A battle between good and evil is a common plot to Dracula, by Bran Stoker, 1897. The forces of evil, Count Dracula and other vampires (the un-dead), try to take over Britain. The novel’s heroes Dr. Van Helsing, Dr. John Seward, Johnathan Harker, Quincy Morris, and Arthur Holmwood are the first responders for this evil invasion of the British Empire. In the novel, the characters Dracula and Van Helsing play a major role for being the leaders of their respective groups. Dracula’s actions in the novel have the purpose to flourish the rise of the un-dead, while Van Helsing’s actions aim to preserve and protect the human race from the un-dead.
Despite working for the polar opposites, Dracula and Van Helsing are not completely different from each
…show more content…
other. In the sea of differences between both characters a few similarities can be found. Both counterparts are leaders of the un-dead and of the fighting human race respectively. Dracula has been roaming the world for centuries; he is ancient. His practices are ancient for the time period. For example, his decision to travel to Britain for the first time by boat instead of taking the train, he still lives in a castle, and his obliviousness to modern techniques such as shorthand writing style. Van Helsing is a doctor, he is a practitioner of medicine. He is supposed to represent science and advancement, yet he relies in the use of old fashioned or ancient practices to resolve conflicts in the novel. Even though these characters have some similarities, they are ultimately different. Their purpose and goal leads them into a conflict that lasts to the end of the novel; a conflict between the un-dead and humans. Dracula seems to be the first vampire, or as Van Helsing says “un-dead”, to have surfaced in the world.
Evidence shows that Transylvania, in Romania is his homeland. The following remark is made when talking about his castle “just on the borders of Transylvania…” (Stoker 10). A suspenseful and mysterious atmosphere is created around Dracula. The locals talk of him as “dead”, foreshadowing his is part of the un-dead race “For the dead travel fast.” (Stoker 17). As the character Johnathan Harker is on his way to Castle Transylvanian many of the local Romanians show fear towards him and the place he is heading to “When I asked him if he knew the Count Dracula, and could tell me anything of his castle, both he and wife crossed themselves…” (Stoker 12). Such evidence foreshadows that Dracula terrorizes the human population in Romania. Upon arriving at Castle Transylvanian, Harker notes he rarely sees the Count in the mornings, for the Count always have an excuse to be absent. At Transylvanian Dracula moves around in a ghostly manner “Suddenly I felt a hand on my shoulder… I started, for it amazed me that I had not seen him, since the reflection of the glass covered the whole room behind me.” (Stoker 30). It seems as if he only reveals himself at the moments he wishes to. For the time Harker stayed at the castle he never saw the Count eat or drink “It is strange that as yet I have not seen the Count eat or drink” (Stoker 31). This starts to raise questions about the Count’s real …show more content…
identity. The reader learns later on the novel that Dracula is an un-dead. As the novel progresses, Dracula starts to reveal his “family’s” history to the readers. Harker’s diary describes the Count’s storytelling as detailed and vivid as if he himself had lived through all the events he talks about “In his speaking of things and people, and especially of battles, he spoke as if he had been present at them all.” (Stoker 33). At this sections Dracula’s intention with Harker becomes more clear. Harker is there to finalize papers of the estate the Count had currently acquired in Carfax, in England. Tying Dracula’s desire to move to England with his story of conquest, it foreshadows his intention to conquer the British Empire. He wants to make of England his new Romania, he wants to make it his empire. Dracula wants to create more of his kind. His first victim is Lucy Westenra, who he successfully turns into an un-dead. While in London, he is described as a predator in its hunting ground as Harker describes “… who was also observing the pretty girl. He was looking at her so hard that he did not see either of us…” (Stoker 155). Therefore, Dracula is an un-dead who preys on humans with the purpose to create more of his species. Through the novel Dracula is portrayed as a predator “without heart or conscience, preying on the bodies and the souls of those we love best.” (Stoker 209. Dracula is a character who feels the need to be in power. He wishes to rule by fear, as he had done in his homeland. His real thoughts and feelings are not directly expressed until Van Helsing invades one of his houses ,and he is forced to cower back “and through them you and others shall yet be mine – my creatures, to do my bidding and to be my jackals when I want to feed” (Stoker 267). The association he makes between humans and “jackals” implies that he sees Van Helsing and other beings as people who should serve him. It also reveals that he wants to be superior, and to be in control of others. Dracula has a superiority complex, which keeps him in track of trying to accomplish his plans to create a nation of un-dead. Van Helsing first appears in the novel when Seward requests his help to treat Lucy. HeVan Helsing is a doctor from Amsterdam, Holland “Professor Van Heilsing, who knows as much about obscure diseases as any one…” (Stoker 105). Seward treats him as a dear friend, and as a mentor. For everything Van Helsing plans and diagnoses is always considered the best option and rarely contradicted. In this midst of mystery Dracula sets, Van Helsing is the light that sets a pathway out of it. He accomplishes this in mysterious ways. For example, while he treated Lucy he was very unspecific to why garlic flowers needed to be laid around the room “The Professor’s actions were certainly odd and not to be found in any part pharmacopoeia that I ever heard of.” (Stoker 121). He had yet to revealed that an un-dead, Dracula in this case, had been feeding on Lucy’s blood. Van Helsing starts to be represented as a savior for bringing peace to Lucy “Since, however, Dr. Van Heilsing has been with me, all this bad dreaming seems to have passed away;” (Stoker 125). As the novel progresses he becomes more than a savior for his group, he develops into a protector of life. Van Helsing’s involvement in Lucy’s case represents his willingness to fight for the living.
