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Literary Analysis Of'The Great Gatsby
Literary Analysis Of'The Great Gatsby
Narratives of racism
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Fences and The Great Gatsby both have many characters that plays a significant role in the story. Both stories also have characters in the story that has changed due to the past or are changing throughout the story. There were many character changes in The Great Gatsby and Fences. For example, Troy leaving his family as a kid due to his father kicking him out the house at the age fourteen. This was a major change for Troy, because this act made Troy treat his family an unusual way people would usually treat their love ones. Troy is the protagonist in the book Fences. Troy is the father of Lyons and Cory, and husband of Rose. Switching to some examples from the Great Gatsby is when Daisy loved Gatsby during the war, then started to love someone …show more content…
"Sometimes I wish I hadn't known my daddy. He ain't cared nothing about no kids.” (50). Troy and Cory have a misunderstanding on what to do for Cory’s next step in his life for college. Troy wants Cory to stop playing football so he can just have the job and be at school. Troy does not want Cory to have any other distraction from the two. Cory is being recruited by a college, everyone in the house is happy for him except his father. The relationship between Troy and Cory is bitter and stressed mostly because Troy is trying to treat Cory the same way he was treated by white people in sports and how he was treated by his father. Troy feels that Cory is disobeying his rules or what he tells him not to do which is to stop playing football. Which counted as strike one. Strikes were warning of disobeying rules told by Troy. If someone gets three strikes from Troy, they will be removed from the house. Life for Troy as a kid was a struggle, living on a farm with ten siblings and a father who barely cares for his kids. His father just wanted his kids to learn how to walk so they can get the working and help around the farmhouse. Before Troy even thinks about leaving his home as a fourteen-year-old, his mother already left because she did not feel comfortable around Troy’s father “evilness”. So, once she left that influence Troy to think about leaving his home which he did because his father kicked him out the
F. Scott Fitzgerald's novel, “The Great Gatsby”, and Baz Luhrmann’s film, “The Great Gatsby”, both have similarities and contrasts between the two of them. The Great Gatsby is a novel and film taken place in the 1920s filled with wild parties, mysterious people, The American Dream, and most of all, love. There are several things that can be compared between the novel and film; such as the characters and the setting. There are also contrasts between the two as well; which is mainly involving the character Nick.
Hawthorne and Fitzgerald, two great American romantics, display new attitudes towards nature, humanity, and society within their novels. The novels The Scarlet Letter and The Great Gatsby are very similar with their adjacent themes, motifs, and symbols. The comparison between these two literary pieces show the transition from adultery to ability, societal standards during the chosen time periods, and good vs. evil.
All stories have the same blueprint structure with the same type of ending whether it be good triumphs over evil, rags to riches, the voyage and the return, tragedy, or rebirth. The thing that sets these stories apart is the message they intend to in our minds. “ The power of a story to shift and show itself to anew is part of what attracts people to it, at different ages, in different moods, with different concerns” (Auxier 7). These messages are given by the characters in the story that all have their own reasoning but in the end have one meaning behind it. Some messages give specified personal messages rather than a broad stated such as the stories The Wizard of Oz and The Great Gatsby. Blinded by the ignorance of desires, the characters
When Cory comes home after he finds out that troy told the coach to kick Cory off the football team he is furious. In his rage, there is an exchange of words and Cory says to troy “Just cause you didn’t have a chance! You just scared I’m gonna be better than you” (1:4). This comment really hits troy deep because baseball was a big part of his life and for him to be denied the thing in which he truly loved made him turn out the way he is now. To have his own son say he was going to be better than him not only make troy feel inferior to him but also making troy realize that Cory had a chance at something that he never had. Troy proceeds to tell Cory where his “mistake” was indirectly using baseball by telling him “See...you swung at the ball and - didn’t hit it. That’s strike one. See, you in the batter’s box now. You swung and you missed. That’s strike one. Don’t you strike out!”(1:4). This is one of the stronger analogies that troy uses in the play to signify more and more how baseball has made an impact on his
This makes Troy the antagonist in the story because he is not only hitting up against everyone in the play, but he is also hitting up against himself and ultimately making his life more complicated. The discrimination that Troy faced while playing baseball and the torment he endures as a child shaped him into one of the most dynamic characters in literary history. The central conflict is the relationship between Troy and Cory. The two of them have conflicting views about Cory’s future and, as the play goes on, this rocky relationship crumbles because Troy will not let Cory play collegiate football. The relationship becomes even more destructive when Troy admits to his relationship with Alberta and he admits Gabriel to a mental institution by accident.
After Alberta bites the dust in labor, Troy's wife Rose consents to bring up the youngster yet pronounces that she's never again Troy's lady. This flimsiness at home prompts a full scale battle in the middle of Troy and Cory. Troy wins the fight and kicks Cory out of the house for good. It seems as if that Cory and Troy always argue and fight one another with a bat, since Troy's powerlessness to play baseball because of the racism is what causes him to be so hatred towards his son game of baseball. Presently the two do fight with a typical representation of this dream
In The Great Gatsby and The Catcher in the Rye, the protagonists seem different at first, but upon a closer examination, they are similar in several aspects. Both Gatsby and Holden are dreamers, seeking love. They are characters that suffer from obsession, deception, and unrealistic dreams, all of which lead to their downfall.
