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Shrek the musical analysis
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Theatre is a form of fine art, in which live performers or actors present either a real or even a fairytale-like story upon spectators. Theatre is known for having subcategories, one of the most common one being musical theatre. Musical theatre characterizes on combining music, spoken dialogue between characters, and acting and dancing numbers as well. Aside from this, the story of a musical usually involves comedy, sadness, love, and anger, which all could be seen through movement and technical aspects as a whole. All of the mentioned characteristics can be seen in David Lindsay-Abaire’s adaption of Shrek the Musical. Director, Lindsay-Abaire manages to capture the audience’s attention, as well as transporting one, the audience member, through …show more content…
Music in productions such as this one, include songs with catchy lyrics that help advance the plot in a more energetic manner, all through the usage of instrumental pauses played live. Shrek the Musical has elements of action songs, which move the plot forward, as well as character songs, which allow characters to express their thoughts to the spectators. An example of a character song in the musical is seen in Act I, within the song “Big Bright Beautiful World.” In this upbeat comedy song, Shrek explains to the audience how regardless of people rejecting and being afraid of him his entire life, there is nowhere or where he would rather be. As the plot of Shrek the Musical advances, the music heightens the dramatic tension of certain scenes, evoking sentimental feelings. This is can be seen in Act II, during Lord Farquaads’s scene. The music here turns into a ballad, which is usually a more slow beat yet reflective. In the song “The Ballad of Farquaad,” Lord Farquaad himself reveals his unfortunate past of how his father abandoned him in the woods as a child due to the fact that the family business was never his priority. The end scene of Shrek the Musical ends with a production number song called “I’m A Believer,” which leaves the audience with a very positive feel, as Shrek and Fiona begin a new life together and live happily ever after. Aside from …show more content…
Dialogue in this musical is somewhat brief but purposeful, due to the fact that it drives the main narrative onward. Most of the musical’s performance is combined with music as mentioned above. Throughout the play, each one of the characters manages to be captivating in the sense that they are convincing in their own unique role, while still holding the audience attentive. Characters such as Shrek also portray confidence and comprehension that can effectively convey the emotion that influences their personal actions. The first dance number performed in Shrek the Musical is in Act I, Lord Farquaad’s scene, where he portrays his love for his kingdom, Duloc. Another scene where the dance number is quite imperative for the performance’s quality is the last scene of Act II; this scene, as mentioned above, is where Fiona and Shrek are celebrating their new life together, happily ever after. In this dance number, all of the characters of the musical come together as a whole, and debut an unforgettable yet positively filled entertainment. Both dance numbers found in Shrek the Musical add physical rhythms that accompany the musical’s songs. Besides the performance, the set and lighting are also a key element in Shrek the
The sound effects and music for the play was recorded to go with the actions of the character’s and whatever was taking place on stage; for example, when Ian and Chuck would play a game since there was no television they needed sound effects to better depict them playing a game. The music used in the play was relevant to today’s period and fit in well with the scenes, like when Ian says he’s going to get a job the song “I’m going to win” fit in perfectly, because it showed his determination. They also used music to help...
Ever heard of a story that sings of the “Angel of Music” and the “Phantom of the Opera”? A tale that once you have listened to the sweet melody that you will realized that you've pasted the “Point of No Return”? This love triangle has captivated multitudes ever since the 1910 original Phantom of the Opera was published in France by Monsieur Leroux, although most story lovers recall the musical of the same name by Andrew Lloyd Webber or the motion picture adaption. Although this story has been entertaining people for over a century, in this new era have prerecorded voices and movements begun to overshadow the talented performers of live theater? Although “The lavish screen adaptation of Andrew Lloyd Webber's Phantom of the Opera (2005) only deepened the damage” of the dislike of musicals made into film “with non-stars in the leads and an unimaginative production,”(Musical),which version, the live performance or the film, makes the story more attractive? To answer these questions, permit this essay to analyze two methods of storytelling: 2011 live performance Andrew Lloyd Webber's The Phantom of the Opera at the Royal Albert Hall and the 2005 film, and decide if music and story lovers everywhere have too “turned from true beauty”.
There is a non diagetic song over the top of the opening credits scene , it is a happy lively song, which reflects the personality of Shrek. There is a long shot of shreks home with the sunshin...
In conclusion, Shrek The Musical was a very creative and well produced play that I really enjoyed watching. The costumes, props, backgrounds and theme all helped in bringing the whole play together and to life.
