In Mary Shelley’s novel Frankenstein, the protagonist, Victor tampers with the laws of nature by creating life through unnatural means resulting in the production of a wretched creature whose abnormal appearance defines him as monster in the eyes of others. Victor successfully fulfills his goal of creating life with the chemistry of his own hands, yet instead of celebrating his triumph, he is repulsed and marks his creature as a being destined for destruction. The monster’s appearance ignites pure disgust from anyone who sees him; however, ironically his actions, language, and respect towards his creator and the Delacy’s indirectly brings upon another reality that diverges from the narrator’s depiction of this horrid “daemon”. A monster, by definition, is a person of “inhuman cruelty or wickedness,” yet this creature demonstrates …show more content…
In contrast from the creature, Victor utterly tries fixing their dispute with violence creating a great mismatch of qualities and behaviors between the idea of human and monster. Victor actively sharpens his tongue against the creature when degrading him as a “Devil” and “Vile Insect” he even goes to the extent of claiming he will “Extinguish the spark which I so negligently bestowed” (102). Since the creature fails in resembling a human form Frankenstein’s constantly degrades and explodes this monster. Victor’s actions are based off the creature’s appearance and not of actual threats. Furthermore, Victor’s language and actions of dehumanization towards his creation not only demonstrates narrow mindedness from Victor’s behalf, but illuminates a grand contradiction between both characters. Although Victor physically represents a human his lack of reason and empathy towards his own creation cast him as the real monster during this
Virtue is found at the margins of society more often than at its center. In Frankenstein, the novel by Mary Shelley, the monster exemplifies virtue to a greater extent than his creator, Victor Frankenstein. Shelley's creature is an isolate of great sensitivity, kindness, and insight. Contrary to James Whale's 1931 film, Frankenstein, which portrays the creature as a lumbering dolt, Shelley's monster was modeled on Rousseau's notion of humanity as the "noble savage". The nobility of the creature is evident as encounters a simple French family and observes and draws form the quirks of humanity.
As a tragic hero, Victor’s tragedies begin with his overly obsessive thirst for knowledge. Throughout his life, Victor has always been looking for new things to learn in the areas of science and philosophy. He goes so far with his knowledge that he ends up creating a living creature. Victor has extremely high expectations for his creation but is highly disappointed with the outcome. He says, “I had desired it with an ardour that far exceeded moderation; but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart” (Shelley 35). Frankenstein neglects the creature because of his horrifying looks, which spark the beginning of numerous conflicts and tragedies. At this point, the creature becomes a monster because of Victor’s neglect and irresponsibility. The monster is forced to learn to survive on his own, without anyone or anything to guide him along the way. Plus, the monster’s ugly looks cause society to turn against him, ad...
In Frankenstein, Victor’s monster suffers much loneliness and pain at the hands of every human he meets, as he tries to be human like them. First, he is abandoned by his creator, the one person that should have accepted, helped, and guided him through the confusing world he found himself in. Next, he is shunned wherever he goes, often attacked and injured. Still, throughout these trials, the creature remains hopeful that he can eventually be accepted, and entertains virtuous and moral thoughts. However, when the creature takes another crushing blow, as a family he had thought to be very noble and honorable abandons him as well, his hopes are dashed. The monster then takes revenge on Victor, killing many of his loved ones, and on the humans who have hurt him. While exacting his revenge, the monster often feels guilty for his actions and tries to be better, but is then angered and provoked into committing more wrongdoings, feeling self-pity all the while. Finally, after Victor’s death, the monster returns to mourn the death of his creator, a death he directly caused, and speaks about his misery and shame. During his soliloquy, the monster shows that he has become a human being because he suffers from an inner conflict, in his case, between guilt and a need for sympathy and pity, as all humans do.
Mary Shelley expresses various ethical issues by creating a mythical monster called Frankenstein. There is some controversy on how Mary Shelley defines human nature in the novel, there are many features of the way humans react in situations. Shelley uses a relationship between morality and science, she brings the two subjects together when writing Frankenstein, and she shows the amount of controversy with the advancement of science. There are said to be some limits to the scientific inquiry that could have restrained the quantity of scientific implications that Mary Shelley was able to make, along with the types of scientific restraints. Mary Shelley wrote this classic novel in such a way that it depicted some amounts foreshadowing of the world today. This paper will concentrate on the definition of human nature, the controversy of morality and science, the limits to scientific inquiry and how this novel ties in with today’s world.
“I do know that for the sympathy of one living being, I would make peace with all. I have love in me the likes of which you can scarcely imagine and rage the likes of which you would not believe. If I cannot satisfy the one, I will indulge the other.”
Society tends to believe that moral principles are what keeps it together. In the novel Frankenstein by Mary Shelley, she portrays many ethical unsound actions that Victor finds himself into. Ethics can be defined as rules of behavior of right and wrong that are accepted by an individual or society. One ethically unsound action Victor made was playing god by creating a artificial being. The second reason is when Victor encountered the creature and was selfish because he put his loved ones in danger. The final reason is how he didnt think of the consequences of his actions when creating a life.
