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The role of music in movies
The role of music in movies
Portrayal of gays in media
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Sound
There is no music in the shots until the very end. There is nondiegetic, faint, disjointed, sounds of horns that begin to play. Then a sound of xylophone or keyboard and violins join in. The volume increases from faint to a more full sound, as Ennis embraces the blood stained jacket and shirt. I must note that during the course of the movie, there was a very signature musical motif. We hear a steel guitar strumming a very serene melody as violins and a faint hint of a slide guitar play this beautiful recurrent melody. This beautiful musical motif is significant in that it is repeated every time Jack and Ennis are together on Brokeback Mountain. The song signifies their time spent together as their love affair grows. It signifies the beauty and serenity of the mountains and a secret place where Jack and Ennis could go and share their love without being judged or scrutinized by the public's disapproval of homosexuality in the 1960’s.There are few sound effects in the shots. Most of the sounds heard are natural sounds like the wind blowing or the floor creaking. We can hear a crow cawing in the distance and a cow mooing when Ennis opens the window in the scene. This helps us understand that we are in the
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country on a farm.The sounds are natural, sounds one would expect to hear if walking into a room in old farmhouse. You would not want any loud, jarring or unnatural noises to take the focus away from the emotional impact of the scene. There is no dialogue in the entire scene. Ennis is alone in Jack’s childhood bedroom, reminiscing and yearning for Jack as he explores his belongings. This is done to focus our attention on Ennis and his inner emotions. There is silence, except for the natural noises of the floor creaking and sounds of the farm from the open window. Ennis is the only character in the scene. There is no narration or voice overs. We as an audience, are simply passively watching Ennis as he explores Jack’s bedroom after his death. The scene speaks for itself. We are viewing firsthand the emotional state of Ennis as he reminisces about Jack and finds sacred items that have great meaning for their love relationship. Audience Address The film does not directly acknowledge the viewers. The film is portrayed as if the audience is a spectator watching the relationship between Ennis and Jack evolve. The audience also observes their separate lives that the men lead with their wives. The characters do not look directly into the camera. The characters are going about their lives as if the camera doesn't exist. This is done to portray the two men’s love affair in a realistic manner. The film positions the spectator or the audience face to face with Jack and Ennis and their relationship as well as their separate lives with their wives and children. I can’t say the audience favors one character over the other. Both men are masculine, cowboy’s that come from similar poor upbringings. I think the audience is meant to feel sympathy for Alma, Ennis’s wife, who is hardworking and cares for the children while Ennis goes off with Jack. The film uses beautiful scenery of the mountains in Wyoming and a unique, signature musical motif that is repeated each time the men share their time together on Brokeback Mountain. The scenery and musical motif are used to give the audience the feeling that the mountain was their secret paradise where they could enjoy their relationship out of sight from public scrutiny. The film deviates from certain conventions.
The film conforms to the conventions of the way we would expect two young, rough and tough cowboys, from a poor upbringing to look and act. Jack and Ennis are very masculine men. The deviation occurs in the fact that they have a homosexual relationship with each other. The two men do not follow the conventions of what one might view as a stereotypical gay man. I believe this is done in the film because, the 19 year old men were thrust together on the mountain to herd sheep. I do not believe either one expected to have a romantic or sexual relationship with each other. It was not acceptable in the 1960’s especially among western cowboys to be gay. The men had to maintain an alter identity to be accepted by
society. The film addresses contemporary social issues. The film brings our attention to the obstacles the men face with their homosexual relationship and how they could never live together as a couple. To this day, in certain parts of the country homosexually is not openly embraced. At the time the film was released in 2005, it still brought forth a great deal of controversy. It was a film that openly showed two men kissing and having a sexual relationship on the big screen. It was even controversial for the actors to portray this role on screen. Director Ang Lee did an amazing job of telling the story of Jack and Ennis’s love affair. It was very sad that Jack was murdered over his gay relationship. I think the film was done to bring this issue to the public’s attention. Additional Observations The acting in the scene was very naturalistic. Both Jack and Ennis depict traditional, masculine, western cowboys. Ennis is physically adept, g
My analysis begins, as it will end, where most cowboy movies begin and end, with the landscape.Western heroes are essentially synedoches for that landscape, and are identifiable by three primary traits: first, they represent one side of an opposition between the supposed purity of the frontier and the degeneracy of the city, and so are separated even alienated from civilization; second, they insist on conducting themselves according to a personal code, to which they stubbornly cling despite all opposition or hardship to themselves or others; and third, they seek to shape their psyches and even their bodies in imitation of the leanness, sparseness, hardness, infinite calm and merciless majesty of the western landscape in which their narratives unfold.All of these three traits are present in the figures of Rob Roy and William Wallace--especially their insistence on conducting themselves according to a purely personal definition of honor--which would seem to suggest that the films built around them and their exploits could be read as transplanted westerns.However, the transplantation is the problem for, while the protagonists of these films want to be figures from a classic western, the landscape with which they are surrounded is so demonstrably not western that it forces their narratives into shapes which in fact resist and finally contradict key heroic tropes of the classic western.
