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Compare the characters of Victor Frankenstein and the monster
Frankenstein paradise lost comparisons
Quotes from macbeth and frankenstein to use in a comparative essay
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Abraham Lincoln once said, “Nearly all men can stand adversity, but if you want to test a man’s character, give him power.” In Mary Shelley’s Frankenstein, Victor Frankenstein has the misfortune of losing his beloved mother, which provokes him to create life. In Shakespeare’s Macbeth, Macbeth is a highly regarded warrior, who is brave and loyal to his king, but is corrupted by supernatural forces and driven to murder for what he wants. Adversity and hunger for power are not the only traits Frankenstein and Macbeth have in common; they both have a strong ambition, are lonely characters, and are tragic heroes.
Victor and Macbeth are blinded by their ambition. Victor desires to create life in the form of a science experiment which became the
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creature. He is consumed by grief as sees the creature as an escape, and as a way to obtain god like glory. His life while creating the creature consists of only his drive to finish it as soon as possible. Victor realizes his ambition and when he encounters Walton, Victor sees parts of himself in Walton and tells him, “You seek for knowledge and wisdom, as I once did; and I ardently hope that the gratification of your wishes may not be a serpent to sting you, as mine has been,” he wishes to keep Walton from making the same mistakes he once did. Macbeth wants to be king, and will stop at nothing to obtain the title. He clearly wishes to be king when he says, “Stars, hide your fires; let not light see my black and deep desires,” and he knows in order to achieve his goal he will have to commit dark acts when he says “black.” also already has a highly regarded position within his kingdom, but once he has a taste of this newfound power, his desire for more cannot be stopped. Victor and Macbeth did not foresee any repercussions of their ambitious actions in the end. Each character suffers from self inflicted loneliness through guilt and misery. Victor’s guilt is self inflicted because he is interested in himself rather than anyone else, and he is generally surrounded by friends and family who would seek to comfort him if he would only let them. Victor is the cause of his loneliness because he creates the creature that rids him of the friends and family that surround him, “My cheek had grown pale with study, and my person had become emaciated with confinement. The summer months passed while I was thus engaged, heart and soul, in one pursuit. And the same feelings which made me neglect the scenes around me caused me also to forget those friends who were so many miles absent, and whom I had not seen for so long a time” It also seems when Victor is isolated, he becomes mentally and physically ill, so isolation has a negative effect for him.
Moreover, Macbeth becomes distant with Lady Macbeth, after he kills Banquo, one of those people closest to him. When Lady Macbeth dies, Macbeth has no one to go to with his ideas or concerns. Even his servants are afraid of him. At the end of the play, even Macbeth’s normally faithful soldiers desert him because of their fear of him. Macbeth understands this as he says, “Tomorrow, and tomorrow, and tomorrow, creeps in this petty pace from day to day to the last syllable of recorded time.” Time drags on for him, and there is nothing left for him to live for. The arrogance displayed by Macbeth and Victor eventually drove away all those around them, causing both of them sorrow and …show more content…
loneliness. Though the reasons for their eventual downfalls are different, Macbeth and Victor are both tragic heroes.
Victor’s downfall is that he wants to know too much, and he tries to compete with forces beyond his capabilities. He is curious how to stop death and bring back those that have died. Victor is so driven by passion and ambition, that he even refers to himself in the third person when he says, “So much has been done, exclaimed the soul of Frankenstein-more, far more, I will achieve; treading in the steps already marked, I will pioneer a new way, explore unknown powers, and unfold to the world the deepest mysteries of creation.” He is naive, as he continues his pursuit of knowledge without thinking of the consequences. Macbeth’s tragic flaw is he is greedy for power. He believes in the witches prophecies and even tries to rationalize murdering King Duncan, but realizes there is no real justification for the crime when he says, “I have no spur to prick the sides of my intent, but only vaulting ambition, which o'erleaps itself, and falls on th’other,” and Macbeth sees no motivation for this murder, other than an intense desire for power when he talks about “vaulting ambition.” He is driven by his own madness, or his belief in his own ability to make his destiny. Macbeth’s lust for power and his obsessiveness all contribute to his demise, just as
Victor. Macbeth and Victor and tragic heroes led astray by ambition. They suffer the consequences through loneliness, madness, and their eventual deaths. Victor is an example of how men can not play the role of God. Both characters demonstrate how power can be dangerous when it is abused by man, and the evils that can take place, such as revenge and murder. While they come from different stories, Victor and Macbeth are linked by faults of their true character.
