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Recommended: Poem analysis
The Medieval poem, Sir Gawain and the Green Knight, presents a denunciation of changes to the chivalric code which could lead to its destruction. By comparing Lady Bertilak (the archetype of depravity and lust) to the Virgin Mary (the archetype of chastity and purity), the Gawain poet points out the incompatibility between spiritual love and the courtly love which had undermined the values behind chivalry. In its essential nature, Sir Gawain and the Green Knight is a warning to its aristocratic readers that fraternizing with women must be forbidden so as to avert destruction of their way of life.
At first, the force which bound chivalry together was love, also called “caritas” or “charity.”1 All of scripture taught the importance of love in
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this sense. Distinguished from the spiritual sense of love was the worldly sense of love, “amor.” “Amor” was the love of earthly things – things which were tenuous and short-lived.2 Despite these drawbacks, possessions were pursued during the Middle Ages, as was romantic love. The pursuit of romantic love was often referred to as “courtly” love. Courtly love was the knightly worship of an ideal embodied by his beloved. For the most part, it was expressed in terms that were feudal and religious. Just as a vassal was supposed to obey his lord, so a knight was supposed to obey his lady. Courtly love began in the eleventh century and spread throughout Europe during the twelfth century.3 Given the Church's wariness towards the flesh, a number of writings show the divide between chivalry and the Church at that time. In Sir Gawain and the Green Knight, the conflict between spiritual and courtly love is underscored by the Virgin Mary. Mary is unique among women. She is the model of female behavior, representing subservience to God. She is untarnished by sexuality, which, at the time, was considered the root of evil in the Church. The fact that Gawain is Mary's knight is apparent as he dresses for battle. Mary is represented as one of the points of the pentangle, through the five pure Joys, and her visage is “etched on the inside of his armoured shield.” It is important to note that Gawain's prowess “all depend[s] on the five . . . Joys / That the holy Queen of Heaven had of her child.” As long as Gawain is facing the trials which stem from his bargain with the Green Knight, his courage holds. During his travels, Gawain is beleaguered by hardships. He “ha[s] death-struggles with dragons . . . [and] battle[s] with bulls and bears and boars.” In “peril and pain,” he entreats Mary to find him shelter. She answers his prayer by showing him the way to Bertilak's court. When Gawain comes to Bertilak's court he finds himself in a different world. In Arthur's court, Guinevere sits on a platform, taciturn and silent. In Bertilak's court, Lady Bertilak is a temptress testing the limits of Gawain's chastity and courtesy. At one point, she “presse[s] him so hotly” that the conflict is clear: “He was concerned for his courtesy . . . / But more . . . for his . . . plight if he should plunge into sin.” Gawain knows that chastity takes precedence over courtesy. However, he is having a hard time balancing the two. As the Gawain poet points out, “peril would have impended/ had Mary not minded her knight.” Although Mary, representing his spiritual love and faith, saves him from losing his chastity, Gawain disavows her. When Lady Bertilak demands if he has another love, Gawain cops out, saying, “'I owe my oath to none.'” His faith in Mary has been lost in the bargaining. The result is Gawain's ruination. It was his fidelity to Mary which gave him prowess and courage. With a weakening of his faith in her – which can be seen as a weakening of his spiritual faith, as well – he accepts Lady Bertilak's green girdle. He forfeits the pentangle linked to the Virgin Mary and adopts the girdle linked to the Lady. There are further problems to be gleaned. The pentangle is an “endless knot,” and as such, it is impenetrable. But the girdle is not endless. It needs to be fastened and unfastened. In the words of Marina Warner, “loosed, the girdle gives promise; fastened, it denies.”4 In other words, Gawain is giving up the pentangle, a symbol that protects, for a symbol that can be undone and make Gawain fall into sins other than the loss of his chastity. Seen in this light, Gawain's acceptance of the girdle undermines the values behind chivalry.
When he takes the girdle, he breaks his oath to Lord Bertilak. He prioritizes his wishes over the Lord's. Here, the Gawain poet makes his strongest point – romantic love will unwind the bonds which hold the chivalric code together. Only the religious values from which chivalry arose can provide an adequate support. Caritas and amor are antagonists.
The tension between courtly love and spiritual love is emphasized during the final encounter between Gawain and the Green Knight. The reader sees that Gawain's fate rested on his loyalty to Lord Bertilak. After Bertilak reveals the meaning of the test, he tells Gawain: “Your conduct and your kissings are completely known to me.” He also reveals that he had instructed Lady Bertilak to try him.