...wed this particular component to make differences to such challenges from one dance to the next. This was possible due to Fagan’s approach to choreography that are different compared to another choreography that was designed to other Disney films turned musicals i.e. Beauty and the Beast and Little Mermaid. These two notable musicals have taken the stages of Broadway by storm. However, there is an ingredient missing to those shows that Taymor was able to capture from beginning to end with the Lion King. The Lion King musical gave the critics an idea how actors are moving across the stage, embodying the human and animal aspects of all characters from an animated element. It was a risky challenge that Fagan took by radically going from the negative into the positive using dance and movement vocabulary to balance structure and pacing of the highly successful musical.
Every face had excellent expressions, presenting their characters perfectly. Also, each actor added their own twist on the characters, anywhere from a slight accent to body language, adding more depth to the entire musical. Furthermore, every actor changed their voice in a way that depicted their character’s emotions and attitude at that particular moment. Also, the color of the lights changes according to each scene and the mood for that particular scene.
The directors have been able to convey the binary of appearance and reality. Fiona was first disappointed by Shrek’s appearance. However, as Fiona develops a relationship with Shrek, she realises that there’s more to Shrek than what meets the eyes. The scene in the movie where Fiona is revealed to Donkey as another appearance is the major focus. On a spell, Fiona takes appearance of an ogre after sunset. Fiona is ashamed of her unattractive appearance, determined to marry Lord Farquaad in order to break the spell. Nevertheless, when Shrek sees Fiona’s ogre side, he is not disappointed and rather gets the courage to confess his love to Princess Fiona. Fiona’s wish comes true; True love’s first kiss, and takes love’s true form, the ogre. Non diegetic romantic music is used to show Shrek and Fiona’s connection. A mise en scène is created,
...downfalls. Fagan in his own hope want the audience to look at dance without going through boredom or thinking dance as a medicine (Bramley 24:1997). The musical has allowed this particular component to make differences to such challenges from one dance to the next. This was possible due to Fagan’s approach to choreography that are different compared to another choreography that was designed to other Disney films turned musicals i.e. Beauty and the Beast and Little Mermaid. These two notable musicals have taken the stages of Broadway by storm. However, there is an ingredient missing to those shows that Taymor was able to capture from beginning to end with the Lion King. It was a risky challenge that Fagan radically took out of the negative into the positive with the use of vocabulary to approach the use of dance and movement as part of a highly successful musical.
Theatre has heavily evolved over the past 100 years, particularly Musical Theatre- a subgenre of theatre in which the storyline is conveyed relying on songs and lyrics rather than dialogue. From its origination in Athens, musical theatre has spread across the world and is a popular form of entertainment today. This essay will discuss the evolution and change of musical theatre from 1980-2016, primarily focusing on Broadway (New York) and the West End (London). It will consider in depth, the time periods of: The 1980s: “Brit Hits”- the influence of European mega musicals, the 1990s: “The downfall of musicals”- what failed and what redeemed, and the 2000s/2010s: “The Resurgence of musicals”- including the rise of pop and movie musicals. Concluding
The musical selections and songs that were sung told a story and narrated the almost the entire film, as is expected in...
Different from other types of films, the music in Phantom of the Opera was used by all the characters, as a way to tell their part of the story. The music created a convincing surrounding for the film, guided the audiences. The music was constantly a signifier of emotion, as the characters expressed their feelings through the songs. The music score was an emotional and scary score that tied into their diegetic/non-diegetic singing, giving the main characters an identity, specifying situations and places to help connect certain points. When we hear the dark music play throughout the movie, it plays a certain theme, that theme gives the viewers a clear hint of who or what the music is talking about. Another example of signifier of emotion was in The Devil Wears Prada, where the film used either fast upbeat songs for when Andy walks all around the city, running errands for Miranda, or romantic alternative music when Andy is with her boyfriend and true friends (The Phantom of the Opera/The Devil Wears
Songs “Why Can’t The English?”- This song is an introduction to the musical as a whole and it is all about the accents of the english and why they speak the way they do. It was put into the movie because it introduced Professor Higgins’ character and occupation. “Wouldn’t It Be Loverly”- Eliza sings this song on the night street about what she would do if she could have everything she wanted.
Stage musicals are risky business ventures, but can garner mass appeal and subsequently big profits (The Economist 2013). Musicals attempt to attract a wide audience by interpreting universal stories or emotions, often looking to high culture source texts that contend with real events. The Lion King is considered the highest grossing musical (Johnson 2014). While based on the Disney film, it clearly utilises the narrative of Shakespeare’s Hamlet and encapsulates such themes as mortality, identity and family.
Shore, Howard, and Doug Adams. The Music of The Lord of the Rings Part 1. Los Angeles: New Line Tunes, 2002. Print.