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Count of monte cristo advanced analysis
Count of monte cristo advanced analysis
Symbolisms on the road not taken
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The Count of Monte Cristo Compared to The Road Not Taken: A Deeper Meaning
In The Road Not Taken, by Robert Frost, and the Count of Monte Cristo, by Alexandre Dumas, there are many key elements leading to one common theme. They both present a decision between two different paths that will affect the future. These pieces of literature share the theme of choices.
One key element that shows the lesson in The Road Not Taken is symbolism. The speaker says, “two roads diverged in a yellow wood, and sorry I could not travel both”(Frost). In this phrase, the fork in the road symbolizes options. The two different paths symbolize the major decisions that we have to make in our life. You can only pick one, and the one that you pick decides the rest of your life. This symbolism relates to the theme choices.
Another main element that demonstrates the theme of options in The Road Not Taken is an imagery. The speaker says,”the other, just as fair, and having perhaps the
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better claim, because it was grassy and wanted wear.”(Frost) This is an imagery that compares to the commonly used, “the grass is greener on the other side.” One side, as described by the quote, is more appeasing to the speaker, and he is lured to it rather than the path that is take more often. On this path, after he travels it, the grass will be greener than it will be if he travels the other easier more familiar path. This imagery compares to the theme of choices because the speaker has to make a critical decision which will affect his further life. The last element that exhibits the theme in The Road Not Taken is details. The speaker says that the less traveled way,”in leaves no step had trodden black… I took the one less traveled by”(Frost) These details describe the lesser traveled passage as inviting and better than the other one because the leaves were natural and not trampled. The outcome of traveling that way rather than the other was much more gratifying. He picks this path because though it was the less traveled path, it had a better reward at the end. He selects this trail because it allures him to come and claim what is at the end. This connects to the lesson of choices because the speaker could have chosen the easier trail, but instead, he took the more difficult route with the greater claim at the end. An element that presents the theme in The Count of Monte Cristo is imagery.
When Dantes figures out who incriminated him to where he ended up in jail (Danglars, Fernand, and Villefort), he,”formed a terrible resolution and swore a fearful oath.”(Alexandre Dumas 58) Later on in the story, after Dantes escapes jail, he finds a lot of,”shining gold coins… unpolished gold ingots...diamonds, pearls, and rubies,” buried in the cave he found due to the note Abbe Faria gave him (Alexandre Dumas 93). This imagery connects to the theme of choices because even though he found all that treasure, which he could have lived on for a lifetime, he decided to still go down the path of vengeance, though not as easy, for him, it had a superior claim after it was completed. He could at that point, have just given up his quest for vengeance and enjoyed a lavish life full of amazing luxuries. Instead he keeps on the harder path because on the other side, after he has taken revenge, he sees a satisfying, fulfilled
life. In these two works of literature, The Count of Monte Cristo, by Alexandre Dumas, and The Road Not Taken, by Robert Frost, the path taken determines the future and fulfills the person. Edmond Dantes, like the speaker in The Road Not Taken, decides instead of taking the easier route, to take the more difficult path that has a greater, more fulfilling reward at the end. Dantes picks the path that appeals to him (vengeance), even though he could have picked an easy rich life. Similarly, the speaker in The Road Not Taken, picks the less traveled, less known, and probably harder way to go because it had a better claim at the end of the travel. They both relate to the theme choices because each character has to make an important choice that will determine how their future goes.
In Cormac McCarthy’s The Road, the boy and his father carry the fire within themselves. This image of fire is the true nature of their courage to continue on the road to the unknown.
The conflict through the duration of The Road has been survival. The man has always known he was going to die, but the man never gave up because he had to keep his son alive. In this final section of the novel, the man finally accepts that he is going to die. After being shot with an arrow the man’s health rapidly deteriorates even more than it has. The father and son switch rolls in this final section of the book. The boy starts caring for his father as he approaches death. Now the boy’s main concern is his father’s health. This transaction of responsibility shows that the boy has grown and become more mature. McCarthy’s use of foreshadowing the man’s death built up throughout the book, and it made the audience believe that the man would finally die of his mysterious sickness.
Cormac McCarthy’s novel, The Road, is set sometime in the future after a global disaster in which tells a story of a nameless boy and father who both travel along a highway that stretches to the East coast. This post-apocalyptic novel shows the exposes of terrifying events such as cannibalism, starvation, and not surviving portraying the powerful act of the man protecting his son from all the events in which depicts Cormac McCarthy’s powerful theme of one person sacrificing or doing anything humanly possible for the one they love which generates the power of love.
The Road, a thrilling novel about a post-apocalyptic world, demonstrates a great understanding of the reasoning behind the choices humans make. While living a normal life with his wife and child, some unknown disaster occurs leaving the world in ruins and a father caring for his son by himself. He continues to raise his son, facing difficult decisions everyday, but inclusively decides to continue living. Also after discovering a bunker full of nonperishable foods, the father makes the tough decision to leave. Finally, the father choices to take a robber’s clothes; which presumably leads to the thief’s death. However, the son states his disagreement with his father’s choice leading to a change of heart. The incredibly difficult choices the father makes throughout the novel demonstrates his commitment to a strong relationship between him and his son.
