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Effect of realism in literature
Effect of realism in literature
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Through the lives of many characters in Morrison’s Song of Solomon the contrast between fantasy and reality become evident. Most of the characters have an aspiration. However, for most it does not evolve into anything more than a dream, and if it does it eventually unravels and they struggle to pick up the pieces. Morrison particularly shows the divergence of fantasy and reality in terms of relationships in the novel. The man on top of the hospital’s dreams of flying were crushed, as was his body on the pavement; was a foreshadowing of the events to come in the novel.
For Guitar his vision was of the gold, he planned to use Pilate’s gold to guy explosives and get justice for the four black girls who were killed. The closer he came to seizing
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the gold the more vivid his vision became, when Milkman and Guitar found that it was a bag of bones he was furious to have his plans disintegrated in front of his eyes. His fantasy had been so close to becoming a reality the two began to blur in his mind before it was ripped from his grasp. This made Guitar furious, “His anger was like heat shimmering out of his skin, making the hot air blowing in through the open window seem refreshing by comparison.” Before the mention of a bag of gold Guitar did not know how he was going to kill the girls in the church; with the mention of the possibility of money he held a firm grasp on his fantasy, unwilling to consider it might not become a reality. He was not infuriated he had to find another source of wealth. Another example of the disconnection between fantasy and reality is Morrison’s portrayal of women, sexuality, and relationships. Ruth, Hagar, and Corinthians each manifested a fantasy for their relationships, however, the reality of each of them strayed greatly from the imagine they created in their minds. The idea of “happily ever after” has existed for a long time. Every woman has their fantasy of “the perfect relationship” with care and mutual respect. For Ruth and Hagar there was a disconnect between what they had dreamed about and what became their reality. Ruth was a prize, the wealthy doctor’s daughter, and believed she should have been treated as such. Macon, however, was abusive both mentally and physically towards Ruth which destroyed her self esteem and caused her to act out in hopes for attention. Ruth became desperate for attention due to Macon’s neglect. She nursed her son until he was too old which earned him the nickname, “Milkman,” she also travels by train in the middle of the night to visit her father’s grave. Ruth cherished her father because he was one person who truly cared about her well-being. Macon drove her to a pathetic state as she kissed her father’s dead fingers in an attempt to have any bit of human contact. Although Ruth is seen to be a pitiful character, in reality she was driven to the state by her toxic relationship with Macon. Milkman initially pursued Hagar because she was unattainable and he enjoyed the chase. As she began to be ready to settle down with him he suddenly became bored and left her. He selfishly tried to convince her -and himself- that he was doing her a favor in order to feel less guilty. When explaining his decision to Guitar he states, “I did what you do to some woman every six months-called the whole thing off.” In this line Morrison shows the contrast between a man and woman’s perspective on relationships. As Hagar was growing fonder of the idea of staying with Milkman, he was beginning to drift away. There was a shift in the dynamic of their relationship as the roles reversed. Milkman was no longer chasing Hagar, she was pining after Milkman. Similar to her mother and cousin, Corinthian’s fantasy of the “ideal relationship” was not met by reality; she attracted the attention of a man whom she was ashamed of. He was not her image of a “prince charming” nor did she initially plan to have a relationship with him until she began to realize how lonely she was. Corinthians, like the peacock, was weighed down by vanity and pride and allowed her family name to stop her from accepting that Porter may be a nice man for her. By the time she came to her senses and put her pride aside, her dream was crushed by the reality of her father. Macon Dead would not allow his daughter to date one of his tenants, although she was a middle age woman who should be able to make her own decisions. Morrison shows through Corinthian’s encounters with this man that even when a person accepts the faults in their fantasy it can still be crushed by a more powerful force. Corinthians was willing to accept Porter but Macon was not. Morrison shows a contrast between a woman’s fantasy and a man’s through the quest Guitar hopes to fulfill.
His vision was to steal gold; he planned to use Pilate’s bag of gold to buy explosives and get justice for the four black girls who were killed. The closer he came to seizing the gold the more vivid his vision became, when Milkman and Guitar found that it was a bag of bones he was furious to have his plans disintegrated in front of his eyes. His fantasy had been so close to becoming a reality the two began to blur in his mind before it was ripped from his grasp. This made Guitar furious, “His anger was like heat shimmering out of his skin, making the hot air blowing in through the open window seem refreshing by comparison.” Before the mention of a bag of gold Guitar did not know how he was going to kill the girls in the church; with the mention of the possibility of money he held a firm grasp on his fantasy, unwilling to consider it might not become a reality. He was not infuriated he had to find another source of wealth.
