Shaw himself wrote that Candida `is a counterpoint to Ibsen's Doll's House, showing that in the real typical doll's house it is the man who is the doll'.Ibsen in A Doll's House(1879)had shown how men treated their wives as inferior creatures, or dolls,and at the end of the play his heroin rebels and leaves her her husband .In Candida Shaw powerfully and effectively reverses Ibsen's idea.
Counterpoint or reversal was Shaw's favourite technique in all of his plays.In Candida,he not only reverses the main idea of a Doll's House but also counterpoints the typical situation of an established type of Victorian domestic comedy.Play about romantic adultery,or its type possibility, were very popular in the nineteenth century.These plays usually featured a dull husband, a romantic wife, and an attractive, glamorous lover. In the interest of morality, the lover usually lost and the marriage was reversed, but his attractions remained strong. In reaction against this trend, a new type of play began to emerge in which the prosaic husband turns out to be the better man and the glamorous lover is exposed at the end as being corrupt and undesirable .As Martin Meisel has observed it is the basic situation of this second type of play that Shaw reverses in Candida.
To understand any play by Shaw, we must remember that he was a playwright of ideas. Basically, he was not interested in character development, emotional complexity, or plot, but in ideas. His plays present us with opposing viewpoints which lance and trust at each other as in a fencing match until the strongest of them wins. In any of Saws plays, ideas clash as soldiers would an a battlefield and he presents us with an intellectual war in which both sides put up a good fight. It is no exaggeration to say that Shaw added a new dimension to the stage . His real achievement is that he succeeded in dramatizing intellectual positions. His characters embody various ideas and can best be studied as ideas that live and breathe and move around. In the fullest sense of the word,Shaw's plays are dramas of ideas, and it is ideas that the student should look for when he is studying any of them. What,then,is the main idea that Shaw presents to us in Candida? Stated simply,that the play exposes Victorian marriage in general by examining the apparently ideal marriage of Candida and James Morell.
The play also highlights the position of women in Elizabethan times. At the beginning of Act One we are introduced to Sampson and Gregory who are servants of the Capulet's and they are in the market place of Verona. They are messing around joking to each other and in the process puns are used such as collier, choler and collar. In the time this play was shown, this would have being considered very funny to the audience.
Throughout the plays, the reader can visualize how men dismiss women as trivial and treat them like property, even though the lifestyles they are living in are very much in contrast. The playwrights, each in their own way, are addressing the issues that have negatively impacted the identity of women in society.
The short one-act play Trifles by Susan Glaspell, was years ahead of its time. Its time was 1916 but the subject matter is timeless. The aspect of this play that most caught my interest was the contrast between the men and women characters. This is a play written in the early 1900s but transcends time periods and cultures. This play has many strengths and few weaknesses, but helps to provide a very accurate portrait of early American women and the issues they dealt with in everyday comings and goings.
changing attitudes toward life and the other characters in the play, particularly the women; and his reflection on the
The characters in the comedy are not realistic, and those that could have been were transformed throughout the course of events depicted. The most trouble with the play, however, seems to come from the representation of the female characters, particularly in comparison with the males. It seems almost that the female characters are written off, rather than merely written out. The male characters of the play are given higher roles, and their characters are followed more faithfully, further proving its chauvinistic composition. The title of the play even suggests a sexist nature in its possible Elizabethan reference to the female genitalia. The play seems to reflect the common thought of its era concerning the social stat...
A Doll House, a play written by Henrik Ibsen, published in the year 1879, stirred up much controversy within its time period because it questioned the views of society's social rules and norms. "Throughout most of history... Wifehood and motherhood were regarded as women's most significant professions... The resulting stereotype that 'a woman's place is in the home' has largely determined the ways in which women have expressed themselves" ("Women's History in America"). Ibsen places many hints throughout his play about the roles of women and how they were treated in his time. Nora is perceived as a typical housewife; maintaining the house and raising her children. However, Nora had actually hired a maid to do all of those typical housewife duties for her. Nora was naive, and ambitious. She hid many secrets from her husband. The way women were viewed in this time period formed a kind of barrier that Nora could not overcome. Women should not be discriminated against just because of their gender and within reason they should be able to do what their heart entails.
