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Essays on george orwell shooting an elephant
Appreciate Orwell as an essayist, with special reference to his essay ‘Shooting an Elephant’
Orwell against imperialism
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In some cases, literature may illustrate the idea that individuals are required to blindly follow custom or tradition based upon the fact that it has always been expected. On the other hand, a text may illustrate what happens when one goes against societal expectations. In George Orwell’s “Shooting an Elephant” both of these ideas are actually true. George Orwell attacks Colonialism and Imperialism in his story “Shooting an Elephant.” The glorious days of the imperial giants have passed, marking the death of the infamous and grandiose era of imperialism. In George Orwell's essay, “Shooting an Elephant”, Imperialism is the evil in the story. The unjust shooting of an elephant in Orwell's story is the central focus from which Orwell builds his argument through the two dominant characters, the elephant and its executioner.
Shooting an Elephant was written by George Orwell. Even though the narrator is not stated, in a sense the narrator of the story is Orwell when he first started his carrier as a British Officer. In the story, the narrator is a British Officer who is always getting made fun of in the town of Burma. He gets picked on mostly because he is an imperialist who at that time were trying to oppress Burma. An accident occurs which forces the narrator to inspect what was going on. The accident that the narrator explains was that an elephant had escaped and was going crazy around the lower part of Burma. While the elephant went on a rampage it ended up squishing a man on the street and the narrator was forced to kill the animal. He finds the elephant in a paddy field. When he sees the elephant, he does not think that it could have done anything bad because it looked so peaceful. While he was deciding if he was going to kill ...
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... as Orwell’s commentary on the duality of Imperialism was pertinent during his life time, Americans and all of society can apply his ideal to world events today. The soldier in “Shooting an Elephant” is not that different from soldiers of today. The soldiers of today were in Afghanistan to “protect” the people from their own Afghanis. The real reason why U.S soldiers were in Afghanistan was because the U.S wanted the oil so they vowed to protect them. The question of whether they are protecting or assimilating still exists. Are countries using the pretense of protecting countries to further their own selfish agenda? Did the shooter kill the elephant to protect the people of the village or to further his own acceptance of the village? Did he follow custom or make his own future? These questions apply to Imperialism of Orwell’s time and to our own society today.
In Orwell’s reflective narrative, “Shooting an Elephant”, he reveals the truth on imperialism. Through the utilization of irony and the method of appeals, Orwell shows the reader that imperialism is just a definition because the people are in control, not Britain.
Every day, each individual will look back on decisions he or she have made and mature from those experiences. Though it takes time to realize these choices, the morals and knowledge obtained from them are priceless. In George Orwell’s nonfictional essay, “Shooting an Elephant”, a young Orwell was stationed in Burma for the British imperial forces, tasked to deal with an elephant who destroyed various parts of the village Moulmein while its owner was away. Backed by second thoughts and a crowd of thousands, he finds himself shooting the elephant and reflecting that it was not justified; however, it was a choice pushed by his duty and the people. Written with a fusion of his young and old self’s outlook on shooting the elephant, Orwell’s essay is a sensational read that captivates his audience and leaves them questioning his decision.
Orwell, George. “Shooting an Elephant.” Shooting an Elephant and Other Essays. Ed. Sonia Orwell. New York: Harcourt, Brace & World, Inc., 1950. 3-12.
“Shooting an Elephant” focuses on society by pressure. In “Shooting an Elephant,” Orwell is pressured by the native people to shoot and kill the elephant, even though the elephant is no longer harmless. In the beginning of the essay, the natives repeatedly attack Orwell every day. When the elephant goes insane, the natives go to Orwell for help. The natives were constantly pressuring Orwell as he said, “For it is the condition of his rule that he shall spend his life in trying to impress the “natives,” and so in every crisis he has got to do what the “natives” expect of him” (Orwell par. 7). Orwell is pressured by society to do the opposite of what he feels is morally
Although shooting the, now seemingly calm, “mad elephant” is morally wrong to George Orwell, in his narration of Shooting an Elephant, he has to do so as he is a representative, or more so a pawn, of the British authority in the occupied country of Burma. Being such, he wages a war with his inner self to seek which decision needs to be carried out. With two outcomes in mind, one being that he will be seen as a fool if he does not shoot the elephant and the other being an authority of the law by truly showing it and protecting the villagers, he has an epiphany. With such an authority, the law and someone’s moral conscience diverge. He then realizes what must be done and shoots the elephant to protect the imperialistic authority. As the excitement
The essay “Shooting an Elephant,” was written by George Orwell. Orwell was a British author best known for his essays and novels. In “Shooting an Elephant,” the title essay of his 1950 collection, Orwell is a British Police Officer in Lower Burma. After an elephant comes rampaging through the village in must, killing an Indian man, Orwell is looked upon to take care of the problem. The intense scene causes Orwell to make a crucial decision, reflecting on the vicious imperialism with the military in Burma during this time. The author portrays his feelings through the theme of the narrative with feelings such as, guilt, hate, and pressured.
