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Conflicts in Shame film
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The award winning novelist, Ann Patchett, once stated, “Shame should be reserved for the things we choose to do. Not the circumstances that life puts us through.” This remark has a strong correlation to many themes in the film Shame. The film Shame was produced in 2011, directed by Steve McQueen, with the screenplay written by both Steve McQueen and Abi Morgan. The film is about a seemingly successful man with a dependency on the feeling of pleasure. Brandon's sex addiction is the only thing that keeps him balanced, while at the same time causes him to endure some self hatred. Brandon realizes his self hatred when he has to face his addiction head on after a elongated visit from his sister, Sissy.The director makes it apparent that both Brandon and Sissy receive their problems from their …show more content…
She desperately looks for someone to confide in. She is constantly looking for reassurance of her behavior. Throughout the film Sissy turns to three different men looking for acceptance. In the beginning of the film, the first night McQueen introduced us to Sissy we can hear her sort of whining on the phone. The audience is to find out that it was her boyfriend on the phone. McQueen and Morgan do not provide any dialogue between the two, but instead focus on Sissys script. While on the phone Sissy was whining, “ I love you… I don’t have to go out.” At this point Sissy is showing that she needs some kind of emotional ease, this shows through the desperation she yields to be with a man that does not want her around. Sissy seeks for both physical and emotional comfort. She shows this when she is trying to get her boyfriends to spend time with her, but he is trying to avoid having to spend time with her. She is forcing herself on to this man and the relationship; this is where the feeling of confinement appears.Sissys desperation grows and one can simply see it through her actions. Sissy is desperate for approval and acceptance from
The film Jindabyne, is a story about death, marriage, and race in an Australian town in New South Wales called Jindabyne. In the film, four men go fishing, and one of them discovers the dead body of a young indigenous girl. Instead of reporting what they found to the police immediately, they decide to stay and continue fishing. They decide that there is nothing they could do for her, so they tie her legs to a tree and continue with their fishing, reporting the death only when they return home. After they are done with their weekend of fishing and report the incident, conflict starts, as the men are criticized for not respecting the dead. Through the story of the town’s reaction to the four fishermen’s response to the dead girl, the movie shows Australia to be fragmented and divided over white-indigenous relations.
The 1989 film Do the Right Thing displays a story about racial tension in a predominantly African-American neighborhood. Spike Lee not only directed and produced this film but he was also the main character, Mookie. In spite of maintaining these three jobs, Lee incorporated cinematic techniques that allowed his film to unlock controversial ideals for both Caucasian and African-American viewers. Through the use of camera elements Lee was able to display emotions and tone of the scene without using stating it directly. Lee exhibited film methods such as low-angle shots, close ups, slow motion and panning.
The guy’s seeing her as a tramp and a troublemaker, but all she wants is someone to talk to. Crooks, who is another lonely man, was very sad as well. Because he was black, he wasn’t allowed into the other guys bunkhouse with them because they thought he stunk. “Why ain’t you wanted to?” Lennie asked.
Poor Kids is a documentary that highlights a major issue the United States is suffering from. This issue is known as poverty, more specifically, childhood poverty. This documentary views the world through the eyes of children that are subjected to lives of poverty due to the poor financial state that their parents are in. Life is very rough for these children and they must live their everyday lives with little to none of the luxuries most people take for granted. Poor Kids sheds light on the painful fact that there are children that starve every day in the United States.
Sex, love, depression, guilt, trust, all are topics presented in this remarkably well written and performed drama. The Flick, a 2014 Pulitzer Prize winning drama by Annie Baker, serves to provide a social commentary which will leave the audience deep in thought well after the curtain closes. Emporia State Universities Production of this masterpiece was a masterpiece in itself, from the stunningly genuine portrayal of the characters of Avery and Rose, to the realism found within the set, every aspect of the production was superb.
In the documentary “Fed Up,” sugar is responsible for Americas rising obesity rate, which is happening even with the great stress that is set on exercise and portion control for those who are overweight. Fed Up is a film directed by Stephanie Soechtig, with Executive Producers Katie Couric and Laurie David. The filmmaker’s intent is mainly to inform people of the dangers of too much sugar, but it also talks about the fat’s in our diets and the food corporation shadiness. The filmmaker wants to educate the country on the effects of a poor diet and to open eyes to the obesity catastrophe in the United States. The main debate used is that sugar is the direct matter of obesity. Overall, I don’t believe the filmmaker’s debate was successful.