Jay Gatsby and The Wizard of Oz both are not who they claim to be. They both wanted to look more interesting than they appeared. This is evident in both The Great Gatsby by F. Scott Fitzgerald and the film The Wizard of Oz. The difference between them is Gatsby didn’t tell the truth about his past, and Oz wanted to be seen as an almighty ruler. Gatsby’s goal was to be united with Daisy once again, and Oz didn’t want anyone to know his true identity.
Arthur Miller and August Wilson are both authors of plays that show the readers two fathers who try their hardest to work and support their families, but in both plays the fathers show their feelings and thoughts about their sons. Both authors present this by creating a conflict between the two fathers and sons. These conflicts lead to showing the true natures of both the fathers and sons to the reader. Miller and Wilson display this by having the characters begin to change once the sons start to express their opinions to their fathers. Throughout the plays, Fences and Death of a Salesman, the authors display two different fathers who have similar relationships with their sons by having both fathers be disappointed in their son’s actions, beliefs,
Troy wants to be a good father to Cory, but he had a terrible example to look at when he was a teenager. The mistakes That Troy’s father made have manifested themselves in the decisions he makes with Cory. August Wilson and the African-American Odyssey a book written by Kim Pereira explains how Troy has his mind and energy set on “survival” which limits the amount of “parental affection” he can give to his son, Cory. This is the same mentality that Troy’s father had when Troy was growing up. Cory looks up to his father as any teenage boy would do, so when Troy denies Cory the opportunity to play football he transforms his father’s” hard-line advice into personal rejection” (Snodgrass 133). Troy refuses to see Cory's potential because it would mean accepting his own misfortune. His inability to express his reasoning and feelings causes Cory to perceived Troy as cruel. At that point in time, Cory needed his father’s approval but was met with harshness. Troy is trying to spare Core from the pain of racism and discrimination, but he dominates his son the same was Troy’s father had dominated him. Troy’s unwillingness to let Cory live a life Cory envisions, results in a very strained relationship between the two. By attempting to insure Cory of a harmless future, Troy impedes his son's potential and prevents Cory from having a promising future. That leads Cory to resent his
When Troy was about 14 his father severely beat him after Troy attempted to wip him with leather mule straps because he was attempting to sleep with Joe Canewells daughter when she was only 13. Troy was beat so intensely that he was not only knocked out but woke up with his eyes swollen shut. This tremendous abuse that Troy experienced as a child caused Troy to threaten his own sons with the same vial treatment. When Cory hit Troy in an attempt to stop him from beating Rose, Troy’s anger was so built up towards his own father that he turned to Cory and said, “You stay away from around me, boy. Don't you strike out… Don’t you strike out.” (72). The metaphor of striking out relates to Troy beating Cory so savagely that it may kill him. Troy’s father showed so much evil towards his family that almost everyone in his life left him. Troy's mother left at 8 and Troy eventually left at 14, after his horrid beating he could no longer stand his father in his life. Just like his father through hatred Troy causes his family to eventually leave him.
Even though Troy does not physically abuse his children like his father did to him, he verbally abuses them. He treats Cory very callously and unjustly. In a way, Troy is taking out his frustrations of having an unsuccessful baseball career by not allowing Cory to pursue his dream to play football. Troy crushed Cory’s dream. In Act One, scene four, Cory expresses his misery. “Why you wanna do that to me? That w...
Troy, without the use of force, wishes Lyons, would change his ways to match his new ideology; on the contrary, Troy attempts to force Cory, his youngest son, to adopt these beliefs. In fact, Troy wants Cory to exemplify a more developed and enriched ideology than he himself has. Telling Lyons his point of view, Troy says the following:
When books are written, they are meant to be unique and unlike other novels. However, authors frequently create relationships between characters that teach readers about real life-themes. When they do this, it creates a connection to other novels. Take The Great Gatsby and Pride and Prejudice for example. In The Great Gatsby (1925), F. Scott. Fitzgerald produces a tragic romantic love story which shows how two old lovers try to recapture their old love but in the end, fail due to being too different. In contrast, in Jane Austen’s Pride and Prejudice (1813), two different people from two different social classes learn to overcome their pride and quick judgment of each other in order to be together; they change themselves in order to get a
The Great Gatsby by F. Scott Fitzgerald and The Glass Menagerie by Tennessee Williams share and explore themes and techniques of imprisonment, by both mental and physical means. To explore imprisonment, both writers use characters and narration techniques to express themes of illusion and reality by characterisation, the American Dream in symbolism, and entrapment by responsibility through narration structure. While both authors express a story, Tennessee Williams uses play direction, while F. Scott Fitzgerald uses novel structure to convey the ideas of imprisonment.