This is not the end of the message. While Gawain has learned about the drawbacks of courtly love, the other knights of the Round Table have not. They “laugh loudly” and embrace the girdle, concluding that “each brave man . . . should wear a baldric.” Since Arthur and his knights have not learned about the dangers of courtly love, they will be defeated. The tale becomes a caution, not for Gawain or for Arthur's court, but for the reader, who knows what will befall Arthur's court. By the time Sir Gawain and the Green Knight was written, the fall of Camelot was a popular part of the
lore. This is underscored by references to “the siege and the assault” at Troy. According to legend, Paris gave Aphrodite the apple of discord. She, in turn, gave him Helen of Sparta and her girdle. In time, Arthur's court will face the fate of Troy. It will be annihilated by the discord caused by the desire to possess the most beautiful woman. The message is clear. For the chivalric code to remain strong, fraternizing with women, in the name of courtly love, must be banished.
He demonstrates goodness at the hand of the Green Knight. He shows courage by accepting what is to come upon him during his voyage. His journey to find the Green Knight is filled with temptations. In the conversation with him and the “Lady”, Sir Gawain showed a Chivalrous code by keeping his loyalty to the king by not kissing his wife. The lady states “if I should exchange at my choice and choose me a husband for the noble I know….would I elect before you”.
Gawain is a gentleman, who would never kiss and tell, so the two reaffirm their pact for the next day. The lord’s determination in “pursuing the wild swine till the sunlight slanted” is paralleled by his wife’s determination in seducing Gawain as “she was at him with all her art to turn his mind her way” (188). Lady Bercilak attempts to exploit Gawain’s reputation as she tries to seduce him. She greets him in the bedroom and coyly asks how “a man so well-meaning, and mannerly disposed.cannot act in company as courtesy bids” (189). Lady Bercilak is not subtle (she points out that the door is locked and the two are alone in the castle) as she offers herself to Gawain, saying, “I am yours to command, to kiss when you please” (189).
With this submission Lady Bertilak establishes herself as a catalyst in the story as she pushes the protagonist into a new and uncomfortable situation that challenges his original allegiance to Christianity and courtly love. Her submission to Gawain appears genuine as the protagonist is initially unaware that Lady Bertilak’s as she is stubborn with her flirtatious behavior. Also because the Green Knight is absent from the castle during the encounter, Gawain is deceived to infer that his actions with the lady will lack tangible repercussions. With a false sense of security and genuity in his relationship with Lady Bertilak, Gawain is tempted to stray from his moral obligations. Considering the lady’s passion and forethought seducing Gawain, it is obvious that the host’s wife possesses a desire to defeat Gawain’s allegiance to the Arthurian code. Because Gawain is supposed to be a representation of perfect character, her ability to spur the knight to violate chastity proves human vulnerability to temptation. In this way Gawain’s fall
...stops him from sleeping with Bertilak’s wife, only until his finds a way to avoid death does he goes against them. What Gawain learns from the green knight’s challenge is that instinctively he is just a human who is concerned with his own life over anything else. Chivalry does provide a valuable set of rules and ideals toward which one to strive for, but a person must remain aware of their own mortality and weaknesses. Sir Gawain’s flinching at the green knight’s swinging ax, his time in the woods using animal nature requiring him to seek shelter to survive and his finally accepting the wife’s gift of the girdle teaches him that though he may be the most chivalrous knight in the land, he is nevertheless human and capable of error.
To establish the knight as worthy, the author first shows Gawain’s loyalty to his king. The Green Knight challenges anyone in the hall to the beheading game and no one takes him up on it. Arthur, angered by the Green Knight’s taunting, is about to accept the challenge himself when Gawain steps in saying "would you grant me this grace" (Sir Gawain, l. 343), and takes the ax from Arthur. This is a very convenient way for the author to introduce Gawain and also to show Gawain’s loyalty to Arthur, but it seems almost too convenient. There i...
When Arthur's court was challenged by the Green Knight, Gawain alone offered to take the cup from Arthur's hands. He showed pride and courage greater than all - by coming forward. The poem is filled with opportunities in which Gawain inevitably was forced to face difficult decisions. During his travels he had every opportunity to turn around, especially when the rain and cold and desolation became fierce. Gawain, however, continued on his way. Three times did the lady tempt him and twice he managed to neither offend her with discourteousness nor accept her amorous advances and defile his chastity.
The Green Knight begins to mock the court; and then boldly, King Arthur accepts his challenge. Sir Gawain realizes that this should not be the king’s responsibility for there are others present worthy of the challenge including him. Symbolically, this scene can be seen as a Christian standing up for what he believes in. Gawain says, “I am the weakest, well I know, and of wit feeblest;/ And the loss of my life would be least of any; (354-355). Here, Gawain humbles himself before his lord, just as a Christian should in prayer to God.
