Similarities Between The Kite Runner And The Secret History

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Khaled Hosseini’s novel, The Kite Runner, and the novel The Secret History, by Donna Tartt, both present the progression of guilt and its formation. Guilt can be described as a bothered conscience or a feeling of culpability for offenses, often felt when responsibility is undertaken as a regretted action. There are several types of guilt, which include feelings of shame, unworthiness and embarrassment about one’s actions, as well as the guilt felt about a circumstance one is not responsible for. Hosseini and Tartt show the progression of guilt through a corrupted action, the search for approval, redemption, blaming an innocent and suffering and these different facets of guilt are explored through various literary devices. Guilt is multifaceted …show more content…

Furthermore, Tartt’s narrator exclaims Bunny’s murder was in an American “November [that] was settling like a deadly oxymoron on the April landscape,” as it has “never… snowed so late in the year.” Traditionally, spring is associated with growth and birth, however the snow “kill[ed] all the flowers,” displaying how Tartt incorporates death within the spring. Tartt’s reverse symbolism suggests a new birth for her culprits, an awakening to carry the burden of their actions throughout life. Similarly, Hosseini uses the setting to highlight the innocent victim and symbolise the effect of the corrupted action in The Kite Runner. By emphasising the “blue kite... [and] Hassan’s brown corduroy pants laying amid the garbage,” Hosseini symbolises that his character’s innocence is ruined. Likewise, Hosseini employs an attack on a victim to portray the development of guilt and its initial beginning. Hosseini uses rape to show the physical attack on a Hassan, in addition to the attack on emotions and dignity. Rape is a motif within Hosseini’s text, which recurs throughout the novel, representing complete physical …show more content…

Blame is revealed to control the characters, as it is seen within both novels that the innocent victims are liable for another’s actions. Throughout the Kite Runner blame occurs during the timeline of events narrated by Amir, and Hosseini positions the audience to gain knowledge of Amir’s increasing guilt. Amir’s character development, as a result of his guilt, illustrates to the audience his attempt to regain his soul after he frames Hassan for “stealing his watch.” However, Hosseini reverses Amir’s anticipation and uses Hassan to control the situation. The audience is positioned to observe an act of unconditional love, as Hosseini employs Hassan to accept the blame. Imagery is utilized to place emphasis on the unawareness of “Hassan’s final sacrifice for [Amir],” which was “like [Amir had] been slapped.” Pathetic fallacy is also used by Hosseini to determine the sacrificial blame Hassan takes for Amir. Hosseini situates Hassan’s blame during summer where the “sun [is] like a branding iron” however “it rained the afternoon” of the sacrifice. The rain reflects Amir’s grief and guilt, which plagues him for years to come. This dramatic effect used by Hosseini conveys to audience the abnormality of the circumstance; the blame of an innocent. Similarly, Tartt suggests that the victim takes the blame. Within the novel, Tartt’s characters question whether they will be caught for the

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