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Shakespeare's influence on Elizabethan era
Shakespeare's influence
Shakespeare's influence
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Shakespeare gained most of his fame form his significant contribution to the English literature through his work on Drama and Plays during the Elizabethan era. The elizabethan era was most commonly known as the epoch in the Tudor period of the history of England during the reign of Queen Elizabeth I. Historians often depict it as the golden age in English history. One of Shakespeare’s most respectable play in the Elizabethan era was Romeo and Juliet, the play tells a measurable story about two star crossed lovers who were born into two highly ranking prosperous households Both alike in dignity, that shared a never ending feud. "Two households" (that would be the Montagues and the Capulets), "both alike in dignity" has positioned the audience to see Romeo as a young man, that possesses many traits, in the play roman and Juliet, Shakespeare describes Romeo as impetuous, sensitive and emotional. Though impulsive and immaturity Romeo is mostly responsible for the tragedy, indirectly contributing to the outcome of the pay. Body paragraph 1: …show more content…
This is where Romeo first notices Juliet and its breath taken, Romeo described Juliet as a source of light, like a star, against the darkness."she doth teach the torches to burn bright! It seems she hangs upon the cheek of night.” Tybalt recognises Romeo voice and is angered by his presence at the capulet party. “what, dares the slave come hither, covered with an antic face, to fleer and corn at our solemnity? Now, by the stock and honour of my kin, to skite him dead I hold it not a sin”.Tybalt goes on to seek out Romeo to challenge Romeo to a duel to make him pay for what he has done. When tybalt find Romeo and challenges him to a duel Romeo refuses to fight, however Mercuito happily takes his place but is slain by tybalt. This angers Romeo, which Leeds to Romeo kill tybal and him being banished from
“Do not deny to him that you love me.”(Rom. 4.1 25) Paris, one of Juliet’s suitors, is trying to win Juliet’s love at the same time that Romeo loves her. Together, Paris and Romeo are juxtaposed, while vying for Juliet’s love, so that they are compared and contrasted. Both have similar traits but are different through how they act towards people and personalities. Paris and Romeo are alike in integrity but very different by their personalities and treatment of Juliet.
Throughout the course of the play Romeo and Juliet and the novel Lord of the Flies, there is a common motif of light versus dark that affects the way characters grow and view the world. Contrasting sharply between the two written works is the usage of this idea. In Romeo and Juliet the light is treated as a problem that will bring their forbidden love to “light” whereas the darkness provides a covering for their rendezvous. In Lord of the Flies it is the opposite, with the darkness being representative of the boy’s hidden savagery as well as providing fear of the unknown while the fire, a symbol of light, provides safety in warmth and food as well as the ability to see through the dark.
Romeo senses tensions are high with Tybalt, so he states, “I do protest I never injured thee but love thee better than thou canst devise.” (Lines 65-66 Act Three, Scene One). Romeo is trying to diffuse the situation because he realizes that Tybalt is his love's cousin. Mercutio is surprised by Romeo’s behavior, so he decides to fight Tybalt himself. Mercutio’s decision to fight Tybalt leads to his own death. Romeo is angered by the death of Mercutio and states, “Now, Tybalt, take the “villain" back again/ That late thou gavest me; for Mercutio’s soul.” (Lines 123-124 of Act Three, Scene One). Romeo is indicating that Tybalt is the villain now, because he slayed Mercutio. Romeo forgets about his attempt to befriend the Capulets and slays Tybalt. Romeo, murderer of Tybalt, solely focuses on Juliet and states “Ha, banishment? Be merciful, say “death"/For exile hath more terror in his look.” (Lines 12-13 of Act Three, Scene Three). Romeo does not care about Tybalt’s life, but only cares for the way it affects his relationship with Juliet. Romeo’s mother dies out of grief because of his banishment. Romeo’s recklessness in loving Juliet has led to the death of three
Romeo and Juliet, (R&J), and A Midsummer Night’s Dream, (AMSND), are two different genres with but have the same basic plot: Two young lovers can’t wed and the girl is to marry another man who is preferred by her father, so the couple meets at night and plans to run away. Both couples have gone against the wishes of their authority figures but it doesn’t end well for Tybalt, Paris, Romeo, or Juliet. R&J is set in Elizabethan times, and the Chain of Being would have been disrupted by their actions.AMSND has fantastical elements that interfere with fate and these elements such as fairies and cupid, would have been understood to be higher on the chain than man by its attendees of the time. Is it the force of celestial bodies that makes R&J a tragedy and AMSND a comedy?
Of all the things that occur in Romeo and Juliet, the death of Tybalt is one of the most climatic parts of the story. Yet, this all started from another killing of a different person, Mercutio. Mercutio, a relative of the Prince and friend of Romeo, and Tybalt, nephew to Lady Capulet and Mercutio’s arch enemy, were in a heated conversion when Romeo walked in after getting married to Juliet and saw what was going on. Tybalt and Mercutio began to fight and Romeo tried to come in between them to stop the whole thing. Unfortunately, as Tybalt was under Romeo’s arms, he stabbed Mercutio and he died soon after. In all the rage, Romeo was furious that his friend was dead and starts to fight with Tybalt. Eventually, Romeo slays Tybalt and he falls to the floor and dies. Romeo runs away in agony before the Prince soon arrives at the scene of the fight with all the other citizens that were awakened by this fray to see what happened. Although Romeo is guilty of homicide, he is charged for manslaughter as he unlawfully killed a person in the heat of passion while defending Mercutio’s honor.