As a doctor he praises life, and wants to preserve it as much as possible. His continuous attempts to save Lucy’s life is an example “It is not too late. It beats, though but feebly. All our work is undone; we must begin again.” (Stoker 118). At this time period Van Helsing did not fully comprehend what he was fighting against. After he failed to save Lucy’s life he realized he had engaged in a fight against the un-dead “But there are things you do not know, but that you shall know, and bless me for knowing, though they are not pleasant things.” (Stoker 149). In his mysterious tone, Van Helsing implies his knowledge of the un-dead, and what must be done to rid of them “I want to cut off her head and take out her heart.” (Stoker 149). The gruesome work he is willing to do illustrates that there are no limits to what he will do to destroy the un-dead. From his point of view, it is necessary to take such a step in order to protect the human
race. After the hunting and killing un-dead Lucy, Van Helsing engages in the pursuit of Dracula. From this point on he becomes a hunter, because he focuses all of his efforts on killing the most powerful un-dead “But we are face to face with duty; and in such case must we shrink? For me, I say, no.” (Stoker 209). The “duty” is to destroy Dracula, and he is sure he will do it. Van Helsing points out his ultimate fear in relation to Dracula, which is to become an un-dead like the former “But to fail here, is not mere life or death. It is that we become as him…” (Stoker 209). He also reveals to his companions the only way to defeat vampires “All we have to go upon are traditions and superstitions.” (Stoker 210). The only way to destroy Dracula is to believe in the traditions and superstitions they thought was men’s invention. To destroy a superstitious creature and guarantee that life reins the world, superstitious traditions must be used. In conclusion, Dracula and Van Helsing are the polar opposites and fight for different causes. Van Helsing is depicted as a savior, protector of life, and a superstitious doctor. While Dracula is presented as a hostile predator, who wants make of England his empire of un-dead. From a doctor’s stand point, Dracula is an infection that threatens to destroy life. Van Helsing is the doctor who fights this infection in order to guarantee the life of the patient by using superstitious countermeasures. Ultimately the differences between these two main characters represent the world in the late 1800’s, where people in Europe still could not separate reality from superstition.
This fictional character was soon to be famous, and modified for years to come into movie characters or even into cereal commercials. But the original will never be forgotten: a story of a group of friends all with the same mission, to destroy Dracula. The Count has scared many people, from critics to mere children, but if one reads between the lines, Stoker’s true message can be revealed. His personal experiences and the time period in which he lived, influenced him to write Dracula in which he communicated the universal truth that good always prevails over evil. Religion was a big part of people’s lives back in Stoker’s time.
Throughout ‘Dracula’, Stoker presents the idea of ‘foreigner’ through the characterisation of Count Dracula and Professor Van Helsing, who are the two main outsiders in the novel. Dracula, being a supernatural creature, is of Transylvanian descent which makes him such a poignant character. On the other hand, Van Helsing is a Roman Catholic, and is of a Dutch background, which also highlights him as a foreigner within ‘Dracula.’ In this essay I will explore how these two characters are represented and the intention behind the idea of ‘foreigner.’
