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Recommended: Film analysis
In this essay I would try show how film convey meaning pointing out some suttle ways films try to speak to use. Film is an active visual media so it’s important that the film is able to paint a good narrative by use camera movement and sound. Unlike a books that hase pages to dedicate to the internal and the complex, film is forced to find a ways to show it happen. The camera is a important part of telling a story a good camera movent can move the story along. When watching a film we are all trying dissect it to understand what’s going on, we extract information, idea , clues about the plot the characters the people to contract the mental representation of the story in our heads. Some time it could be simple and straight frowed as reading words on screens or listing to the words coming out the characters mouth.” Thomas and Vivian sobchack in their publication introduction to film says the viewer observes the following element when watch a film , the analyssi of film space, analysis of the time and film sound. As they focus on mainly on iconic aspect of film they futher propose additional elements : the image , tone , composition and movement “. The film that I would be analysing is shawshank redemption. shaawshank is a 1994 America drama film written and directed by …show more content…
Shawshank is beloved becasose of the many metion it makes use feal from the strat of the film we are able to looke at andy dufresne hairing we get a the frist fealing of hoplesness as we see andy trying to defane him sefl from the joware . the sceane in film try to confuse the audience the use of the pane shoot to the dura also hase use looking at andy biliveing that he murdred his wife. The film piles it on by putting in flash back clips of andy dufrene in the drinking with a gun to have the audince belive that he comminted the crime also adding the plot of andy killing his cheating wife hase the audience waying on the side of andy coled be
Petrie, Dennis and Boggs, Joseph. The Art of Watching Films. New York: McGraw Hill, 2012.
Lehman, Peter and Luhr, William. Thinking About Movies: Watching, Questioning, Enjoying. 2nd ed. Oxford: Blackwell, 2003.
John Gibbs and Douglas Pye (2005) Style and meaning : studies in the detailed analysis of film. Engalnd: Manchester University Press, pp 42-52.
Film and literature are two media forms that are so closely related, that we often forget there is a distinction between them. We often just view the movie as an extension of the book because most movies are based on novels or short stories. Because we are accustomed to this sequence of production, first the novel, then the motion picture, we often find ourselves making value judgments about a movie, based upon our feelings on the novel. It is this overlapping of the creative processes that prevents us from seeing movies as distinct and separate art forms from the novels they are based on.
...successful collaboration of sound, colour, camera positioning and lighting are instrumental in portraying these themes. The techniques used heighten the suspense, drama and mood of each scene and enhance the film in order to convey to the spectator the intended messages.
We can start off with something that we all easily take granted for in movies and that is the imagery. We all have imaginations that can produce an accurate image depending on what we read or see, but something the books or plays couldn’t accomplish is give the image to us. So we wouldn’t have to seco...
In his essay, “It’s Just a Movie: A Teaching Essay for Introductory Media Classes”, Greg M. Smith argues that analyzing a film does not ruin, but enhances a movie-viewing experience; he supports his argument with supporting evidence. He addresses the careful planning required for movies. Messages are not meant to be telegrams. Audiences read into movies to understand basic plotlines. Viewers should examine works rather than society’s explanations. Each piece contributes to Smith’s argument, movies are worth scrutinizing.
As an audience we are manipulated from the moment a film begins. In this essay I wish to explore how The Conversation’s use of sound design has directly controlled our perceptions and emotional responses as well as how it can change the meaning of the image. I would also like to discover how the soundtrack guides the audience’s attention with the use of diegetic and nondiegetic sounds.
Gallagher, T. 2002. Senses of Cinema – Max Ophuls: A New Art – But Who Notices?. [online] Available at: http://sensesofcinema.com/2002/feature-articles/ophuls/ [Accessed: 8 Apr 2014].
Kracauer, Siegfried. “Basic Concepts,” from Theory of Film. In Film Theory and Criticism: Introductory Readings, Seventh Edition, edited by Leo Braudy and Marshall Cohen, 147–58. New York and Oxford: Oxford University Press, 2009.
middle of paper ... ... In final analysis, the motion picture is the one that goes deeper inside the spectator’s mind. Other mediums such as still picture and theatrical play also provide the visual and aural elements for the spectator, yet they seem to be inferior to the motion picture in that they lack the reality, affinity, and creativity in terms of use of time and space. The levels of emotions such as attention, memory, imagination, emotion, and unity, which were introduced by Munsterberg, indicates how the spectator perceives the elements of the film and ends up with it.
Barsam, R. M., Monahan, D., & Gocsik, K. M. (2012). Looking at movies: an introduction to film (4th ed.). New York: W.W. Norton & Co..
Boggs, J. & Petrie, J. (2008). The Art of Watching Films. New York, NY: The McGraw-Hill Companies. p. 2-463.
Boggs, J. M., Petrie, D. W. (2004). The Art of Watching Films (6 ͭ ͪ ed.). New York, NY: McGraw-Hill.
‘Then came the films’; writes the German cultural theorist Walter Benjamin, evoking the arrival of a powerful new art form at the end of 19th century. By this statement, he tried to explain that films were not just another visual medium, but it has a clear differentiation from all previous mediums of visual culture.