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Significance of figurative language in literary writing
Importance of setting in literature
Importance of setting in literature
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Surabhi Dattatri and Ally Iordache
Ms. Ciccone
Honors English II
11 May 2015
“Bartleby” by Herman Melville
IRONY
Example One:
“The passiveness of Bartleby sometimes irritated me” (Melville 134). The situational irony that Melville used above is used to help develop the character of the narrator. If Bartleby is passive he is not involved in the life of the office and keeps to himself. Since Bartleby is passive he is not doing anything that would annoy or provoke anyone. However the narrator is “irritated by [Bartleby’s] passiveness.” The narrator is irritated because he like to be in control, especially in control of his employees. If Bartleby does not react to anything the narrator does he can not exhibit control over Bartleby. This to the narrator, is irritating.
Ally
Example Two:
‘“There is too much confinement about that. No, I would not like clerkship; but I am not particular’” (Melville 152). Melville’s use of verbal irony allows for a deeper understanding of Bartleby’s character. Bartleby states that he would rather be assigned a position that is not as confined as a clerk; however, in reality, his behavior indicates that he prefers to be isolated. The narrator cannot understand why Bartleby expresses a disliking for confinement when he keeps to himself the majority of his time. As he
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He describes it without using figurative language or creativity; the description is bleak. This emphasizes Bartleby’s inhuman and machine like qualities. The office is plain, only made of up several walls. The only outside light that does come in is from a “small side-window” that “commanded at present no view at all.” The office is depressing and encourages Bartleby’s depressing character. The walls that are present lead to Bartleby’s isolation. The narrator essentially secludes Bartleby from society because he is trapped within the office walls almost all the time. The reader hardly sees him
In the beginning of each story, characters are both shown as “ideal” characters in that their characteristics give the characters their first perceived amiableness. In “Bartleby the Scrivener” Melville uses distinguishing characteristics to solely represent Bartleby from the others in the story. He enters the story first, as a response to an advertisement for a position as a scrivener in a law office. Melville states, “A motionless, young man one morning stood upon my office threshold, the door being open for it was summer. I can see that figure now – pallidly neat, pitiably respectable, incurably forlorn!” (Meyer 149). Here he makes it known that just by seeing Bartleby’s presence when he first enters the law office; he is exactly what the unnamed lawyer was inquiring about. He was by far unlike other characters in the story. He had no vices or hang ups, the first presence and his stature, he came their wiling and ready to ...
Walls in the story represent the entrapment, a blockade of sorts to prevent focus from wandering elsewhere. Bartleby in the story shares an office with the lawyer/narrator but their line of sight is blocked by a wall set up to seperate them and is placed in the corner of the room, against another wall and his desk is facing a window that again, faces a wall. The set up of this environment clearly gives a sense of entrapment as every direction Bartleby faces he is met with another wall and must maintain his focus on copying, on working. The lawyer however, shows no sign of this being a bad thing he simply sees the sharing of the office as a convenience to be able to call Bartleby to run his errands whenever he calls and doesn’t even have to look at Bartleby, a separation of humanity or social contact. As the story progresses, Bartleby refuse requests like checking the copies or going to the post office and eventually begins refusing to work entirely but this is seen as simply Bartleby being odd and not as a resistance to work but rather there is a cause for his refusal to work, as stated by the narrator, his eyes were perhaps hurt and needed time to recover. As time goes on Bartleby still refuses to work and lives in the office and this bothers the narrator to the point of having him evicted from the premises by use of force, calling the authorities and ha...
In Melville’s, “Bartleby the Scrivener,” a lawyer’s idea of relationships is tested. As a bachelor, his disconnection with people is an obstacle he has to overcome. The relationships between his coworkers and himself are simple and detached until Bartleby is introduced. The lawyer is befuddled at the unique behavior that this character displays and cannot help but take particular interest in him. When Bartleby is asked to work, he simply says, “I would prefer not to,” and when he quits working, he begins to stare at the wall (1112). This wall may symbolize the wall that the lawyer has built up in an attempt to ward off relationships, or it may simple symbolize Wall Street. When the lawyer finds out that Bartleby is l...