Gawain’s acceptance of Lady Bertilak’s girdle causes him to progressively lose himself internally in order to save his physical life. Gawain appears to be the perfect image of a knight, who exhibits himself as worthy and noble when he accepts the Green Knight’s challenge. Known to be “honored all over the world,” his remarkable valor and devout behavior define his character. He loses his honorable reputation, though, when he disrespects the honor of King Bertilak. Disgracing his knightly code, Gawain fails to exchange all of his gifts with the king and lies, without hesitation, to the king when he claims that “what [he] owed [King Bertilak] [he has] paid [King Bertilak]” (1941). Gawain directly lies to him without hesitation, proving that his conscience does not seem to be effecting his actions. Lying is a common action, but generally, it causes us to feel remorseful and guilty over our wrongs. Gawain breaks the code of chivalry that requires a knight to be loyal and honest, but he is not regretful due to his apparent selfish nature (“Code of Chivalry, 2 and 15”). He makes a deal with the king to “[trade] profit for profit,” yet he dishonestly “[hides] [Lady Bertilak’s] love gift” rather than honoring the king’s wishes (1677, 1874). Gawain makes a promise that he fails to fulfill. The girdle drives him to destruction because it pulls him away from what he knows to be good and
“Culture does not make people. People make culture” said Chimamanda Ngozi Adichie, a Nigerian writer and educator, in a presentation on feminism in a TedTalk. The culture in which Sir Gawain and the Green Knight was written was misogynistic and it shows in the writing of the poem. Medieval cultural misogyny manifests itself in multiple ways in SGGK. This paper will examine the negative relationships between Sir Gawain and the Green Knight and gender by discussing: the representation of female characters, gendered violence, and Christianity in the Middle Ages.
Another trait of Gawain that is tested in Sir Gawain and the Green Knight is his loyalty. While in search of the Green Chapel where he must face the Green Knight, Sir Gawain is tested by the lady of the castle he is lodging at. The lady tries to seduce Gawain, but he does not fall into her trap by sleeping with her. Instead, Sir Gawain remains loyal to the lord of the castle whom he has promised to be honest with, and the lady describes him as the "noblest knight alive.
The story of Sir Gawain and the Green Knight revolves around the knights and their chivalry as well as their romance through courtly love. The era in which this story takes place is male-dominated, where the men are supposed to be brave and honorable. On the other hand, the knight is also to court a lady and to follow her commands. Sir Gawain comes to conflict when he finds himself needing to balance the two by being honorable to chivalry as well as respectful to courtly love.
Gawain's travels in Sir Gawain and the Green Knight suggest a world in which home--i.e., Camelot--is "normal," while away--the opposing castle of Hautdesert where Gawain perforce spends his Christmas vacation--is "other," characterized by unfamiliarity, dislocation, perversity. And in fact the atmosphere at Hautdesert appears somewhat peculiar, with various challenges to "normal" sexual identity, and with permutations of physical intimacy, or at least the suggestion of such intimacy, that are, to say the least, surprising. The typical journey of medieval romance juxtaposes a "real" world where things and people behave according to expectation with a "magical" world in which the usual rules are suspended. According to this paradigm, we might expect that this poem would place Hautdesert outside the bounds of tradition, separated by its difference from the expectations that govern Camelot and the remainder of the Arthurian world.
...ghthood within their story. Both poets remind the readers of the disparity between the ideals of chivalries presented in romances, and the reality of lived knighthood, highlighting how problematic the understanding of chivalry and Christianity (knighthood) could be for medieval audiences. Though chivalry shines as a brilliant light of the high civilization in the fourteenth century, both tales suggests that chivalry is at best a limited system, which achieves its brilliant at the cost of a distortion of natural life. It was part of the social and ethical system but did not take into account the entire range of human needs, mainly the fact of human morality and sense of human frailty. The context in which knights are depicted and celebrated in the medieval romance does not support a smooth connection between the harsh realities of a century of internecine strife.
Sir Gawain and the Green Knight is a poem which tells the tale of a knight who undergoes trials-testing the attributes of knighthood-in order to prove the strength and courage of himself, while representing the Knights of the Round Table. One of King Arthurs most noblest and bravest of knights, Sir Gawain, is taken on an adventure when he steps up to behead a mysterious green visitor on Christmas Day-with the green mans’ permission of course. Many would state that this tale of valor would be within the romance genre. To the modern person this would be a strange category to place the poem in due to the question of ‘where is the actual romance, where is the love and woe?’ However, unlike most romances nowadays, within medieval literature there are many defining features and characteristics of a romance-them rarely ever really involving love itself. Within medieval literature the elements of a romance are usually enshrouded in magic, the fantastic and an adventure. Sir Gawain and the Green Knight follows Sir Gawain over the course of one year, from one New Years to the next, as was the deal he and Bertilak, the green knight, struck.
Even court life need not be washed completely of human sin and the natural instincts all animals rely on, for being godly, as Gawain is, should not be viewed as the primary characteristic of being moral. There should be a balance between humanity and godliness, similar to Aristotle's idea of a golden mean, that all these knights seek. By showing that knights should achieve this balance, the author extends his message to the common people, who look to knights as role models of morality. Sir Gawain and the Green Knight challenges the contemporary ideals of morality, presenting instead a golden mean that the common people would not have associated with their knightly role models before.