Title: Unraveling the Dark Threads: The Destructive Power of Tradition in Shirley Jackson's "The Lottery" Shirley Jackson's "The Lottery" is a chilling exploration of the dark underbelly of tradition and the human propensity for blind adherence to societal norms. Published in 1948, the story shocked readers with its depiction of a small town's annual ritual of stoning one of its own to death. Through meticulous examination of the text, supported by both textual evidence and secondary sources, this analysis seeks to illuminate the profound themes of conformity, violence, and the insidious grip of tradition portrayed in Jackson's narrative. Before delving into the nuanced analysis of "The Lottery," it's essential to contextualize the story within the broader literary …show more content…
Regardless of interpretation, "The Lottery" remains a powerful indictment of societal complacency and the dangers of unquestioning obedience to tradition. To analyze "The Lottery" effectively, it's imperative to establish an analytical framework rooted in the socio-cultural milieu of post-World War II America. Jackson's narrative emerges in a period characterized by societal pressures and the rise of conformity in America. Against this backdrop, "The Lottery" serves as a searing critique of the unquestioning acceptance of tradition and the perils of collective action. By situating the story within this context, readers can glean deeper insights into its themes and relevance to broader societal issues. With the analytical framework established, let's explore supporting claims that illuminate the central themes of the narrative. Jackson employs the annual lottery ritual to underscore the entrenched nature of tradition within the community. Despite its barbarity, the lottery is accepted without question, revealing the collective fear of deviating from established norms. This blind adherence to
Tradition is a central theme in Shirley Jackon's short story The Lottery. Images such as the black box and characters such as Old Man Warner, Mrs. Adams, and Mrs. Hutchinson display to the reader not only the tenacity with which the townspeople cling to the tradition of the lottery, but also the wavering support of it by others. In just a few pages, Jackson manages to examine the sometimes long forgotten purpose of rituals, as well as the inevitable questioning of the necessity for such customs.
Shirley Jackson wrote many books in her life, but she was well known by people for her story “The Lottery” (Hicks). “The Lottery” was published on June 28, 1948, in the New Yorker magazine (Schilb). The story sets in the morning of June 27th in a small town. The townspeople gather in the square to conduct their annual tradition, the Lottery. The winner of the lottery will stoned to death by the society. Although there is no main character in the story, the story develops within other important elements. There are some important elements of the story that develop the theme of the story: narrator and its point of view, symbolism, and main conflict. The story “The Lottery,” by Shirley Jackson, argues practicing a tradition without understanding the meaning of the practice is meaningless and dangerous.
One main theme in Shirley Jackson’s “The Lottery” is tradition nonetheless. Although tradition is most commonly thought to be somewhat of a social glue that holds families and communities together, Shirley Jackson reveals a whole new side consisting of the dangers following traditional practices. The lottery is normalized as being an early summer ritual that proves to be consistent and promising in a plentiful harvest, as mentioned by Old Man Warner. The real purpose of the lottery is never fully explained, but it is still conducted every year without suggestion of discontinuation. There proves to be a pattern of tendency to be trapped by tradition.
In Shirley Jackson’s “The Lottery,” the theme of the story is dramatically illustrated by Jackson’s unique tone. Once a year the villagers gather together in the central square for the lottery. The villagers await the arrival of Mr. Summers and the black box. Within the black box are folded slips of paper, one piece having a black dot on it. All the villagers then draw a piece of paper out of the box. Whoever gets the paper with the black dot wins. Tessie Hutchinson wins the lottery! Everyone then closes in on her and stones her to death. Tessie Hutchinson believes it is not fair because she was picked. The villagers do not know why the lottery continues to exist. All they know is that it is a tradition they are not willing to abandon. In “The Lottery,” Jackson portrays three main themes including tradition, treason, and violence.
Shirley Jackson?s insights and observations about society are reflected in her shocking and disturbing short story The Lottery. Jackson reveals two general attitudes in this story: first is the shocking tendency for societies to select a scapegoat and second is the idea that communities are victims of social tradition and rituals.
“ The Lottery”, written by Shirley Jackson, shows the corruption in a village whose people treat life with insignificance. Through the use of literary devices, Jackson portrays how practices in traditions can be barbaric;ultimately, resulting in persecution.
The Lottery is an amazing work of fiction not only because of its extraordinary twist on the concept of tradition, but for its classic irony and impeccable use of symbolism. The Lottery questions whether or not tradition should be respected for what it is or evolve to suit new generations. When asked the purpose of writing The Lottery, Shirley Jackson responded that the story was "to shock the story's readers with a graphic demonstration of the pointless violence and general inhumanity in their own lives." (237) Jackson was a true visionary as a female author who created a thought provoking and alarming story to readers in a time when tradition was still heavily weighted in society.
Shirley Jackson's “The Lottery” is a short story about the annual gathering of the villagers to conduct an ancient ritual. The ritual ends in the stoning of one of the residents of this small village. This murder functions under the guise of a sacrament that, at one time, served the purpose of ensuring a bountiful harvest. This original meaning, however, is lost over the years and generations of villagers. The loss of meaning has changed the nature and overall purpose of the lottery. This ritual is no longer a humble sacrifice that serves the purpose of securing the harvest but instead is a ceremony of violence and murder only existing for the pleasure found in this violence.
