In the field dominated by male musicians such as Benny Goodman, Count Basie, and Gene Krupa, female jazz musicians collectively experienced success in their music, but remained unrecognized. The role of female musicians was largely minimized by jazz history and literature, despite their importance in the continuation of jazz through WWII, as well as in the challenging of norms of female inferiority. This literature has served as an enduring model upon which modern gender norms have been constructed, resulting in further propagation of ideas of minimization and female inability. Through Sherrie Tucker’s depiction of the marginalization of female jazz bands we are able to understand the construction of the social role of women that would endure …show more content…
However, women were continually dissuaded from participation in music, particularly through the historical discourse of swing and its exclusion of experiences of the female bands of the previous decades. Historical discourse as well as popular jazz literature has “often [been] centered on the stories of men, particularly from the perspective of white men in positions of power” (Gordy, Hogan, Pritchard), resulting in the female narrative remaining largely untold. Since “all-woman bands seldom [appeared] in dominant swing discourse” (Tucker 4), it became increasingly difficult for females to pursue music following the end of WWII. This lack of depiction of the female narrative contributed to the development of tokenism, a social model dissuading an individual from participation, creating an environment in which an aspiring female musician “is the only female, or one of only a very few” (Wehr) in the field of jazz. The neglection of the female narrative in jazz results in an environment that makes it more difficult for future gender inclusion. Additionally, previous cultural sentiment as well as partisan views expressed in literature resulted in an environment of “stereotype threat, [in which one fears] confirming a negative stereotype” (Wehr), in which the negative stereotype present was that a female musician inherently …show more content…
If females are told they cannot pursue a passion which imparts energy, expression, and identity, because it’s unheard of for women to do such things, they are left in a state of continued submission to an oppressive culture. This notion of female inferiority which originated in the dismissal of the abilities of female musicians has resulted in lasting ramifications observable throughout the 20th century. Femininity continues to be treated as contrary to independence, energy, and self-identity, especially as it relates to professions or academic pursuits. Women are dissuaded from fields such as STEM due to “parents’ gender-typed beliefs about appropriate occupational choices” (Farmer), reflecting an alarming reoccurence of female subjugation in a field commonly thought to be more appropriate for
Rachel M. Harper’s The Myth of Music intentionally weaves together 1960s era jazz music and a poor African American family via metaphor and allusion to show a deep familiar bond between father and daughter.
In the past there were many biases against women and their lack of abilities compared to men. Although the male perspective has changed over the past few centuries, there are many feminists who still fight for ...
Steele, C. M. (2010). Whistling Vivaldi: and other clues to how stereotypes affect us. New York:
William Howland Kenney provides an in depth look at the Chicago jazz as a cultural movement that shaped the 1920’s. His new interpretation of the Chicago Jazz life reveals the role of race, cultural, and politics in the growth of this new musical style. This in depth look focuses on the rise of jazz from 1904 until its end in 1930. This book covers a lot of areas in Jazz that were fundamental in its development. My overall impression is that this book is well written, it is expansive in its overview of jazz. Kenney is knowledgeable in this area of cultural history, and his book is well researched. The purpose of this book is to
By the end of World War I, Black Americans were facing their lowest point in history since slavery. Most of the blacks migrated to the northern states such as New York and Chicago. It was in New York where the “Harlem Renaissance” was born. This movement with jazz was used to rid of the restraints held against African Americans. One of the main reasons that jazz was so popular was that it allowed the performer to create the rhythm. With This in Mind performers realized that there could no...
“His relaxed phrasing was a major change from the staccato style of the early 20’s and helped to set the stage for the Swing Era” (“Life & Legacy”). And as such a prominent artist, and in particular, jazz artist, Armstrong did not only change the perception of jazz and swing, but the views on African Americans and their culture. Armstrong and the Harlem Renaissance reflected black history and culture, and it became popular, even in white communities and clubs. Jazz as a whole genre helped further society’s views through the universal language of music, where any ethnicity could partake in it. And the revolution of jazz was lead by the stylings of Louis Armstrong. The duration of the jazz and swing era, lasting decades past the 1920s, symbolized the civil rights movement directly through the lyrics, sounds, and artists
Women’s sufferage was at it’s peak with the ratification of the United States Nineteenth Amendment. Women recived more independence after the end of the First World War and took a greater part in the work force. In the 1920s, there were many famous women Jazz artists such as Lovie Austin, a piano player and band leader, Lil Hardin Armstrong, a pianist who was originally a member of King Oliver’s band, and Bessie Smith, an African-American blues singer who inspired women like Billie Holiday and Janis Joplin. Although women were also making a difference in the Jazz industry, it wasn’t until the 1930s when they were recongnized as successful artists in the music world.