The play "The House Of Bernarda Alba" gives an interesting portrayal of a middle class home consisting entirely of women. The plot is set in a small town, middle class house in a society dominated by men. It is believed to be set somewhere in Spain in the 1930s. The play was written in a time when the suppression of woman was still strong. The mother, the head of the household, does everything she believes is necessary to keep her house within a good social standing in the town. The mother had become the master of the house after her husband died, which makes her work harder to keep a good reputation for her house of women. Looking deeper into the story one might find two sides to the dilemmas that cover the house. There are protagonists, principle characters in a story, and antagonists, characters that act adversaries or opponents to the principle characters. In this play one of the maids, Poncia, is forced to be in the middle of much of the drama consuming this house. She, Poncia, can be looked at as both a protagonist and antagonist. One might say that she fits into a back up role; helping support the main characters' roles, in the cast of characters.
In the play, the women stick together and voice their discomforts of the men’s deranged ideas of stereotyping by challenging the men’s views about the home having to always be clean. Mrs. Hale and Mrs. Peters sensed and witnessed expectations from the men which enticed the ladies to secretly go against the men. In the text, the woman side with the crime clues of the woman being accused, and rebel against even their partners.
A Doll’s House by Henrik Ibsen, is a play about a woman who realizes that she is worth more than she has been given credit. Her whole life she was treated like a little doll; too fragile to do anything serious, too frail to be troubled with real business. She was the wife, mother and homemaker. The only things she was perceived as capable of were running the home, raising the children and looking pretty. This was a common stereotype for women in the 1880’s. Women were treated as possessions, not people.
In his play, A Doll's House, Henrik Ibsen depicts a female protagonist, Nora Helmer, who dares to defy her husband and forsake her "duty" as a wife and mother to seek out her individuality. A Doll's House challenges the patriarchal view held by most people at the time that a woman's place was in the home. Many women could relate to Nora's situation. Like Nora, they felt trapped by their husbands and their fathers; however, they believed that the rules of society prevented them from stepping out of the shadows of men. Through this play, Ibsen stresses the importance of women's individuality. A Doll's House combines realistic characters, fascinating imagery, explicit stage directions, and an influential setting to develop a controversial theme.
Other characters, however, such as Mrs. Linde and Krogstad, as well as Anne-Marie, play a part in defining gender roles in A Doll’s House. In this essay, I will discuss the ways in which Ibsen represents gender roles in A Doll’s House through the characters in his play and the differing views about feminism and gender roles in the play. At the beginning of the play, Nora and Helmer’s relationship appears to be a typical marriage in the 1800s. Helmer, as the man, is the head of the house and Nora is portrayed as the naïve, “spendthrift” wife who has no dealings with the financial situation of the family.
The play A Doll House (1879), by Henrik Ibsen, has a realistic feel that compels the reader to identify with the main characters and the situation that they find themselves facing. The wife, Nora, is in all but one scene, and nearly all the scenes occur in a single room. She is the main character, and it is her unraveling and self-discovery that the reader is spectator to.
Ibsen writes his play A Doll House to explain the life of a housewife and her struggles with her own actions. Ibsen examines the emptiness in the lives of Nora and Torvald as they lived a dream in a Doll House. Both awaken and realize this emptiness and so now Torvald struggles to make amends as he hopes to get Nora back possibly and then to restore a new happiness in their lives. Ibsen examines this conflict as a rock that breaks the image of this perfect life and reveals all the imperfections in the lives of those around.
“A Doll’s House” is unique in a way that it seems to explore aspects of feminism, such as the independent woman, although critics and Ibsen himself would have argued otherwise considering it to be more of a social commentary centred upon role playing in society. For this very reason, “A Doll’s House” can be seen as being relevant to twenty-first century society, since society will always attempt to group people together, whether categorised by gender, morality or wealth. The very fact that the themes presented were controversial during the Ibsen’s time, and are yet of concern in modern society, makes it one of the most influential plays ever written.
A Doll’s House was prodigious of intimation (remarkably great in extent of an indication) to common society in the 1800’s and today. Henrik Ibsen was able to reflect on society through his vivid characters and their roles in the play. A Doll’s House is a symbol of sexism in society because Kristine plays the role of a common “gold-digger”, Torvald plays the role of the common male provider, and Nora plays the role of a dependent woman. All of these traits displayed by Kristine, Torvald, and Nora are stereotypical of male and female roles today and in the past.