The beat and resonance of the music is very slow and soothing. It immediately sets up a sad mood. The music also manages to create a lonely and sympathetic atmosphere, which carries on throughout the play. The music only plays at significant times in the monologue as the tone of music needs to fit the mood and subject of which Doris is talking about at that moment, i.e. when Doris reminisces on the good times the music becomes lighter; but when she talks about the death of John the pace of the music slows and becomes duller. The use of music alone can form an overwhelming sympathy if appropriately used.
Lord of the Flies, written by William Golding, has four very important dynamic characters. A dynamic character is a character that develops and grows during the course of the story. Ralph, Jack, Piggy, and Simon are four dynamic characters in Lord of the Flies that adapt to their new lifestyles in different ways. Jack is a very important dynamic character in Lord of the Flies because he goes through the most changes during the novel. While on the island, Jack has many life experiences that change him forever. Jack never thought he would live his life the way he is living his life in the island. Jack’s authoritative figure, savage-like/instinctual behavior, and violence are three qualities that make Jack a dynamic character.
The film starts out with orchestral music, and shows James Dean's character, Jim, drunk on the ground of a sidewalk. The sound of a police siren is heard and used as a transition into the next scene that takes place, understandably, in a police station. While in the police station, Jim is yelling along with the sound of the siren, and humming loudly to give the impression that he is drunk. At one point in the scene he is brought into another room with an officer, and begins to punch a desk. The sound effects are loud, and the he pauses, and music begins again when he begins to hurt. Again, a siren is played at the transition to the next scene. However, for the most part, score music is played during all transitions.
Golding's motives for choosing the island setting for the novel, Lord of the Flies was to have the characters isolated, where the laws of their governments could not reach them. The boys on the island represented a microcosm of world society. Golding chose children because they have not yet been fully conditioned by society to understand right from wrong, and thus are guided by their instinct and what is inherent within them. Golding uses a great deal of symbolism throughout the novel. Different characters provide different symbols. Jack is a symbol of savagery and anarchy. Golding relates the inherent evil with Jack to the evil and cruelty of the larger world, which we all share.
A first noticeable difference between the two films is the sheer amount of underscoring and source music used in one film as compared to another. Big Fish uses abounding amounts of film music, varied in nature from jovial to disheartening. The tall-tell film required the necessary amounts of music to add acceptability to the many fantastical elements. Some moments would not have had the same affect or suggestion, if Elfman's influence had not been in the background to help suggest the desired mood, as in the scene of William's birth as he slides across the floor. The tracked music is composed of upbeat banjos and lyrical nonsense--like baby noises, suggesting at the nonsense of the whole situation. Whereas, Cold Mountain had a fair amount of scoring, but much of the music was simple, repetitive, or concise.
