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A personal narrative about holiday traditions christmas
My christmas tradition essay
A personal narrative about holiday traditions christmas
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Colin awkwardly shifted his position and pulled the fleece tighter around his knees. It was an old baby blanket that he’d picked up from the Sally Ann the previous week. It wasn’t very big or waterproof like his last one, but it was warm and reasonably clean. He lifted his harmonica back to his chapped lips and continued to play Stairway to Heaven. A young lad, couldn’t have been more than five, cautiously dropped a shiny fifty pence piece into the margarine tub in front of Colin. He nodded his head and winked at the small boy and was rewarded with a huge grin before he ran back to his mammy. The boy looked like his wee lad Liam. Colin felt the familiar pang of pain reverberant inside as he remembered his dead son. His hurt changed quickly to annoyance as the thunderous skirl of ‘Flower O’ Scotland’ started three doorways up Union Street. “Bloody Malcolm on those bagpipes.” thought Colin. He decided to call it a day. He had enough change to buy a cottage pie from the discount supermarket at the end of his street. It had started to drizzle and the cold December chill seemed to penetrate right through his clothes and skin and into his bones. He carefully gathered what little he had. Put his blanket and tub in his worn satchel beside his last can of marked down brand cider and eased his stiff legs to standing using the outside of the charity shop window to support himself. As Colin pulled his tired legs upright a small glittering snow globe in the shop’s Christmas display caught his eye. It was a pretty alpine scene with a row of snow covered thatched cottages and a decorated tree. But it was the two small figures beside the tree that mesmerised him. The boy was painted blue and appeared to be dancing around the tree. The bigger g... ... middle of paper ... ...t he could hear Matt calling his name telling him to hold on. But his whole attention was taken by his snow globe as he watched it roll gently towards him. Miraculously, unlike him, it was still intact. The globe grew exponentially in front of his eyes and Colin found himself encased in the scene. The snow white peaks were soft and fluffy like freshly whipped meringue coated with a dusting of sparkling glitter. In the valley before him Colin could see the small village with the little row of thatched cottages draped with tinsel and strings of lanterns. Right in the middle was the towering Christmas tree decorated sparsely but elegantly and topped with an oversized bright star. And there beside the tree, stood the girl, Leah, as she always stood; with her full red knee length skirt and her black ankle boots with her arms outstretched waiting to welcome him home.
It was Sunday October 8th about 8:45pm, when Daniel “Peg Leg” Sullivan went to visit the O’Learys’ house only to find out they were asleep. So Sullivan walked across the street to Thomas White’s house and sat down to lean against the fence. The wind was very strong that night and there was a party at the McLaughlin’s to celebrate the arrival of a relative from Ireland. Sullivan decided to go home when he noticed a fire in the O’Learys’ barn. He started shouting, “FIRE!” as loud as he could and ran to the barn to save the five cows, horse, and calf inside. As he did, his peg leg got stuck in the floorboards. He hung onto the calf as they made their way out (13, 14,15).
The night was so still that they heard the frozen snow crackle under their feet. The crash of a loaded branch falling far off in the woods reverberated like a musket-shot, and once a fox barked, and Mattie shrank closer to Ethan, and quickened her steps.
On a tiny snowflake floating through the air, exists the town of Who-ville, home of the Whos. The town is joyously preparing for the coming of Christmas. The opening scene is full of noise and excitement with the townspeople hustling and bustling about shopping for gifts. Cheerful Christmas music plays in the background while the countdown until Christmas Day is announced over the town’s loudspeaker. Bright colors combined with unusual hairstyles are seen on the people of Who-ville. The town itself is covered with a multitude of lights, decorated trees, and wreaths.
It was a sunny day with a sweet aroma of blooming tulips. The sunlight glittered on their faces as the breeze rattled the chestnut tree above. There was an occasional giggle as they talked, but there was also a hint of discomfort and awkwardness between them as they peeked at each other’s face and recoiled when the other looked up. When the bell rang twice, I saw them say goodbye and walk away from each other. In the darkness of the crowd, a glimmer flashed into my eyes from Hannah’s cheeks.
Happiness is shown to be achieved during childhood, so Kane’s yearning for his childhood contributes to the enduring value as all humans go through the human condition of aging. Orson Welles’ use of the motif of the snow globe appears several times throughout the film to symbolise Kane’s childhood that was cut short by Thatcher taking him away to his luxury mansion. The snow globe is
It was a village on a hill, all joyous and fun where there was a meadow full of blossomed flowers. The folks there walked with humble smiles and greeted everyone they passed. The smell of baked bread and ginger took over the market. At the playing grounds the children ran around, flipped and did tricks. Mama would sing and Alice would hum. Papa went to work but was always home just in time to grab John for dinner. But Alice’s friend by the port soon fell ill, almost like weeds of a garden that takes over, all around her went unwell. Grave yards soon became over populated and overwhelmed with corpse.