Milkman wanted the gold in order to leave and start over somewhere else. He wanted to build a name for himself elsewhere rather than to be sheltered by the name of his father. The gold was the key to a new life for Milkman. His dream was also crushed when they opened the bag and saw human remains rather than a pile of
riches. Ruth, Hagar, and Corinthians did not achieved their “happily ever after,” what they had hoped would become reality remained an unattainable fantasy. For each of these women their fantasy was to be treated with respect by a man. Respect to these women was gold to Guitar and Milkman. The disrespect they faced was their bag of bones. As Milkman put his pride aside he no longer came across bags of bones, as he travelled he learned to not have expectations and to let come what may. His experience with Sweet was much different than the experiences of the three previous women. He had no fantasy or intentions with Sweet, he was willing to let his reality take control rather than his fantasy. For this reason, their relationship was the most healthy of all the relationships in the novel. This relationship promoted mutual respect and appreciation for each other and was one of the many stepping stones to Milkman’s “coming of age.” Morrison originally portrayed Milkman as a kid who would turn out like his father, however, Milkman was able to shed his peacock tail and fly. He let go of his fantasies and accepted reality. Unlike Milkman- Ruth, Hagar, Corinthians, and Guitar are unable to accept the world for the way it is. They each struggle with their portrayal of the way life should be in contrast with what is in existence. They each make the mistake of placing their fantasies in the hands of others. Each woman relies on a man to transform their ideal into actuality. Guitar relies on the notion that there may be gold in the bag hanging from Pilate’s ceiling to bring his illusion to life.
As Milkman grows up, he recognizes the emotional distance between his father and himself. He goes his own way with a few skirmishes here and there and later he even manages to hit his own father. As Macon and Milkman grow apart and go their separate ways, Milkman doesn¹t even think twice about it and just continues on with his life as if nothing was different.
Milkman experiences many changes in behavior throughout the novel Song of Solomon. Until his early thirties most would consider him self centered, or even self-loathing. Until his maturity he is spoiled by his mother Ruth and sisters Lena and Corinthian because he is a male. He is considered wealthy for the neighborhood he grew up in and he doesn't socialize because of this.
Toni Morrison's novel “Song of Solomon" is an evident example of literary work that utilizes the plight of the African-American community to develop an in-depth and complex storyline and plot. Not only does Toni Morrison use specific historical figures as references for her own characters, she also makes use of biblical figures, and mythological Greek gods and goddesses. When evaluating Toni Morrison’s “Song of Solomon” you can relate each and every character to a specific historical figure or mythological being in history. But to focus on a specific character you would look towards one of the protagonists. Guitar and Milkman can serve as main individuals that can be symbolic of other political and civil rights activist involved in history.
In Song of Solomon, a novel by Toni Morrison, flight is used as a literal and metaphorical symbol of escape. Each individual character that chooses to fly in the novel is “flying” away from a hardship or a seemingly impossible situation. However, by choosing to escape, one is also deliberately choosing to abandon family and community members. The first reference to this idea is found in the novel’s epigraph: “The fathers may soar/ And the children may know their names,” which introduces the idea that while flight can be an escape, it can also be harmful to those left behind. However, while the male characters who achieve flight do so by abandoning their female partners and family, the female characters master flight without abandoning those they love. Throughout the novel, human flight is accepted as a natural occurrence, while those who doubt human flight, such as Milkman, are viewed as abnormal and are isolated from the community. It is only when Milkman begins to believe in flight as a natural occurrence that he is welcomed back into the community and sheds his feelings of isolation.
In Song of Solomon by Toni Morrison, men discover themselves through flight. While the motif of flight is liberating for men, it has negative consequences for women. Commonly, the women of Song of Solomon are abandoned by men, both physically and emotionally. Many times they suffer as a result as an abandonment, but there are exceptions in which women can pick themselves up or are undisturbed. Morrison explores in Song of Solomon the abandonment of women by men.
In the same episode, he begins his incestuous affair with Hagar, leaving her 14 years later when his desire for her wanes. Milkman's experience with Hagar is analogous to his experience with his mother, and serves to "[stretch] his carefree boyhood out for thrifty-one years" (98). Hagar calls him into a room, unbuttons her blouse and smiles (92), just as his mother did (13). Milkman's desire for his mother's milk disappears before she stops milking him, and when Freddie discovers the situation and notes the inappropriateness, she is left without this comfort. Similarly, Milkman ends the affair with Hagar when he loses the desire for her and recognizes that this affair with his cousin is not socially approved, leaving Hagar coldly and consciously, with money and a letter of gratitude.
In Song of Solomon, through many different types of love, Ruth's incestuous love, Milkman and Hagar's romantic love, and Guitar's love for his race, Toni Morrison demonstrates not only the readiness with which love will turn into a devastating and destructive force, but also the immediacy with which it will do so. Morrison tackles the amorphous and resilient human emotion of love not to glorify the joyous feelings it can effect but to warn readers of love's volatile nature. Simultaneously, however, she gives the reader a clear sense of what love is not. Morrison explicitly states that true love is not destructive. In essence, she illustrates that if "love" is destructive, it is most likely, a mutation of love, something impure, because love is all that is pure and true.
