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Walt Whitman and Allen Ginsberg are often referred to as two of the greatest and most influential American poets. There are many stylistic similarities in both of their lives and their work. Whitman’s modern beliefs are voiced in Song of Myself (1855) as a naturally flowing free-verse poem. Whitman’s life and work resonated with Allen Ginsberg in the Twentieth Century, and Ginsberg published his contemporary voice in the grittier Howl (1956). Due to Whitman’s inspiration of Ginsberg, it is plain to see the similarities between the form and scope of these two poems; the similarities also frame a clear juxtaposition of the separate 19th and 20th centuries. Walt Whitman was a contemporary of the 19th century, as such, his work can be seen as …show more content…
Ginsberg published his free-versed poem Howl in 1956 as something of an anthem of the Beat Generation and a lament of modern America. In the first part of Howl, the speaker tells of those great minds “who scribbled all night rocking and rolling over lofty incantations which in the yellow morning were stanzas of gibberish. . . who threw their watches off the roof to cast their ballots for Eternity outside of Time, & alarm clocks fell on their heads every day for the next decade” (Ginsberg, 16). This narration shows the desire of the subjects to be free of the structured lives set out for them. These people want to experience all things and to do so outside of time and schedule. They wish to create and record their own thoughts in order to experience something profound and unique rather than idly watch their lives continue on without them. However, they themselves are a minority and are kept from doing as they please as long as they please due to the constrictions of the majority. Part II of Howl describes the forces that be, the all-powerful Moloch that crushes all into the majority. “What sphinx of cement and aluminum bashed open their skulls and ate up their brains and imagination? Moloch! Solitude! Filth! Ugliness! Ashcans and unobtainable dollars! Children screaming under the stairways! Boys sobbing in armies! Old men weeping in the parks! . . . Moloch the heavy judger of men” (Ginsberg, 21)! Moloch is the force of discerning authority. The be-all end-all of a society that destroys the freedom and individuality that men inherit from within. Moloch is shown as a sphinx, a monumental structure of cement and aluminum, urbanization and industry, the force of capital markets, greed and warfare. The same forces that forged 20th century America at the cost of social disillusionment through growth, development and a war-time
Whitman, Walt. "Song of Myself." The Norton Anthology of American Literature.. Gen. ed. Nina Baym. 8th ed. Vol. C. New York: Norton, 2012. 24-67. Print.
Rosenthal, M.L. "Poet of the New Violence". On the Poetry of Allen Ginsberg. Ed. Lewis Hyde. Ann Arbor: University of Michigan Press, 1984. 29-31.
Why. Excuse me. Why. Does. Excuse. Why me. I mean. Excuse me. Why. Does. It . Always end up this way. Like this. A performance. It's my best excuse. And. I'm on the wagon. Again. Why. Excuses. Sitting in the state of a daydream. No. Falling. A performance. Why what it comes down to. Poetry. And. My two main men. Allen Ginsberg and Jack Kerouac. Both use their individual voice to perform the buddhistic beat they feel is part of their poetry/ their beatific movement. Even though these two poets influenced each other. And. Their voices are significantly different. Each has a personal style one cannot deny. And. Each boy added his separate beat to the music they created as a generation. A beat generation. Jack's buddhistic jazz/ blues chorus poetry is domesticized/ tainted Christianity-wise. And. Allen's sound becomes zentific without Christianity/ hanging on a cross in the backbeat of his prose poetry. While each may have his own personal style/ both poets use the same technique in sound. And. Rhythm to give their audience something to bugaloo to. Excuse me. What's. That. Poetry. Baby. A performance. So. Please brother. Take a chance. And. Dance. (She says that as she shh shh shivers.)
The 1950s saw a period of great material prosperity in the United States. After World War II G.I.s came back to take charge of the family again. Women no longer had to work and could return to the home to nurse their newborn babies. Housing, automobiles, and white picket fences were in high demand. Televisions became commonplace, making possible the rapid distribution of visual information- not to mention the sitcom. McCarthy had started to purge the U.S. of those pesky Communists, ensuring a democratic future for all. While the blacks, of course, could not realize it, virtually everyone else saw the fulfillment of the American Dream.
Michael Gray’s analysis of Dylan’s lyrics being a contrast between hackneyed expressions and “beautifully done” are exemplified in the song “Just Like a Woman.” Dylan’s lyrics “she aches just like a woman but she breaks just like a little girl” is given the harsh description of “maudlin platitude” and deemed to be a “non-statement.” If Dylan’s lyrics cannot uphold against meaningful music of the same category, how can they be expected to stand against literature written for a different field. John Lennon had his own critiques of Dylan’s works, calling out how the abstract nature of his lyrics, having loose definition, never achieved an actual point. Lennon’s definition of “poetry” referred to “stick[ing] a few images together” and “thread[ing] them” in order to create something meaningful. It once again boils down to the fact that Dylan’s music that was written and intended to be received as a live performance. The acknowledgement that “…you have to hear Dylan doing it” is a recognition of his composition’s failure to come across as a normal literary work. It’s all part of a “good game.” This in itself should disqualify Dylan as a possible candidate for the Nobel Prize.
