American Sitcom is a popular genre that features many characters sharing similar life problems in the same environments. The genre is also famous for going against the trope of a normal nuclear family by highlighting the dysfunctional side of a family. The environment usually comes from the ideal of the American middle class family, “sitcom has often been defined as an easily understood genre” (Brett Mills, 2009, P.27). Arguably American Sitcoms are known for being uncomplicated as a way for the audience to connect and escape from reality to become involved with a new lifestyle. Many contemporary sitcoms that have become popular are Big Bang Theory, Modern Family, Two and a Half Men and Friends, these have become mainstream as they target it …show more content…
Two and a Half Men is known worldwide for having Charlie Sheen playing the main role; arguably he plays himself with his own characteristics being the man who desires women 24/7, with his brother Alan being the one you may class as more ‘intelligent’. Jake the son of Alan is arguably a younger version of Charlie who looks up to him and the women he sees. Overall we see the trope of this dysfunctional family with them hating their mum. However, linking to (Freud. S. 1940) sexuality theory; we see an example of this in the episode when Charlie goes for a woman that is a twin to his mum which could suggests that he is attracted to the mother figure although he never shows any affection towards his mother, in this episode everyone else is aware of what is happening except Charlie. Furthermore, Modern Family has a very similar plot to Two and a Half Men, however it shows more of a nuclear family with Claire and Phil being the parents and the three children Hayley, Alex and Luke. They all play a certain role within the family but then they have the homosexual uncles and a granddad with a young Spanish wife. Arguably this shows the idea of a dysfunctional yet contemporary family as we see modern day tropes. One of the main norms we see in Two and a Half Men is the idea of the laugh track. This can be argued as a …show more content…
All American sitcoms vary with different cast and plot but they all keep a very similar ideology with some differences. For example, Alan, in Two and a Half Men to Phil in Modern Family. They are both dads that have identical dress codes with the beige chino trousers and a checked shirt; their personalities are alike as they both say similar jokes about woman and life problems. However they do have differences such as Phil is a child at heart but carries out the father figure roles and cares about his wife and children; whereas Alan cannot carry out some of the more simple tasks and cares about his son but apart from that he is very incapable character. Furthermore we see a variety of camera angles when watching the American Sitcoms, in both Two and a Half Men and Modern Family there is a lot of close ups of facial expressions as this is where we see all of the humour. In the opening scenes and titles we see family portraits and wide
The story A Television Drama, by Jane Rule is an exciting story about an unusual event, which the main character, Carolee Mitchell, experiences the end of. The story is about her quiet street becoming unusually busy with police officers, and how the man who is being chased by these officers ends up being outside her front door. Through the point of view of the story, the characterization and character change of Carolee Mitchell, and the setting of the story, A Television Drama is an exciting read. The story conveys how important it is to be aware of ones surroundings, and what is happening around oneself through these elements.
In the article “TV’s Callous Neglect of Working- Class America” written by Noel Murray explains the modern day TV shows un-relatable plots to Americans today. Murray describes how shows in the ‘50s through the ‘90s were relatable to Americans and how they lived their lives. The TV shows then were able to get such great reviews because the jobs the actors had in the shows were average money making jobs. The characters are meticulously when it came to how they used the money they earned. However, as the years have passed, the shows that are on today are not as relatable to Americans. The shows express the fantasy, perfect life that everyone strives to have, but in reality, it is not possible for every family. The programs on today do not convey the difficulties that average Americans face each day, causing the shows to become more and more relatable to average TV viewers.
Different Strokes a comedy sitcom, first aired in 1978, and lasted until 1986. This sitcom consisted of a widowed Manhattan millionaire, Phillip Drummond , who adopted two orphaned brothers. Arnold who was 8 years old and Willis who was 12. The boys' mother was Drummonds housekeeper who became very ill, so Drummond made a promise to her that he would take care of her two sons after she passed away. Drummond treated the two boys like his own. He also lived with his daughter, Kimberly, who was 13 years old, and his current housekeeper. This sitcom showed typical life lessons in growing up, and social problems that were occurring during that time. Some of the aspects of this show were both positive and negative.
