, symbolism and representation they portray many of societies flaws and imperfections. Such an imperfection includes the illustration of how totalitarian governments abuse the power they have acquired for their own gain, harming the people they are sworn to serve and protect. Through this abusive self-gaining government, we all are liable to become victims of consumer culture caused by the blind obedience to advertising and propaganda, being unable to form or voice an opinion of our own. But this lack of opinion can be at fault because of our own apathy, the ignorance and slothfulness that is contributed to the role we play in our society and the importance of that roles ability to motivate and inspire change. Whether you’ve read or viewed the novels or feature films I’ve discussed I have no hesitation in saying any text or film you have seen has been used in some way, shape or form to convey the criticisms of our ‘perfect’
The concept of Social Darwinism was a widely accepted theory in the nineteenth-century. Various intellectual, and political figures from each side of the political spectrum grasped the theory and interpreted it in various ways. In this paper, we will discuss three different nineteenth-century thinkers and their conception of Social Darwinism. The conservative, Heinrich von Treitschke, and liberal Herbert Spencer both gave arguments on the usefulness of competition between people on a global scale. The anarchist, Peter Kropotkin, refuted the belief of constant competition among members of the same species and emphasized mutual aid.
A first example in the book is the process in which babies are “born.” The intricate fertilizing, decanting, and conditioning processes is directly used to produce and control a 5 caste system in society. Now, this is not a bad idea, other system is flawed. We see this in people like Bernard. An alpha is supposed to be at the top of society being well formed, tall, good looking and intelligent. Bernard however is somewhat shorter and less handsome than the rest of the men in his caste, and therefore is thought of as queer. This inconsistency in the hatching system shows proof that the system is not completely safe or stable, and will in time produce more and more “social rejects” that can only lead to destroy the system.
According to Raymond Williams, “In a class society, all beliefs are founded on class position, and the systems of belief of all classes …” (Rice and Waugh 122). His work titled, Marxism and Literature expounded on the conflict between social classes to bridge the political ideals of Marxism with the implicit comments rendered through the text of a novel. “For the practical links,” he states “between ‘ideas’ and ‘theories’ and the ‘production of real life’ are all in this material social process of signification itself” (133). Williams asserts that a Marxist approach to literature introduces a cross-cultural universality, ensuingly adding a timeless value to text by connecting creative and artistic processes with the material products that result. Like Williams, Don DeLillo calls attention to the economic and material relations behind universal abstractions such as aesthetics, love, and death. DeLillo’s White Noise brings modern-day capitalist societies’ incessant lifestyle disparity between active consumerists and those without the means to the forefront of the story’s plot. DeLillo’s setting uses a life altering man-made disaster in the suburban small-town of Blacksmith to shed light on the class conflict between the middle class (bourgeoisie) and the working poor (proletariat). After a tank car is punctured, an ominous cloud begins to loom over Jack Gladney and his family. No longer a feathery plume or a black billowing cloud, but the airborne toxic event—an event that even after its conclusion Jack cannot escape the prophecy of his encroaching death. Through a Marxist reading of the characterization of Jack Gladney, a middle-aged suburban college professor, it is clear that the overarching obsession with death operates as an...
...ferent from their peers has isolated Bernard, Helmholtz, and John, it has also deepened their individuality. This scenario, at a lesser level, often plays out in modern day. People possess a natural desire to fit in and often are willing to forego individuality in order to do so. Though one may gain a facade of happiness as a result of fitting in, being truthful to oneself and expressing one’s free will allows for honest expression of individuality, a concept much greater than such a facade. A society without unique individuals is a society without humanity, and, as demonstrated through these characters’ experience, does not function. Ultimately, people must realize that individuality, knowledge, and raw emotion is more important to society than superficial happiness.
The people in a society are often a product of the presiding government’s policy. In Brave New World by Aldous Huxley, many of the citizens are artificially made and act like robots. However, in a reservation next to the new world, there exists a boy named John who was born and raised like a human. John is excited to go the new world because he believes that life will be better there. When John enters the new world, he sees many abnormalities that go against his beliefs, and the citizens call him a savage because he is not one of them. By juxtaposing John, the so-called savage, against the “refined” society, Huxley demonstrates the extreme extent of humankind 's atypical actions under the subjugation of a totalitarian government.
...e of reality, seizes the pleasures in their lives and portrays a loss of freedom. Both their perfect worlds were full of lies and instead of shielding its inhabitants from evil they gave individuals no rights of their own. What appeared in the beginning as a perfect utopian society was actually an imperfect dystopian environment.
“Entertainment has to come hand in hand with a little bit of medicine, some people go to the movies to be reminded that everything’s okay. I don’t make those kinds of movies. That, to me, is a lie. Everything’s not okay.” - David Fincher. David Fincher is the director that I am choosing to homage for a number of reasons. I personally find his movies to be some of the deepest, most well made, and beautiful films in recent memory. However it is Fincher’s take on story telling and filmmaking in general that causes me to admire his films so much. This quote exemplifies that, and is something that I whole-heartedly agree with. I am and have always been extremely opinionated and open about my views on the world and I believe that artists have a responsibility to do what they can with their art to help improve the culture that they are helping to create. In this paper I will try to outline exactly how Fincher creates the masterpieces that he does and what I can take from that and apply to my films.
In 19th century Sweden, the concepts of Darwinism were further developed to explain the human social construct. The degeneration theory and the idea of eugenics are extensions of the theory of evolution by Darwin which attempted to explain the origins and causes of an individual’s traits, particularly in humans. During this time period, gender also played a significant role in determining a person’s characteristics and traits, as there were contrasting expectations for men and women. It was also believed that some abnormal characteristics in females could be attributed to hysteria, a disease specific to women. Despite a person’s environment and upbringing, these biological determinants themselves can be used to explain an individual’s character