Mary Shelley’s Frankenstein is ‘one of the pioneering works of modern science fiction’, and is also a frightening story that speaks to the ‘mysterious fears of our nature’. Mary Shelley mocks the idea of “playing God”, the idea that came from the Greek myth of Prometheus, of the Greek titan who stole Zeus’ gift of life. Both the story of Frankenstein and Prometheus reveal the dark side of human nature and the dangerous effects of creating artificial life. Frankenstein reveals the shocking reality of the consequences to prejudging someone. The creature’s first-person narration reveals to us his humanity, and his want to be accepted by others even though he is different. We are shown that this ‘monster’ is a ‘creature’ and more of a human than we think.
In the 1818 text of Frankenstein, written by Mary Shelley, various forms of human exploitation and oppression lead to the dehumanization of two major characters in the novel: the creature which Victor Frankenstein brings to life, and Victor himself. The creature is deemed an outcast just by his very existence. Victor oppresses his creation solely based on the creature’s grotesque features. Although the creature shares qualities, feelings, and emotions that categorize him as a human, Victor’s oppressive behavior and rejection of the his creation immediately lead to the creature’s dehumanization. Victor is driven by human exploitation, and treads on the laws of nature as he successfully attempts to cheat death and create an artificial being.
Monsters can come in various physical forms, but all monsters share the same evil mentality. A Monster is a being that harms and puts fear within people. Mary Shelley’s Frankenstein is a prime example of how appearance does not determine whether a creature is a monster or not. In the story, Victor Frankenstein tries to change nature by creating a super human being. The being appears to be a monster. Victor becomes so obsessed with his creation and then rejects it. Victor is the real monster because of his desire for power, lack of respect for nature, and his stubbornness.
Peter Brooks' essay "What Is a Monster" tackles many complex ideas within Mary Shelley's Frankenstein, and the main concept that is the title of the essay itself. What is the definition of a monster, or to be monstrous? Is a monster the classic representation we know, green skin, neck bolts, grunting and groaning? A cartoon wishing to deliver sugary cereal? or someone we dislike so greatly their qualities invade our language and affect our interpretation of their image and physical being? Brooks' essay approaches this question by using Shelley's narrative structure to examine how language, not nature, is mainly accountable for creating the idea of the monstrous body.
Victor Frankenstein's determination to constitute a race causes him to create a deformed creature, which he immediately rejects. In the first place, Victor, who is strong willed, spends both night and day working on his creation, his initial concern is to create a race in which he may be their leader. He also uses parts that are bigger in size so that he may finish faster. When he finishes his reaction is completely different from what he had expected. For instance, when he is done with his creation he becomes so appalled by its appearance that he "rushed out of the room" (42). When Victor awakens the next morning he finds the creature at his bedside and at that moment he leaves. When he returns he finds an empty house with no creature in sight, which brings him a feeling of relief. Victor describes the creature as a "demonical corpse" (43) to which he has given life. Furthermore, Victor, sometime later, sees the creature at a distance and never once decides to approach it. Instead Victor always rushes in the opposing direction. For example, while Victor is on his journey home he crosses the lake to Plainpalais and sees...
Mary Shelley’s, Frankenstein, shares a story of an educated and privileged man, Victor Frankenstein, who is led astray in pursuing his scientific advancements. Victor would eventually succeed in creating human life however, the being would go on to haunt and destroy Victor’s life. Shelley shares that Victor was triumphant in surpassing scientific boundaries by creating human life, yet he failed to create a human being. He created a monster, an animal, who would be known as “the creature”. It is apparent throughout the book that the creature would never be accepted into society due to his horrific appearance, but it is Shelley’s highlighting of this alienation that she is able to reflect the surrounding society’s ignorance and prejudice towards
People are defined by their environment and how they react to their environment. Environments that appear to be perfect on the outside may very well be the cause of misery in man's life because one must be able to cope with their environment. Victor could not cope with his environment and lashed out at the world by trying to attain power. However, things do not always go as planned, and sometime this may be beneficial. One should not judge by external appearance alone. It is what is on the inside that counts. Had Victor Frankenstein been taught ethics such as this, his life, as well as the lives of those he loved, could have been saved. Also, the life of the creature could have been free of pain and hatred. The monster is a symbol for the outcasts and rejected of society. He is also a reflection of Victor, meaning that Victor was also considered an outcast. The reality of an animated object reflecting something that one does not want to see, combined with being alone in the world, is enough to drive man mad. The monster, in some ways, creates a harsh reality for Victor. Either love what you create or be destroyed by it.
The “Monster” is Not the Monster The definition of a monster is one who contrasts from normal or acceptable behavior or character .Victor Frankenstein’s creation,in the novel Frankenstein written by Mary Shelley, is referred to as a monster, yet throughout the novel the reader is made aware of the compassion and morality that the creature possesses. The only reason it is seen or called a monster is because of appearance of not being human. The creature of Victor has no time to realize who or what he is before victor labeled him as a monster.
One of the most influential contributions in the formation of the monster’s character is Victor’s failure as a creator and a father. As a creator, Victor has the responsibility of providing for his creation, just as God provided for Adam and Eve. At the same time, Victor also falls under the role of a father, and should therefore seek to strengthen the familial bond between the two of them. However, Victor fails in both of these endeavors, because he cannot accept the monster in his deformity. “Frankenstein’s sole regret… is that he did not create an aesthetically pleasing being” (Bond). Victor, due to his skewed vision of humanity, believes outer beauty to be a reflection of inner character, and that because of the monster’s hideous appe...