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Eugene o'neill tragedy
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On March 18th, 2016 I had the pleasure of seeing University of Central Florida’s production of She Loves Me. When it comes to musicals I am usually rather picky just because I tend to zone out during long ballads, but even though She Loves Me, time wise, was not the shortest play, it flew by the fastest out of the three productions I had attended this semester. Throughout the entire musical I was completely submersed in the storyline, experiencing a compilation of different emotions as the story progressed. I went from laughing, to crying, to holding my breath wondering what was going to happen. For me, She Loves Me is a story about a society still blinded to cynicism-where real love still exists. She Loves Me is about Georg Novack (Terry …show more content…
Then Joe Masteroff, Jerold Bock, and Sheldon Harnick collaborated in the making of She Loves Me which was surprisingly unsuccessful when it originally opened. Sirius XMU Broadway channel’s host, Seth Rudetsk, felt that She Loves Me could have just been one of those fluke musicals that was just too ahead of it’s time such as Chicago. However, its lack of success could have been attributed to the Eugene O’Neill Theatre which was too small to really bring in enough audience members. Fortunately, She Loves Me did end up becoming successful with it’s broadways revival in the 1990’s and is now a five-time Tony nominated …show more content…
The lighting was this gorgeous purple color that really highlighted the set which was Maraczek’s Parfumerie. Since it was a Friday night, there was a huge turnout and the crowd was mostly comprised of young adults. Of course, single me, was seated next to a young couple who was on their first date. For some reason, their energy really added to the show because while I was watching Amalia and Georg prove that love can still be innocent and sweet, I was witnessing it in real life with the couple next to me. In general, the audience as a whole really added to the show. With Spunk and Reel I had to attend the matinee because I had work, and even though the audience during those shows were fully engaged, there definitely was a lack of liveliness. But during She Loves Me, the audience was so responsive with the occasional gasps during shocking moments, or the accentuated laughter during the humorous ones, there was definitely a strong difference with this audience as opposed to the ones during the matinee. As an audience we all went on a journey together, and I feel as if the emotions of the individual audience members were connected as a whole as if we were an ensemble. One part that really stood out to me, was when Maraczek tried to kill himself, and everyone just went silent. I remember there being a gasp, and then it was as if there was white noise in the room.
The setup of the stage was very simple. It was the living room of a home in the early 1980’s. It looked like a normal household, and it had small things such as crumpled up pieces of paper lying around the wastebasket. It also had a couch, circular class table and a recliner in the living room. The dining room was to the left side of the stage and only had the dining table and surrounding chairs. There was a door in the back of the set where characters entered and exited through. Beside the door was a table and stool where Willum presumably worked on his blueprints for the hotel. The lighting design was great; it put you into the atmosphere of the
In "Constant Star", lighting told much about the play as soon as it began. Low, yellowish lighting and a bit of fog spread by ceiling fans filled the stage as the play started. This gave the stage the look of an old photograph, so the audience immediatly gathered that the show was taking place in the past. The mood was often set by lighting as well. Red lighting gave the audience a sense of foreboding while yellow indicated happy times. Also, lighting could substitute for props. During scenes involving the train, lights would flash on and off, making the stage look as if it was actually moving. This effectively created the illusion that the cast was on a train. Also, lighting was innovatively used to create a "jail" in one of the scenes by creating vertical bars on the stage around the convicts.
The Hippodrome setting played a big role in the success of the play, because the seats were close to the stage, which made the audience feel more intimate with the actors. The set was filled with everyday electronics and video games that were popular with today’s generation, and it was good way to capture the attention of the younger audience. The costumes worked for the actors because they were outfits that teens and young adults would wear, which made it easier to relate to the characters. The lighting for the production was awesome because it went well with the sound effects. For example, when Ian was doing a simulation for his new job, he set off a missile and when it exploded the lights changed from blue to red to symbolize seriousness of the situation.