Bartleby demonstrates behaviours indicative of depression, the symptoms he has in accordance with the DSM-IV are a loss of interest in activities accompanied by a change in appetite, sleep, and feelings of guilt (Diagnostic and Statistical Manual of Mental Disorders, 4th edition, 320). Very shortly after Bartleby begins his work as a Scrivener he is described by the narrator as having done “nothing but stand at his window in his dead-wall revery”. (Melville, 126) In contrast, Bartleby had previously been described as a very hard worker and this process of doing increasingly less shows how his a diminishing sense of interest both in his work but also of the perception others have of him. It is also noted that included in this lack of interest is a social withdrawal (DSM—IV, 321) which corresponds well to Bartleby in that his workspace becomes known as his “hermitage”. During small talk which included Bartleby he says that he “would prefer to be left alone”. (Melville, 120) Bartleby only emerges from his hermitage when called upon and quickly returns when faced with confrontation.
One of the literary elements that Melville uses that convey the narrator's attitude towards Bartleby is diction. The author's diction in this short story is very descriptive and is also slightly comical. One of the ways this is used is when the author gently mocks the narrator by having him expose his flaws through his own words. For example, when the narrator talks of John Jacob Astor, a well respected man who complemented him, we find out how full of himself he is and how highly he thinks of himself. "The late John Jacob Astor, a parsonage little given to poetic enthusiasm, had no hesitation in pronouncing my first grand point…I will freely add, that I was not insensible to the late John Jacob Astor's good opinion." (Page 122, Paragraph2) Another example of the author's use of diction appears on page 127 in paragraph 2; "At first, Bartleby did an extraordinary quantity of writing. As if long famished for something to copy, he seemed to gorge himself on my documents. There was no pause for digestion. He ran a day and night line, copying by sunlight and by candle-light. I should have been quite delighted with his application, had he been cheerfully industrious. But he wrote on silently, palely, mechanically." Here the narrator's description of Bartleby's writing habits in the office, at first, tell us that he is very pleased with his progress and the work he has done but then it tells us that he is not very enthusiastic but...
Language is the key, crucial part of this short story. Bartleby, the epitome of mystery and frustration in the office, constantly uses the term ‘I prefer not to’, to exhibit his unwillingness to comply with his boss's requests to proofread his rough draft. “The very language that Bartleby uses as he puts aside the tasks demanded of him shows the extent of to which he does not participate in the conventions of the Wall Street World” (Matturi, 7).
Through Bartleby’s flat and static character type, it is amazing how many different types of conflict he causes. From the first order to examine the law copies, to the last request to dine in the prison, Bartleby’s conflictive reply of “I would prefer not to” stays the same (Melville 150). In this way, he is a very simple character, yet he is still very hard to truly understand. Even ...
He starts to disconnect himself by refusing to do work given to him by his boss, this comes from his desire to be complacent, which we find out when he says “I like to be stationary,” when talking to the lawyer (127). Bartleby continues to change throughout the story, as he goes from being an employee who won’t do his work, to never leaving the office and essentially making it his home. According to Todd Giles, “Bartleby's silence establishes distance,” meaning that he becomes so out of place that people stop expecting of him (Giles, 2007). What this causes is the need for Bartleby to be removed from the Wall Street Office. The lawyer tries in many different ways to do so, and even offers him more money than he is owed if he will quit. Bartleby refuses and continues to stay in the building, doing nothing, detached from the world around him. Eventually the lawyer changes offices due to Bartleby and leaves him there for the next buyer. Bartleby is forced out by the new owner, and in time it is told the police he is a vagrant and he is thrown into jail. Bartleby’s story ends