Macbeth Thane of Cawdor, Thane of Glamis and King of Scotland is dead by the end of the play, thanks to his mental deterioration. Macbeth’s mental deterioration is easily traced throughout the the play, starting with Macbeth imagining the floating dagger, then continuing to deteriorate threw the killing of Banquo, and finally ending with seeing Banquo’s ghost at the banquet. As clearly seen Lady Macbeth isn’t the only insane one. Macbeth was doomed from the beginning of the play. Macbeth and Lady Macbeth were a couple that just couldn’t get a grip on reality. As they say curiosity killed the
Lady Macbeth has just died and Macbeth himself is realizing a fair amount of truths. “She should have died hereafter; / There would have been a time for such a world. / Tomorrow, and tomorrow, and tomorrow / Creeps in this petty pace from day to day … Told by an idiot, full of sound and fury” (ln 17-27). Macbeth had mocked time and attempted to outrace it, which ends up slowing him down. He has become fully aware that his life is worthless, and now he has lost his wife. Macbeth also recognizes that it would have been better if Lady Macbeth had died at some other time because her death made everything worse. This time motif is the height of Macbeth’s realization of where his life has gone. Duncan, Banquo, and now his wife are dead. He believed that taking the throne was all he needed, but it left him with the opposite. This motif is effective because even though Macbeth is still living in some alternate reality of time, he is slowly coming out of that after the death of his wife. Macbeth is now numb and feels
In the play, Macbeth transitions from an honourable, introverted, ambitious Thane, to a tyrannical monster in a state of moral decay. The themes of ambition, power, masculinity, religion, the supernatural and fate resonate throughout the play.
His life begins to revolve around power and keeping his authority, and he isolates himself from everything that made him happy. Macbeth initially believes that by seizing the highest authority he will gain immeasurable amounts of happiness, however this is not the case. Macbeth not only gains nothing, but loses everything that made him happy; society's respect, his wife, his peace of mind, and relatively moral values. After Lady Macbeth's death, this reality dawns on him and he broods on how meaningless his life was; "Life's but a walking shadow, a poor player that struts and frets his hour upon the stage and then is heard no more; it is a tale told by an idiot, full of sound and fury, signifying nothing." Shakespeare's use of metaphor in this short soliloquy reveals that Macbeth was a puppet, and although he had immense power, he was not the one pulling the strings. He realizes that he has been manipulated by the witches, by his wife and by his own desires. He let his own ambition and want for power blind him from the horrific deeds that he was carrying out, and realises that his life's purpose had become retaining his position as King of Scotland, and he had lost everything he hoped for in life in the process. Macbeth had let his mind become so corrupt, that he lost sight of morality, and let his ambition and desire for power control him. Although there were many
Mary Shelley and William Shakespeare both portray their characters, Macbeth and Victor Frankenstein, to have human flaws. These weaknesses develop throughout the books. These flaws have a lasting impact on both characters. This leads to the initial downfall for them both.
Macbeth’s provocative or violent actions on the challenges placed before him cause him to build an effect of downfall and dismay throughout the play. Originally, Macbeth handles his challenges in different ways and manners and is constantly changing his procedure. From handling situations carefully to not caring, Macbeth and his violence resulted in guilt and selfishness which he had to overcome. By the end of the play, Macbeth had become a selfish, greedy king and the challenges as well as experiences he encountered shaped him into who he is. He was shaped by the guilt of killing Banquo and Duncan, just to become powerful and a king. For example, in Act 3 Scene 4, Macbeth faces adversity when his mind creates a ghost of Banquo, who he just found out was killed. In Macbeth, the uprising of adversity was often handled in various manners. By dealing with his own challenges, Macbeth transforms his handling of adversity from being cautious to thoughtless, which reflected his character and the transformation he portrayed throughout the
He then acts upon his greed and abandons his morals through the likes of Lady Macbeth. "I have no spur/To prick the sides of my intent, but only/Vaulting ambition, which overlaps itself/And falls on the' other." After the king's death, Macbeth expresses his hatred towards killing the king. During his rise to power, he was taking extra precautions to prevent anyone from taking his bloodline as king. He then becomes apprehensive of his throne, so he kills Banquo because of his prophecies about his descendants becoming kings. "Upon my head, they placed a fruitless crown/And put a barren sceptre in my grip,/Thence to be wrenched with an unlineal hand,/No son of mine succeeding." Committing the same mistakes over and over again to his fellow human beings he never felt any pain. Even when his wife committed suicide, there was no sight of Macbeth's
“As falls the dew on quenchless sands, blood only serves to wash ambition's hands” (Byron). Mary Shelley’s Frankenstein and William Shakespeare’s Macbeth both experience the plague of ambition, so much so that they inadvertently allow the powerful force to invade their lives and corrupt them.The overwhelming guilt over the death of loved ones and the mental illness that follow suit after achieving their goals, are depicted in both stories. The negative consequences of ambition left both characters unable to wash the guilt from their hands and mentally and physically ill.