The Music Man made interesting use of the technical aspects of theatre. Sound was used appropriately, as music from the monitors did not overpower the voices of the actors. Lights, however, did not leave any sort of impression on me. Hardly any lights were utilized to enhance the mood were present. This caused for less emphasization on spectacle than what would be expected of such a dramatic play. Although, intricate costumes and set made up for the dull lighting techniques.
With a new ending, the play J.B. offers a lesson to its audiences which heavily emphasizes on the value of love and family. Love warms up many frozen hearts and family energizes many forlorn souls.
Kislan, Richard. The Musical: A Look at the American Musical Theater. New Jersey: Prentice-Hall, 1980. 84, 110, 116-121, 125-127, 128, 134, 163, 195, 201, 209. Print.
Kenrick, John. Musical Theatre A History. New York: The Continuum International Publishing Group, 2008. Print.
I found the setting of the show to be visually amazing. One scene that I found interesting and heart touching, was when Elphaba and Glinda realize that it’s the end for the wicked witch. The hunters that have been chasing them have finally caught up to them and have come to kill her. Glenda and Elphaba share a moment of reflection and love that they know will be the final embrace they will ever share. At the end of the song “My life has changed forever” because I knew you, they share an embrace where you can feel the love radiate from the stage to the audience, I actually began to shed a few tears along with my girlfriend because, this scene was heart touching. Looking about at others in the audience and I noticed that they were emotional too both man and women had watery eyes or was
Most of all, those values that the American musical celebrated — and that is those values of American life, American philosophy, American belief — what we find is by the mid-1960s all of those beliefs, all of those philosophies, are being challenged, are being upset. As in all genres, the musical has had its share of failures. Some worthy dramas have been pressed into service and musicalized and sometimes butchered in the process, and audiences have had to watch a fine play diluted into a mediocre musical. But the successes have been many and spectacular, and they have left a long lasting effect on the American art and culture.
thesis of how the musical brought our inner child out to realize our true struggles in life.
The lights helped the audience determine who was speaking, by putting a spotlight over the actor and dimming the rest of the lights. Also, the color of the lights changed according to each scene and the mood for that particular scene. For instance, a musical number about a character’s tragic past would include soft, golden lighting while a scene about dancing in dance class might include purple lights to show the overall mood of the scene. In addition, the costumes used in the musical added even more life to the musical by providing a visual representation of each character and his or her personality. The costumes allowed the audience to determine the character traits of each character while also deciding the type of homes the characters came from. For instance, one of the characters was dressed in pants and a shirt that would normally be seen worn by an older man or a father. This lead the audience to believe that the character might be an older person who has a family of his own. Later, it was revealed that the character actually had a wife and two kids, proving the audience
Miller, D. A. Place for Us: Essay on the Broadway Musical. Cambridge, MA: Harvard UP, 1998. Print.
Theatre has heavily evolved over the past 100 years, particularly Musical Theatre- a subgenre of theatre in which the storyline is conveyed relying on songs and lyrics rather than dialogue. From its origination in Athens, musical theatre has spread across the world and is a popular form of entertainment today. This essay will discuss the evolution and change of musical theatre from 1980-2016, primarily focusing on Broadway (New York) and the West End (London). It will consider in depth, the time periods of: The 1980s: “Brit Hits”- the influence of European mega musicals, the 1990s: “The downfall of musicals”- what failed and what redeemed, and the 2000s/2010s: “The Resurgence of musicals”- including the rise of pop and movie musicals. Concluding
Musical theatre is a type of theatrical performance combining music, dance, acting and spoken dialogue. Written by Leonard Bernstein and Stephen Sondheim, ‘West Side Story’ is a classic American musical based on William Shakespeare’s ‘Romeo and Juliet’. The through-composed score and lyrics are used to portray different characters and their cultures, the rivalry between the Jets and Sharks, and the emotions felt as the story progresses. This essay will be exploring the music and how effective the score is in realising the world and characters of the musical. Furthermore, it will discuss how Bernstein and Sondheim relate characters’ diverse ethnicities to particular musical ideas and motifs.