Khaled Hosseini’s novel, A Thousand Splendid Suns, and the film Slumdog Millionaire, directed by Danny Boyle, both express the theme/idea of belonging and rejection. These works offer captivating narratives that explore the complexities of being an outsider in society, from a young start of childhood. So different, but yet so close. Despite their different backgrounds, both characters experienced sadness of rejection and hardness of belonging in a profound/compelling way. Despite facing adversity, they found solace in the bond they shared with the people in their lives. This shared experience and similar characteristics, though different on the surface, connects them emotionally and serves as a common thread in their narratives. What is the thought of a five-year-old child, when she first hears the word harami (means illegitimate child), by their own mother? Of …show more content…
As Mariam had so dearly loved her father that she.. ‘’Mariam would leap to her feet when she spotted him, her father’’. But this sweet scenery, will only scatter, as she found that her father had abandoned her, inside his nice, wealthy house while she had slept outside, waiting for him – to go and see a movie in his cinema, or to spend more quality time with him. Seeing him stand there, before he quickly closed his curtains, Mariam had tears of ‘’grief, of anger, of disillusionment. But mainly deep, deep, shame at how foolishly she had given herself over to Jalil.she was ashamed of how she had dismissed her mother’s stricken looks, Nana, who had warned her, who had been right all along’’. This shows the confusion and dismay Mariam is going through, that her mother’s words were really true, she was not wanted - she was unwanted. It was a fake persona, that Mariam had been living seeing, the fake persona and real persona of two different human beings. The fake, her father who made her feel loved, wanted, and gave her a sense of belonging and living, was lying behind
The 2008 British drama film, “Slumdog Millionaire”, directed by Danny Boyle, and the short story, “The Necklace,” by Guy de Maupassant, have different settings and plot They share, however, similar cathartic themes showing the deception of appearances, and the journey from illusion to truth.
The story opens up with Mariam’s mother, Nana, calling her a “harami” for breaking a sugar bowl. “Harami” means “bastard child” and Mariam was born out of wedlock, with her father being Jalil, a wealthy businessman. Although it was Jalil’s fault for having an affair with Mariam’s mother, Mariam gets the pain and backlash from her mother for being a “harami.” She did not understand what this meant, though, because she was
Therefore, analysis of ‘The Simple Gift’ and ‘The River that wasn’t ours’ reveals belonging as an essential aspect to the human condition. One can feel connections to people and place through the varied nature of belonging. However, the consequences of not belonging can be detrimental to the individual or group and can result in feelings of displacement and distress.
From start to finish, one could see how much Mariam values Laila, Aziza, and their friendship. The first example is when Mariam vows to help Laila while they are in the hospital for Laila’s unborn child: “I’ll get you seen, Laila jo. I promise” (287). This simple promise is a deep portrayal of Mariam’s desire to help Laila find a doctor and deliver her baby. Additionally, one can see Mariam’s love for Laila when she protects her from Rasheed’s grip of death, “‘Rasheed.’ He looked up. Mariam swung. She hit him across the temple. The blow knocked him off Laila” (348). Rasheed was going to kill Laila, but Mariam steps in and knocks him off of her with a shovel to save her life. Mariam forms a tight-knit bond with Laila, and when Hosseini includes their relationship, one can see how Mariam values Laila enough to kill another man. The author also describes their relationship after Mariam and Laila discuss plans for leaving: “When they do, they’ll find you as guilty as me. Tariq too. I won’t have the two of you living on the run like fugitives.” … “Laila crawled to her and again put her head on Mariam’s lap. She remembered all the afternoons they’d spent together, braiding each other’s hair, Mariam listening patiently to her random thoughts and ordinary stories with an air of gratitude, with the expression of a person to whom a unique and coveted privilege had been extended” (358). The love Mariam has for
This quote displays a theme in the novel as Mariam gets older. Jalil moves the burden of Mariam onto Nana, and Rasheed blames Mariam for things that go wrong from there.
As Mariam waits for Jalil she finds herself very bored, “She watched a caterpillar inching along the foot of an immature thistle,” her boredom shows that her home can be very dull (30). One of the reasons she decided to leave, “for the first time in her life, headed down the hill for Herat,” was because she wanted an adventure (30). Living with Nana in a small house outside of Herat with nothing to do can be very unentertaining. Mariam was able to believe everything Jalil had been saying because she had not been anywhere outside her home. Mariam had waited for Jalil for a while, “she waited until her legs were stiff,” which shows that she believed everything he said, she believed that he was gonna come (30).
...ed by the ancient symbol of fear, conveys the child's panic. The mother's approach is a source of terror for the child, written as if it is a horror movie, suspense created with the footsteps, the physical embodiment of fear, the doorknob turns. His terror as 'he tries to run' but 'her large hands hold him fast' is indicative of his powerless plight. The phrase, 'She loves him...' reiterates that this act signifies entrapment as there is no reciprocation of the ‘love’. It is ironic that her love is deemed 'the frightening fact'. Clearly this form of love will destroy his innocence, his freedom to think for himself, his ability to achieve emotional fulfilment. We sense the overpowering, suffocating nature of this form of love, but also the nature of American cultural imperialism, which is similarly stifling to the development of national identity and fulfilment.
