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Essay on why stephen king uses techniques in his writting
Stephen King essays
Stephen king critical essays
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“Gramma” Over spring break, I read three horror short stories by Stephen King; “A Death”, “Gramma”, and “Here There Be Tygers”. Although all three short stories were different in plot, they all shared the same intention of being written; which was to bring forth the fear of death. Stephen King’s objective in writing these kind of short stories is to capitalize on people’s fear of death, to lure the reader into his stories, and to show the evil side of mankind. The audience that King targets are for those who enjoy reading horror, and do not mind getting frightened. In particular, in the short story, “Gramma”, the main character’s fear of his grandma comes head on, no matter how many times the main character tries to find flaws in his …show more content…
It definitely keeps the reader on the edge of their seat, and makes him/her hooked on the story. Overall, there were many strengths in this short story that left me eager to read more. King does a very good job using many flashbacks that George remembers, ‘Gramma, who slept more and more, and she began to cry Ruth! Ruth! ROO-OOOTH! in that high, querulous voice of hers, and Mom had stopped laughing and went into her room’ (King, 5), ‘On one occasion when she was doing this last, Mom had turned white and had gone in and told her to shut up, shut up, shut up! George remembered that occasion very well, not only because it was the only time Mom had ever actually yelled at Gramma, but because it was the next day that someone...’ (King, 6). Another successful aspect of the story was the very detailed description of George’s grandma, ‘Gramma held out her heavy arms toward him from her white vinyl chair that always smelled of the poached eggs she ate and the sweet bland powder George’s mom rubbed into her flabby, wrinkled skin; she held out her white-elephant arms, wanting him to come to her and be hugged to that huge and heavy old white- elephant body’ (King, 1). George provides the reader with a lot of knowledge of what the grandma looks like physically, and what his thoughts are on it. The last thing that King does very well is explaining George’s grandma’s illness, ‘Sometimes, when she had her “bad spells,” she would …show more content…
The reader learns that if something does not feel right, chances are that you should not take a risk. George tries to pick flaws in his logic when he does not feel comfortable being alone with his grandma, but deep down inside, he feels uncomfortable. George tries to put on a brave face for his mother after being asked whether he will be alright being left alone with his grandma, “I don’t want you to worry,” she said. “You’ll be all right. Gramma, too. Sure, I’ll be okay” (King, 1). George should realize that his emotions and thoughts are not invalid, and should be taken into
3. Because he believes that "real men have no fears," 8-year-old George has difficulty accepting the fact that his father is fearful of losing his job. George's experience is most directly explained by:
Many words are repeated throughout the story, often suggesting they are significant to the narration. Connecting this repetition to the idea of an oral narrator, these moments of repetitions become moments of teaching. One of the words that King repeats throughout the story is “See-po-aah-loo”, which is important since it is a word in Granny’s language translating to a garbage hole (Magpies 23). The narrator teaches the audience the meaning of the word explaining that it represented, “Everything you don’t want people to see. You put them there” (Magpies 23). This particular word has two important ideas and purposes in the narration. One purpose of the repetition is to connect the reader to the story’s subject’s cultures and community. By using a word in Granny’s language, King creates a greater intimacy between the reader and the narrator. The narrator teaches the word to their audience, imitating a real-life storyteller teaching their audience about his culture and identity through language. The second purpose is to highlight the main irony in the story and the conflict between Ambrose and Wilma. After Granny’s death, the two characters had differing ideas of what to do with her body, with Wilma wanting a Catholic burial. Granny viewed the concept of burial as being put into a garbage hole, the “See-po-aah-loo” (King, “Magpies” 24). After her burial, Ambrose
The Grandmother is a bit of a traditionalist, and like a few of O’Connor’s characters is still living in “the old days” with outdated morals and beliefs, she truly believes the way she thinks and the things she says and does is the right and only way, when in reality that was not the case. She tends to make herself believe she is doing the right thing and being a good person when in actuality it can be quite the opposite. David Allen Cook says in hi...
The family doctor, their priest, and the Weatherall family all gather around Granny Weatherall on her death bed, but for the majority of this time, she does not realize that she is dying, and believes that they are all making a fuss over nothing. Granny Weatherall is very annoyed by the attention, and almost always has a catty remark to her family’s concern, such as when she says to her doctor, “You look like a saint, Doctor Harry, and I vow that’s as near as you’ll ever come to it”(Porter, 265). While Granny Weatherall had a family that was very attentive to her, it seems as though the grandmother from “A Good Man is Hard to Find” had a family that was mainly annoyed by her presence. Not much is known about the grandmother’s past, but is seems as though her son tries not to be annoyed by her, but just cannot stop himself, and it is very clear that her grandchildren are very annoyed by her. She is found annoying by her family,
The Grandmother often finds herself at odds with the rest of her family. Everyone feels her domineering attitude over her family, even the youngest child knows that she's "afraid she'd miss something she has to go everywhere we go"(Good Man 2). Yet this accusation doesn't seem to phase the grandmother, and when it is her fault alone that the family gets into the car accident and is found by the Misfit, she decides to try to talk her way out of this terrible predicament.