Also known as the Jazz Age and the Roaring Twenties, the American people felt that they deserved to have some fun in order to forget the emotional toll and social scars left from the war. The Jazz Age was appropriately named due to the illegal activities and good times, which included music, parties, and flapper girls. Jazz was a new style of music that originated out of the New Orleans area, where one of the greatest jazz musicians of all time – Louis Armstrong – began his career. The energy of jazz was a very new and almost uncomfortable style for the very traditional, rigid family of the 1920s. Young people in particular seemed to enjoy this new music the most, as it made them feel carefree. The energy of jazz was symbolic of the era’s trans...
Although the swing music that helped keep American spirits up during the Depression years still existed, there was an increasing amount of racial tension about bands formed by white men vs. bands formed by black men. White bands like Tommy Dorsey’s, which could play a broad spectrum of music, were hailed for their versatility. The black counterparts who sought to do the same were often indirectly accused of trying to get above themselves. This is important because many black musicians where losing work due to venues only hiring bands that were led by white men. Out work, or underpaid black musicians where often bought-out by white bandleaders who could offer them higher pay, and where looking for the best musicians they could find.
The androcentric view of history often fails to acknowledge the achievements of notable women who have made profound impacts that have revolutionized the way in which we see the world, as well as the universe. Although the modernized 21st century society is more apt to recognize the achievements of women with an equivocal perspective with men, it was not always so. During the early 20th century, women were consistently denied equality with men due to a perverse androcentric, male-dominated perspective that deemed women as subordinate and insignificant. This androcentric perspective limited the opportunities available to women at the time, leaving them only with domestic occupations that were deemed acceptable for women such as nurses, teachers or clerics. Very few women aspired for higher education, and even fewer achieved it. There were very few colleges that accepted women at the time, save for those erected for women alone. It is because of this, women rarely e...
Jazz music prospered in the 1940’s and 1950’s. Jazz was created by African Americans to represent pain and suffering and also represented the adversity that racial tension brought. (Scholastic) African American performers like Dizzy Gillespie and Charlie “Bird” Parker came to be recognized for their ability to overcome “race relati...
Women in popular music have created a tremendous history in the wake of feminism. They have made their presence visible by identifying themselves as feminists. Being a woman was hard during that stage. Women were not allowed to do many things due to gender inequality such as the right to vote and to own a property. Therefore, from that moment onwards, women decided to stand up and make some changes. During the early stage of feminism, women developed their skills in popular music to create awareness. They associate popular music with feminism. Although there were racial issues between the black and white during that time, both sides continued to establish in different ways, through different genres of music. Black women focused on ‘black genres’ such as blues, jazz, and gospel, whereas white women performed in musical theatres. Female artists such as Lilian Hardin, Sister Rosetta Tharpe, and Nina Simone were among the notable exceptions of female instrumentalists during feminism. In this essay, I will assess feminism focusing on the second-wave.
Popular music in the United States throughout the decades have always consisted of different genres of music and during the late 70’s and early 80’s, many of the popular bands consisted of only male artists and members. In an era dominated by male artists, Fleetwood Mac featured their lead female singer Stevie Nicks, who went on to transcend the gender expectations of the time and pursue a solo career in the midst of heavy adversity. Fleetwood Mac’s lead singer, Stevie Nicks, is a prime example of the evolution female artists have endured as they struggled to gain equal footing in this male dominated industry. This essay will examine the different factors contributing to Stevie Nicks’s popularity, along with her breaking these normative masculine roles and the way she combined different genres and personal
...field women had that power is in domestic arts. Women admire sharing their talents with an audience in different ways, whether it is theater, performing a song, ballet dancing, conducting an orchestra or being on television. Eileen Marie Moore shows discipline, excellence and success in her all-age field today. Amy Beach was the first woman to compose a symphony and Clara Schumann was the first woman be publicly accepted as a woman musician. These women opened doors for aspiring and existing women composers and performers to gain recognition, regardless of the culture. A tribute for Amy Beach, Michael Anthony quoted “Being a woman hadn’t held her back as a musician.” The confidence these women portrayed for music was tremendous. Determined to succeed in male dominance category is a challenge, but having the resilience and purpose to keep going, is what counts.
The lyrics of music play an important part of interpreting the meaning of the song. The roles which women have been allowed by the society to embody have changed drastically. Women may question their roles because of what they see portrayed by popular culture or media. Change in female’s identity can be seen in how women are viewed or how they portray themselves in popular culture specifically through music. In general, music continues to...