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Edgar Allan Poe influence on literature
Edgar allan poe influence by
Edgar allan poe's influence
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Two Historical Talents Film making and writing are two very important jobs in the entertainment of people. The best film makers and authors can manipulate the audience into a certain feeling or emotion. Two great creators in the film and writing industry, Edgar Allen Poe and Alfred Hitchcock, manipulate their audience into feeling suspense and horror in their works. Both Poe and Hitchcock manipulate the audience to feel suspense using mood. Poe uses mood when talking about his wife before he kills her in "Black Cat." Poe uses very vulgar vocabulary to create a sense of suspense to the reader in his short story. "Goaded by the interference into a rage more than demoniacal, I withdrew my arm from her grasp and buried the axe in her brain" (Poe 11). Poe uses vulgar language and strong diction to create a suspense for the reader because the reader didn't know what was going to happen in the very beginning of the quote. Only later in the quote does the reader find out he killed his wife. In Hitchcock's movies, the audience interprets mood in a different way. Hitchcock uses lighting to create mood in his movies. For example, in Rear Window the lighting goes completely dark in Jeffries' apartment, and the only lighting the …show more content…
Poe uses Juxtaposition in the "The Cask of Amontillado" to show the readers the horror of the situation. In "The Cask of Amontillado", Wine is mentioned with the bones of dead bodies. The wine and rotten bones being juxtaposed show the reader that the narrator is caught between wine, which represents life, and death. At this point, the narrator is moving toward death, creating horror for the reader. Hitchcock uses Juxtaposition to create horror in the movie Rear Window by having Mrs. Thorwald's dead body allegedly buried in a flower garden. The combination of flowers and a dead body exaggerates the situation and makes it look like an inhuman quality even for a
...ormation of novel to film, sees Hitchcock’s responsibility as auteur. Suggesting Hitchcock as ‘creator’, attributes to Vertigo’s “perfection” (Wood, p.129) as Wood argues. Stylistic features known classically to Alfred Hitchcock movies is also what defines Hitchcock as a classic auteur, his style generates a cinematic effect which mixes effectively with his use of suspense. In returning to Cook’s discussion, she references Andrew Sarris, who argues that the “history of American cinema could be written in terms of its great directors,” (Cook, p. 411) showing the legitimacy of authorship in popular American cinema. Ultimately Cook goes on to address the changes in authorship from the 1950’s until today, featuring developments in authorship within Cinema. Overall, both Cook and Wood presented a balanced discussion on the legitimacy of Alfred Hitchcock’s auteur status.
Alfred Hitchcock’s films not only permanently scar the brains of his viewers but also addict them to his suspense. Hitchcock’s films lure you in like a trap, he tells the audience what the characters don’t know and tortures them with the anticipation of what’s going to happen.
All directors of major motion pictures have specific styles or signatures that they add in their work. Alfred Hitchcock, one of the greatest directors of all time, has a particularly unique style in the way he creates his films. Film analyzers classify his distinctive style as the “Alfred Hitchcock signature”. Hitchcock’s signatures vary from his cameo appearances to his portrayal of a specific character. Two perfect examples of how Hitchcock implements his infamous “signatures” are in the movies, A Shadow of a Doubt and Vertigo. In these movies, numerous examples show how Hitchcock exclusively develops his imagination in his films.
One of the most famous authors in American history is Edgar Allen Poe, thanks to his intricate and unsettling short stories and poems. One of the strongest aspects of Poe’s writing style is the allure and complexity of the narrator of the story. These narrators, ranging from innocent bystanders to psychotic murderers, add depth to such a short story and really allow Poe to explore the themes of death and murder which he seems to have an unhealthy obsession towards. Furthermore, he uses these narrators to give a different perspective in each of his many works and to really unsettle the reader by what is occurring throughout the story. The narrators, whether an innocent witness of death as in "The Fall of the House of Usher" or a twisted murderer as in "The Cask of Amontillado" are used by Poe to discuss the themes of death and murder within these stories and, depending on their point of view, give a different take on such a despicable act such as murder.
Alfred Hitchcock’s unique sense of filmmaking and directing has allowed him to become a very famous and well known film maker of his time. He uses similar recurring themes, elements, and techniques in many of his films to engage the viewers in more than just the film, but the meaning and focus behind the story.
