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Literary devices in Sir Gawain and the Green Knight
Literary devices in Sir Gawain and the Green Knight
The fall of sir gawain character analysis
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Literary Analysis of “Sir Gawain and the Green Knight” Romantic literature of the Middle Ages have strong themes of love. In “Sir Gawain and the Green Knight,” courtly love, amongst many other types of loves, can be analyzed linear to the main character’s struggles and accomplishments. The story has an idealization of romanticism and the following paper will determine whether spiritual, courtly, and erotic types of love are considered a suffering or an ennoblement towards the main character. Under the royal court of King Arthur, Sir Gawain and the rest of the nobles are known as “the most chivalrous and courteous knights known to Christendom (“Gawain” 51).” Gawain’s love for his faith is evident throughout the story, which may or may not …show more content…
Due to the spirituality of the situation, the challenge is bound by a divine oath which Gawain is obligated to “solemnly swear (“Gawain” 394)” by; this comes as a disadvantage to Gawain, for if he did not go through with the promise, he would only be humiliating himself and going against his moral code, but by swearing to God, he is honorably going against his conscience and relationship with the Lord. As the story progresses, Gawain uses spiritual love to ask for protection, even imitating the cross sign and saying, “Be near me in my need (“Gawain” …show more content…
The erotic love in the story clashes with Gawain’s spiritual and courtly love; it goes against both of them by tempting him in order to break his faith and promises. The kisses given to Gawain by Bertilak’s wife, which in turn are given to Bertilak, “produce the possibility of homosexual relations” but also, “renders them unintelligible (Dinshaw pg. 206),” So, although themes of homosexuality are present in the story, they are merely for the Gawain’s moral, courtly love, rather than erotic love, and do not interfere with his promise .However, when the lady tries to “entice him to wherever her intentions might lie (“Gawain” 1550)” in order to get him to turn against Bertilak, the erotic love between them is present. In turn, Gawain makes the biggest mistake throughout the story, he accepted the green girdle and “went on to beg him not to whisper a word (“Gawain” 1862),” and sealed it with a third kiss. The effect of this seduction lead to Gawain being scratched in the back of his neck by the Green Knight’s axe. The repercussions of succumbing to the erotic love, again, led to the eventual suffering of Gawain in his
While Gawain fails to accept the truth about his immoral identity, he also fails to maintain a sincere and truthful relationship with God. Camelot believes that Gawain is a perfectly chivalrous and Catholic knight, when in actuality he is an actor with an impure thought. Gawain is driven by selfish motives; he only considers what is best for him and as a result, uses God as a vehicle to get what he wants. Gawain acknowledges God when he desires comfort and “crosses himself, and cries on Christ in his great need,” of a castle (761-761). Likewise, Gawain prays when he wants protecting; his shield, decorated with the highly symbolic Pentangle and Virgin Mary, is the ultimate Holy accessory for his battle. Gawain only regards God when he is either wishing for comfort or for safety. Furthermore, Gawain strays from Catholicism completely by expecting the green sash to save him in the fight. Believing that the magical Pagan article will truly redeem him, demonstrates fear and proves Gawain lacks faith in God. Gawain lacks morals when abandoning Catholicism for a Pagan artifact, and when he does pray to God his spiritual motives are impure and
The hunting and the seductions are both closely related to each other, but there is a little twist involved with the characters of these situations. The role of the game that the Lord is hunting is also the role of the Lady, but in the seduction scenes, it is the hunter being hunted by the prey. In the first hunt, the Lords prey is a deer. The deer was skittish and not much of a challenge; the first time the Lady seduced Sir Gawain she was a little skittish and not much of a challenge. Also, the Lord, "Let the bucks go by, with their broad antlers, for it was counted a crime, in the close season, if a man of that demesne should molest the male deer" (lines 1154-6). Just as it was a crime to hunt bucks at that time, it was also a crime for the Lady to "molest the male deer." But, she was only following the will of her Lord, something that Sir Gawain did not know at the time. The Lady’s seduction intimidated Sir Gawain, and this is where we can relate the first swing of the Green Knight’s ax. The Green Knight stopped his swing the first time because Sir Gawain flinched as the ax was coming. This fear of his death can be related to his fear of the seduction of the Lady. For both situations he had his life to fear (adultery is punishable by death), and at both situations he showed his fear. In the end, Sir Gawain exchanged the one kiss he received from the Lady for the deer that the Lord killed, as in their agreement of whatever was won would be exchanged at the end of the day.
