Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Elizabethan era influences in Shakespeare's works
Shakespeare's influence on English literature
Shakespeare's influence on English literature
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Elizabethan era influences in Shakespeare's works
Shakespeare’s Use of Ovid's Metamorphoses and Virgil's Aeneid as Basis for The Tempest
William Shakespeare, as did most writers of his time, took the basis for the stories he wrote from other texts. He would use source poems or mythology in order to write his own works. Romeo and Juliet, for example, can be compared to the tragedy of Pyramus and Thisby. Plays such as Richard III and Julius Caesar are artistic accounts of historic events. The Tempest, however, is commonly perceived as an original story. Many critics feel that this was the only story of his that was entirely created by Shakespeare. This is not the case. In fact, there are several sources from which he very much drew inspiration for this tale. Shakespeare used classical texts for most of his plays, and The Tempest is no exception.
Two of the stories from which Shakespeare drew most of his inspiration were Ovid's Metamorphoses and Virgil's The Aeneid. Both are very often used in the construction of stories or works that have come after, and my intention here is to illustrate just how they were used in the writing of The Tempest.
The Aeneid tells the story of a Trojan warrior named Aeneas, who is the son of Venus (the Roman goddess of love) and Anchises, a Trojan prince. The tale takes place in the12th century B.C., after the Trojan War, which was started when the Trojan prince Paris seduced Helen, the wife of the King of Sparta, and took her back to Troy. In retaliation, a Greek army waged a 10-year war on Troy, leaving the once great city and most of its people devastated. After the war, Aeneas, along with others that escaped the destruction, sets sail in search of a new home. Their journey takes them towards Sicily and Italy, and this i...
... middle of paper ...
...07.
Knapp, Charles. The Aeneid of Vergil, books I-VI, and the Metamorphoses of Ovid, with introductions, notes, and vocabulary by Charles Knapp. Chicago: Foreman and company, 1928.
Mandelbaum, Allen. The Aeneid of Virgil: A Verse Translation. Berkeley: University of California Press, 1971.
Miller, Frank Justus. Ovid's Metamorphoses in Two Volumes. Cambridge: Harvard University Press, 1916.
Pitcher, John. "A Theatre of the Future: 'The Aeneid' and 'The Tempest'." Essays in Criticism 34:3 (1984): 193-215.
Shakespeare, William. "The Tempest." The Riverside Shakespeare: Second Edition. Boston: Houghton Mifflin Company, 1997. 1661-86.
Tarantino, Elisabetta. "Morpheus, Leander, and Ariel." Review of English Studies 48:192 (1997): 489-98.
Wiltenburg, Robert. "'The Aeneid' in 'The Tempest'." Shakespeare Survey 39 (1987): 159-68.
Mankiller, Excelled over Hardship." The Washington Post, 7 Apr. 2010. Web. 09 May 2011. .
Virgil. “The Aeneid, Book IV”. The Norton Anthology of Western Literature. 8th ed. Vol. 1. New York: W.W. Norton, 2006. 974-95. Print.
The Narwhal is a whale and is also known as the unicorn of the sea. It is in the family of bottlenose dolphins, orcas, and Belugas (World Wildlife Fund). The scientific name for the Narwhal is Monodon monoceros and it is Greek meaning one-tooth, one-horn. It can grow up to 13-16 feet in length and weighs almost 2 tons (4,000 pounds). The region they are usually located is around the Arctic waters of Canada, Greenland, Norway and Russia. They are known as unicorns of the sea because they have a tusk, one of their teeth, coming out of the front of the skull. According to the World Wildlife fund (2014), “Males most commonly have tusks, and some may even have two. The tusk, which can grow as long as 10 feet, is actually an enlarged tooth.” The female does not usually grow tusks. The tusks are ivory, and that is one major reason why Narwhals are hunted since ivory is worth a lot of money.
Silvestris, Bernardus. Commentary on the First Six Books of Virgil's Aeneid. Translated by Schreiber and Maresca. University of Nebraska Press. London, 1979.