The Tell Tale Heart, written by Edgar Allan Poe, and Psycho, directed by Alfred Hitchcock were both formidable, revolutionary and horrifying creations to the audience’s of their times and to some extent, still are today. Hitchcock drew audiences in into his work by utilizing certain camera angles, mise-en-scene and diegetic and non-diegetic sounds. However, Edgar Allan Poe used a variety of literary techniques such as varying sentence structure, imagery and irony to draw his readers in. While these two masterpieces are unique in terms of content, both of them explore a prominent theme, fear.
Edgar Allan Poe is one of America’s most celebrated classical authors, known for his unique dealings within the horror genre. Poe was a master at utilizing literary devices such as point of view and setting to enhance the mood and plot of his stories leading to his widespread appeal that remains intact to this day. His mastery of aforementioned devices is evident in two of his shorter works “The Black Cat” and “The Cask of Amontillado”.
Horror themed stories frighten, scare, or startle the reader by inducing feelings of terror and dread. In The Cask of Amontillado, Edgar Allen Poe tells the tale of Montresor, a disgruntled noble man who plots revenge on his adversary. Montresor declares that another noble man named Fortunato that has constantly battered him and insulted him. Montresor has plotted his revenge over time and has carefully constructed a plan to blatantly and consciously destroy Fortunato right before his very eyes. The most terrifying aspect of Montresor’s plan is the methodical nature in which he leads Fortunato to his doom. Poe continually builds terror in The Cask of Amontillado, masterfully utilizing plot, setting and symbolism to develop horror in his classic
His audience wanted revenge thrillers. Poe wrote multiple stories that dealt with revenge and thrill, but also these works were influenced by the Gothic writing style. Two of Poe’s most famous thriller stories were “A Tell-Tale Heart” and “The Black Cat”. Poe gives the audience thrill in these stories through the way he uses details. Poe uses details to get the audience going.
Mood is a mix of emotions and thoughts. For example, when reading a scary story or watching a horror movie, everyone and anyone will get a feeling that something bad is going to happen soon. This is known as foreboding or ominous mood. In The Birds by Alfred Hitchcock, and If Cornered, Scream by Patricia J. Thurmond, the director and author create a foreboding/ominous mood that attracts readers or viewers to keep watching or reading it. Music, the actions of the character, and the setting are three of many ways to help create mood in a story. Overall, foreboding is very important in The Birds by Alfred Hitchcock, and If Cornered, Scream by Patricia J. Thurmond.
Literature has played a large role in the way we perceive the world and it can affect the way in which we think about things. Edgar Allan Poe along with Mark Twain are two of the most influential authors that our world has ever seen. Their descriptiveness and diction has had a huge impact on their readers for centuries. Poe’s gothic style of writing was very enthralling and suspenseful; it left you wanting to know what was going to happen next. Whereas, Mark Twain was a very humorous author that intended to amuse all that read. The descriptiveness that was incorporated by these world-renown authors is tremendous.
Everybody knows Alfred Hitchcock is the master of suspense and is known for inciting fear in the hearts of his audience. His multiple, fast cuts directs his audience to what he wants them to see and feel. Close-ups of the actors faces clearly shows what the characters are feeling and forces the audience to feel the same emotions. With all his expert directing skills, is there any meaning behind what he chooses to portray in his films or is it all for show? Could there be a deeper meaning to his films? The answer to these questions is a firm yes. Hitchcock’s past experiences guided him to be the director he was. The inadequateness of the police, control of all details in his films, and long stretches of no dialogue all portrayed in his films are all directly correlated to Hitchcock’s early life and early professional life.
Edgar Allan Poe has a style that is dark and morbid. His tone is very gloomy and obscure. The tone of “The Cask of Amontillado” is almost tame compared to the tone of “The Black Cat”, his other work we covered. The tone of that work is almost maddening. “The Cask of Amontillado” tone is very sinister and methodic. Whereas “The Black Cat”, has a pulse to a cadence and rhythm though no clear pattern is established. Poe’s style of writing seems so personal, as a reader I had to remind myself this was fiction. His first-person style of writing is so detailed and intricate it is very easy to become invested in the world he creates. “The Cask of Amontillado” and “The Black Cat” both have themes of revenge where the supposed victim is untimely
One of the techniques that Hitchcock used was adding humor into his movies to create tension in the scene. Hitchcock f...
Frist Alfred Hitchcock, he is the master of suspense. He imposed a new style with his films.