In “My Favorite Holiday Movie Involves a Giant Rabbit”, Boylan discusses her favorite Christmas movies and how their meanings have influenced her during the holidays. Through the use of allusions, metaphor, and imagery, Boylan argues that the holiday season is really about believing and practicing internal virtues to uplift oneself and one’s life. For example, Boylan makes several allusions to popular Christmas movies, like “The Snowman”, “Rudolph the Red-Nosed Reindeer”, and “It’s a Wonderful Life”. However, her most prominent allusion throughout the article is to “Harvey”, which “on the surface… is not a Christmas movie at all but the story of a man whose best friend is a six-foot-tall invisible rabbit”. At first, Boylan’s choice to reference
Berniece tries to show Boy Willie that the piano experienced more than pleasant events during those days. She interprets their Mama Ola’s pain by saying, “ ‘Mama Ola polished this piano with her tears for seventeen years. For seventeen years she rubbed on it till her hands bled...she rubbed and cleaned and polished and prayed over it...seventeen years’ worth of cold nights and an empty bed. For what? For a piano? For a piece of wood?’ ” (52). The tragedy of their Mama Ola is an almost mythic quality in their unified imagination, but the time has robbed it in Boy Willie’s face. He forces himself to think of his Mama Ola’s suffering as a metaphor than an actual event.
I stepped out of the chilly November air and into the warmth of my home. The first snowfall of the year had hit early in the morning, and the soft, powdery snow provided entertainment for hours. As I laid my furry mittens and warm hat on the bench to dry, I was immediately greeted with the rich scent of sweet apple pie, pumpkin pie, mashed potatoes, and the twenty-pound turkey my mother was preparing for our Thanksgiving feast.
The Christmas tree in itself is symbolic and it means the play takes place during Christmastime. Ibsen uses Christmas tree to mainly construct the character of Nora. The Christmas tree symbolizes the feelings of Nora. At the start of the play, Nora enters the room carelessly and her mood is festive. The Christmas tree, a festive object used for decorative purposes, represents the function of Nora in her household who is pleasing to look and who adds the charm to their home. Nora dresses the tree just as Torvald dresses her up for the Stenborgs’ party. Like other married women during the period, Nora is simply decorative and is not allowed to make familial decisions. Nora instructs the housemaid, “Hide the Christmas tree carefully, Helen. Be sure the children do not see it till this evening, when it is dressed” (Ibsen 793), the same as when she tells Torvald that no one can see her in her dress until the evening of the dance. The Christmas tree also imitates the psychological state of Nora when it is described to be “…stripped of its ornaments and with burnt-down candle-ends on its disheveled branches” (Ibsen 812). This describes Nora when she receives the bad news from Krogstad; as a result her min...
The beginning of the play portrays the Christmas tree as being well put together and beautiful, the same way as the protagonist, Nora. Her relationship with her husband Torvald can be considered to be picture-perfect, a fact that can be contributed mostly to her subservience. As long as Nora knows her place in the home and remains compliant, their relationship seems wonderful. Nora’s blind obedience at the opening of the play is evident as she adorns the tree with beautiful flowers and candles, promising to “do everything [she] can think of to please,” even offering to sing and dance for his pleasure (Act 1). This exemplifies the way Nora still works to maintain the appearances of both her family and her tree, dressing the tree so that it is “splendid” and also promising to do Torvald’s bidding to ensure his contentment. It also establishes a correlation between the ...
Standing on the balcony, I gazed at the darkened and starry sky above. Silence surrounded me as I took a glimpse at the deserted park before me. Memories bombarded my mind. As a young girl, the park was my favourite place to go. One cold winter’s night just like tonight as I looked upon the dark sky, I had decided to go for a walk. Wrapped up in my elegant scarlet red winter coat with gleaming black buttons descending down the front keeping away the winter chill. Wearing thick leggings as black as coal, leather boots lined with fur which kept my feet cozy.
The first symbol that we notice in the play is the “Christmas Tree”. The Christmas tree represents happiness and unity in the family as well as the effort Nora has taken in making her home a comfortable haven to relax in. He efforts though are met with a slight disdain from her husband Torvald as he elaborates repeatedly that she is using money unwisely. “Come come we can`t afford to squander money.” An important role for Nora as a mother and a wife is to bring joy in her house when she can but due to the limitations Torvald has put on her, she finds it hard to
Nora’s life begins to fall apart with the arrival of Krogstad as Nora becomes fearful of him. The life Nora had now begins to slowly change as more people are added to the mix of visitors during the Christmas holid...
‘She wanted to warm herself,’ the people in the town said. No one had the slightest suspicion of what beautiful things she had seen” (**). The little maiden saw the stars in Heaven, and one fell down and formed a long trail of fire (**). Before the maidens cold and freezing death, she dreamed of the roast goose steaming with stuffing, the apple pie, dried plums all sitting on a pure white table cloth (**). The matches brought comfort to the little girl for a little bit, but the short stick burnt fast. Lighting the match for the little girl was a small get away, away from her very miserable life. “The little maiden stretched out her hands towards them when-- the match went out” (**). Dreaming and visualizing the Christmas trees, roast goose, and the warm stove was a way for the maiden to cope with the harsh conditions she was living