When initially reading Shirley Jackson’s “The Lottery” focusing on aspects of themes and ideas is difficult, as the apparently seamless shift from ordinary socialization to death is highly outrageous. However, after multiple readings, Jackson’s messages become more apparent, with her prominent theme tackling societal norms. Growing up Catholic, attending parochial school until sixth grade, and regularly attending church creates a tendency for me to follow tradition and rituals, without question. Yet, Jackson’s story directly challenges the ethics of this behavior as she criticizes how society functions, blindly maintaining the status quo simply because that is how it has “always been” (246), regardless of its morality or relevance in the modern world. Even
Why would a civilized and peaceful town would ever suggest the horrifying acts of violence can take place anywhere at anytime and the most ordinary people can commit them. Jackson's fiction is noted for exploring incongruities in everyday life, and “The Lottery”, perhaps her most exemplary work in this respect, examines humanity's capacity for evil within a contemporary, familiar, American setting. Noting that the story’s characters, physical environment, and even its climactic action lacks significant individuating detail, most critics view “The Lottery.” As a modern-day parable or fable, which obliquely addresses a variety of themes, including the dark side of human nature, the danger of ritualized behavior, and the potential for cruelty when the individual submits to the mass will. Shirley Jackson also addresses cruelty by the citizen’s refusal to stand up and oppose “The Lottery.” Violence and cruelty is a major theme in “The Lottery.”
Jackson, Shirley. "The Lottery." The Harper Anthology of Fiction. Ed. Sylvan Barnet. New York: HarperCollins, 989.
“The Lottery” by Shirley Jackson has been criticized, but its longevity and durability prove it stands the test of time. In the article, “Jackson’s The Lottery,” the author A.R. Coulthard finds a deeper meaning in the story which other critics have not. Coulthard believes the story is a “parable of the evil inherent in human nature” rather than “an assault on mindless cultural conformity,” as other critics have suggested (Coulthard 226). Coulthard shows how something that most likely began as a primitive and ignorant way to ensure prosperity, evolved into a complete need for sanctioned violence and murder. Coulthard offers valid points to support her argument.
In “The Lottery”, Jackson wrote about a special tradition of a small village. June 27th was warm and sunny, and it gave the impression like nothing could possibly go wrong. Everyone knows the lottery as an exciting thing, and everybody wants to win, but this lottery is unlike any other. This lottery was actually the tradition of stoning of an innocent villager; that year it was Tessie Hutchinson. Though the horrific ending was not expected, throughout the story Jackson gave subtle hints that this was not an average lottery. Jackson foreshadowed the death of Tessie Hutchinson with stones, the black box, and the three legged stool; she showed that unquestioning support of tradition can be fatal.
Winning vast amounts of money can make anyone slaphappy, but unfortunately this type of wager won’t be discussed in Shirley Jacksons “The Lottery.” Jackson catches the reader’s attention by describing a typical day by using words such as “blossoming, clear and sunny skies” to attract the reader into believing a calm and hopeful setting which eventually turns dark. In this short story Jackson tells a tale of a sinister and malevolent town in America that conforms to the treacherous acts of murder in order to keep their annual harvest tradition alive. Jackson exposes the monstrosity of people within this society in this chilling tale. She allows the reader’s to ponder and lead them to believe that the lottery is actually a good thing; till she implements foreshadowing, to hint at the dreadfulness behind the lottery and its meaning. My goal in this paper is to discuss why Jackson’s “The Lottery” is a portrayed as a horror story, and the importance the townspeople used to glorify ritualistic killings, to appease to an unseeable force in return of good harvest for the upcoming year.
Shirley Jackson’s famous short story, “The Lottery,” was published in 1948 and remains to this day one of the most enduring and affecting American works in the literary canon. “The Lottery” tells the story of a farming community that holds a ritualistic lottery among its citizens each year. Although the text initially presents audiences with a close-knit community participating in a social event together on a special day, the shocking twist at the work’s end—with the death of the lottery’s “winner” by public stoning—has led to its widespread popularity, public outcry and discussion, and continued examination in modern times (Jackson). One potential critical theory that can be applied to Jackson’s “The Lottery” is the reader-response approach. This analytical lens is a “theory ... that bases the critical perspective of a text on ‘the reader’ and his or her personal interpretation” of that text (Parker 314). Reader-response criticism was coined by literary critic Louise Rosenblatt in the mid-20th century. It soon served as a cornerstone of literary movement in the 1960s and 1970s that later became intrinsic to the study of other schools of literary thought today. In using reader-response theory to examine “The Lottery” in a contemporary context, one might perform reading surveys and metacognitive questionnaires to determine whether the short story still proves resonant and thought-provoking. Therefore, just as “The Lottery” by Shirley Jackson evoked an explicit and even fierce reaction in the past, so too does the use of reader-response criticism today help reveal that the short story may still hold the ability to sustain both its rising tension and surprising turn at the end.