Lady Bertilak’s deceptive seduction of Gawain demonstrates this truth and illuminates her motive in seducing Gawain as her flirtatious behavior that “urged him so near the limit” (1771) is clearly an attempt to reacquaint Gawain with his natural feelings. In Camelot, men and women are so civilized that their emotions appear false and manufactured. By seducing Gawain with spontaneity and passion, Lady Bertilak strips Gawain of this control over primal urges. While Gawain attempts to resist these urges that contradict his courtly ways, his submission to kiss lady Bertilak and eventually accept her chastity belt reveals that he has submitted to his natural feelings. With such an orderly and distinguished knight proving vulnerable to his emotion and temptation the author imposes the idea that perfection in terms of morality and way of life is unattainable as feelings cannot be controlled. Lady Bertilak further clarifies the intent of her relationship with Gawain by shaming him for “refusing to love a lady”(1779-1780). This shame is clearly unwarranted as Lady Bertilak is breaching moral statues herself by being unfaithful to her husband; however, the claim does succeed in connecting her seduction of Gawain to the ideas of empathy and genuine affection, revealing the statement as selfish manipulation motivated by the lady’s desire to expose Gawain’s most natural emotions. By
When Gawain spurns the lady 's advances, she questions the validity of his reputation: "So good a night as Gawain is rightly reputed / In whom courtesy is so completely embodied / Could not easily have spent so much time with a lady / Without begging a kiss, to comply with politeness / By some hint or suggestion at the end of a remark. " Here we see the first example of Gawain 's values being thrown into opposition: he cannot hope to hold his honor, fellowship, and chastity without calling his chivalry and courtesy into question. Gawain faces a fork in the road in the first bedroom scene, yet it quickly becomes clear that neither road ends with perfection. The perfect, archetypal knight, one who seamlessly, simultaneously embodies all of the qualities so harmoniously unified on Gawain 's shield, cannot exist, as the five points of Gawain 's pentangle cannot fully be kept
To establish the knight as worthy, the author first shows Gawain’s loyalty to his king. The Green Knight challenges anyone in the hall to the beheading game and no one takes him up on it. Arthur, angered by the Green Knight’s taunting, is about to accept the challenge himself when Gawain steps in saying "would you grant me this grace" (Sir Gawain, l. 343), and takes the ax from Arthur. This is a very convenient way for the author to introduce Gawain and also to show Gawain’s loyalty to Arthur, but it seems almost too convenient. There i...
As a result, he learns an essential, inescapable fact about himself and human nature - there is no shame in being imperfect. The true test of Gawain's bravery was to bare his neck to the Green Knight and finish their trading of blows. Even with his 'magic' girdle, Gawain flinched the first time. The second and third times he was able to hold steady and accept fate. After the ordeal the Green Knight ridiculed him for his weakness and fear.
When Gawain shows up at the Green Knight’s chapel, his mere presence provides comfort to his host, who greets him: “Sir so sweet, you honour the trysts you owe.” Perhaps the green gallant had been expecting Gawain, as representative of the crumbling House of Arthur, to be derelict in his duties. Gawain lives up to his good name. Similarly, he resisted the unbearable temptations of Lady Bertilak on numerous occasions, providing a mere kiss, in accordance with the code of chivalry.
Sir Gawain is, undoubtably, the most varied of the Arthurian characters: from his first minor appearance as Gwalchmei in the Welsh tales to his usually side-line participation in the modern retelling of the tales, no other character has gone from such exalted heights (being regarded as a paragon of virtue) to such dismal depths (being reduced to a borderline rapist, murderer, and uncouth bore), as he. This degree of metamorphosis in character, however, has allowed for a staggering number of different approaches and studies in Gawain.