In the 19th century Bram Stoker wrote the infamous novel, Dracula. This novel was composed in the style of letters, journal entries, newspaper articles and telegrams in order to convey to the reader a realistic story. The story of Dracula is about an ancient vampire who moves to London from his native country of Transylvania. In London, Dracula seduces and bites a young woman by the name of Lucy Westenra. When Lucy falls sick, no one knows how to help her because while Dracula has bitten her many times she has always been in a trance. Lucy?s friends decide to join together to combat what ever is ailing Lucy. In hopes of some help, Lucy?s friend Dr. Seward asks an old mentor of his by the name of Dr. Van Helsing to come to London and solve this puzzling illness. When Dr. Van Helsing arrives in London and sees Lucy he is the only one that knows almost immediately what has happened and what they are up against. The character of Dracula rarely appears in the story because this creates suspense and magnifies the fear of the unknown. The theme of good versus evil is developed throughout the book in many ways. One of the most important examples is Dracula and Mina. Dracula is the ultimate evil and Mina is full of goodness and purity. The Victorian view of women was not helpful to the characters in Dracula. For example, every time the male characters in the story decide not to tell Mina some particular type of information, things end up going terribly wrong. Even though Mina ends up being the key to destroying Dracula she is still a women and the Victorian view gets in the way.
Comparing the 1931 version of Dracula, starring Bela Lugosi, with Frances Ford Coppola's Bram Stoker's Dracula 1993 version yields some similarities. Both films are of the same genre: Horror. Both films are set around the same time period. Also, both deal with a vampire coming to England and causing disruptions in people's lives. Beyond these few similarities are numerous contrasts.
The late nineteenth century Irish novelist, Bram Stoker is most famous for creating Dracula, one of the most popular and well-known vampire stories ever written. Dracula is a gothic, “horror novel about a vampire named Count Dracula who is looking to move from his native country of Transylvania to England” (Shmoop Editorial Team). Unbeknownst of Dracula’s plans, Jonathan Harker, a young English lawyer, traveled to Castle Dracula to help the count with his plans and talk to him about all his options. At first Jonathan was surprised by the Count’s knowledge, politeness, and overall hospitality. However, the longer Jonathan remained in the castle the more uneasy and suspicious he became as he began to realize just how strange and different Dracula was. As the story unfolded, Jonathan realized he is not just a guest, but a prisoner as well. The horror in the novel not only focuses on the “vampiric nature” (Soyokaze), but also on the fear and threat of female sexual expression and aggression in such a conservative Victorian society.
While Bram Stoker’s Dracula has been described as the “quintessence of evil creatures we meet in our everyday lives” and “the Darkness” in the hearts of men (Herbert, 2004, pp. 62), Stephanie Meyer’s Twilight
While studying the diabolical figures in the devil, the idea of presenting Dracula came to mind. Dracula represents the devil in many similar ways. Dracula remains as a character in many diabolical movies and films. For instance, Van Helsing provides a good interpret of how Dracula remains noticed in the past and in present day. Although Dracula’s character obtains different views in every movie and film, he plays an important role in Stephen Sommers Van Helsing movie. In the movie, he acts as many different things. Demonstrating both the kind and evil inside, Dracula portrays his character as a mystery. Different views of Dracula throughout the movie include harsh, strong, powerful, evil, the devil, and unstoppable. The studies of Dracula
Throughout many types of literature, violence exists to enhance the readers interest in order to add a sense of excitement or conflict to a novel. This statement withholds much truthfulness due to the fact that without violence in a piece of literature such as Dracula by Bram Stoker, the plot would not have the same impact if it was lacking violence. Dracula's power and evilness led to the violent happenings which began with the conflict of Jonathan's inner struggle, as compared to the conflict which blossomed later on with good versus evil.
Dracula: a name that inspires thoughts of intrigue, fear, romance and in some a life style that is all its own. Yet one thing that is not always known is that there is a true story hidden behind the legend of Dracula. More than one actually, one in which a man is a demon who executes a hundred thousand men, impaling them, and dinning on their blood. Then there is the story of a patriot who cares for his people and is only doing what he must to protect them from the invading armies. The latter of which is less known, yet in the most famous book about Dracula, Bram Stoker brings forth many of the true facts about Vlad Țepeș also known as Vlad the Impaler. The tricky thing comes when we look at why Bram Stoker chose what he did for the book, and later what Coppola chose to leave out or modify from the novel when he directed the movie adaptation of Bram Stoker’s Dracula in 1992. Stoker wrote his based more on a German view of Vlad while Coppola modified his based on a more educated modern understanding of the times in which Vlad Țepeș lived, one of which Vlad was seen as a hero to the people of Hungary not initially the savage he is made out to be in many of the earlier studies.