“I saw the best minds of my generation destroyed by madness, starving hysterical naked, dragging themselves through the negro streets at dawn looking for an angry fix, Angel-headed hipsters burning for the ancient heavenly connection to the starry dynamo in the machinery of night.” The opening lines of Howl, by Allan Ginsberg, melodiously encapsulates the beat generation. The beats alluded to by the verbatim ,“The best minds”, are a group of idiosyncratic poets whom through the instrument of prose(driven by spontaneity and a primal lifestyle) , orchestrated a rebellion against the conservative beliefs and literary ideals of the 1950s. Howl, utilizing picturesque imagery, expounds holistically upon the instigator of the movement in culmination with personal experiences of beat members. Accordingly “Howl” evokes feelings of raw emotional intensity that reflects the mindset in which the poem was produced. The piece is structured into three stanzas, sacrificing temporal order for emphasis on emotional progression. The first sequence rambles of rampant drug forages and lewd sexual encounters, eliciting intonations of impetuous madness, one ostensibly hinging upon on a interminable need for satiation of hedonistic desires. Concordantly the following stanza elucidates upon the cause of the aforementioned impulsive madness (i.e corruption of the materialistic society motivated by capitalism), conveying an air of hostility coalesced with quizzical exasperation. Yet, the prose concludes by turning away from the previous negative sentiments. Furthermore, Ginsberg embraces the once condemned madness in a voice of jubilation, rhapsodizing about a clinically insane friend while ascertaining the beats are with him concerning this state of der...
...erg’s lines are inwardly. The self of Whitman is all-encompassing but Ginsberg’s self is passive, lacking diversity by excluding rural settings. In short, Ginsberg’s Howl” is a journey through a different route to reality by leaving the doubts behind and taking the lead role of a public American poet-prophet, which Whitman only dreamt of in his life by composing poetry for an imagined audience.
Very few people will contest that Walt Whitman may be one of the most important and influential writers in American literary history and conceivably the single most influential poet. However many have claimed that Whitman’s writing is so free form as evident in his 1855 Preface to Leaves of Grass and Song of Myself that it has no style. The poetic structures he employs are unconventional but reflect his very democratic ideals towards America. Although Whitman’s writing does not include a structure that can be easily outlined, masterfully his writing conforms itself to no style, other then its own universal and unrestricted technique. Even though Whitman’s work does not lend itself to the conventional form of poetry in the way his contemporaries such as Longfellow and Whittier do, it holds a deliberate structure, despite its sprawling style of free association.
Allen Ginsberg was considered one of the leading poets of his time in the 1950’s during a period known as the “beat” generation. The beat generation was considered the turning point of literature as many writers deterred from the status quo of standard writing narratives leaning towards religious quests and materialism. Ginsberg's works represents the rejection of these narratives in poems such “Howl”, where vulgar language and the incorporation of alcoholism, drugs and violence are quite apparent. While most of Ginsberg’s poems consist of this use of symbolism and imagery, his poem “A Supermarket in California” is written in admiration of fellow poet, Walt Whitman.
One of the most popular American poets is Walt Whitman. Whitman’s poetry has become a rallying cry for Americans, asking for individuality, self-approval, and even equality. While this poetry seems to be truly groundbreaking, which it objectively was, Whitman was influenced by the writings of others. While Whitman may not have believed in this connection to previous authors, critics have linked him to Emerson, Poe, and even Carlyle. However, many critics have ignored the connection between Walt Whitman and the English writer William Wordsworth. A major proponent of Romanticism, Wordsworth’s influence can be seen in Whitman 's poetry through a Romantic connection. Despite differences in form, one can see William Wordsworth’s influence on Walt
A howl is the sound of a dog or wolf’s cry and Allen Ginsberg’s poem “Howl” is a long cry for creative liberties. The poem refers to various institutions that contributed to the suppression of artistic liberties, including the government, capitalist institutions, and universities. These institutions deemed the mentally ill, alcoholics and drug addicts, homosexuals, and anyone else who did not conform to their social and political values as insane, causing the rest of society to also reject them. Allen Ginsberg, on the other hand, believed that these individuals actually consisted of some of the most creative and “best minds.” Though society’s political and social institutions tried to hinder the artistic expressions
Life in today’s society can cause many to question themselves and their beliefs. This feeling was all too familiar for Allen Ginsberg who experienced the frustration of not being allowed by modernity to live outside the rules and regulations that it prescribed. Ginsberg’s “Howl” is a protest against social, political and sexual conformity. Through this poem he is fighting for the “best minds” who were driven to insanity or suicide by both their inability to live in the modern world and their inability to escape it. His brazen account of the world portrays how extremely dystopian the conditions of our world have become.
His explicit poems convey the autobiographical experiences as he writes of the generational rebellion against the conformity of the 1950’s defiantly revealing the acts he and his peers indulged in with drugs, bisexuality and bebop music. Ginsberg’s use of lyrical craftsmanship through repetitive verse and dark imagery boldly address intimate subjects of that time such as mental illness through reflections of darkness, alienation, and suicidal thoughts imparted by a spiritually deadened
With the use of raw explicit scenes, which are a clear statement against censorship too, and extremely visual metaphors, Ginsberg describes American society as an enslaved one, alienated by Moloch (or Capitalism) and heteronormativity, while those who dare fight against it, the best minds of his generation, end up locked in madhouses or committing suicide. The only way to beating that machinery of Capitalism was freedom: freedom of speech, freedom of sexuality, freedom of ideology and religion and freedom from all of the money-established rules. In the last line of Howl, Ginsberg says: “I'm with you in Rockland / in my dreams you walk dripping from a sea-journey on the highway across America in tears to the door of my cottage in the Western night” . Ginsberg hopes for the day Carl Solomon will be allowed to leave the psychiatric institution and be who he really is. While this poem directed at his friend, it can be extrapolated as a message for all the people who are oppressed by the system, an affirmation that, yes, they exist and have the right to live; and is also, of course, a harsh critic against capitalist America, a declaration of their reality and their resolve not to falter under the pressure of the mainstream
Hence, Moloch plays multiple roles in destroying the society and Ginsberg is trying to notify the people of the wrongs that are happening around them in order for everyone to stand up together against Moloch to make a change. The base motivation for the poem is to encourage the best minds to stand up for themselves and hopefully one day can eliminate the existence or Moloch so that visions and creativity can be regained by the