...elf and where he fit into this life that he had. She made him believe that many things were sins against God, and he would be punished if he so much as thought about them, but she never told him why they were sins and why people continued to do them; so he went on a quest for knowledge to find out what it was his mother along with other people were trying to keep him away from. Maria loved her family, and made sure that she provided for them, but when it came to religion she could only teach them what she had been taught all her life, which provided a biased opinion, in that she believed the the Catholic religion was what was right, and anything else would be a sin against God. She tried to protect Antonio, but everyone knows there is no protect from life, it comes and engulfs us into this whirlpool of situations and tragedies, and we are merely pawns in its game.
“Where is the rest of your family,” asked Masoud. Her father came back to bring her after a long time he left her. As a girl, she wanted to be with her family, but she thought about all the things, about her father, then she determined who knows if her father again abandons her. That was the reason she let her father go, and Jameela let all the pain go from her heart.
The first of Castel’s dreams occurs while Maria is away at the estancia and ends up illustrating his chaotic emotions and confused adoration for her. Castel is in a weakened state and is frantically awaiting Maria’s return. He envisions being within a dark house which he feels he had “known and infinitely desired”(88) since his youth. He feels comforted in this residence because it is something definite, understood, and established. Castel lacks these feelings of stability in his life because he devoutly subscribes to the existentialist thought; he believes that mortality is a narrow passageway which is uncertain and has no point to it other than to purely exist. When he enters the dim household, he is mysteriously lead by “old memories” (88). These recollections imply a thematic undertone since existentialists believe that nothing precedes life be...
War ravaged the land and tore people apart emotionally and physically. One recurrence that came about during the war was the raping and “ruining” of women. To be ruined meant that a woman was raped and/or tortured so severely that she would no longer be capable of having sex. In a culture that values the fertility of its women, this lead to the breakdown of many communities. A perfect example of this breakdown would be in the case of Salima and Fortune. Salima was taken into the bush and raped for 5 months and when she returned home her husband, Fortune, turned her away. This violence committed against Salima caused her to be forced from her community, and it also forced her to take up work at Mama Nadi’s. Here she has to endure a change of identity in order to do the work required of her and to come to terms with her past. At the end of the play, Salima dies and states the haunting words; “You will not fight your battles on my body anymore”(94). These last words sum up just how intrusive the war has become in the lives of everyone in its path and also represents a clear shift in Salima as an individual. Instead of the woman who just wanted her husband back at the end of the play, we are left to contemplate a
Throughout “Araby”, the main character experiences a dynamic character shift as he recognizes that his idealized vision of his love, as well as the bazaar Araby, is not as grandiose as he once thought. The main character is infatuated with the sister of his friend Mangan; as “every morning [he] lay on the floor in the front parlour watching her door…when she came on the doorstep [his] heart leaped” (Joyce 108). Although the main character had never spoken to her before, “her name was like a summons to all [his] foolish blood” (Joyce 108). In a sense, the image of Mangan’s sister was the light to his fantasy. She seemed to serve as a person who would lift him up out of the darkness of the life that he lived. This infatuation knew no bounds as “her image accompanied [him] even in places the most hostile to romance…her name sprang to [his] lips at moments in strange prayers and praises which [he] did not understand” (Joyce 109). The first encounter the narrator ex...
Both “Araby” and “Eveline” are characterized by melancholic, even depressive mood. In the first case, the sadness associations are developed by the motifs of darkness and silence that reinforce the boy’s psychological state. The boy says that “All my senses seemed to desire to veil themselves” (108) which means that he wants to become invisible, to disappear, and darkness and silence are helpful for him alleviating his pain: “I was thankful that I could see so little” (108). In “Eveline”, the mood is also melancholic and depressive, but this time the feeling of melancholy is combined with nostalgia and a fear of the uncertain future. It reveals itself in Eveline’s memories of her deceased mother, her brothers, her friends, in her looking at the things associated with her previous life: “Perhaps she would never see again those familiar objects from which she had never dreamed of being divided” (1). And what concerns the tone, in both “Araby” and “Eveline” it may be described as serious though not solemn as the narration lacks too eloquent expressions, and the context concerns more daily routine than some elevated
Caregiver, Educator, and Advocator are a few seemingly universal terms used to describe a Nurse. Known as the protection, promotion and optimization of health abilities, Nurses save and improve lives as front line members of the health care delivery team. Nursing should not be limited to one particular area, nor should it be limited to a specific race or culture. Yet disparities in the mid-nineteenth century health care provided compelling evidence that issues of race and other ethnic minorities persisted within our society. Historical experiences of African Americans has been represented by the institution of slavery, segregation and the dehumanization of African- Americans.
One of Philip’s greatest tactics in this piece, to convey her intense grief and desolation, is her use of promising phrases about her son’s future, and her sheer joy about what it holds for him. In doing this she is able to build an emotional connection between herself and the reader, “Seaven years Childless Marriage past/ A Son, A Son is born at last…”(5,6), “As a long life promised,” (9), and “Full of good Spirits, Meen, and Aier,” (8). The emotional feelings that are withdrawn from these phrases all resonate with the reader, and allow us to become much more sensitive to not only her and what she is going through, but also her son and his lack of life. The repetition of “Son” is very effective in showing how elated she was, and actually makes the depressing realization that follows even darker and more troublesome.