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Howling for Creative Freedom
A howl is the sound of a dog or wolf’s cry and Allen Ginsberg’s poem “Howl” is a long cry for creative liberties. The poem refers to various institutions that contributed to the suppression of artistic liberties, including the government, capitalist institutions, and universities. These institutions deemed the mentally ill, alcoholics and drug addicts, homosexuals, and anyone else who did not conform to their social and political values as insane, causing the rest of society to also reject them. Allen Ginsberg, on the other hand, believed that these individuals actually consisted of some of the most creative and “best minds.” Though society’s political and social institutions tried to hinder the artistic expressions
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If Ginsberg experimented with drugs I would also assume that many of his friends and people he associated were avid drug users. Line 9 reads, “who got busted in their pubic beards returning through Laredo with a belt of marijuana for New York.” Hipster was a term used to describe individuals who were interested in jazz and engaged in drug use. Many of these hipsters were easily recognizable by their long beards, compared to the clean, shaven appearance that was considered acceptable in their society. Ginsberg continues to write, “Peyote solidities of halls, backyard green tree cemetery dawns, wine drunkenness over the rooftops, storefront boroughs of teahead joyride neon blinking traffic light, sun and moon and tree vibrations in the roaring winter dusks of Brooklyn” (13). This line elaborates the extent of his drug use; that he has gotten high anywhere anyone can imagine, such as in a cemetery, on a roof, while driving, and in Brooklyn. And “sun and moon” could intend that he and the other Beats got high at any hour of the day, regardless whether daytime or nighttime. Just like excessive drinking causes one to get drunk and lose cognitive ability, drug use almost always results in the individual getting high. Depending on the severity of this high, one could experience bizarre and unexplainable hallucinations. Perhaps these trips and hallucinations are what inspired these writers’ creativity. And though drug use is not a societal norm, from Ginsberg’s point of view, drugs actually help to stimulate the best
In 1967 the Beatles were in Abbey Road Studios putting the finishing touches on their album Sgt. Pepper's Lonely Hearts Club Band. At one point Paul McCartney wandered down the corridor and heard what was then a new young band called Pink Floyd working on their hypnotic debut, The Piper at the Gates of Dawn. He listened for a moment, then came rushing back. "Hey guys," he reputedly said, "There's a new band in there and they're gonna steal our thunder." With their mix of blues, music hall influences, Lewis Carroll references, and dissonant experimentation, Pink Floyd was one of the key bands of the 1960s psychedelic revolution, a pop culture movement that emerged with American and British rock, before sweeping through film, literature, and the visual arts. The music was largely inspired by hallucinogens, or so-called "mind-expanding" drugs such as marijuana and LSD (lysergic acid diethylamide; "acid"), and attempted to recreate drug-induced states through the use of overdriven guitar, amplified feedback, and droning guitar motifs influenced by Eastern music. This psychedelic consciousness was seeded, in the United States, by countercultural gurus such as Dr. Timothy Leary, a Harvard University professor who began researching LSD as a tool of self-discovery from 1960, and writer Ken Kesey who with his Merry Pranksters staged Acid Tests--multimedia "happenings" set to the music of the Warlocks (later the Grateful Dead) and documented by novelist Tom Wolfe in the literary classic The Electric Kool-Aid Acid Test (1968)--and traversed the country during the mid-1960s on a kaleidoscope-colored school bus. "Everybody felt the '60s were a breakthrough. There was exploration of sexual freedom and [...
The "Poet of the New Violence" On the Poetry of Allen Ginsberg. Ed. Lewis Hyde. Ann Arbor: University of Michigan Press, 1984. 29-31.
Throughout the words and the lives of the Beat Generation, one theme is apparent: America, everywhere from Allen Ginsberg’s “America,” to Jack Kerouac’s love for Thomas Wolfe. Although the views of America differ, they all find some reason to focus in on this land. Ginsberg, in his poem “America,” makes a point that not many of us can see as obvious: “It occurs to me that I am America. I am talking to myself again.” Each and every one of us make up America, and when we complain about something that is wrong, we are complaining about ourselves. Being raised by his mother as a Communist, and being homosexual, Ginsberg found many things wrong with America, and he does his fare share of complaining, but at the end he decides, “America I’m putting my queer shoulder to the wheel.” Ginsberg didn’t want to sit and watch everything go wrong. He was going to do something, despite the fact that he was not the ideal American.
“I saw the best minds of my generation destroyed by madness, starving hysterical naked, dragging themselves through the negro streets at dawn looking for an angry fix, Angel-headed hipsters burning for the ancient heavenly connection to the starry dynamo in the machinery of night.” The opening lines of Howl, by Allan Ginsberg, melodiously encapsulates the beat generation. The beats alluded to by the verbatim ,“The best minds”, are a group of idiosyncratic poets whom through the instrument of prose(driven by spontaneity and a primal lifestyle) , orchestrated a rebellion against the conservative beliefs and literary ideals of the 1950s. Howl, utilizing picturesque imagery, expounds holistically upon the instigator of the movement in culmination with personal experiences of beat members. Accordingly “Howl” evokes feelings of raw emotional intensity that reflects the mindset in which the poem was produced. The piece is structured into three stanzas, sacrificing temporal order for emphasis on emotional progression. The first sequence rambles of rampant drug forages and lewd sexual encounters, eliciting intonations of impetuous madness, one ostensibly hinging upon on a interminable need for satiation of hedonistic desires. Concordantly the following stanza elucidates upon the cause of the aforementioned impulsive madness (i.e corruption of the materialistic society motivated by capitalism), conveying an air of hostility coalesced with quizzical exasperation. Yet, the prose concludes by turning away from the previous negative sentiments. Furthermore, Ginsberg embraces the once condemned madness in a voice of jubilation, rhapsodizing about a clinically insane friend while ascertaining the beats are with him concerning this state of der...