A police officer in the British Raj, the supposedly 'unbreakable'; ruling force, was afraid. With his gun aimed at a elephant's head, he was faced with the decision to pull the trigger. That officer was George Orwell, and he writes about his experience in his short story, 'Shooting an Elephant';. To save face, he shrugged it off as his desire to 'avoid looking the fool'; (George Orwell, 283). In truth, the atmosphere of fear and pressure overwhelmed him. His inner struggle over the guilt of being involved in the subjugation of a people added to this strain, and he made a decision he would later regret enough to write this story.
In the essay ?Shooting an Elephant? by George Orwell, the author uses metaphors to represent his feelings on imperialism, the internal conflict between his personal morals, and his duty to his country. Orwell demonstrates his perspectives and feelings about imperialism.and its effects on his duty to the white man?s reputation. He seemingly blends his opinions and subjects into one, making the style of this essay generally very simple but also keeps it strong enough to merit numerous interpretations. Orwell expresses his conflicting views regarding imperialism throughout the essay by using three examples of oppression and by deliberatly using his introspection on imperialism.
The glorious days of the imperial giants have passed, marking the death of the infamous and grandiose era of imperialism. George Orwell's essay, Shooting an Elephant, deals with the evils of imperialism. The unjust shooting of an elephant in Orwell's story is the central focus from which Orwell builds his argument through the two dominant characters, the elephant and its executioner. The British officer, the executioner, acts as a symbol of the imperial country, while the elephant symbolizes the victim of imperialism. Together, the solider and the elephant turns this tragic anecdote into an attack on the institution of imperialism.
In “Shooting an Elephant” writer George Orwell illustrates the terrible episode that explains more than just the action of “shooting an elephant.” Orwell describes the scene of the killing of an elephant in Burma and reveals a number of emotions he experienced during the short, but traumatic event. Effectively, the writer uses many literary techniques to plant emotions and create tension in this scene, leading to an ironic presentation of imperialism. With each of the realistic descriptions of the observing multitude and the concrete appeal of the narrator’s pathos, Orwell thrives in persuading the audience that imperialism not only has a destructive impact on those being governed under the imperialists’ oppressive power, but also corrupts
Orwell, George. “Shooting an Elephant.” The Brief Arlington Reader. Ed. Nancy Perry. Boston: Bedford/St. Martin’s, 2004. 334-339.
I often wondered whether any of the others grasped that I had done it solely to avoid looking a fool." So ends George Orwell's poignant reminiscence of an incident representing the imperialist British in Burma. Unlike Soyinka, who wrote about colonialism from the African's point of view, Orwell, like Joseph Conrad in Heart of Darkness, presents the moral dilemmas of the imperialist. Orwell served with the Imperialist Police in Burma while it was still part of the British Commonwealth and Empire. His service from 1922 to 1927 burdened himwith a sense of guilt about British colonialism as well a need to make some personal expiation for it (Norton 2259). "Shooting an Elephant" chronicles an incident in which Orwell confronts a moral dilemma and abandons his morals to escape the mockery of the native Burmans. He repeatedly shoots and kills an elephant which had ravaged a bazaar and scared many Burmans even though "As soon as I saw the elephant I knew with perfect certainty that I ought not to shoot him" (6).
From the beginning of the narrative “Shooting An Elephant,” George Orwell creates a character with a diminished sense of self. The character narrates, “I was hated by large numbers of people -- the only time in my life that I have been important enough for this to happen to me” (Orwell, 58). All he wants is attention and it is evident that even negative attention is better than being ignored. He hates working for the British as a sub-divisional police officer in the town of Moulmein. He even makes it known to the audience that, “Theoretically -- and secretly, of course -- I was all for the Burmese and all against their oppressors, the British” (58). The character knows he does not want to be in this position, as a Anglo-Indian
The quest for power is one which has been etched into the minds of men throughout history. However, it can be said that true power is not a result of one’s actions but comes from the following one’s own beliefs without being influenced by others. This principle sets up the story for Shooting an Elephant by George Orwell. The protagonist, Orwell himself, is a sub divisional police officer in Burma, a British colony. Orwell must try to find and use his inner power when he is faced with the decision of whether or not to kill an elephant which has ravaged the Burman’s homes. The state of power established through the imperialistic backdrop show that Orwell, as a colonist, should be in control. As well, the perspective and ideas given by Orwell show his true character and lessen the overall power set up for him. Lastly, the symbols shown are representations of traditional forms of power, but take on different implications in the story. In Shooting an Elephant, George Orwell uses setting, characterization and symbols to show that true power comes from following the dictates of one’s conscience.
Orwell?s extraordinary style is never displayed well than through ?Shooting an Elephant,? where he seemingly blends his style and subject into one. The story deals with a tame elephant that all of a sudden turns bad and kills a black Dravidian coolie Indian. A policeman kills this elephant through his conscience because the Indians socially pressurized him greatly. He justified himself as he had killed elephant as a revenge for coolie.