Freedom is heavily sought after and symbolized by flight with prominent themes of materialism, classism, and racism throughout Toni Morrison’s novel Song of Solomon. The characters Milkman and Macon Dead represent these themes as Macon raises Milkman based on his own belief that ownership of people and wealth will give an individual freedom. Milkman grows up taking this idea as a way to personally obtain freedom while also coming to difficult terms with the racism and privilege that comes with these ideas and how they affect family and African Americans, and a way to use it as a search for an individual 's true self. Through the novel, Morrison shows that both set themselves in a state of mental imprisonment to these materials
Now that Morrison has explained the background that Milkman comes from the reader can now understand why Milkman has such personality flaws. Milkman is presented to the reader as someone who has much to learn about life and his personality can now be developed throughout the story. Because of his family Milkman grows into a materialistic young m...
Song of Solomon tells the story of Dead's unwitting search for identity. Milkman appears to be destined for a life of self-alienation and isolation because of his commitment to the materialism and the linear conception of time that are part of the legacy he receives from his father, Macon Dead. However, during a trip to his ancestral home, “Milkman comes to understand his place in a cultural and familial community and to appreciate the value of conceiving of time as a cyclical process”(Smith 58).
When one is confronted with a problem, we find a solution easily, but when a society is confronted with a problem, the solution tends to prolong itself. One major issue that is often discussed in today’s society that has been here for as long as we’ve known it, is racism. Racism is also a very repetitive theme in Toni Morrison’s Song of Solomon. Almost every character has experienced racism whether it be towards them or they are the ones giving the racism in this novel. Racism is a very controversial topic as many have different perspectives of it. In Toni’s novel, three characters that have very distinct perspectives on racism are Macon Dead, Guitar, and Dr. Foster. These characters play vital roles throughout the novel.
Abstract: The primary focus of this critical analysis essay is to explore the role of folklore, fairytales and fables in Noble Literary Prize-winning African American author Toni Morrison's novel, Song of Solomon, and her speech in The Noble Lecture in Literature. Morrison intertwines folklore, fairytales, and fables that are deeply engrained in people's conscience into her fiction, which allows for her text to become comprehensible in that all her readers truly understand her characters experiences and the meaning behind her stories and lectures. The following annotated bibliography includes a list of scholarly references that address the implementation of commonly known stories, such as folklore tales and fables, in Toni Morrison’s fiction. 7, No. 1 -. 3. What is the difference between a'smart' and a'smart'?
For the majority of Toni Morrisson’s Song of Solomon, Milkman is extremely self-centered and refuses to empathize with other people. He takes everyone in his life for granted and therefore treats them badly; however, because Milkman’s journey strips Milkman of his privilege, Milkman is forced to undergo many of the hardships faced by his loved ones. Throughout his journey, Milkman evolves from acting in a very selfish way to understanding the struggles that other people go through; furthermore, Milkman’s journey often triggers Milkman to reflect on his harmful actions or feel sorry for his past behavior.
A main reason for his eagerness to flee from home is his father. Macon Dead Jr., Milkman’s father raised him to value objects. Morrison says in chapter 2, “Boy, you got better things to do with your time. Besides, it’s time you started ]earning how to work. You start Monday. After school come to my office; work a couple of hours there and learn what’s real. Pilate can’t teach you a thing you can use in this world. Maybe the next, but not this one. Let me tell you right now the one important thing you’ll ever need to know: Own things. And let the things you own own other things. Then you’ll own yourself and other people too. Starting Monday, I’m going to teach you how” (Morrison 55). Morrison shows here that Milkman is raised to believe that you can only be complete through the power of owning things/people because that makes you “manly”. His father’s influence on him gives him the mindset that he needs objects to be independent which ultimately leads to his departure in the second part of the novel. Milkman eventually becomes an extremely materialistic person, which makes him start to view everything in his life in a negative way, especially his relationships with other people, Morrison says, “She was the third beer. Not the first one, which the throat receives with almost tearful gratitude; nor the second, that confirms and extends the pleasure of the first. But the third, the
Milkman chooses to jump and “surrender”, killing himself and letting go of all of his vanity in order to fly. In surrendering himself to the air, he dismisses everything that is keeping him a prisoner on the ground, so that he can finally reach the sky. Morrison uses Milkman’s surrender to prove that vanity keeps one stuck on the ground, and the only way up is to release it. Milkman doesn’t even “wipe away the tears” or “take a deep breath”, emphasizing that he has left all of his emotional belongings behind so that he can finally fly. Thus, in the use of the motif of flight through Milkman, Morrison argues that once one leaves all that is holding them down, they may