In modern society, the average nuclear family is considered to be the mother, father, and 2.5 children. That is exactly what the Simpson’s has. Maggie has not aged one bit even though the show has been on since 1987. The average American family can be explained as the mother being the caretaker and the father as the head of the household. The mother and children are dependent on the father to provide for their family. The Simpson Family does display this but they aren’t a perfect white picket fence family. Lisa is the smartest in the family and she is only a child, she has more intelligence then her mother and father combined. “The Simpsons: Atomistic Politics and the Nuclear Family” was written by Paul A. Cantor. Cantor is the Clifton Waller Barrett Professor at the University of Virginia. He is also an American literary and media critic. Cantor is well known for his writings about popular culture. He is considered a preeminent scholar in the subject of American popular culture studies. This article fro...
Roseanne was a hit sitcom that debuted in the late 80s and continued into the late 90s. It was one of the most watched shows of its time despite the controversy that surrounded it. The series still airs on popular television networks today but, because it functionally paved the way, it is not considered questionable in today’s society. Although the show had its share of controversial issues and what was then thought to be “inappropriate” dialogue, the America population continued to tune-in to Roseanne and empathized with the weekly problems the Conner’s would face. The show depicted life much like people actually experienced it (and still do) and therefore captured the hearts of America, which translated to a better acceptance of the material folks found inappropriate or unacceptable. Over time, as people were more often exposed to the matters that Roseanne felt were pertinent, the disputes became fewer and the issues surrounding them became irrelevant. Dealing with issues such as sex, homosexuality, and a not so functional family, Roseanne proved to be very functional to society as a whole.
Family comedies have evolved throughout the past century. What was once revered as classic has completely changed forms and turned into the comedic experience we witness today. Family sitcoms in particular have been converted to show a broader picture of how family’s interact in today’s world. This greatly appeals to today’s audiences and is what people want to see. Modern family specifically has tapped into what nontraditional families are all about and even with being so alternative has resonated with every type of family, making it one of the most popular shows on TV at the present moment. The pilot episode of Modern Family uses hyper-irony, allusions and uses references to technology to enforce comedic impact.
The word sitcom is short for Situation Comedy. A good sitcom story idea places the star (or supporting character) into a situation in need of a resolution, which will cause the character to respond in unexpected, exaggerated, and hugely sidesplitting ways (Rannow, pg. 13). A comedy now days are different from how they were in the 1960's and 1970's though. Today directors use sexual content and foul language to make people laugh and do not usually have a purpose or point to get across to the audience with each show. In earlier comedy, such as The Brady Bunch, Director Jack Arnold tried have a lesson learned in each episode while still maintaining a sense of humor, minus the foul language and sexual content. Although the show is not extremely funny to most people it is still a classic show that deserves to be remembered.
The main social issue the Brady Bunch really tackled was the idea of blended families after a divorce. While the show may have focused on Carol and Mike Brady bringing their six children together, it was inspired by a statistic in The Los Angeles Times that 30% of marriages in the US at the time had a child from a previous marriage (Merritt). Mike Brady “was one of TV’s first stepfathers, and his blended family of six kids was a far cry from mom, dad, 2.5 kids and a dog” (Goudreau). Modern Family also tackles the issue of divorces and blended families but with its own twist. The family’s patriarch, Jay Pritchett, remarries despite the fact that his children from his first marriage are grown. Except instead of the family blending together seamlessly as the Bradys do, they struggle with the fact that Jay’s new wife is the same age as his own children and his new step son is the age of his grandchildren. Modern Family also showcases many other modern day issues, such as biracial couples, as Jay’s second wife is Colombian, and homosexual couples in Jay’s son, Mitchell, and his husband Cameron. Modern Family reflects many of the social movements of the current day. As feminism builds, TV moms have began “overshadowing TV dads, who [play] the part of the well-meaning idiot” (Goudreau). With the way TV explores social trends in society, “there's a family for just about everyone on TV today”
This essay will examine my thoughts and those of David Sterrit on the critically acclaimed television show The Honeymooners. First, I will talk about the Honeymooners and it’s setting in postwar America. Secondly, the social and cultural issues the series portrayed. Next, would be the psychological perspective and the aesthetics of the show. Finally, the essay would conclude with my thoughts on how the Honeymooners were impacted by these aspects, but also how the show managed to leave a legacy in television today.