...erg’s lines are inwardly. The self of Whitman is all-encompassing but Ginsberg’s self is passive, lacking diversity by excluding rural settings. In short, Ginsberg’s Howl” is a journey through a different route to reality by leaving the doubts behind and taking the lead role of a public American poet-prophet, which Whitman only dreamt of in his life by composing poetry for an imagined audience.
Drugs are used to escape the real and move into the surreal world of one’s own imaginations, where the pain is gone and one believes one can be happy. People look on their life, their world, their own reality, and feel sickened by the uncaringly blunt vision. Those too weak to stand up to this hard life seek their escape. They believe this escape may be found in chemicals that can alter the mind, placing a delusional peace in the place of their own depression: “Euphoric, narcotic, pleasantly halucinant,” (52). They do this with alcohol, acid, crack, cocaine, heroine, opium, even marijuana for the commoner economy. These people would rather hide behind the haze than deal with real problems. “...A gramme is better than a damn.” (55).
Jimi was known to experiment with LSD and marijuana. Many of the song titles and lyrics could lead one to think the relations are about narcotics or barbiturates. “Are You Experienced?” was said to be an allusion to one’s experience with drugs and “Purple Haze” could clearly be an indication to smoking a “certain” substance. However, in many interviews, Jimi said that was not the case. Many lyrical interpretations vary by different people, depending on whom you ask.
Wesson, Donald R. "Psychedelic Drugs, Hippie Counterculture, Speed And Phenobarbital Treatment Of Sedative-Hypnotic Dependence: A Journey To The Haight Ashbury In The Sixties." Journal Of Psychoactive Drugs 2 (2011): 153. Academic OneFile. Web. 23 Mar. 2014.
The general mindset of the 1960’s San Francisco scene is well summarized by Reebee Garafalo in his book Rockin’ Out: Popular Music in the USA when he states: “For the counterculture, the focus on mind-expanding drugs seemed to offer the possibility of greater self-awareness and consciousness, which would in turn lead to a world without war, competition, or regimentation.” The concept of expanding the mind in order to achieve a peaceful, utopian world naturally lends itself to the consumption of drugs. The image of half naked, marijuana smoking hippies dancing around in the park comes to mind when one thinks of the late 60’s Haight-Ashbury scene. Drugs help tremendously in creating an altered state, making one oblivious to the outside world. A great deal of the music was preaching peace, love,...
Often times in today's society, we stumble upon instances of racism and oppression. About 60 years ago, innocent civilians were poorly treated and ridiculed on a day to day basis during the time of segregation. The courage and strength of those men and women was indescribable. So now we ask ourselves, what was it like? In Maya Angelou's “I Know Why The Caged Bird Sings” Maya effectively uses multiple writing strategies to bring awareness to the prominently apparent issues of racism and oppression that still exist in our society using imagery, pathos, and strong diction to craft her overall message.
Marijuana is used to relieve anger, fear, or pain a personal may feel. They believe it’s essential to their lifestyle and that they have a passion for it. The people within this subculture use marijuana because they love the effect that THC gives them. These marijuana users also praise marijuana because their role models such as Bob Marley, used it. They also use it because it is common to use in their environment, or they were raised in an environment that did not view it as taboo. Marijuana users claim that the consumption of marijuana makes music sound better, as well as movies and television shows, because it sounds clearer as well as funnier. When smoking in public this allows marijuana users to get to know and understand other marijuana users better and it facilitates a more intimate exchange. Marijuana users feel it creates a special bond with another person when they smoke together and it causes social interaction because it brings all types of people together and unifies them, which is the main point in a subculture. “Munchies” or when a marijuana user feels hungry and eats a bunch of snacks, is the most common and universal result of
Jazz and drugs are often a mixture of destruction being that many musicians were associated with drugs like heroine, alcohol, and marijuana. (Jazz Culture, Pg,78) Drugs killed many musicians at a very young age. Paul Chambers of Pittsburgh, Pennsylvania transformed the bass from outlining triads to playing intricate melodies. According to Frater, Jamie (July 8, 2009) He suffered from alcoholism, heroin addiction, and tuberculosis. ( Top 10 Jazz Artist Who Died Young, Lis)
During the 1950’s, a group of young American writers began to openly oppose societal norms in favor of other radical beliefs. These writers believed in ideas such as spiritual and sexual liberation, decriminalization of drugs, and opposition to industrialism as well as consumerism (Parkins). Over time, these writers became known as the Beat Generation and created the Beat Movement. Among the members of this rebellious group was the infamous Allen Ginsberg, who is considerably one of the most influential poets of his time. By utilizing tools like imagery, allusions, and symbols, Allen Ginsberg’s “A Supermarket in California” discusses themes such as consumerism, sexuality, and alienation, which reflect Ginsberg’s personal beliefs and desire for change.
Raskin Jonah, American Scream: Allen Ginsberg’s Howl and the Making of the Beat Generation Berkeley, CA: University of California Press, 2004.
Madness is a disease. It’s a disease that can exponentially consume the host and make them lose their minds overnight. Allen Ginsberg, a famous beat poet, was a victim to madness. Under his circumstances, it was a disease that was incurable. Ginsberg, along with the other famous beat poets of his time in the 1950s’, had a remedy to his madness which was what he did best, create poems. In his famous poem, Howl, he vividly and emotionally paints a picture of a horrifying time in his life in which he was consumed and destroyed by madness. In HOWL, it is clear that the three parts of Ginsberg’s poem echoes the theme of madness with the use of form, tone, and language which in turn shows us of how our society really is