Context is the key to understanding ideas and language in both William Shakespeare’s play and in Baz Luhrmann’s William Shakespeare’s Romeo + Juliet. Elizabethan theatre was more of an oral, than visual experience for the audience. The actors had to express all their emotions that were obligatory, to tell information about the character or plot and to show social classes and hierarchy, between the Capulets and Montagues. Though Luhrmann was able to convey the message of hierarchy and social status effectively through costumes, properties and camera angles. As for the men of Verona, they are portrayed as violent, dominating and conquering especially towards women who appear to be like pawns in a men’s chess game. The two feuding families, the Capulets and Montagues, express violence as a means to solving an ongoing feud. Baz Luhrmann and Shakespeare have effectively worked within context through their movie and play.
With Romeo banished and Juliet acting as if she was dead in the Capulet family tomb, Paris comes to her grave to mourn the loss of his fiancee. On the path of the family tomb, he spots a torch and puts his own out to listen the stranger, saying:
Shakespeare's Romeo and Juliet and Shonda Rhimes’s Grey’s Anatomy were written in different times, they have different plots, and they seem completely unrelated, but we were still able to bring the two stories together. By using Act 3 Scene 1, Mercutio and Tybalt’s death scene, from Romeo and Juliet, and by pulling in director’s choices from Grey’s Anatomy, Maggie and I were able to seamlessly create Shakespeare’s Anatomy. The idea was to have Mercutio and Tybalt, both who were hurt in the fight, to come to the hospital Grey’s Anatomy is set at in order to be treated, and ultimately, die at. Our process of creating the parody included making director’s choices such as writing the script, making sets, making props, filming, picking music,
As Romeo tries to stop them, Tybalt who runs away wounds Mercutio. Mercutio dies, and when Tybalt returns, Romeo kills him and flees. When the Prince appears and hears the reason for the murder, he lightens the sentence of death to banishment. Romeo must leave Verona. Romeo at the start of the play is eager and an immature boy, who imagines he is in love with Rosaline.
Tybalt (a capulet) is very enraged by Romeo’s appearance at a family party, where he meets Juliet. He approaches Romeo’s friend Mercutio, asking him details of Romeo’s location. When Romeo enters the scene, he is threatened by Tybalt, who tries to stab him. Instead of stabbing Romeo, he stabs his friend Mercutio, which makes Romeo furious. Tybalt had come to challenge Romeo, and now he was prepared. The duel is commenced, and it is Tybalt, the better swordsman, who falls. In the heat of the moment, even Romeo, who is blindly in love with Juliet, is overcome with his emotions, which he uses to kill Tybalt. As if the consequences of Tybalt's murder are not enough, Romeo is permanently exiled from Verona. Killing Tybalt was not a smart move for Romeo to make, but it was a choice that didn’t include his rational thinking because of the
After catching Romeo at a party he was not supposed to be at, Tybalt had it out for Romeo. Just after Romeo and Juliet’s wedding, Tybalt comes looking for him wanting to fight. Romeo does not want to fight because he now loves Tybalt since he is family to him, but neither Tybalt or anyone else knows this reason. Quickly, Mercutio steps in and tells Tybalt that he will fight him in honour of Romeo. Sadly, this led to the death of Mercutio.
Juliet Capulet, daughter of Lord Capulet and Lady Capulet, falls in love with the family enemy. As she realizes how deep her love is for the wrong person, her love continues to grow for Romeo Montague. She will stop at nothing to be with him. In both films, you will see just how deep her love goes. Her style and looks change, but not her feelings for Romeo Montague. In the two films you see a huge change in the setting. One is set in the medieval times, where they ride horses to get to places and use mail to talk to one another. Whereas the other one is set in the present times, where they drive cars to arrive at their destinations and use their cell phone to communicate. Not only will you see the difference in the setting, but also how the actors dress and look. The biggest difference you will notice of all, is the ending to their love story. Even though these movies seem so different, they are also very similar. Juliet, in both movies, loves with no end. Her love and affection for Romeo is consistent. She loved Romeo until her last breath.
“But he that hath the steerage of my course, direct my sail.” –or so says Romeo as he ambitiously accepts whatever lies ahead, and allows an uncertain fate to steer him onward without a glimpse of fear (1.4, 119-120). In the tragedy Romeo and Juliet by William Shakespeare, a youthful boy named Romeo uses this fearless nature when facing love and the conflicts it holds, as well as dreams that spark a controversy between himself and friend Mercutio. Mercutio and Romeo’s view on dreams have two significant differences; Mercutio believes that dreams are lies and cause people to make childish decisions whereas Romeo believes that dreams hold truth and influence wise choices. The reader can derive from the text that experience changes people’s perspective
My initial intentions were to watch two notorious films; Romeo and Juliet and Zodiac. Though both are completely different in genres, it’s truly exhausting to keep up with two extensive stories that showcase murder drama. Therefore, I researched and came across plenty fascinating movies, and decided upon to similar yet unalike. On September 18, 2016, there in my room accompanied by my younger brother, we settled for “Untraceable”.