McCall focuses his argument within the way in which Melville has written Bartleby, The Scrivener, he goes into detail about the comical aspects within the story and uses Melville’s description of Bartleby’s saying “I prefer not to,’ he respectfully and slowly said, and mildly disappeared.” (272). McCall suggests that the adverbs Melville uses, “respectfully” , “slowly” and “mildly” , “create[s] a leisurely little excursion into the uncanny” (279). I agree that the lawyer must have had some wit and good intentions in making the claim about Bartleby up to a point, I cannot accept this fully because many people still believe that the lawyer is unreliable. Most critics within the majority, as McCall reinstates, “believe, “the lawyer is “self-satisfied”, “pompous”…”a smug fool” who is ‘terribly unkind to a very sick man’ “(2660. I disagree with the idea that the lawyer was unkind and Bartleby was sick. The lawyer was fascinated by Bartleby’s responses to the job, and Bartleby, I feel knew exactly what he was doing in stating his responses. McCall acknowledges that “these cure two central problems in the story: the nature of Bartleby’s illness and the lawyer’s capacity to understand it,”
Melville intends something less black and white with more gray shading. Melville uses dramatic irony and grim humor in “Bartleby, the Scrivener: A Story of Wall Street. This is to show the reader how the Lawyer assumes he is a safe, successful and powerful man with extensive control in his polite society until he hires a man named Bartleby. This relationship is slowly revealed to be quite a conundrum for the Lawyer and the reader. Melville shows how the Lawyer never had any power or control over Bartleby but quite the opposite; Bartleby held all the power and control in this relationship. I will explore the important of the power struggle and the fight to maintain control between the Lawyer and Bartleby.
Bartleby- The Scrivener In Herman Melville’s “Bartleby the Scrivener”, the author uses several themes to convey his ideas. The three most important themes are alienation, man’s desire to have a free conscience, and man’s desire to avoid conflict. Melville uses the actions of an eccentric scrivener named Bartleby, and the responses of his cohorts, to show these underlying themes to the reader. The first theme, alienation, is displayed best by Bartleby’s actions. He has a divider put up so that the other scriveners cannot see him, while all of them have desks out in the open so they are full view of each other, as well as the narrator. This caused discourse with all of the others in the office. This is proven when Turkey exclaims, “ I think I’ll just step behind his screen and black his eyes for him.”(p.2411) The other scriveners also felt alienated by the actions of the narrator. His lack of resolve when dealing with Bartleby angered them because they knew that if they would have taken the same actions, they would have been dismissed much more rapidly. The narrator admits to this when he said, “ With any other man I should have flown outright into a dreadful passion, scorned all further words, and thrust him ignominiously from my presence.” (2409) The next theme is man’s desire to avoid conflict. The narrator avoids conflict on several occasions. The first time Bartleby refused to proofread a paper, the narrator simply had someone else do it instead of confronting him and re...
Melville, Herman. “Bartleby, the Scrivener.” The Norton Anthology of American Literature. 8th ed. Nina Baym and Robert S. Levine. Vol. B. New York: Norton, 2012. 1483-1509. Print.
The narrator begins the short story Bartleby the Scrivener by “waiving the biographies of all other scriveners for a few passages in the life of Bartleby, who was a scrivener of the strangest I ever saw or heard of” (pg). Bartleby appears at first as a “pallidly neat, pitiably respectable, incurably forlorn,” (pg) character who is hired by the narrator because of his sedate nature, which he hoped would balance the personalities of his other employees. Bartleby is first isolated from the other characters through the actions of his boss, the lawyer, who “isolated Bartleby from my sight, though not removed from my voice,” (pg) by placing a folding screen around his desk and, “in a manner,
Franklin, H. Bruce. "Bartleby: The Ascetic's Advent." Melville's Short Novels: Authoritative Texts, Contexts, Criticism. Ed. Dan McCall. New York: Norton, 2002. 176-85.
An example that the dead letter office job plays a part in Bartleby’s character is Bartleby isn't the average office worker. He is the weird guy no one likes, doesn't do his work, and just spends hours sitting and staring. When asked to do something, he responds with "I would prefer not to". There isn't much of an argument being created with someone who doesn't give much to argue with. Yet, “Bartleby is improper, propertyless, without possession, while at the same time in full control of his own possession"(Giles). He tends keeps to himself instead of letting others know more about him. Nothing is known about Bartleby, except for what one can see and take in; such as his name, or that he never leaves the office. In Bartle...