An evil lives, buried deeply or just below the surface, within us all, just waiting to emerge. In the books Frankenstein and Macbeth, the two main characters commence and conclude the story as two comprehensively disparate people, entirely transformed by their actions and encompassing environments. Ignorance and knowledge, two recurring themes in the book Frankenstein and the play Macbeth, are polar opposites, yet work effortlessly together when comparing and contrasting the two readings. The epitome of their downfall throughout the storylines, both characters suffer from either an abundance, or lack thereof, of knowledge. Both characters are monstrous in their own ways, while at the same time being far from similar in the respects of their
Mary Wollstonecraft Shelley’s Frankenstein exposes some of the harsh natures of human characteristics in this gothic novel through a genius, Frankenstein, and his hideous creation, Frankenstein’s monster. These two most important characters of the novel try to obtain power over one another and power is one of those harsh natures and is one of the strongest drives of human desire. Doctor Victor Frankenstein and Frankenstein's monster have altering positions of power as the novel progresses and their power is measured through knowledge, hostility, threats, and even death.
She knows that he will be the “serpent” (I, v, 57) in the king's “Garden of Eden”. This taints Macbeth's loyalty, respect, and honour into desire and passion. Macbeth’s passion is to make the woman he loves as joyful as can be, no matter the cost. Macbeth loses sight of his passion, after the throne is achieved; because he feels the need to preserve it. Being so distracted in what he believes needs to be done, Macbeth forgets why he is doing it. Macbeth’s passion, and love for his wife fade in the shadow of what he has become. Arrogance leading his sword; Macbeth murders Banquo, and Macduff's family without further guilt as he is already so far “in blood”(III, iv, 146). Lady Macbeth’s passion and desire corrupted a once honourable, respectable man to the point her death is but fuel toward his hubris and toward his war for power. The Macbeth of Act one would have cried over his dead wife, but he has lost sight of his passion. More so Macbeth says “Life’s but a walking shadow” (V, v, 26) and that everyone is bound to die, so he did not cry. Hubris of a man believed to be invincible is to blame for his unexpected reaction to his wife's death. Unconsciously Macbeth pursued his passion for his wife, which negatively affected his character by desensitizing his morals; changing Macbeth into a bloodthirsty
To begin with, ambition consumes the thoughts of Macbeth and Frankenstein, harming themselves physically and mentally. Macbeth’s ambition drives him to commit murder, overshadowing his ideas of right and wrong and causing damage to his health.
Ambition is a valuable quality to possess but when used for the wrong reason it can be detrimental. Throughout the novel Frankenstein, Victor Frankenstein, an inspired scientist, uses his ambition to fuel his creative work. Macbeth, the brave soldier in the play Macbeth, displays a great need for power. With his ambition thriving, he will do anything to be in charge. Victor Frankenstein and Macbeth, both aggressive men, display an extreme sense of ambition leading them to ultimately go insane. The urgency for recognition both becomes and obsession over time and negatively influences the decisions they make.
Despite the influences that In Shakespeare’s shortest but most gruesome tragedy “Macbeth”, no one plays more of a substantial role in the tragic hero’s untimely demise than the man himself. Macbeth, a reputable Scottish general and the Thane of Cawdor heedlessly sabotages his future and many others’ in the process. Firstly, Macbeth succumbs to his vaulting ambition as a result of this he begins making rash decisions, Secondly, Macbeth is too trusting of the three witches and their prophecies pertaining to Macbeth’s future success. Lastly, Macbeth begins to gradually isolate himself from those closest to him such as Lady Macbeth and Banquo. To put it briefly: Macbeth is the most culpable for his premature death.
In the play Othello and the play Macbeth, Shakespeare uses the main characters in both plays as warriors. Both characters in each of their plays, had constant outside voices seeping into their minds which ultimately contributed to the fate of both Othello and Macbeth. The witches in the play Macbeth had more of an effect of Macbeth’s actions then Iago had on Othello’s actions in the play Othello. Each character had a lot of pressure on them throughout the play however the witches influence on Macbeth resulted in more destruction than Iago’s influence on Othello.