Jack Merridew is the devil-like figure in the story, Lord of the Flies. Jack is wicked in nature having no feelings for any living creature. His appearance and behavior intimidates the others from their first encounter. The leading savage, Jack leans more towards hunting and killing and is the main reason behind the splitting of the boys. It has been said that Jack represents the evilness of human nature; but in the end, Jack is almost a hero. With his totalitarian leadership, he was able to organize the group of boys into a useful and productive society
What is a hero? What is a leader? Both of these words could be used to describe Odysseus and Atticus Finch in their times and, maybe still could be described as a leader/hero. Odysseus who lived in Ancient Greek was the picture of a hero and leader in that time. He … . Atticus who lived in Alabama in the early-mid 1900’s, could also be classified as a hero of some sort but he seemed like more of a leader. He, … . Atticus from To Kill A Mockingbird, and Odysseus from The Odyssey both are leaders and Heros in their own way, they also have people surrounding them that question them, and also people that support them.
At the start of the film, Marker put in this familiar noises of the planes to tell us that it was situated at the airport. Without the use of the sound in this particular scene, it would be just a photo montage whereby the viewers wouldn't probably feel the present of planes. Music helps to establish a sense of the pace at each of the accompanying scene and sometimes overlap voice-over musical score. At the beginning of the film, the images of the war torn Paris was accompanied by some sort of choir music that sounded very depressing and melancholic which then adds to the atmosphere. With the film starting off with this eerie atmosphere could also foreshadow a depressing storyline later on, that the protagonist meets his own death. Furthermore with the deliberate use of music in various part of the film, it kind of foreshadow the tragic ending whereby the fixated image of him as a child watching someone die at the
While there are those that argue Glengarry Glen Ross critiques traditional masculinity, I contend that the film celebrates traditional masculinity because the male characters, particularly Blake, reinforce self reliance and exhibit a disdain for homosexuality.
...his balance allows Lee to more strongly portray the cause-and-effect of Jack and Ennis’ stances in their relationship. Throughout the story, Ennis and Jack are complementary to each other: Jack’s extroverted personality and Ennis’s introverted tendency, Jack’s money-producing marriage and Ennis’ hard-earned living, and Jack’s pursuit of his sexual impulses and Ennis’ suppression of his sexual orientation—these two Thanksgiving scenes include moments that add to the long list of aspects that harmoniously strengthen both as characters. However, their complementary characteristics also lead to complementary beliefs, preventing both of them from ever getting what they want. What seemed to be the driving forces that brought the two together actually turn out to be the ultimate destruction of hope and the possibility of ever escaping the suffocating influence of society.
Music can decipher a narrative event by indicating a perspective. To unify a set of diverse images and provide rhythmic and formal continuity and momentum, a film’s structure is more often than not, directly articulated by a musical structure. Music can assist the dialogue and visuals of film and often is inaudible (e.g. music is meant to be heard unconsciously, not consciously). Music has been used by directors to reinforce or strengthen certain weak scenes in film and then on the other hand when music is not needed to reinforce a scene
In order to keep up his live style and his place in society he has to
The importance of music in movies is highly regarded for manipulating the viewer’s emotions and helping them immerse into the story. Music is one of the prime elements in cinema. Without it a movie would feel dull and unexciting. There are three elements in a movie: one is acting, the second is picture, and the third one is music. It is a holy trinity; if incomplete, there would be a lack of sensation and excitement. Both acting and picture can stand independently from one another, but music is the one that makes the movie memorable.
Rose and Urschel point out “both struggle to fulfill the lives of cowboys in 1960s Wyoming(p. 249)” and “Ennis opens up to Jack… This marks Ennis’s potential to be more communicative and close with another person (p. 249)”. These quotes show the friendship and closeness that the men develop with each other. In Emerson’s “Friendship” he writes “A friend is a person with whom I may be sincere…. I am arrived at last in the presence of a man so real and equal…(p. 44). Ennis and Jack do have the type of relationship that Emerson describes in the context of a friendship. In addition I feel both Ennis and Jack share transcendental characteristics in their life, going off into nature, finding who they are, and if only in seclusion putting the needs and want of their own ahead of their