The Bad and The Beautiful (1952) and State and Main (2000) are films within films that unmask Hollywood Cinema as a dream factory and expose the grotesque, veneer hidden by the luxury of stars. The Bad and the Beautiful, directed by Vincent Minnelli, is a black and white film narrated in flashback form. The films theatrical nature requires more close-ups than wide-screen shots to capture the character’s psychological turmoil. For example, Fred and Jonathan’s car ride is captured in a close-up to signify their friendship; however their relationship deteriorates after Jonathan’s deceit. While the camera zooms out, Fred stands alone motionless. Here, Fred is captured from a distance at eye-level and he becomes ostracized by the film industry and
As a fan of cinema, I was excited to do this project on what I had remembered as a touching portrait on racism in our modern society. Writer/Director Paul Haggis deliberately depicts his characters in Crash within the context of many typical ethnic stereotypes that exist in our world today -- a "gangbanger" Latino with a shaved head and tattoos, an upper-class white woman who is discomforted by the sight of two young Black kids, and so on -- and causes them to rethink their own prejudices during their "crash moment" when they realize the racism that exists within themselves.
Davis, J. G., R. M. Waskom, and T. A. Bauder. Managing Sodic Soils. Colorado State
"Fed Up (Soechtig, 2014)." narrated by Katie Couric, focuses on the growing link between sugar consumption and the obesity epidemic. The film aggressively attacks the food industry, advertising, and the government who, it claims, all contribute to the U.S. sugar-dependent, obesity problem. The film sets out to prove the government, and food industry is knowingly causing an increase in the amount of obese children. It reserves its most critical comments for government advisory panels who make and enforce food and health policy, and its failure to properly regulate the food industry. They claim lobbyists for the sugar board have been instrumental in the removal of negative statistics from research papers worldwide. Instead
Within the German Democratic Republic, there was a secret police force known as the Stasi, which was responsible for state surveillance, attempting to permeate every facet of life. Agents within and informants tied to the Stasi were both feared and hated, as there was no true semblance of privacy for most citizens. Directed by Florian Henckel von Donnersmarck, the movie The Lives of Others follows one particular Stasi agent as he carries out his mission to spy on a well-known writer and his lover. As the film progresses, the audience is able to see the moral transformation of Stasi Captain Hauptmann Gerd Wiesler primarily through the director 's use of the script, colors and lighting, and music.
Misery the movie is about a famous author Paul Sheldon (played by James Caan) who is known for a series of award winning novels called Misery. To get inspiration for his books Paul Sheldon has ritual of visiting the Colorado mountains to complete his novels. Sheldon visited the mountains and in due time finishes his novel. In a haste to get back to his daily routines, Sheldon travels down the mountain unknowingly heading directly into a severe winter storm. While driving he ends up crashing and becoming seriously injured in the process. Thankfully and somewhat regretfully former nurse Anne Wilkes (Kathy Bates) Saves him. Anne bring him to her nearby home, on an isolated farm away from town to nurse Paul back to health. Anne is
Film Analysis of Life Is Beautiful “La vita e Bella” is an Italian film; Roberto Benigni starred as the main character, Guido Orefice, and also directed it. The film was contentious because of the way Benigni presented its content of the Holocaust with an unlikely comic slant. Some people thought that it showed a misrepresentation of the concentration camp, whilst other thought it showed the triumph. However, in March 1999 it was nominated. for seven Academy Awards including Best Picture and Best Director.
He felt extremely unfit for his identity when he began to watch pornographic movies in his office, so he lied to his boss that it was his assistant who watched it on his computer. Furthermore, he blatantly shouted at his assistant as if he was punishing himself for the dirty movies that he watches in his office. The director deliberately covers the unblinking truth contained in the character’s sexual urge as a way to allow interpretation for the audience. It is easy to get lost in one’s identity in the society, and the availability of sex has made people lost interest in what is ordinary and acceptable. Sissy as an intruder of Brandon’s life insinuates the monstrosity that devours his personality and interrupts his identity to make him feel desperate and scared for his unconscious sexual attempt of his sister. The incest delusion triggers Brandon’s monstrosity that lays within his inability to suppress his addiction to sex, dual personality, and repetition trauma occurrences in the extremity
“The Hours” directed by Stephen Daldry intertwines three women of distinct time periods as one. Virginia Wolf of the 1920’s, Laura Brown from the 1950’s and Clarissa Vaughn of modern time. The movie alternates with rough regularity between these three main characters. The movie centers on the feminist perspective of the three main characters and their respective time periods in American society. Daldry achieves purpose through plot, symbolism, and motif in a way that draws the viewer in on prominent attitudes and perspectives of each character that reveal theme. Virginia Wolf writes her story, Laura Brown reflects on the events in the story, Clarrisa Vaughn lives the story in modern time. Daldry cleverly organized the movie into three distinct