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Singin in the rain critical essay
Singin in the rain critical essay
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Throughout history, there has been a multitude of themes showcase in some of the generation’s biggest movie hits. For instance, one movie that has a strong central theme is Singin’ In The Rain, released in 1952, starring some of the greatest actors to this day. Singin’ In The Rain follows the story of the transition from silent films to sound films with two big actors, Don Lockwood (Gene Kelly) and Lina Lamont (Jean Hagen), who have to speak in their first film. In the climax, Don has a wonderful voice, but unfortunately Lina has a high pitched, annoying voice, so Don and his friend Cosmo Brown (Donald O’ Connor) devise a plan to dub over her voice with a girl they met named Kathy Selden (Debbie Reynolds). In Singin’ In The Rain, the central …show more content…
theme of the movie is that you should always give credit, where credit is due no matter what, due to its constant attempt to give Kathy credit towards the end of the movie. Towards the end of the movie, the theater ends the movie and brings Don and Lina to the stage to thank the crowd for watching the movie, upon lina’s entrance they request she sing live for the audience.
Scared Lina rushes to Don, and demands that Kathy dub it over live again, Kathy not wanting to do it, but still does it due to her contract with the show. During her live singing, Don and Cosmo devise a plan to pull the curtain up and show the true singer, and so the pair execute this plan. The crowd gaps in shock then laughs at the Lina, as Kathy rushes to leave the theater. As she is rushing down the aisles, Don walks on the stage and announces that Kathy is the real singer in the movie and that she should have been credited from the beginning of the movie. This directly shows that the theme is to give credit, where credit is due, because Lina could have easily given credit to Kathy and not been embarrassed in front of the entire audience, ruining her career. In the end this clearly displays how the side who failed to give credit lost and how the side that wound up giving credit in the end, …show more content…
succeeded. The main artistic point of the movie Singin’ In The Rain is it’s compatible ability to keep the movie super interesting by adding specific twists and variations to the plot which can make it harder for the “heroes” to succeed.
This should be considered a point that makes a movie artful, because it emotionally varies depending on the person watching the movie. Some might find the visual effects of a movie interesting or the plot could be really interesting to them, and that’s why it should be a universal point that makes a movie artful. For example, an element of film that I find quite intriguing is the the conflict, due it’s constant issues that are brought up throughout the movie. For instance, there are two examples where conflict rises in the movie, one of these scenes is when angry Lina rushes to the office to speak out about her contract and how she must sign off on all press releases which means that Kathy can’t be released as the voice dub of Lina. This raises a level of shock and instantly changes the plot around, which makes Don and his friend Cosmo to think of ideas. Another example of how the conflict is rising is when Cosmo realizes they could use the movie that they had already made and make it into a musical, with Kathy singing over Lina. This instantly fixed the issues of the movie they were making, being god awful. Interesting movies should definitely be considered artful, because what kind of movie would it be if it didn’t engage the audience. One movie
that instantly comes to mind when engaging the audience is The Avengers. For Instance, The Avengers is constantly using interesting fight scenes and plot build up to showcase how artful their movie is. The Avengers even starts with a huge conflict of loki stealing the tesseract, which builds us up for the rest of the movie and leads us up with a huge conflict straight away. This shocks the crowd for the loki appearance and the interesting fighting scenes that he portrays in the beginning. In conclusion, the overall theme of Singin’ In The Rain is that you should always give credit where credit is due, and that a movie that is considered “Interesting” should be considered artful.
Modern day directors use a variety of methods to hold ones interest. Ethan Hawke and Kenneth Branagh’s created versions of Hamlet that shared some similarities, but ultimately had many differences in respects to an audience’s appeal. An appealing movie is one that has an alluring ambiance and an intellectual stimulus. With these two movie versions, a setting and a mood forced an audience to acquire specific emotions, but Ethan Hawke’s version generated emotions more strongly and effectively. Also, these movies had extremely different uses of music and visuals, but both movie versions incorporated them well for the ambiance it tried to obtain. Finally, both movie versions drew characters to captivate the audience; however in Ethan Hawke’s version, the characters were used so effectively that it was easy to feel involved with them. While both these versions of Hamlet had a captivating ambiance, Ethan Hawke’s version was more appealing due to the intellectual incentive that it offered.
The movie “Walkout” is about young Chicano/a activists who demand educational equality. In 1968, students living in East L.A were treated unequally. Since, most of these students were Chicanos they were given few resources. One example was presented when Paula visited the Palisades library. In East Los Angeles, bathrooms were close during lunch breaks and students were forced to janitorial labor as forms of punishment. Throughout, the movie some themes that arose were regarding identity (What is a Chicano?), walkouts as forms of protest for equality, and gender expectations. After Salvador Castro read the poem “I am Joaquin” by Rodolfo “Corky” Gonzalez, the Chicano/a activist’s had a hard time understanding who they were. Many Chicano/a’s identified
Identify specific elements of a motion picture that film studios look for in a successful movie.
Film and literature are two media forms that are so closely related, that we often forget there is a distinction between them. We often just view the movie as an extension of the book because most movies are based on novels or short stories. Because we are accustomed to this sequence of production, first the novel, then the motion picture, we often find ourselves making value judgments about a movie, based upon our feelings on the novel. It is this overlapping of the creative processes that prevents us from seeing movies as distinct and separate art forms from the novels they are based on.