Carol A. Senf uses a critical theory lens when she picks apart Bram Stoker’s Dracula. The majority of literary critics interpret this popular myth to be the opposition of good and evil, they turn a blind eye to the more specifically literary matters such as method of narration, characterization, and style. Carol Senf’s critical essay “Dracula: the Unseen Face in the Mirror” she believes that Stokers novel “revolves, not around the conquest of Evil by Good, but on the similarities between the two” (Senf 421). Her argument is as follows:
While the character of Renfield is ostensively extraneous to the central plot of Dracula, he fulfils an important role in Stoker’s exploration of the central themes of the novel. This paper will examine how Renfield character is intertwined with the three central themes of invasion, blood and otherness. Firstly, through Renfield’s inner struggle we learn that he is ‘not his own master’ (Stoker, 211). The theme of invasion is revealed by the controlling and occupying powers of Count Dracula. Secondly, the recurring theme ‘the Blood is the Life’ (Stoker, 121), is portrayed throughout the novel and has been interpreted through Stoker’s character Renfield. Then finally, a look at the social construction of the ‘other’ in Dracula and how, through Renfield, who is ‘unlike the normal lunatic’ (Stoker, 52), the Count emerges as the ‘other’ of all ‘others’.
In Twilight, Edward Cullen presents the question; “ But what if I’m not the hero? What if I’m the bad guy?” The role of vampires is very controversial. Back in the day they were evil, soulless monsters and people genuinely feared them. However, in the present day it seems that we have grown to love them and even hope to one day be them. There are a plethora of vampire stories and many of them have become immense hits. With so many vampire stories, it is not uncommon that readers are able to identify a vast amount of similarities. Although similar in aspects, there are still many differences between the classic and modern day vampires. Two highly popular stories, in which we can easily identify similarities and differences, are Bram Stoker’s Dracula and Stephenie Meyer’s Twilight.
In the book, Dracula by Bram Stoker there are many characters that display qualities of good verse evil. The Count Dracula is a mysterious character who appears as an odd gentleman but the longer the story goes on Dracula shows his true self. Dracula started infiltrating the lives of anyone who crossed his path and he was not stopping his destruction of others’ lives. Many people were affect by Dracula’s actions but there were two people that Dracula caused an impact on during his rampage. Dracula is an evil, cunning, and selfish character who harms the life of a young man and ruins the future of an innocent woman.
Dracula, the 1931 film directed by Tod Browning is loosely based upon the novel of the same name. Therefore both share similar characteristics but are distinct. The differences between the novel and film occur due to the cinematic choices made as well as the fact that the film is based off of not only the novel Dracula but also the 1924 play Dracula. One major decision made by Browning was to alter the role of Johnathan Harker. In the novel Johnathan is the solicitor who meets with Dracula in Transylvania and narrowly escapes the “veritable prison” and is a changed man due to his experiences there (25). On the other hand, in the film Johnathan never visits Transylvania. Renfield is the one who does so instead. That provides Renfield with a
While Dracula embodies the past, superstition/ritual, and the East. Van Helsing seems to be caught somewhere in the middle. He does not follow modern science and medicine exactly. Although, he does give Lucy a blood transfusion several times throughout her sickness. “My friend John and I have consulted; and we are about to perform what we call a transfusion of blood.” (Stocker 140). He does a blood transfusion about four times, and Dr. Seward is astonished in how Lucy can receive that much blood in her little body. “Man alive, her whole body wouldn’t hold it” (Stocker 167). Van Helsing also follows all-natural and traditional medicine. He uses garlic, which Lucy mistakes as white flowers. “’For me? Oh. Mr. Van Helsing!’ ‘Yes, my dear, but not for you to play with. These are medicines’” (Stocker 147). He uses this technique throughout Lucy’s sickness in hopes that she eventually would get better. Van Helsing would fall somewhere in-between both East and West regarding which he would