“The Tempest” is a play written by William Shakespeare in early 1600s that has been previewed in different kinds of movies, such as the one made in 2010, directed by Julie Taymor. It is a play containing themes such as; revenge, allusion, retribution, forgiveness, power, love and hatred. When it is compared to the play, there are specific differences seen in the movie, such as; Prospero is reflected as a woman in the movie. The time differences between the play and the movie and how the spirit Ariel is shown as a white man in the movie. The play starts with the story of Prospero, the Duke of Milan. He gets banished from Italy and was cast to sea by his brother Antonio. He has perfected his skills during twelve years of exile on a lonely island. Prospero creates the tempest to make his enemies’ ship to wreck and lead them to the island. Meanwhile, Antonio takes Prospero’s place and starts to make everyone believe he is the duke and makes an agreement with the King of Naples, Alonso. Besides the drama happening in the island, Prospero forgives Alonso and the others.
In Virgil’s The Aeneid, there are many parallels found in Homer’s The Odyssey. In each epic, the heroes, Aeneas and Odysseus, are on a journey “home.” Aeneas is on the search of a new home for he and his companions to settle since Troy has been destroyed, Odysseus on the other hand is attempting to return to his home he left years earlier to fight the Trojan War. They both have Gods against them and helping them, both Aeneas and Odysseus are both held back by women, both voluntary and involuntarily, and they both have experiences visiting the Underworld. Despite these similarities, there are differences between the two characters and it reflects their values and the society they live in. Aeneas relies on his strength as a warrior, where as Odysseus uses his deception to survive which reflects how Aeneas is truly Roman is versus Greek.
William Shakespeare, one of the most inspirational authors, playwrights, and Englishman’s to ever walk the earth. During his time during the 1600's he wrote two great plays. “Shakespeare was prolific, with records of his first plays beginning to appear in 1594, from which time he produced roughly two a year until around 1611” (McDorment”) They share things that are similar but they also disagree with each other quite a bit. What we can really talk about is the two main characters from the two stories. These two stories are Macbeth and Tempest. The two main characters are Macbeth and Prospero. Three things can be compared with these two; they are both the protagonist, they have to do with betrayal, and the tragic loss of something.
Shakespeare, William. The Tempest. The Norton Shakespeare. Ed. Greenblatt, Stephen. New York: W.W. Norton & Co. Inc., 1997.
The matter of serial murderers for many, many years have been dealt with by law enforcement officials. (Hickey, 2005, 6). However, the evolutionary concept of serial homicide is difficult to reconstruct with any degree of specification. The study of serial homicide, in particular of their victims is not fully elaborated in academic work. Although no one can agree with one single identifiable cause or factor that leads to the development of serial murderers, a partial answer can lie in the development of the individual from birth to adulthood, as there are a multitude of factors contributing to their development. As such, knowing the how, the why of serial murderers’ victim selection
Mowat, Barbara A. & Co. "Prospero, Agrippa, and Hocus Pocus," English Literary Renaissance. 11 (1981): 281-303. Shakespeare, William. The. The Tempest.
Tracy, H. L. "'Fata Deum' and the Action of the 'Aeneid'" Greece & Rome 11.2 (1964): 188-95.
Due to a strong cultural bias, society often disinvolves or denies the very existence of a female serial killer. Whereas the male serial killer has been regularly lionized by his outrageous exploits, the female serial killer is typically ignored, viewed as an anomaly (Kelleher p.xi)
Nesbit, E.. "The Tempest." The Best of Shakespeare: Retellings of 10 Classic Plays. Oxford University Press, 1997. n.pag. eLibrary. Web.
In the 1970’s, Robert Ressler, who was the previous director of Violent Criminal Apprehension Program with the Federal Bureau of Investigation (FBI), coined the term “serial killer”. He did so because when he was a child, the police in England used to refer to murders such as this as “crimes in a...
The Tempest. Arden Shakespeare, 1997. Print. Third Series Smith, Hallet Darius. Twentieth Century Interpretations of The Tempest; A Collection of Critical Essays, Englewood Cliffs, NJ: Prentice-Hall, 1969.