Singin’ in the Rain adheres to these conventions, chronicling Don Lockwood’s transition into a new age of film. The threat of a prematurely ended career truly challenges Lockwood, while Lina Lamont acts as corporealization of this antagonistic force. The resolution sees the acquisition of Lockwood’s goals: The Singing Cavalier proves successful, and he goes on to star in a film with Kathy, a true romantic interest. Lockwood’s drastic transition from an imaginary high-pro...
The hit musical "Singin' in the Rain" may possibly be one of if not the greatest musicals of all time. With it's tale of the film world of the mid 1920's and its creative underlining love story between Don Lockwood (Gene Kelly) and Kathy Selden (Debbie Reynolds), it provokes the interest of someone who would not generally be attracted to a musical. It is a classic masterpiece that set the standards that musical films of today will be judged by. It is a classic performance by the great Gene Kelly and displays outstanding performances by Debbie Reynolds and Donald O'Connor. As well as starring in this brilliant movie, Gene Kelly teams up with Stanley Donen to make their mark in film history.
Many devices such as theme, subject and meaning reflect different aspects of a film. The time and place that the movie is made are usually affected but this.
Upon its release in 1952, Singin’ in the Rain not only entertained audiences with its fun-loving storyline and musical numbers but informed them about the struggles Hollywood faced during the transition from silent pictures to talkies. However, when taking a closer look at the film, you realize that it also relays a much deeper message. Set in the “roaring 20’s”, Singin’ in the Rain stars Debbie Reynolds as Kathy, who grows into a strong, successful woman throughout the film and becomes a role model and inspiration to all women in the 1950s, especially those expected to revert back to their duties as housewives after taking up jobs to support their families and the war effort during World War II.
People can feel better about themselves after watching these types of movies. Using these elements together, it makes the movie better, but not only that, but each element helps each other out in the scene to make it a very good movie
As an audience, we become involved in the plot not through learning about characters’ backgrounds and traits. Instead, we learn information at the same time through the mechanics of the plot and editing. We are made to work to understand the workings of the plot. As we watch the film unfold, the editing takes the along for the ride rather than watching from a distance. the audience and characters sweat together as surprises arise in the well-thought out plan and the way the movie ...
made in. Some incorporate them into the plot, some use them as allegories, and some satirize them.” Without an influence or connection to relate with the audience, the film would have no dimension. When seeing a movie, viewers are always going to search for an underlying meaning or message that could connect to their lives today. Although most
...verything around us is made by our actions. Positive or negative they cause an effect that will ultimately lead to a different story base on how we interpret life. Narrative elements are used as a bridge by the directors in their film to create any master plot that is currently known. Any modification at any narrative element used by the director at important moments inside the story can help you portray a different master plot. This used of narrative elements can be best described as an ever changing process that takes place inside an individual’s head. Depending on the individual that may be exposed to those narrative elements can create different meanings. This new interpretation can be different for everyone. We have to be aware that one change in the surface scenery can lead to many ideal outcomes in our minds and that is the main power the audience has.
“Entertainment has to come hand in hand with a little bit of medicine, some people go to the movies to be reminded that everything’s okay. I don’t make those kinds of movies. That, to me, is a lie. Everything’s not okay.” - David Fincher. David Fincher is the director that I am choosing to homage for a number of reasons. I personally find his movies to be some of the deepest, most well made, and beautiful films in recent memory. However it is Fincher’s take on story telling and filmmaking in general that causes me to admire his films so much. This quote exemplifies that, and is something that I whole-heartedly agree with. I am and have always been extremely opinionated and open about my views on the world and I believe that artists have a responsibility to do what they can with their art to help improve the culture that they are helping to create. In this paper I will try to outline exactly how Fincher creates the masterpieces that he does and what I can take from that and apply to my films.
The introduction of sound to film started in the 1920’s. By the 1930’s a vast majority of films were now talkies. ‘If you put a sound consistent to visual image and specifically human voice you make a “talkie”’ (Braun 1985 pg. 97). In 1926 Warner Brothers introduced sound to film but, other competing studios such as FOX, didn’t find it necessary to incorporate sound to their motion pictures production, as they were making enough money through their silent movies. Warner Brothers decided to take what was considered a risky move by adding sound to their motion picture, a risk taken, as they weren’t as successful in the silent movie department. But this risk paid off with the hit release of ‘The Jazz Singer’ in 1927. Though sound in films was then acceptable and successful it wasn’t until the 1950’s that it became feasible to the public as sound was introduced to cinema by the invention of Cinerama by Fred Waller. The Cinerama used 35mm film strip and seven channels of audio.
By way of literary expression in Women in Love, D.H. Lawrence successfully conveys personally held beliefs on the subjects of progressive sexuality, gender roles, instinctual actions, and the putrefaction of society due to industrialization. Written in a post-war society, Women in Love, a sequel to Lawrence’s earlier work, The Rainbow, follows the lives of Ursula and Gudrun Brangwen and their quest for genuine freedom (MacDonald). As the unfolding stories of Ursula and Gudriun are told, various other main characters are introduced. Along with Ursula and Gudrun Brangwen, Rupert Birkin and Gerald Crich are both central characters in Women in Love.