Since the beginning of time itself, Television has been one the most influential pieces of media that the world has ever encountered. The beginning days of television depicted stereotypical mothers cooking and cleaning their homes for their husbands and children. Yet, as the decades passed, television took a dramatic turn, leaving the days of drama free entertainment as a vast memory. Now a day, however, when one hits the power on button to Bravo, the screen lights expand to ritzy socialites dealing with their everyday lives as “housewives”. Bravo TV’s hit number one reality television show, The Real Housewives of Atlanta, deals with the everyday lives of modern-day housewives. When speaking of these women and their family life, the reality series shows its viewers that family life in modern times is dramatic, full of misrepresentations of how people are perceived, and that fame comes at the cost of family.
The Impact of African-American Sitcoms on America's Culture Since its start, the television industry has been criticized for perpetuating myths and stereotypes about African-Americans through characterizations, story lines, and plots. The situation comedy has been the area that has seemed to draw the most criticism, analysis, and disapproval for stereotyping. From Sanford and Son and The Jefferson’s in the 1970s to The Cosby Show (1984) and The Fresh Prince of Bel-Air in the 1990s, sitcoms featuring black casts and characters have always been controversial. However, their significance upon our American culture cannot be disregarded.
As gender roles were enhanced, the nuclear family was birthed. This ideal family, mainly portrayed in popular culture, had a working father, homemaking mother, and children. Television shows depicting this type of household, Leave it to Beaver, and I Love Lucy, were not representative of the reality of America. Not all of Americans were white, and not all women were happy living as housewives (Boyer 101). Although most did not fit the mold
For a large part of the history of TV sitcoms women have been portrayed as mothers or as having to fulfill the woman's role in the private sphere. Family based sitcoms were one of the forms of sitcom that keep women in these roles, but what is interesting is that even in other forms of sitcoms women do not truly escape these roles. Sitcoms, like Sex and the City and Murphy Brown showcase women whom have seemingly escaped these roles, by showing liberated women, but that does not mean that both do not fall into the gender role showcased in family sitcoms. It draws the similarities between ensemble sitcoms and family sitcoms when it comes down to the role of women. The starring women in both Sex and the City and Murphy Brown, and even the Mary
The family unit has always been a treasured and revered dynamic on television and in movies. Dating all the way back to I Love Lucy, storylines focused on the relationship between man and woman. Ozzie and Harriet introduced us to the quintessential American family—father in a suit, mother in pearls, and two exceptional children. It wasn’t until the 1970s that gay characters and lifestyles began to emerge. In 1973, An American Family, a PBS series featured one of the family’s sons revealing his homosexuality. In 1977, the television show Soap costarred Billy Crystal as an openly gay man. In the 1980s, it became trendy to feature gay and lesbian characters in ensemble casts. If you watch reruns, you can always find the token gay, that is, the really flaming homo or the butch lesbian gym teacher. The motion picture Mannequin, starring Andrew McCarthy and Kim Catrall, featured Meshach Taylor as Hollywood, an eccentric, finger-snapping homosexual. Many stereotypes such as these continued until the early nineties.
A television is defined as “a widely used telecommunication medium for transmitting and receiving moving images, either monochromatic (black and white) or color, usually accompanied by sound” (Webster’s). Since the invention of this device in the 1930’s, people have been able to be entertained by various television shows in the privacy and comfort of their own home. Although each of these shows relate to different age groups, nationalities, race, and genders, they all seem to have one thing in common. They all act out and portray the stereotypes placed on people because of their age, sex, job, culture, race, look, and position in the household. Due to these different categories being presented in the media pre conceived notions are formed about how people should behave, specifically men and women. Women generally take care and men take charge. But why does the television represent this “take care” and “take charge” image of women and men? In this paper, I will focus on one of the highly popularized television shows that viewers watch today; Desperate Housewives. Using this television show, I will be able to show and analyze how women are represented in the media and why they are represented this way.