In The Road McCarthy establishes a post-apocalyptic world in which the majority of population are cannibals. It is established that the public (majority) is hazardous to the two protagonist of the novel. The father and son are forced to kill or be killed. By thrusting the father and son into a world with their actions are predicated by the actions of the public, McCarthy is attempting to illustrate the significant influence one’s environment has on an individual. When the father and son are together in seclusion McCarthy showcases maturity in each of the characters. The conversations they have become more philosophical.
The structure and language used is essential in depicting the effect that the need for survival has had upon both The Man and The Boy in The Road. The novel begins in media res, meaning in the middle of things. Because the plot isn’t typically panned out, the reader is left feeling similar to the characters: weary, wondering where the end is, and what is going to happen. McCarthy ensures the language is minimalistic throughout, illustrating the bleak nature of the post-apocalyptic setting and showing the detachment that the characters have from any sort of civilisation. Vivid imagery is important in The Road, to construct a portrait in the reader's mind that is filled with hopelessness, convincing us to accept that daily survival is the only practical option. He employs effective use of indirect discourse marker, so we feel as if we are in the man’s thought. The reader is provided with such intense descriptions of the bleak landscape to offer a feeling of truly seeing the need for survival both The Man and The Boy have. The reader feels no sense of closu...
Decisions are an everyday part of life. Although many decisions made throughout the day may not be crucial to our path of life, most every decision will affect life in some way. Pop tart or bagel, milk or orange juice, as well as drive or take the bus are all choices people make to begin their day, but Robert Frost’s “The Road Not Taken” is a perfect example of a life altering decision. Frost wrote this poem when his dear friend, Edward Thomas, was stuck between staying with Frost and becoming a poet, or going to war against Germany in World War I. “Two Roads”, later changed to “The Road Not Taken”, angered Thomas, and caused him to enlist in the war, only to be killed in action two months later at Arras on Easter Day. "The Road Not Taken" by Robert Frost has a literal meaning from the speaker, or traveler, of the road he did not take, but the deeper meaning certainly shows how decisions alter your life.
The ambiguity which dominates the poem seems to be intentional. The only certainty in the poem is that it deals with a solitary traveler who has come to a fork in the road and must choose which way to go.
In the Novel The Road, by Cormac McCarthy, survival becomes the biggest quest to life. The novel is set to be as a scene of isolation and banishment from people and places. The author uses the hidden woods as a set of isolation for the characters, in which creates the suspense of traveling to an unspecified destination near the shore. Cormac McCarthy creates a novel on the depth of an imaginative journey, which leads to a road of intensity and despair. The journey to move forward in an apocalyptic world transforms both of the main characters father and son tremendously as time progress. In particular, the boys’ isolation takes him from hope to torment, making him become fearful and imaginative. The images indicate that McCarthy’s post apocalyptic novel relies on images, particular verbal choices, and truthful evidence to how isolation affected the son emotionally and physically.
The Road, by Cormac McCarthy, follows the journey of a father and a son who are faced with the struggle to survive in a post-apocalyptic world. The two main characters are faced with endeavors that test a core characteristic of their beings: their responsibilities to themselves and to the world around them. This responsibility drives every action between the characters of the novel and manifests in many different ways. Responsibility is shown through three key interactions: the man to the boy, the boy to the man, and the boy to the rest of the world. It is this responsibility that separates McCarthy’s book from those of the same genre.
In “The Road Not Taken” Frost emphasizes that every person is a traveler choosing the roads to follow on the map of their continuous journey-life. There is never a straight path that leads a person one sole direction in which to head. Regardless of the original message that Robert Frost had intended to convey, “The Road Not Taken” has left me with many different interpretations. Throughout this poem, it is obvious that decisions are not easy to make and each decision will lead you down a different path.
In Robert Frost’s “The Road Not Taken”, Frost shows the everyday human struggle to make a choice that could change the course of one’s life. In his poem, a person has the choice to take one road or the other. One road is worn out from many people taking it, and the other is barely touched, for fewer have taken that road. Throughout the poem, the speaker learns that just because so many other people have done one thing, or walked one way, does not mean everyone has to. Sometimes you just have to go your own way.
In his celebrated poem "The Road Not Taken," Robert Frost describes the decision one makes when reaching a fork in the road. Some interpret Frost as suggesting regret on the part of the traveler as to not choosing the path he forgoes, for in doing so he has lost something significant. Others believe he is grateful for the selection, as it has made him the man he is. The diverging roads are symbolic of the choices society is faced with every day of life. Choosing one course will lead the traveler in one direction, while the other will likely move away, toward a completely different journey. How does one know which is the right path; is there a right path? The answer lies within each individual upon reflection of personal choices during the course of life's unfolding, as well as the attitude in which one looks to the future.
Forster's many symbols in the story portray his view of life. One important symbol that Forster mentions several times is the long, dusty road. The seemingly endless road represents the long, difficult journey of life. The people in the story must travel on the road even though it never ends and leads them nowhere. At first, they carry as many possessions with them as possible, but they eventually leave them behind, as he journey becomes more difficult. The narrator says, "The road behind was strewn with the things we had all dropped." Eventually, the people of ...
Decisions separate one’s life from another. Robert Frost proves this to be true in his poem “The Road Not Taken.” The metaphorical twist Frost uses in his words and sentence structure emphasizes the importance of different decisions and how those choices will impact the rest of one’s life.