Lennie continued his thoughts aloud, “George gonna wish he was alone an’ not have me botherin’ him. I could just go up to them mountains and find a cave.” He continued, sadder now, “ -an’ never have no ketchup- but I won’t care. If George don’t want me... I’ll go away. I’ll go away.”
In “The Jilting of Granny Weatherall,” the story is read in a lighter fashion. It involves the main character, Granny Weatherall, and her triumph through time and love. Granny fights for love and strength for her kids, despite being “jilted” by George at the alter and the issues and pains that come with that memory. Although Granny married, and had children, she never seemed to live up to the fact of her being “jilted” by George. Death is an idea that both stories start, and end with.
Also, this time around I came to realize that one of Granny's other daughters, Hapsy, who had died at an early age, was being summoned to see her mother before she fell to her fate. Hapsy was her favorite. Although I don't think Granny grasped the concept that Hapsy had passed away a long time ago, she gets the urge to need to see her again when reminiscing of her past. While reminiscing, Granny Weatherall sees a picture of her old fiancé, John, who was supposed to marry her but stood her up at the altar.
Although this story is told in the third person, the reader’s eyes are strictly controlled by the meddling, ever-involved grandmother. She is never given a name; she is just a generic grandmother; she could belong to anyone. O’Connor portrays her as simply annoying, a thorn in her son’s side. As the little girl June Star rudely puts it, “She has to go everywhere we go. She wouldn’t stay at home to be queen for a day” (117-118). As June Star demonstrates, the family treats the grandmother with great reproach. Even as she is driving them all crazy with her constant comments and old-fashioned attitude, the reader is made to feel sorry for her. It is this constant stream of confliction that keeps the story boiling, and eventually overflows into the shocking conclusion. Of course the grandmother meant no harm, but who can help but to blame her? O’Connor puts her readers into a fit of rage as “the horrible thought” comes to the grandmother, “that the house she had remembered so vividly was not in Georgia but in Tennessee” (125).
It is never mentioned what his grandmother is suffering from but I’ve made the assumption that it’s something along the lines of Alzheimer’s- she doesn’t remember anything and has slowly withered away.
The paper compares two short stories (Poe’s “the fall of The House of Usher” and Perkins-Gillman’s “the Yellow Wallpaper”), in order to develop arguments about the relationship between characters’ fears and the main theme of each story. In the two short stories, the characters are suffering from various forms of fear under different circumstances. Such fears include fear of fear, fear of death, fear of other people, fear of isolation, fear of punishment, and fear of loss of reputation. Such different forms of fears can assist readers in understanding the motives of the characters.
Within the beginning of the story, the dynamic of George and Lennie’s relationship is introduced, one that is uncommon and presents a fatherly vibe. The readers are thrown into the novel at the height of the great depression, an economic catastrophe that shook the world. Within these dark time, an unlikely friendship is in full blossom and we are meet by Lennie and George setting up camp for the night by a riverbed. After the duo’s personalities are expressed, they begin to set up the idea of a commonly shared dream which exists according to Lennie “Because... because I got you to look after me, and you got me to look after you” (Steinbeck 14). Lennie is seen as a quite simple minded and extremely dim-witted character from just the first
Growing up, George had a wild childhood. His parents owned a tavern, which they lived above, and they were rarely around to give George the guidance a small child needs. George felt little love from his parents. He came from a poor family and sometimes didn't even know where his next meal was coming from.
George’s relationship with Lennie has made him selfless; his conversations, with and with out Lennie, are generally revolving around Lennie, although in the case of their dream-ranch George seems to find fulfilment for himself as well. Due to these altruistic tendencies that he shows throughout the novel, a danger is bestowed upon George; he tends to care for Lennie far too much, and too little for himself. In occasional moments, he escapes his sympathy and compassion for Lennie, and realises the burden that he causes. This usually results in George taking his frustration out on Lennie, which can often harm his simple mind, leaving Lennie upset and forced to confess to his own uselessness, and George feeling guilty for what he has caused. We can learn very little about George through his actual conversations, which made it necessary for Steinbeck to focus the novel on him in particular, and let the reader gain an closer insight on him through his actions. Generally, he seems to be caring, intelligent and sensible, but is greatly worn by the constant attention Lennie requires. This illustrates a major theme in Of Mice and Men, the dangers that arise when one becomes involved in a dedicated relationship.
Despite the fact that the real events of the story never stray past Granny Weatherall's bed, Granny's mind meanders all over the place, taking her and us to the greater part of the most important and dramatic events throughout her life. The story starts being told in third person. We learn Granny's rich, muddled life, which was brimming with both achievement and dissatisfaction. Granny is in her lasts moments of her life, and she is annoyed with all of her children being with her.