A promise kept B. Confession of sin Christian Values in Sir Gawain and the Green Knight Symbolism is used throughout literature to give deeper meaning to a variety of literary works. In Sir Gawain and the Green Knight symbolism is seen through the actions of Sir Gawain against the trials he faces. The poem is first set during Christmas time at Camelot,
Instead of continuing his faith in God, Gawain places his faith in a worldly object––one that he suspects might prove to be more sufficient than a spiritual being. He wears the girdle “determined to save his neck when he [bends] it towards death.” Mistakenly, Gawain turns his back on God and relies solely on the girdle, illustrating that the amount he values his life is greater than the amount he values his faith in God. The girdle causes his faith to deteriorate, and he strays from the primary source of all of his past success––God. It is often hard to believe and remain faithful in the things that we are unable to physically see; in order to be truly successful, though, maintaining a strong and steadfast faith in the things we believe in will, in the end, be the most rewarding. Gawain is unsuccessful in loving God unconditionally; due to his fear of losing his life, he is not willing to do anything that will put him in harm’s way––not even for God (“Code of Chivalry, 1”). He gives up his faith which provides a clear depiction of his weakness and inability to stand up for his beliefs. The girdle tempts him to take a wrong turn down the path of life, and it guides him away from God. Gawain, as human as the rest of us, is easily distracted by the things of the world; he lets worldly pleasures stand in the way of the important things in life. The things that jerk us away
“Culture does not make people. People make culture” said Chimamanda Ngozi Adichie, a Nigerian writer and educator, in a presentation on feminism in a TedTalk. The culture in which Sir Gawain and the Green Knight was written was misogynistic and it shows in the writing of the poem. Medieval cultural misogyny manifests itself in multiple ways in SGGK. This paper will examine the negative relationships between Sir Gawain and the Green Knight and gender by discussing: the representation of female characters, gendered violence, and Christianity in the Middle Ages.
Sir Gawain was heroic in seeking out the Green Knight to finish the challenge that was brought to King Arthur’s men. “Said Gawain, ‘Strike once more; /I shall neither flinch nor flee; /But if my head falls to the floor /There is no mending me!’” (lns. 2280-2283) There was no physical power that forced Sir Gawain to keep true to his word. Gawain sought out the Green Knight, just as he had promised, and was now about to receive the blow that would send him to his death. This quote shows that Sir Gawain was ready to be dealt his fate, and that he knew there was no way for him to survive as the Green Knight had done earlier in the poem. This shows a very human side to Sir Gawain as he appears somewhat afraid of death, but ready to face it nonetheless. It is this willingness and readiness to accept death at the hand of the Green Knight that makes Sir Gawain a...
In the Authorain legend, Sir Gawain has great nobility, honesty, loyalty and chivalry. Sir Gawain is the nephew of King Arthur and a member of the king's elite Round Table. In the texts of Sir Gawain and the Green Knight and "The Wedding of Sir Gawain and Dame Ragnell," Gawain is portrayed as a hero who exemplifies the characteristics of an honorable knight. He is viewed by many in King Arthur's court as a noble man who is loyal to the king, and who will sacrifice his own life to protect his lord. Sir Gawain represents an ideal knight of the fourteenth century.
Chivalry was a set of codes and values that the knights would follow to show loyalty to their king, respect to their lady, and humbleness to the poor. Next, courtly love was more of a tradition that was beheld usually by a knight and a lady such as Lady Bertilak, they would engage in a relationship and it would be kept a secret. The two have conflicts with each other because while Sir Gawain was courting Lady Bertilak’s he was to do as commanded but also was to not betray the loyalty of King Bertilak who was his host. Furthermore, while Sir Gawain was receiving kisses he also had a deal with his Host, anything he received in his castle would be given to King Bertilak and in exchange, he would receive what the king killed during his hunt. Throughout the first and second time that the king left and came back from hunting Sir Gawain gave him the kisses he received but on the third he failed to give him what he received since Lady Bertilak had given him a green griddle and told him to take it as well as to not to tell her husband about it. Sir Gawain was not to say a word about the gift but in receiving this gift and doing what she commands he breaks the deal between his host and he fails to be
Sir Gawain and the Green Knight is a poem which tells the tale of a knight who undergoes trials-testing the attributes of knighthood-in order to prove the strength and courage of himself, while representing the Knights of the Round Table. One of King Arthurs most noblest and bravest of knights, Sir Gawain, is taken on an adventure when he steps up to behead a mysterious green visitor on Christmas Day-with the green mans’ permission of course. Many would state that this tale of valor would be within the romance genre. To the modern person this would be a strange category to place the poem in due to the question of ‘where is the actual romance, where is the love and woe?’ However, unlike most romances nowadays, within medieval literature there are many defining features and characteristics of a romance-them rarely ever really involving love itself. Within medieval literature the elements of a romance are usually enshrouded in magic, the fantastic and an adventure. Sir Gawain and the Green Knight follows Sir Gawain over the course of one year, from one New Years to the next, as was the deal he and Bertilak, the green knight, struck.